Tag: CBS Television Studios

  • Star World & Star World HD to air Season 1 of The Odd Couple

    Star World & Star World HD to air Season 1 of The Odd Couple

    MUMBAI:  Starting 18 December 2015, Star World and Star World HD will air the first season of one of American comedy series – The Odd Couple. The series stars Matthew Perry and Thomas Lennon who are joined by an ensemble cast including Lindsay Sloane, Wendell Pierce and Yvette Nicole Brown.

     

    Perry, who is not only starring, but is also an executive producer and co-wrote the pilot says, “I was a huge fan of the movie. I was too young to have seen the play, but I was a huge fan of the movie and then a gigantic fan of the TV show. Oscar and Felix are two of the most seminal characters of all time, so to bring it back and then be lucky enough to find Tom Lennon who plays Felix – and he is Felix, like he is exactly like the character – is fortunate.”

     

    Lennon, who is also a huge fan of the original show said, “Most shows like the great show “Friends” are a pairing of either two or more people who for some reason are disjointed and don’t quite go together and we are so lucky that we had the actual title from the Neil Simon (version).”

     

    The Odd Couple follows a multi-camera set up and is produced by CBS Television Studios. This is the sixth screen production of the play.

     

    Season 1 of The Odd Couple starts on 18th December and will air from Monday to Friday at 8:30 pm exclusively on Star World and Star World HD.

  • Q2-2015: Cable Networks props CBS revenue to 1% growth

    Q2-2015: Cable Networks props CBS revenue to 1% growth

    BENGALURU: CBS Corporation reported a one per cent growth in revenue to $3219 million in the quarter ended 30 June, 2015 (Q2-2015) as compared to the $3188 million in the corresponding year ago quarter.

     

    The company’s slight revenue growth was propped by a 19.2 per cent growth by its Cable Network segment, which is one of the four that contribute to the company’s numbers. Cable Networks segment reported revenue of $615 million in the current quarter as compared to the $516 million in the corresponding year ago quarter.

     

    The other three segments-Entertainment, Publishing and Local Broadcasting reported decline in revenue in Q2-2015 by 2.7 per cent, 5.7 per cent and 1.7 per cent respectively as compared to Q2-2014.

     

    Adjusted operating income was $641 million for the second quarter of 2015 compared with operating income of $730 million for the same prior-year period, reflecting higher investment in programming and digital distribution initiatives says CBS. Adjusted net earnings from continuing operations were $365 million for the second quarter of 2015 compared with net earnings from continuing operations of $418 million for the same prior-year period, as a result of the lower adjusted operating income.

     

    Company speak

     

    “CBS is at the center of the action during an extremely exciting time in media. We continue to succeed as a result of our world-class content, and Les and his team are positioning the Company to prosper in the quarters and years ahead,” said CBS executive chairman Sumner Redstone.

     

    “This quarter underscores the key steps we are taking to build out our long-term growth strategy. Central to that strategy is the progress we’re seeing with our fast-growing, non-advertising revenue sources, and there’s so much more to come as our investment in global content and new distribution pathways pays off. We are now on target to surpass our goal of $2 billion in retransmission consent and reverse compensation revenue by 2020 – thanks to a series of recent deals that reset the value of our content in the marketplace. Additionally, the launch of Showtime’s streaming service and the rapid expansion of CBS All Access are generating incremental revenue streams that will continue to grow in the years ahead,” added CBS president and CEO Leslie Moonves.

     

    “Of course, our premium content remains the cornerstone of our success, and I am confident this fall’s new primetime lineup will lead us to another victory next season. In fact, our schedule is so strong that we achieved solid pricing increases and the highest rates overall in the advertising upfront, and we also expect healthy increases in the scatter market throughout the year. As we lay the groundwork for a lucrative 2016 and beyond, we are also holding the line on costs, and we remain as focused as ever on investing in the best content, enhancing our strong financial position, and returning value to shareholders,” Moonves said.

     

    Overall numbers

     

    Revenues for Q2- 2015 increased, driven by affiliate and subscription fees that grew 28.3 per cent to $752 million as compared to the $586 million, driven by Showtime’s distribution of the highest-grossing pay-per-view boxing event of all time, as well as 40 per cent growth in retransmission revenues and fees from CBS Television Network-affiliated television stations. Advertising revenues decreased 2.6 per cent to $1594 million as compared to $1636 million in the corresponding quarter of last year. Content licensing and distribution revenues were down 9.7 per cent to $815 million in the current quarter from $903 million in Q2-2014, primarily reflecting lower domestic television licensing revenues, which were partially offset by higher international television licensing revenues.

