Tag: Cartoon Network

  • Non-traditional advertisers flock to Turner’s kids channels

    Non-traditional advertisers flock to Turner’s kids channels

    MUMBAI: The year 2015 was an exciting one for kids’ television, what with several new shows being added to popular time bands and channels going the original way for content. From the perspective of advertising expenditure too, 2015 spelled as a fruitful year for the kids category on television as it managed to attract several non-conventional advertisers.

     

    Giving an insight on the facts and figures for the year’s performance in the genre, Turner International India vice president ad sales –  South Asia Juhi Ravindranath says, “The ad spends in 2015 were largely driven by categories like autos and e-commerce, which are not the conventional advertisers in the kids’ genre. FMCGs have performed really well. The overall estimate for TV has grown by over 14 per cent while the kids’ genre has also seen a decent double-digit growth.”

     

    Turner International rode this wave successfully and kept up with the pace of Indian entertainment market as well. “Pogo and Cartoon Network have received newer advertisers and categories coming on board, and their dependence on non-kids advertisers is also growing. Currently, nearly 60 to 65 per cent of the inventory on the kids’ genre is from non-kids’ brands. The channels have advertised with non-conventional advertisers through the conventional vignettes, brand integrations of the content messaging, creating co-branded promos, etc,” Ravindranath informs.

     

    On the brand integration front, channels have offered several new initiatives. “One of the key highlights for the year was the brand integration with Kellogg’s & Chhota Bheem. Another creative brand integration included: Perfetti in the animated movie series Sholay on Pogo. In addition to this, Perfetti Alpenliebe Juzt Jelly will join hands for the upcoming telefilm, Kris Ka Scooba Dooba Ajooba on Cartoon Network,” she says. 

     

    With advertisers from the non-kids category and FMCG brands coming onboard, the network’s content strategy for 2016 is also expected to ramp up.

     

    Turner International, executive director and network head – kids Krishna Desai adds, “Original content is key to us in fulfilling a long term and sustainable content pipe. A very large majority of all the content on CN comprises Cartoon Network Originals. On Pogo, large chunks of our pipe are either co-productions or from our sister company Warner Bros. Making content locally relevant is crucial – be it in the form of dubbing or home grown content.”

     

    With original content being the key focus, the channels will soon work on their line up for the year. “Turner International India will slowly bring in local content on the channel Toonami, along with the super hero shows. The second movie of the series Chakra that was worked along with Stan Lee, will be premiere in a few weeks,” informs Desai.

     

    However he asserts that good stories with universal themes told in a language understood and preferred by the audience, makes the differentiation between local versus international and irrelevant one. “Ben10 on Cartoon Network is as Indian as a Chhota Bheem as they have always seen him talk in Hindi,” he adds.

     

    Years ago Cartoon Network was the sole ruler in the genre. However, things changed as more and more new kids channels made their entry in the country. Although the channel continues to hold its place in the top three positions through the year, it is no longer the most watched channel in the category.

     

    When asked if Turner International India will strive to reclaim its number one spot in the category, Desai says, “The portfolio share makes us the number one kids portfolio in India. Our endeavor is to grow this share and also have leadership in the individual channel ranks. Our strategy is based on putting the consumer at the center of everything that we do.”

     

    With more and more kids content being available digitally, channels must also buckle up to retain their audiences. Desai says that offering app based services and experiences are one way to tap in the changing dynamics in kids content. 

     

    “Our kids brand digital offerings are transitioning towards being more ‘app’ based. The applications CN Watch and Play and CN Anything will be launched soon in India while Pogo channel’s website will shortly migrate on a new and much responsive platform. Kids love playing games than watching videos. CN Watch and Play app lets you do that at the same time,” Desai points out. 

     

    The network is also building shows that have a specific digital strategy, which may mean that they get premiered first on the digital platform.

  • Nick continues to reign over kids genre with ‘Motu Patlu:’ BARC week 2

    Nick continues to reign over kids genre with ‘Motu Patlu:’ BARC week 2

    MUMBAI: The second week of 2016 sees Viacom 18’s kids channel Nick staying strong in its position at the top as per Broadcast Audience Research Council (BARC) India’s all India (U+R) data in NCCS All 4-14 Individuals category.

     

    Nick, with 87947 (000s sums) ratings, was followed by Cartoon Network with 69169 (000s sums) at the second spot. On the other hand, Pogo TV trailed closely behind with 65903 (000s sums).

     

    Hungama took the fourth spot with viewership rating of 53475 (000s sums), while Disney Channel stood at the fifth position in the genre with a rating of 41479 (000s sums).

