Tag: Cartoon Network

  • ZEEL’s APAC territory launches ATL Media APAC

    ZEEL’s APAC territory launches ATL Media APAC

    MUMBAI: The APAC region of Zee Entertainment Enterprises Limited (ZEEL) announced the launch of ‘ATL Media APAC’, a new division that will represent varied Indian and South Asian media businesses in the region for advertising sales.

    ‘ATL Media APAC’ will work with both mainstream and retail clients targeting the South Asian populations in the key markets across the region. A similar model is currently operational in the MENAP (Middle East, North Africa, Afghanistan, and Pakistan) region where Zeel has tied up with several channels including Geo TV, Imagine Movies, Cartoon Network apart from its own portfolio of Zeel channels.

    Commenting on this new division, Zeel International Broadcast business CEO Amit Goenka said, “Our APAC business is on a fast track and ATL Media APAC will help us to consolidate and add new clients into the segment. We believe this initiative will be beneficial in helping us grow the overall Ad Sales pie for the South Asia channels.”

    Revealing further details on ATL Media APAC, APAC business media Sushruta Samanta said, “The new unit will be led by Deepali Gupta, Revenue Head, ATL Media APAC, who has more than 13 years of experience in advertising sales across media in India and APAC markets. I strongly believe that Deepali, whose new role is effective immediately, is the ideal candidate to lead this new division”.

    Zeel’s APAC’s region currently distributes eleven South Asian channels in the region targeting the India diaspora, apart from five localized channels for the local mainstream viewers. Zeel has an existing sales network across key APAC markets including Singapore, Bangkok, Kuala Lumpur, Sydney & Jakarta.

    Deepali Gupta from Zeel’s Singapore office added, “The decision to launch this new division stems from the need to address the growing market fragmentation in the ethnic media space. The new service is a one stop shop for all media solutions which will help clients achieve significant results for their marketing campaigns and at best prices. We have already initiated discussions with other leading networks across media to represent them”.

  • Cartoon Network drops to 5th spot; ‘Motu Patlu’ dominates programming: BARC week 7

    Cartoon Network drops to 5th spot; ‘Motu Patlu’ dominates programming: BARC week 7

    MUMBAI: Week 7 sees Turner International Inc’s Cartoon Network’s viewership taking a considerable dip from 54735 (000s sums) in week six to 51400 (000s sums). The channel has dropped to the fifth position in the list.

    Staying strong at the top spot is Viacom 18’s Nickelodeon with 79007 (000s sums), which is less compared to the channel’s viewership last week.

    Turner’s other kids channel, Pogo TV has maintained its second position in the list with 55453 (000s sums) and is closely followed by Hungama with 55043 (000s sums) viewership ratings. On the other hand, Disney Channel secured the fourth spot with 51470 (000s sums) ratings.

    On the programming front, Nick’s Motu Patlu in Alien World bagged the title of the most watched programming in the kids genre with 918 (000s sums), followed Hungama’s My Friend Ganesha with 879 (000s sums).

    Nick’s Motu Patlu Kungfu Kings with 781 (000s sums) and Shiva with 516 (000s sums) were at the third and fourth spots respectively. The fifth most watched programming in kids channels was Pogo TV’s Chhota Bheem And The Sky Dragon with 504 (000s sums). Overall, a dip in the viewership ratings of kids genre was observed in week 7.

  • Cartoon Network drops to 5th spot; ‘Motu Patlu’ dominates programming: BARC week 7

    Cartoon Network drops to 5th spot; ‘Motu Patlu’ dominates programming: BARC week 7

    MUMBAI: Week 7 sees Turner International Inc’s Cartoon Network’s viewership taking a considerable dip from 54735 (000s sums) in week six to 51400 (000s sums). The channel has dropped to the fifth position in the list.

    Staying strong at the top spot is Viacom 18’s Nickelodeon with 79007 (000s sums), which is less compared to the channel’s viewership last week.

    Turner’s other kids channel, Pogo TV has maintained its second position in the list with 55453 (000s sums) and is closely followed by Hungama with 55043 (000s sums) viewership ratings. On the other hand, Disney Channel secured the fourth spot with 51470 (000s sums) ratings.