     

    Segment numbers

     

    Entertainment

     

    CBS Entertainment segment comprises CBS Television Network, CBS Television Studios, CBS Global Distribution Group, CBS Interactive, and CBS Films.

     

    Entertainment revenues were $1785 million for Q2- 2015 compared with $1835 million for the same prior-year period, primarily reflecting the timing of television licensing revenues. Advertising revenues were down two per cent because of a sale of an Internet business in China during Q1-2015 and the timing of certain sporting events on the CBS Television Network. Affiliate and subscription fees were up 50 per cent, driven by growth in rates.

     

    Entertainment operating income for Q2- 2015 was $262 million compared with $341 million for Q2-2014, reflecting lower revenues and higher investment in programming and digital distribution initiatives.

     

    Cable Networks

     

    Details of Cable Networks revenue comprising Showtime Networks, CBS Sports Network, and Smithsonian Networks have been mentioned above.

     

    Cable Networks operating income for the second quarter of 2015 of $220 million increased from $213 million for the same prior-year period, as the revenue growth was partially offset by higher programming costs for the pay-per-view boxing event.

     

    Publishing (Simon & Schuster)

     

    Publishing revenues for Q2- 2015 were $199 million compared with $211 million for the same prior year period. Digital revenues represented 24 per cent of Publishing’s total revenues for Q2-2015. Bestselling titles in the second quarter of 2015 included The Wright Brothers by David McCullough and Finders Keepers by Stephen King, as well as the continued success of the Pulitzer Prize-winning 2014 release, All the Light We Cannot See by Anthony Doerr.

     

    Publishing operating income of $25 million for the second quarter of 2015 increased nine per cent from $23 million in Q2- 2014, as the revenue decline was more than offset by lower production and distribution costs.

     

    Local Broadcasting

     

    Local Broadcasting comprises CBS Television Stations and CBS Radio.

     

    Local Broadcasting revenues of $654 million for Q2-2015 decreased two per cent from $665 million in the same prior-year period. The decline was the result of lower advertising revenues, including political spending from last year’s midterm elections. Growth in affiliate and subscription fees partially offset the decline. CBS Television Stations revenues were up one per cent, and CBS Radio revenues decreased five per cent.

     

    Local Broadcasting operating income for the second quarter of 2015 was down eight per cent to $198 million from $215 million for the same prior-year period, primarily reflecting the revenue decline.

  • CBS executives David Stapf and Armando Nunez to deliver joint keynote at Mipcom 2014

    CBS executives David Stapf and Armando Nunez to deliver joint keynote at Mipcom 2014

    MUMBAI: MIPCOM announces today that David Stapf, President of CBS Television Studios, and Armando Nu?ez, President and CEO of CBS Global Distribution Group, will deliver a joint keynote address as part of MIPCOM’s Media Mastermind Keynote Series.

    Organised by Reed MIDEM, the 30th anniversary edition of MIPCOM will take place in Cannes, France, from 13-16 October 2014.

    The CBS Studios Global Content Keynote from Nu?ez and Stapf is scheduled for Tuesday 14 October. With more than five decades of television production and international TV distribution experience between them, the CBS executives will discuss this year’s overall theme, The Global Quest for Original Content . The duo will tackle topics including the rise of event series programming, new relationships with digital distribution partners, CBS’s year-round programming strategy and the global appetite for CBS and Showtime content.

    CBS Television Studios is one of the leading suppliers of primetime network programming, with top scripted dramas such as “NCIS” and “NCIS: Los Angeles” and comedy series “The Millers.” The studio’s roster of popular and critically-acclaimed programmes also includes the phenomenally successful CSI franchise, summer event series “Under the Dome,” “Elementary,” starring Jonny Lee Miller and Lucy Liu, and the Peabody Award winning series “The Good Wife,” starring multiple award winner Julianna Margulies.

    David Stapf was named President, CBS Television Studios in September 2004. He is responsible for overseeing all of the Studio’s programme development and production, basic cable and premium channel markets.

    Armando Nu?ez was named President and CEO of the CBS Global Distribution Group in October 2012. Nunez is responsible for overseeing all of CBS Corporation’s international and domestic distribution operations, including CBS Studios International, which licenses CBS programming worldwide to more than 200 markets across multiple media platforms. Nu?ez has been with the company since 1999.

    Stapf and Nunez report directly to Leslie Moonves, President and CEO of CBS Corporation.

  • Prime Focus Technologies completes acquisition of DAX

    Prime Focus Technologies completes acquisition of DAX

    MUMBAI: Prime Focus Technologies (PFT), the technology subsidiary of Prime Focus today announced that it has completed the acquisition of DAX, a leading provider of cloud-based production workflow and media asset management applications to the entertainment industry.