     

    When it comes to top five programs in the kids genre, Nick’s Motu Patlu Deep Sea Adventure stole the show with ratings of 670 (000s sums) and was closely followed byMotu Patlu In Carnival Island – Part 1 with 617 (000s sums) ratings. 

     

    Pogo TV’s Bang Bang With Bheem took the third spot with a slightly lower rating of 594 (000s sums), while the same channel’s Chhota Bheem: Master of Shaolin followed in the fourth spot with 551 (000s sums) ratings.

     

    Last but not the least on the top five programs’ list was Nick’s latest original show Shivawith ratings of 545 (000 sums). It is to be noted that the top program ranking is based on average rating across all airings in the week, including original telecasts and repeats.

  • Nick continues to reign over kids genre with ‘Motu Patlu:’ BARC week 2

    Nick continues to reign over kids genre with ‘Motu Patlu:’ BARC week 2

    MUMBAI: The second week of 2016 sees Viacom 18’s kids channel Nick staying strong in its position at the top as per Broadcast Audience Research Council (BARC) India’s all India (U+R) data in NCCS All 4-14 Individuals category.

     

    Nick, with 87947 (000s sums) ratings, was followed by Cartoon Network with 69169 (000s sums) at the second spot. On the other hand, Pogo TV trailed closely behind with 65903 (000s sums).

     

    Hungama took the fourth spot with viewership rating of 53475 (000s sums), while Disney Channel stood at the fifth position in the genre with a rating of 41479 (000s sums).

     

    When it comes to top five programs in the kids genre, Nick’s Motu Patlu Deep Sea Adventure stole the show with ratings of 670 (000s sums) and was closely followed byMotu Patlu In Carnival Island – Part 1 with 617 (000s sums) ratings. 

     

    Pogo TV’s Bang Bang With Bheem took the third spot with a slightly lower rating of 594 (000s sums), while the same channel’s Chhota Bheem: Master of Shaolin followed in the fourth spot with 551 (000s sums) ratings.

     

    Last but not the least on the top five programs’ list was Nick’s latest original show Shivawith ratings of 545 (000 sums). It is to be noted that the top program ranking is based on average rating across all airings in the week, including original telecasts and repeats.

  • Turner International ups Mark Eyers as SVP

    Turner International ups Mark Eyers as SVP

    MUMBAI: Turner International Asia Pacific has promoted Mark Eyers to senior vice president. 

     

    As chief content officer, Eyers oversees every aspect of Turner’s kids content business and portfolio of leading kids brands across Asia Pacific including Cartoon Network, Boomerang, Toonami and Pogo.

     

    Based in Hong Kong, Eyers will focus on strengthening the planning process for these brands, identifying and developing fresh animation talent on local, regional and international level as well as opportunities to further develop and distribute hit properties and content franchises across the company’s multiple platforms – TV, web and mobile.

     

    He will also be accountable for spearheading new channel development across the region.

     

    Turner International Asia Pacific president Ricky Ow said, “Under Mark’s leadership, Turner’s kids brands have not only dominated the genre but also expanded tremendously across the region. He has spearheaded the growth of our kids brands across multi-platform while also leading numerous international original animation productions, including the award-winning Monster Beach and recent series Exchange Student Zero. His promotion is a timely acknowledgement of his contribution to the importance of the kids brands to Turner’s business in this region and the confidence we have in him to further build upon it.”

     

    Eyers, joined Turner International Asia Pacific’s creative services team in 2004 and previously worked as vice president of kids content. In this capacity, he was responsible for the implementation of a unified programming vision across all Turner brands by integrating the original production and development unit within the programming division.

  • Nickelodeon’s ‘Shiva’ is highest rated kids show in India

    Nickelodeon’s ‘Shiva’ is highest rated kids show in India

    MUMBAI: It’s been a little over a month since its launch and Nickelodeon’s newest original kids show Shiva is already a leader in its genre. Topping the kids’ programming ranks for the last two consecutive weeks as per Broadcast Audience Research Council (BARC) India’s data, Shiva has claimed the title of the most watched kid show in India.

     

    Viacom18 EVP and business head – kids cluster Nina Elavia Jaipuria shares that she was sure Shiva had the makings of a great show for kids, as the character resonates with millions in the target group.

     

    “For any show to work in the kids category, the character has to have all the right attributes, which the kids of today want and value. With Shiva, I think we got that perfect winner yet again. Before the launch of Shiva,we had syndicated an Ormax True Value (OTV) study with boys and girls across Delhi, Lucknow, Ahmedabad, Mumbai and Chennai. Shiva ranked highest on the OTV score in comparison to all competitive players. The testament of this character’s success lies in the ratings where Shiva has been leading the charts across the four weeks since its launch,” Jaipuria explains.

