Tag: Censor board

  • Defence ministry says armed forces-themed movies, shows need its NoC

    Defence ministry says armed forces-themed movies, shows need its NoC

    MUMBAI: Censorship by any external regulatory body is something streamers and viewers in India are averse to. But there is at least in one area where they might have to yield to clipping scissors: how they depict the defence and armed forces in their shows and films. The Indian ministry of defence (MoD) has written to the Central Board of Film Certification directing production houses to get the former’s clearance for any show the story line of which features the armed forces or is themed around them before putting it out for viewing to the public.

    The letter – signed by the MoD’s undersecretary of state Sudershan Kumar additionally to the MeiTV and the I&B ministry – states that some “shows and films are distorting the image of the Indian army….they may also be advised to ensure that any incident which distorts the image of defence forces or hurts their sentiments may be prevented.”

    The MoD letter makes special reference to the depiction of “Indian army personnel and military uniform in a distorted manner in “XXX – Uncensored Season 2” and urges producers to acquire a no objection certificate from it before releasing shows on the defence on their platforms.

    XXX Uncensored Season 2 is available on ALT Balaji and has been facing protests from certain groups for the manner in which a woman character forces “a man to wear the Indian Army uniform, which has the national emblem on its flaps, and then tearing it.”

    The MoD says it too has received several complaints.

  • Shyam Benegal to head committee examining film censorship

    Shyam Benegal to head committee examining film censorship

    NEW DELHI: A Committee headed by veteran filmmaker Shyam Benegal has been constituted by the Government to suggest a paradigm that ensures that artistic creativity and freedom do not get stifled or curtailed even as films are certified.
     
    Noting that “in most countries of the world there is a mechanism / process of certifying feature films and documentaries,” an official release also said that the attempt should also be that “the people tasked with the work of certification understand these nuances.”
     
    The recommendations of this Committee are expected to provide a holistic framework and enable those tasked with the work of certification of films to discharge their responsibilities keeping in view this framework. 
     
    The note said Indian films have a glorious history and a whole lot of Indian films have enriched the cultural milieu of the country besides making astonishing advances in technical aspects of film making. 
     
    During their deliberations, the Committee would be expected to take note of the best practices in various parts of the world, especially where the film industry is given sufficient and adequate space for creative and aesthetic expression. 
     
    The Committee would recommend broad guidelines / procedures under the provisions of the Cinematograph Act 1952 / Rules for the benefit of the chairperson and other members of the Screening Committee. The staffing pattern of Central Board of Film Certification would also be looked into in an effort to recommend a framework, which would provide efficient and transparent user friendly services. 
     
    The other Members of the Committee include filmmaker Rakeysh Omprakash Mehra, creative director Piyush Pandey, media veteran Bhawana Somayya, National Film Development Corporation managing director Nina Lath Gupta, and Joint Secretary (Films) Sanjay Murthy as Member Convenor. The Committee has been requested to submit its recommendations within two months.  
     

    Welcoming the appointment of the Committee, Central Board of Film Certification (CBFC) chairman Pahlaj Nihalani told Indiantelevision.com that he hoped the report will clear the air as far as certifying films was concerned.
     
    In a telephonic interview from Mumbai, Nihalani said that it was necessary to protect the freedom of speech and the right of a filmmaker, but this could not be done at the cost of permitting all kinds of language or innuendos.
     
    He, therefore, suggested that there was need for extending the certification scope by introducing two categories beyond those at present. The categories at present are Universal (U), Universal with Adult Guidance (U/A), and Adult (A). 
     
    He felt that while not permitting pornography, there should be two categories beyond the A category: A+ and A++. 
     
    Meanwhile, Benegal said in an interview to a newspaper in Mumbai that his committee does not have anything to do with Nihalani. He added that many of the guidelines need to be looked at from time to time since society was an entity where things keep changing, sensibilities change and viewers change. 
     
    This is not the first time that such a committee has been set up. After earlier attempts, the last Committee that examined similar issues was headed by Mukul Mudgal. However, no action has been taken on that report submitted in 2013.

  • Censor Board members who quit are “rebels without a cause”: Arun Jaitely

    Censor Board members who quit are “rebels without a cause”: Arun Jaitely

    MUMBAI: The theatrics between the government and Central Board of Film Certification (CBFC) continues. After the resignation of CBFC chief Leela Samson and thirteen other board members, Minister of Finance, Minister of Corporate Affairs and Minister of Information and Broadcasting Arun Jaitely has now called all of them ‘Rebels Without A Cause.’