    On the programming front, Nick’s Motu Patlu in Alien World bagged the title of the most watched programming in the kids genre with 918 (000s sums), followed Hungama’s My Friend Ganesha with 879 (000s sums).

    Nick’s Motu Patlu Kungfu Kings with 781 (000s sums) and Shiva with 516 (000s sums) were at the third and fourth spots respectively. The fifth most watched programming in kids channels was Pogo TV’s Chhota Bheem And The Sky Dragon with 504 (000s sums). Overall, a dip in the viewership ratings of kids genre was observed in week 7.

  • Disney’s ‘Doraemon’ second most watched program: BARC Kids week 6

    Disney’s ‘Doraemon’ second most watched program: BARC Kids week 6

    MUMBAI: Week 6 proved to be a considerably good one for channels in the kids genre in terms of viewership. Viacom18’s Nick stayed strong in its top position as per Broadcast Audience Research Council (BARC) India’s all India (U+R) data in NCCS All 4-14 Individuals category.

    With 81634 (000s sums) ratings, Nick saw a considerable jump from last week’s ratings of 77521 (000s sums).

    Pogo TV overtook Cartoon Network for the second position in the chart with a viewership rating of 57635 (000s sums), followed by Cartoon Network, which secured 54735 (000s sums) ratings.

    Hungama with 54535 (000s sums) ratings jumped one spot to perch at the fourth spot, while Disney Channel dropped down one place to the fifth spot with 52422 (000s sums).

    Among the top five most watched programs in the kids genre, Nick’s Motu Patlu Kungfu Kings continued to rule the number one spot with 876 (000s sums) ratings.

    Disney Channel’s Doraemon The Movie: Toofani Adventure with 652 (000s sums) maintained its second position and was followed by Pogo TV ‘s Chhota Bheem & Krishna: Pataliputra – City of the Dead with 615 (‘000s sums) in the third spot.

    Nick’s flagship teen show Shiva secured the fourth spot with ratings of 515 (000s sums). The fifth spot was yet again dominated by Pogo TV’s Chhota Bheem Aur Ganesh In The Amazing Odyssey with 514 (000s sums) ratings.

  • Disney’s ‘Doraemon’ second most watched program: BARC Kids week 6

    Disney’s ‘Doraemon’ second most watched program: BARC Kids week 6

    MUMBAI: Week 6 proved to be a considerably good one for channels in the kids genre in terms of viewership. Viacom18’s Nick stayed strong in its top position as per Broadcast Audience Research Council (BARC) India’s all India (U+R) data in NCCS All 4-14 Individuals category.

    With 81634 (000s sums) ratings, Nick saw a considerable jump from last week’s ratings of 77521 (000s sums).

    Pogo TV overtook Cartoon Network for the second position in the chart with a viewership rating of 57635 (000s sums), followed by Cartoon Network, which secured 54735 (000s sums) ratings.

    Hungama with 54535 (000s sums) ratings jumped one spot to perch at the fourth spot, while Disney Channel dropped down one place to the fifth spot with 52422 (000s sums).

    Among the top five most watched programs in the kids genre, Nick’s Motu Patlu Kungfu Kings continued to rule the number one spot with 876 (000s sums) ratings.

    Disney Channel’s Doraemon The Movie: Toofani Adventure with 652 (000s sums) maintained its second position and was followed by Pogo TV ‘s Chhota Bheem & Krishna: Pataliputra – City of the Dead with 615 (‘000s sums) in the third spot.

    Nick’s flagship teen show Shiva secured the fourth spot with ratings of 515 (000s sums). The fifth spot was yet again dominated by Pogo TV’s Chhota Bheem Aur Ganesh In The Amazing Odyssey with 514 (000s sums) ratings.

  • Nick maintains lead with ‘Motu Patlu:’ BARC week 5

    Nick maintains lead with ‘Motu Patlu:’ BARC week 5

    MUMBAI: Even as it witnessed a considerable drop in ratings, kids channel leader Nick maintained its position in the top spot with 77521 (‘000s) in week 5 of BARC India data as compared to 82521 (‘000s) in week 4.