     

    Nickelodeon’s latest gift to their tiny tot audience across the country, Shiva has not just helped in maintaining the channel’s high ratings but has also taken it to a new level. If one was to take out the average of the channel’s weekday ratings for the time slots when the show airs in the last four weeks, Nick leads the category by a large margin.

     

    Shiva currently airs at 1:30 pm, 4 pm and 6:30 pm on weekdays. 

     

    Going by the time band of 1:30 pm, Nick’s ratings stand at 584 (Rat 000s), followed by Cartoon Network at 268 (Rat 000s), Pogo TV at 344 (Rat 000s), Hungama TV at 192 (Rat 000s) and Disney Channel at 298 (Rat 000s). Similar is the case with time bands starting at 4 pm and 6:30 pm with Shiva amassing ratings of 440 (Rat 000s) and 807 (Rat 000s) respectively.

     

    According to BARC India’s week 48 ratings, the show leads the top five kids program list with a rating of 691 (Rat 000s), followed by Nick’s Motu Patlu in Wonderland with a rating of 675 (Rat 000s) and Cartoon Network’s Chain Kulii Ki Main Kulii at third position with 662 (Rat 000s).

     

    Jaipuria says that Shiva commands 11 per cent of Nickelodeon’s ratings and contributes to eight per cent of the channel’s slots. “In week 48, seven out of the top 10 slots belong to Shiva. With my years of working in this category, there are only a few shows which get such a heartwarming opening. Shiva topped the charts in the first week of its launch itself and continues to lead its slots,” she adds.

     

    Given the show’s popularity, advertisers are naturally buoyed. “Nickelodeon has been on a strong growth trajectory and we have been clear leaders in the genre. We have seen a huge growth in our ad rates, with advertisers continuing to show great interest in us and our characters,” Jaipuria reveals.

     

    The growing popularity of the show has also made Shiva a viable character for merchandising. “In the coming financial year, you will see a host of Shiva merchandise in the market. Stating from apparel, bags to even watches and bicycles, we will be launching Shiva merchandise across multiple categories,” Jaipuria informs.

     

    With ample faith in their home grown content, the channel also plans to take Shiva international. “All our local productions are being syndicated internationally. We presented Shiva this year at MIPCOM and talks of international syndication for our new hero are underway,” she adds in parting.

  • 5 homegrown animated characters we love on TV

    5 homegrown animated characters we love on TV

    MUMBAI: Out of all the things a 90s kid would envy a late millennial for, the joy of rooting for a desi cartoon character will probably be somewhere on top. While international animated series still enjoy a major audience patronage, kids today are increasingly preferring home grown shows where their favourite animated characters not only speak their language, but also belong from relatable cultures.

    Keeping that in mind, Indiantelevision.com compiled a list of five animated characters, which were conceptualised and launched in India.

    Read on…

    Bheem from Chhota Bheem

    When Green Gold Animation gave India Chhota Bheem in 2008, they weren’t prepared for its overwhelming reception by their tiny tot audience. This comedy adventure series that airs on Pogo gave kids their own little super hero, albeit inspired by Bheem from Indian mythology but delivered in a completely new avatar. With over 360 episodes spread across seven seasons and still running, Chhota Bheem became a household name and kids are happy to embrace him in their lives not only through television, but through various merchandising products as well. Add to that the appeal of a fascinating city like Dholakpur, and you have your perfect fiction series for kids!

    Chhota Bheem is easily one of the most popular animated characters for kids on television right now.

    Motu and Patlu from Motu Patlu

    Adapted from the classic Indian comic strip Lot Pot, this CGI animated series not only raised the bar for animated television series for kids in India but also for slapstick comedy in cartoons. It brought us even closer to the Lot Pot stars Motu and Patlu, whose witty and engaging exchanges would have us in splits in no time.

    Comparatively new to hit the television (2012) on Nickelodeon, the characters have already garnered a massive fan following and market for their merchandise. Today, Motu and Patlu not only command a massive fan base in India but enjoy an audience in Pakistan too, where it is also aired.

     Kris from Roll No 21

    Another innovative take on mythology from a modern day standpoint, Kris is modelled after Lord Krishna, but his ‘just another kid at school’ vibe is what brings him closer to the target audience. Needless to say, Kris appeals to not just the toddlers but also the preteens in the demography. In fact, the show owns its similarity to the mythology by having Kris as an incarnation of Lord Krishna himself. The story also reflects a modern take in Krishna and Kansa’s rivalry, which is shown through Kris’s continuous struggle to thwart Kanishk’s plan.