     

    In a note put up on social media, Jaitely acknowledged that the chairperson of the Censor Board – Samson – sent her resignation to the Government as have some other members, alleging interference by the Government and corruption in the Board.

     

    “Along with my colleague Shri Rajyavardhan Singh Rathore, I look after the Ministry of Information & Broadcasting. At no point either of us have communicated with any Member of the Censor Board or desired that any bureaucrat to do the same. I have not met or spoken to any Member of the Censor Board nor authorised anyone to do the same. It is the UPA appointed Central Censor Board, which has since continued. If there is any corruption, the UPA appointees have themselves to blame. I only wished that the fact of corruption had been communicated even once by the Chairperson of the Censor Board to me. The non-functional Chairperson never did so. The charge that meetings of the Censor Board are not being held is a self condemnation. The meetings are to be convened not by the Minister or the Secretary but by the Chairperson. If the meetings are not being convened, it is for those responsible for non-functioning who must blame themselves. I have checked up from officials of the Ministry who informed that the funds for the Censor Board have been returned to the Ministry as unspent by the Board,” Jaitely lashed out in this no-holds-barred note.

     

    He further went on to say that the legal regime with regard to the functioning of the Censor Board is clear. “It is the Censor Board alone which decides issues within its jurisdiction. The aggrieved producer has a right to move to the Appeal Tribunal. The Congress Party has politicised even membership of the Appeal Tribunal. We have restored its dignity by appointing a former judge of high credibility as Chairperson. If an Appeal Tribunal disagrees with the Board, it is a part of the due process of law and not an onslaught on Board’s autonomy. Can a subordinate judicial authority ever cry foul if its decision upset by an appellate authority? The NDA Government maintains arms length distance in all matters relating to film certification,” he wrote.

     

    Lashing out at the UPA Government, Jaitely said that the UPA had politicised the Censor Board. “In 2004 they dismissed the existing Censor Board headed by an eminent film actor Anupam Kher merely on the ground that he was appointed by the earlier Government. We did not wish to do that. It is regrettable that the UPA appointees have decided to politicise routine issues,” he said.

     

    As was reported earlier by Indiatelevision.com, the controversy arose over the film ‘Messenger of God’ (MSG), made by and starring Dera Saccha Sauda head Gurmeet Ram Rahim Singh.

     

  • ‘Super Regulator’ to replace TRAI, TDSAT

    ‘Super Regulator’ to replace TRAI, TDSAT

    MUMBAI: After scrapping the planning commission, the Modi government is thinking about clipping the wings of the Telecom Regulatory Authority of India (TRAI).

     

    According to a CNBC TV-18 story, the government is planning on a new super regulator for the communications sector. To be called Communications Commission, it will not only retain powers that TRAI enjoys, but also look into other matters concerning other regulators as well like Censor Board, some clearances from Ministry Of Environment, Competition Commission of India and the Department of Telecommunications.

     

    Moreover, the bill will also replace the Telecom Disputes Settlement Appellate Tribunal (TDSAT) with a new appellate body called the Communications Appellate Tribunal, which will have three members and a chairman. According to the report, this tribunal will also have the power to oversee dispute resolution.

     

    The communications bill seeks to replace all old and redundant legislations which include the Telegraph Act and TRAI Act. The Bill proposes a six member regulator with one chairman, who will have five year tenure. The member will include one each from sectors like telecom, broadcasting, finance, management, accountancy and either law or consumer affairs.

  • MIB orders WB to stop transmission for one day

    MIB orders WB to stop transmission for one day

    NEW DELHI: It seems the Ministry of Information & Broadcasting (MIB) keeps a close watch on channels that don’t follow the guidelines set for them. That is what is evident from a recent incident where the Ministry has cracked its whip on the international movie channel, WB (Warner Brothers). The Ministry has prohibited the transmission or retransmission of the of WB TV channel for one day throughout India later this month as a penalty for telecasting a V/UA certified film It’s a Boy Girl Thing on 7 January, 2013 at 11.51 am.

     

    The prohibition on any platform throughout India will be with effect from 00.01 am on 24 January till 00.01 am on 25 January.

     

    The action has been taken under in exercise of the powers conferred by sub-section (2) & (3) of Section 20 of the Cable Television Networks (Regulation) Act 1995 and under paras 6.1 and 6.2 of the Guidelines for Downlinking from India.