     

    Cartoon Network stood in the second place with 52179 (‘000s) in week 5, while also seeing a drop in ratings from 62316 (‘000s) in week 4.

     

    Pogo TV with 51537 (‘000s) maintained its place in the third spot, while Disney Channel with 49194 (‘000s) climbed up one rung to take the fourth place in week 5. Hungama with 47862 (‘000s) dropped down one place to come in fifth in week 5.

     

    Coming to the five most watched shows in the kids genre, Nick’s show Motu Patlu 36 Ghantey Race Against Time stood firm in the number one spot with 838 (‘000).

     

    On the other hand, Disney Channel’s Doraemon Movie: Galaxy Super Express with 709 (‘000) stood in the second place and was followed yet again by Nick’s Motu Patlu in Wonderland with 585 (‘000) in the third spot.

     

    Cartoon Network’s Bhoot and Friends with 559 (‘000) came in fourth with its sister channel Pogo TV’s Chhota Bheem Aur Chhalchhaaya in the fifth place with 553 (‘000).

  • Nick maintains lead with ‘Motu Patlu:’ BARC week 5

    Nick maintains lead with ‘Motu Patlu:’ BARC week 5

    MUMBAI: Even as it witnessed a considerable drop in ratings, kids channel leader Nick maintained its position in the top spot with 77521 (‘000s) in week 5 of BARC India data as compared to 82521 (‘000s) in week 4.

     

    Cartoon Network stood in the second place with 52179 (‘000s) in week 5, while also seeing a drop in ratings from 62316 (‘000s) in week 4.

     

    Pogo TV with 51537 (‘000s) maintained its place in the third spot, while Disney Channel with 49194 (‘000s) climbed up one rung to take the fourth place in week 5. Hungama with 47862 (‘000s) dropped down one place to come in fifth in week 5.

     

    Coming to the five most watched shows in the kids genre, Nick’s show Motu Patlu 36 Ghantey Race Against Time stood firm in the number one spot with 838 (‘000).

     

    On the other hand, Disney Channel’s Doraemon Movie: Galaxy Super Express with 709 (‘000) stood in the second place and was followed yet again by Nick’s Motu Patlu in Wonderland with 585 (‘000) in the third spot.

     

    Cartoon Network’s Bhoot and Friends with 559 (‘000) came in fourth with its sister channel Pogo TV’s Chhota Bheem Aur Chhalchhaaya in the fifth place with 553 (‘000).

  • FY-2015: Time Warner revenue up 2.8%

    FY-2015: Time Warner revenue up 2.8%

    BENGALURU: Time Warner Inc reported 2.8 per cent growth in revenue for the year ended 31 December, 2015 (current year, FY-2015) at $28,118 million as compared to the $27,349 million in FY-2014. Adjusted Operating Income increased 18.7 per cent in the current year to $6,923 million as compared to $5,833 million while Operating Income increased 14.9 per cent to $6,865 million in the current year as compared to $5,975 million in the previous year.

    Time Warner attributes overall revenue growth to growth across all operating divisions. It says that the growth in Adjusted Operating Income benefited from lower programming charges at Turner and restructuring and severance charges across the company, partially offset by a swing in inter-segment eliminations. It says further that Revenues and Adjusted Operating Income included the unfavourable impact of foreign exchange rate.

    Time Warner chairman and chief executive officer Jeff Bewkes said, “We had another very successful year in 2015, demonstrating once again Time Warner’s ability to deliver strong financial performance as well as creative and programming excellence. Revenues grew three per cent and Adjusted Operating Income was up 19 per cent. All three of our operating divisions increased revenue and profits while also investing to capitalize on the shift to on-demand viewing and growing worldwide demand for the very best video content. Warner Bros. had its best year ever in videogames, led by Mortal Kombat X and Batman: Arkham Knight, and remained the number one supplier of broadcast television programming, including the biggest new hit of the TV season in Blindspot. As we embark on what promises to be a very strong year for Warner Bros. theatrically, Mad Max: Fury Road and Creed received a combined 11 nominations for the 88th Academy Awards.”