    Shiva from Shiva

    The new kid on the block, Nick’s latest original character Shiva has garnered a considerable fan base in just a month since launch. His character design and story backdrop makes him akin to international teenage superhero shows like Ben 10, which were a huge success worldwide. With his cool gadgets and charming appearance he easily stands out as a teen idol in the kids genre on television.

    Chote and Bade from 9XM

    One can argue that Chote Bade don't have a show to themselves but that doesn't change the fact that they are an iconic pair of animated characters that connected with millions of Indian youth through 9XM. In fact, the animated duo, to some extent, form the channel’s identity as its mascots. They are not only popular onscreen but their offline avatars along with their witty screenplay has often entertained us in various on ground marketing events for the channel as well.

    Their concept was an innovative way to keep the audience engaged even during intervals and breaks during segments of show, but eventually Chote and Bade evolved as characters and are considered an important part of the Indian television’s animated character family.

  • Cartoon Network & Pogo go filmy with Shah Rukh Khan’s ‘Dilwale’

    Cartoon Network & Pogo go filmy with Shah Rukh Khan’s ‘Dilwale’

    MUMBAI: December seems exciting for Turner International’s kids channels in India — Pogo and Cartoon Network —  as the network goes filmy with Shah Rukh Khan‘s upcoming film Dilwale, which is all set to release on 18 December.

     

    Khan along with his Dilwale team will be seen in three new TV specials created especially for kids. Kris Aur Shah Rukh Ki Dilwale Bollywood Class will premiere on 19 December at 12 noon, Oggy Ki Birthday Party – Dilwale Style on Cartoon Network will premiere on 25 December at 11 am and Bheem Aur Dilwale will premiere on 13 December at 12 pm on Pogo in a 90 minute special, wherein the entire cast of Dilwale visits Dholakpur.

     

    Both TV specials are complimented with contests that will give kids the opportunity to win prizes.

     

    While Kris Aur Shah Rukh Ki Dilwale Bollywood Class will see superstar Khan helping CN’s superhero Kris from the Roll No. 21 series realise his dreams of being a superstar, Oggy’s birthday party will know no bounds as his brother invites the entire cast and crew of Dilwale to celebrate his big day.

     

    Dilwale also stars Kajol, Varun Dhawan and Kriti Sanon.

  • Cartoon Network acquires ‘Oggy And The Cockroaches’ season 5

    Cartoon Network acquires ‘Oggy And The Cockroaches’ season 5

    MUMBAI: Cartoon Network in Asia Pacific has cemented its ongoing relationship with Xilam by taking up the new series of the popular animated show, Oggy And The Cockroaches.

     

    Slated for a 2017 premiere, Oggy And The Cockroaches Season 5 (78×7’) will be available in Ultra HD. This acquisition follows the co-production agreement between Cartoon Network and Xilam for 2012’s Season 4, which is currently airing exclusively on the network.

     

    “Over the past few years, Cartoon Network has become known as the ‘Home of new Oggy’ and with Season 5 now secured, I’m happy to announce that this is set to continue for a long time to come,” said Turner Kids Networks Asia Pacific chief content officer Mark Eyers. “Oggy has a winning formula that has made it hugely popular with kids in this region. Alongside our other original series, this blue cat bolsters an enviable line-up of animated comedy.”

     

    Xilam CEO and founder Marc Du Pontavice added, “Oggy’s worldwide success continues to hit new highs and we are thrilled to announce that Cartoon Network is committed to being the show’s broadcaster of this brand new season in Asia Pacific.”

     

    Over four action-packed seasons and almost 20 years and 300 episodes, Oggy has relentlessly battled his nemeses. In season 5, this cat and those pesky bugs are going to present a different facet of their enduring rivalry by featuring Oggy through the ages. The battle against the roaches continues but this time they’re in period dress. It’s an unlikely collision between history and slapstick.

  • Cartoon Network launches digital TV network in SE Asia

    Cartoon Network launches digital TV network in SE Asia

    MUMBAI: With Gen Z becoming more tech savvy, kids are increasingly shifting their entertainment base to tablets and mobile phones instead of television. Keeping that in mind, kid’s channel Cartoon Network has launched a TV network built exclusively for a phone or tablet. Cartoon Network Anything is an app that contains content created for portable mobile platforms, rapidly delivering entertainment in a unique and fun way – an innovation that’s never been seen before in Southeast Asia.

     

    The app is free and available for download now on the App Store and Google Play for smartphones and tablets. Cartoon Network Anything is an ever-growing and ever-changing stream of content consisting of games, activities, super-fast trivia quizzes and interactive video games, all approximately 15 seconds in length. After a user finishes with one item, they simply swipe the screen to move on to the next. The perpetually-updated stream is delivered randomly, providing entertainment that feels both immediate and everlasting.