     

    The Ministry had issued a notice to the channel on 20 August last year as the telecast appeared to violate late Rule 6(l) (a), 6 (tXd), 6(l) (k) 6(l)(o) & 6 (5) of the Cable Television Networks Rules 1994 under the Cable Television Networks (Regulation) Act 1995 and the channel was asked to show cause within fifteen days.

     

    While asking for a personal opportunity to explain their position, M/s Turner International India, the parent company of WB channel, in their reply of 2 September said it was not aware about the Central Board of Film Certification (CBFC) suggesting 15 voluntary cuts and l6 compulsory cuts in the film until the Ministry issued the notice. It further said all content telecast on the channel was reviewed by its Standards and Practice Department which had very strict mechanism to ensure that only appropriate material was played out in accordance with Indian requirements.

     

    Turner further said that immediately upon receipt of the notice, the channel withdrew and stopped all further telecast of the film and indicated that the channel was willing to re-apply to the CBFC for re-certification of the film and would not telecast the same until a certificate was obtained by the CBFC. Furthermore, it said the CBFC Certificate available with it contained only the compulsory cuts without any reference to the voluntary cuts and that it had not questioned the completeness of the Censor Certificate and had made the edition and cuts based on the belief that the Censor Certificate available with them was the only, valid and complete Censor Certificate issued by the CBFC.

     

    In the personal hearing given by the Inter-Ministerial Committee, the Turner representative issued an unconditional apology for airing the film with offensive content on television and admitted that it was a mistake on the part of their programme team. The Committee previewed the CD containing the film, considered the reply of the channel and the personal submissions made by the representative of the channel.

     

    The Committee held that the channel had clearly violated the provisions of the Programme Code and observed that this kind of violation of the provisions of the 1995 Act and Rules framed there under was not acceptable. Though the channel had accepted their fault and apologised for their mistake, ‘they cannot escape the responsibility of ensuring that the content on their channel is in conformity with the Programme Code at all times. Moreover, before telecasting any film due diligence has to be done by the channel to assure that only certified version fully compliant with all necessary and voluntary deletions/editions is aired.

     

    The Ministry said the film telecast by the channel shows ‘highly objectionable visuals which denigrate Women’.

     

    ‘The Visuals shown are very offensive and obscene as the private parts of male and female are focused upon. The portrayal of the sex change is in bad taste and is indecent. The visuals are not fit to be viewed by children and also not suitable for unrestricted public exhibition. These visuals also denigrate women,’ remarks the notice.

     

    Rule 6 (1) (a) of the Programme Code contained in the Cable Television Networks Rules, 1994 provides that no programme should be carried in the Cable Service which offends good taste or decency. Rule 6 (l) (d) provides that no programme should be carried in the Cable Service which contains anything obscene, defamatory, deliberate, false and suggestive innuendos and half truth. Rule 6 (l) (K) provides that no programme should be carried in the Cable Service which denigrates women through the depiction in any manner of the figure of a women, her form or body or any part thereof in such a way as to have the effect of being indecent or derogatory to women. Rule 6 (l) (o) & 6 (5) provides that no programme should be carried in the Cable Service which is not suitable for unrestricted public exhibition and children viewing’.

     

    In view of the apology by the channel and its reply, the Committee recommended the prohibition of the transmission/re-transmission of the channel throughout India for one day.

  • Censor board clears Deepa Mehta’s Midnight’s Children

    Censor board clears Deepa Mehta’s Midnight’s Children

    MUMBAI: Deepa Mehta‘s film based on Salman Rushdie‘s book Midnight‘s Children finally received the green signal by the Central Board of Film Certification (CBFC) without a single cut.

    The movie is an adaptation of controversial author Salman Rushdie‘s 1980 Booker Prize-winning book of the same name.

    Mehta tweeted, "India here we come – intact! Great news – ‘Midnight‘s Children‘ went through Indian censor board …… without one pic cut. Salman Rushdie and I THRILLED."

    The film‘s cast includes Satya Bhabha, Shriya Saran, Siddharth, Anupam Kher, Shabana Azmi, Seema Biswas, Shahana Goswami, Rahul Bose, Soha Ali Khan, Ronit Roy, and Darsheel Safary.