    Bewkes continued, “Home Box Office grew subscribers both on its linear networks and through HBO Now, our new stand-alone streaming service. Once again, HBO distinguished itself with the combination of the biggest Hollywood hits and best original programming. In 2015, HBO received 43 Primetime Emmys, the most in a single year by any network in at least 25 years — led by a record 12 Emmys for Game of Thrones. Turner continued to prove its tremendous value to its audiences, distributors, and advertisers with TBS, TNT and Adult Swim all ranking among ad-supported cable’s top 10 networks in primetime among adults 18-49 for the year. CNN was the fastest-growing top 40 cable network in its key demographic in the U.S. for the year, and Cartoon Network was the only top 3 kids network to grow ratings. Further demonstrating our commitment to shareholder returns, during 2015 we returned $4.8 billion to our shareholders through share repurchases and dividends, and this morning announced a 15 per cent increase to our dividend and a new $5 billion share repurchase program.”

    Turner

    Revenues increased 1.9 per cent ($200 million) to $10,596 million in FY-2015 as compared to $10,396 million, benefiting from increases of 16 per cent ($88 million) in Content and other revenues, two per cent ($69 million) in Advertising revenues and one per cent ($43 million) in Subscription revenues. Time Warner says that the increase in Content and other revenues was due to higher subscription video-on-demand revenues, primarily from licensing select Turner original programming to Hulu.

    Advertising revenues benefited from domestic growth, primarily due to Turner’s news business, and local currency growth at Turner’s international networks, partially offset by the impact of foreign exchange rates. The increase in Subscription revenues was due to higher domestic rates and local currency growth at Turner’s international networks, partially offset by the impact of foreign exchange rates and lower domestic subscribers.

    Adjusted Operating Income increased 32.3 per cent ($1 billion) to $4,110 million in the current year as compared to $3,106 million primarily due to lower programming and restructuring and severance expenses. Programming costs declined 11 per cent due to a decrease in programming charges ($395 million). Excluding the charges from both years, programming costs declined in the low single digits primarily due to lower syndicated programming expenses as a result of the abandonment of certain programming in 2014 and the absence of NASCAR programming, partially offset by higher costs associated with airing the MLB playoffs.

    Operating Income increased 38.4 per cent ($1,133 million) to $4,087 million. The current and prior years included $17 million and $137 million, respectively, of foreign currency says Time Warner.

    Home Box Office

    Revenues increased four per cent ($217 million) to $5,615 million, due to increases of four per cent ($170 million) in Subscription revenues and six per cent ($47 million) in Content and other revenues. Subscription revenues grew primarily due to higher domestic rates, partially offset by lower international revenues, which included the impact of the transfer to Turner of the operation of HBO’s basic cable network in India. The increase in Content and other revenues primarily reflects higher licensing revenues, partially offset by lower home entertainment revenues.

    Adjusted Operating Income rose 5.2 per cent ($88 million) to $1,878 million in FY-2015 as compared to $1,790 million in FY-2014, reflecting the higher revenues partially offset by increased expenses. The growth in expenses was mainly due to higher marketing and technology costs related to HBO Now, HBO’s stand-alone streaming service, as well as higher programming costs, partially offset by lower restructuring and severance costs. Programming costs grew 3 per cent reflecting higher original programming expenses, including programming charges.
    Operating Income increased 5.2 per cent ($92 million) to $1,878 million in the current year as compared to Rs 1,786 million in the previous year.

    Warner Bros.

    Revenues increased 3.7 per cent ($466 million) to $12,992 million in FY-2015 as compared to $12,576 million, reflecting higher videogames and television revenues, partially offset by lower theatrical and home entertainment revenues as well as the impact of foreign exchange rates.

    The increase in videogames revenues was mainly due to the releases of Mortal Kombat X, LEGO Dimensions and Batman: Arkham Knight. Television revenues increased primarily due to higher licensing revenues, including from the domestic availabilities of 2 Broke Girls, The Big Bang Theory, Person of Interest, Friends and Seinfeld. Theatrical revenues declined as the prior year included revenues from the final two instalments of The Hobbit trilogy as well as The LEGO Movie and Godzilla.