     

    “Cartoon Network Anything is unlike anything we’ve ever designed,” said Turner Kids Networks Asia Pacific chief content officer Mark Eyers. “The app is a whole new way to engage our audience, constantly maintaining a high level of suspense of ‘what will come next?’ Basically, it hosts the best of Cartoon Network on your phone!”

     

    Hit franchises Adventure Time, We Bare Bears, Regular Show, The Amazing World of Gumball, Uncle Grandpa, Teen Titans Go! and Clarence all feature, but what makes the app so innovative is that everything is created exclusively for the app. Cartoon Network Anything will premiere Mighty Magiswords, an animated micro-series created specifically for this platform, along with a slew of new Asia Pacific-made short-form content such as Beat Monsters from Korea, Lamput from India, The Sketchy Show and Bill & Tony from Australia.

     

    Cartoon Network’s recent research – New Generations 2015 – revealed that in smartphone households in Southeast Asia with children, 86 per cent of kids use apps at least weekly. In fact, those aged 4-14 are accessing on average five apps every month. Cartoon Network Anything presents a huge opportunity for advertisers who are looking to achieve an unparalleled level of brand alignment in a digital arena.

  • Cartoon Network’s We Bare Bears comes to India

    Cartoon Network’s We Bare Bears comes to India

    MUMBAI: Though not at par with summer and Diwali holidays, the winter vacation in Indian schools is an important time for kids’ channels to buck up their programming and grab some eyeballs.

    Keeping that in mind, the popular kids’ channel from Turner International, Cartoon Network is bringing a brand new show. For their Sunday morning prime time slot is a new original series from the Cartoon Network Studio, We Bare Bears, starting from 29 November.  The show will be targeted at an age group of 4 to 14 years of age.

    We Bare Bears adds to the list of Cartoon Network original shows like Adventure Time, Clarence, Steven Universe, Uncle Grandpaand other that have been recently launched in India.

    A tale of three tech savvy bears, We Bare Bears was well received by kids when it launched on the US network earlier this year.  Will its charm also work with kids in India?  With Daniel Chong of Cars 2 and Toy Story (TV) fame as the creative, chances are that the show should strike a chord with the Indian audience in no time.

    A fan of The Powerpuff Girls, before he joined Cartoon Network, Chong’s stints include working as a creative at Disney Feature Animation, Blue Sky, Nickelodeon and  Pixar.

    Explaining the concept of the show, Chong says that We Bare Bears tells the story of three bears — Grizzly, Panda, and Ice Bear — who are trying to settle down in a human society.  “They live in the forest and trek over to the city to mingle. People don’t freak out at the sight of them, but don’t really enjoy their presence either. The show takes place in the (San Francisco) Bay Area, and it was appropriate that they would be heavily involved in tech culture. It was also a way to isolate them more from the world, as technology can sometimes do, which would be another obstacle,” shares Chong.

    The idea for the show struck Chong from his experience of living in East Bay area near University of California, Berkeley in the US. “There, you see bears everywhere. So I think it just gets into your system. The whole idea for the three bears came from a time when I was in the library doodling and drawing with my girlfriend’s niece. I was trying to make her laugh by drawing really random stuff and the bears were just one of the things I drew,” Chong adds with a chuckle.

    Chong explains the creative process behind We Bare Bears. “Once we settle on an idea, the writers start fleshing it out, and I check in with them periodically. We often involve all of the story artists, to pitch in ideas about how to flesh it out. We go through quite a few passes of a story before we feel that it’s ready to show to the executive team here,” says Chong.

    Continuing, Chong says, “Once we are done with our notes, it goes over to the storyboard artists, normally a team of two, and they have about four weeks to prepare the whole storyboard.”

    Part of the creative process that sets Cartoon Network apart is that the storyboard department is run like a features departments. “I give people a small chunk and then check in with them. Most TV shows have very few check ins. But we feel that our stories are slightly complicated and a little hard to navigate sometimes, so it’s better for us to be able to check in more often, and have a stronger hand on where everybody is going, to make sure everyone is on the same page,” Chong explains.

    Once the revision and clean-up of the drawings are done, the Bears are given colour post with which the script goes to the actor for recording.

    An important step that follows is animating the frames. “I’ll work really closely with the animation director and the editor to shape the piece into an eleven minute show. From there, it goes to Tony Pulham, the art director, who will basically divide it up into the different departments, such as layout, background, paint, colour, character design and props,” Chong concludes while adding that the final touch ups are done in South Korea, with the entire process taking little less than a year.