    Midnight‘s Children is shot mostly in Sri Lanka and follows the story of a boy, Saleem Sinai, who is born at the exact time and date when India attained independence at midnight on 15 August 1947.

  • Censor Board clears Talaash with a U/A certificate

    Censor Board clears Talaash with a U/A certificate

    MUMBAI: The Censor Board has cleared Aamir Khan‘s upcoming release Talaash with a U/A certificate.

    Film trade circles were apprehensive of the kind of certificate the Censors would dish out given the fact that the film is a suspense drama with serial killings at its core. Some even feared that the film may be deemed unfit for kids and teenagers and hence would be given an ‘A‘ certificate.

    "However, Censor Board feels that there isn‘t anything overtly violent or disturbing about the film and hence have given it a U/A. "The film had also been passed without any cuts. That‘s a good win too", said a source.

    This has been heartening for the film‘s producers Farhan Akhtar, Aamir Khan and Ritesh Sidhwani who wouldn‘t have to worry about curtailed footfalls for the film. Moreover, director Reema Kagti too is happy with the liberal stance of the Censor Board.

    The film‘s running length is 2 hours and 14 minutes.

  • Barfi! to screen at Busan Film Fest

    Barfi! to screen at Busan Film Fest

    MUMBAI: Director Anurag Basu‘s upcoming film Barfi! has been selected for the Busan Film Festival to be held next month.

    “There is another good news today for Barfi team and fans, we got selected for Busan film festival. yeaaah!! Thanx Utv,” tweeted Basu.

    Another good news is that the film has also bagged a U certificate from the Censor Board. Basu, who is known for adult and mature themes in his films has said it is the first U certificate film in his career.

    “Just got the censor certificate, ‘Barfi!‘ is my first U certificate film,” tweeted Basu, who earlier directed films like Murder, Gangster and Life in a… Metro.

    Barfi!, that stars Ranbir Kapoor, Priyanka Chopra along with Ileana D‘Cruz in the lead roles, is slated for a 14 September release.

  • Ek Tha Tiger banned in Pakistan

    Ek Tha Tiger banned in Pakistan

    MUMBAI: India-made spy films are always banned by Pakistan.

    Going by the banning of Saif Ali Khan‘s spy thriller Agent Vinod some months ago, Pakistan has reportedly prohibited Ek Tha Tiger from exhibition in the country.

    To cash in on the Eid weekend, Ek Tha Tiger was slated to release in Pakistan this week and was expected to fetch good income. A Pakistani distributor has gone on record to confirm that the film won‘t release there because it hasn‘t been granted clearance by the Pakistani Censor Board.

    Though there has been no official word from the Pakistani Censor Board, but going by the brief given by the Pak electronic media watchdog to ban the trailer of the film, the authorities in the country are wary of their powerful spy agency ISI being shown in bad light in the Salman Khan film.

    Airing his views, director Kabir Khan is quoted to have said, “It is sad that a film promoting peace and friendship has fallen victim to politics.”

    Ek Tha Tiger was supposed to release with 35 prints in Pakistan.

  • Teen Yari Katha releases after 6 years of Censor trauma

    Teen Yari Katha releases after 6 years of Censor trauma

    MUMBAI: Breaking away from the six-year hitch of not being able to see the light of the day, Prosenjit’s Bengali film Teen Yari Katha (tale of three friends) was released recently.

    The film is about three young friends who belong to the suburban middle-class. One plies an auto-rickshaw, one supplies newspapers and so on with similar angst and sexual desires that bond youngsters of their age.

    Though the film was screened at the Kolkata Film Festival in 2007 followed by its screening in the competition section of the Osian Film Festival in Delhi in 2009, it could not release because the Censor Board held up its release for its objectionable dialogue filled with slang and brazen sexual innuendos. They refused to pass it even after watching it several times and the directors refused to agree to the cuts suggested by the CBFC.

    “We have released 35 prints initially for screening across Kolkata and Bengal because this is a film that does not cater to the rural-urban divide and will appeal to every adult viewer,” said joint directors Sudeshna Roy and Abhijit Guha.

    To ascertain that the film doesn’t look dated, the director duo got the colour correction of every single frame done once again. “The film deals with a subject that was far ahead of its time, so in a way perhaps, this six-year delay will prove to be a boon for the film at the box-office,” added Roy.

    The film has Parambrato Chatterjee, Saswata Chatterjee ( both Kahaani fame) and Rudraneel in pivotal roles.