     

    On 11 March, PFT announced a definitive agreement to acquire DAX for a base consideration of $ 9.1 million in a uniquely structured performance linked transaction. PFT through its US subsidiary will acquire all the assets of DAX for an upfront payment with balance payable over three years primarily from cash flows from the North American operations.

    The acquisition gives PFT ownership of DAX’s patented technology (US Patent No: 7,660,416/ 8,218,764) and products including the Primetime Emmy award winning Digital Dailies solution which is the de-facto industry standard in television production.

    It also sets the course for PFT’s strategic expansion in North America. PFT will significantly enhance the value proposition to DAX’s marquee customers including major studios and broadcast networks (Warner Bros. Television Studios, CBS Television Studios, 20th Century Fox Television Studios, Legendary Pictures, Fox Television Studios, A&E, Showtime, Starz, Relativity Media and Lionsgate) and many independent production and distribution companies.

    The combination now creates an unrivaled industry leader, offering a uniquely robust and dynamic stack of enterprise-class Media ERP solutions to broadcasters and studios claims the technology arm of Prime Focus.

  • Prime Focus Technologies to acquire US-based DAX for Rs 56 crore

    Prime Focus Technologies to acquire US-based DAX for Rs 56 crore

    MUMBAI: Prime Focus Technologies (PFT), the technology subsidiary Prime Focus, today announced that it has signed a definitive agreement to acquire DAX, a leading provider of cloud-based production workflow and media asset management applications to the entertainment industry for a base consideration of $ 9.1 million (about Rs 56 crore) in a uniquely structured performance linked transaction.

     

    Prime Focus is a global leader in providing media and entertainment industry services.

     

    PFT through its US subsidiary will acquire all the assets of DAX for an upfront payment and with balance payable over 3 years such that cash flows from the North American operations will support the payment.

     

    This acquisition gives PFT ownership of DAX’s patented technology and products including the Primetime Emmy award winning Digital Dailies solution which is the de-facto industry standard in television production. This acquisition also sets the course for PFT’s strategic expansion in North America. PFT will significantly enhance the value proposition to DAX’s marquee customers including major studios and broadcast networks (Warner Bros. Television Studios, CBS Television Studios, 20th Century Fox Television Studios, Relativity Media, Legendary Pictures, Fox Television Studios, A&E, Showtime, Starz Media and Lionsgate) and many independent production and distribution companies.

     

    “Our vision is to build the best enterprise platform for Production on the Cloud by taking a fresh look at media workflows through the lens of a studio that wants to efficiently collaborate across divisions with its entertainment content before, during and after the production phase,” said Ramki Sankaranarayanan, Founder and CEO, PFT.

     

    “Digital Dailies is one of the first significant entry points to Production on the cloud. PFT’s CLEARTM Media ERP platform combined with DAX’s team and products will accelerate the realisation of this vision”.

     

    “PFT has tremendous resources at its disposal,” said Patrick Macdonald-King, CEO, DAX who will now assume the role of President and be part of the executive leadership team at PFT responsible for North America. “Beginning with its 250-person strong R&D and product development team dedicated to a single platform with rare media-centric IT skills. This marriage allows DAX to fulfill its vision and extends DAX’s support of file-based workflows across the enterprise. PFT’s arsenal of media-centric technology tools will drive the DAX product offering to a new level. For DAX customers, it’s important to note that all tech support, client services, product design and account management will remain in Los Angeles, but also expand to the PFT offices in New York and London to better service the East Coast and Europe.”

     

    The global market for media asset management, workflow management, collaboration and media processing services is approximately $10 billion. With content enterprises like broadcast networks faced with flat top lines and rising operating costs, organisations are increasingly attentive to solutions like virtualisation of content supply chain operations, and media process outsourcing to enhance overall profitability as well as top line by realising new media monetisation opportunities in the multi-screen world.

     

    “PFT’s CLEAR platform is the most scalable and feature rich application I have seen in the market and its laser like focus on servicing the media industry is unique,” said Macdonald-King. “Most of the competition is focused on single point solutions that further cement the siloed approach which is detrimental to long term agility and sustainability of media businesses.”

     

    The transaction is subject to customary closing conditions and is expected to close in the coming weeks. PFT and DAX will be exhibiting together at the upcoming NAB Show 2014, and will showcase a number of CLEAR and DAX product releases.

     

    “The biggest broadcast networks in the world run CLEAR Media ERP platform to manage their content supply chain,” informs Ramki. “Managing 200 TV shows every day and over 350,000 hours of content has made CLEAR a world leader in the Media Cloud solutions market. We would like to extend this leadership to Production by tapping into the creative process in a more holistic way, empowering studios to truly transform the entertainment paradigm. DAX takes us closer to this goal,” concluded Ramki.