    Adjusted Operating Income increased 15 per cent ($187 million) to $1.4 billion, reflecting higher revenues as well as lower restructuring and severance charges and related cost-savings.

    Operating Income increased 22.2 per cent ($257 million) to $1,416 million. The prior year included a $36 million foreign currency charge related to the re-measurement of Warner says Time Warner.

  • FY-2015: Time Warner revenue up 2.8%

    FY-2015: Time Warner revenue up 2.8%

    BENGALURU: Time Warner Inc reported 2.8 per cent growth in revenue for the year ended 31 December, 2015 (current year, FY-2015) at $28,118 million as compared to the $27,349 million in FY-2014. Adjusted Operating Income increased 18.7 per cent in the current year to $6,923 million as compared to $5,833 million while Operating Income increased 14.9 per cent to $6,865 million in the current year as compared to $5,975 million in the previous year.

    Time Warner attributes overall revenue growth to growth across all operating divisions. It says that the growth in Adjusted Operating Income benefited from lower programming charges at Turner and restructuring and severance charges across the company, partially offset by a swing in inter-segment eliminations. It says further that Revenues and Adjusted Operating Income included the unfavourable impact of foreign exchange rate.

    Time Warner chairman and chief executive officer Jeff Bewkes said, “We had another very successful year in 2015, demonstrating once again Time Warner’s ability to deliver strong financial performance as well as creative and programming excellence. Revenues grew three per cent and Adjusted Operating Income was up 19 per cent. All three of our operating divisions increased revenue and profits while also investing to capitalize on the shift to on-demand viewing and growing worldwide demand for the very best video content. Warner Bros. had its best year ever in videogames, led by Mortal Kombat X and Batman: Arkham Knight, and remained the number one supplier of broadcast television programming, including the biggest new hit of the TV season in Blindspot. As we embark on what promises to be a very strong year for Warner Bros. theatrically, Mad Max: Fury Road and Creed received a combined 11 nominations for the 88th Academy Awards.”

    Bewkes continued, “Home Box Office grew subscribers both on its linear networks and through HBO Now, our new stand-alone streaming service. Once again, HBO distinguished itself with the combination of the biggest Hollywood hits and best original programming. In 2015, HBO received 43 Primetime Emmys, the most in a single year by any network in at least 25 years — led by a record 12 Emmys for Game of Thrones. Turner continued to prove its tremendous value to its audiences, distributors, and advertisers with TBS, TNT and Adult Swim all ranking among ad-supported cable’s top 10 networks in primetime among adults 18-49 for the year. CNN was the fastest-growing top 40 cable network in its key demographic in the U.S. for the year, and Cartoon Network was the only top 3 kids network to grow ratings. Further demonstrating our commitment to shareholder returns, during 2015 we returned $4.8 billion to our shareholders through share repurchases and dividends, and this morning announced a 15 per cent increase to our dividend and a new $5 billion share repurchase program.”

    Turner

    Revenues increased 1.9 per cent ($200 million) to $10,596 million in FY-2015 as compared to $10,396 million, benefiting from increases of 16 per cent ($88 million) in Content and other revenues, two per cent ($69 million) in Advertising revenues and one per cent ($43 million) in Subscription revenues. Time Warner says that the increase in Content and other revenues was due to higher subscription video-on-demand revenues, primarily from licensing select Turner original programming to Hulu.

    Advertising revenues benefited from domestic growth, primarily due to Turner’s news business, and local currency growth at Turner’s international networks, partially offset by the impact of foreign exchange rates. The increase in Subscription revenues was due to higher domestic rates and local currency growth at Turner’s international networks, partially offset by the impact of foreign exchange rates and lower domestic subscribers.

    Adjusted Operating Income increased 32.3 per cent ($1 billion) to $4,110 million in the current year as compared to $3,106 million primarily due to lower programming and restructuring and severance expenses. Programming costs declined 11 per cent due to a decrease in programming charges ($395 million). Excluding the charges from both years, programming costs declined in the low single digits primarily due to lower syndicated programming expenses as a result of the abandonment of certain programming in 2014 and the absence of NASCAR programming, partially offset by higher costs associated with airing the MLB playoffs.

    Operating Income increased 38.4 per cent ($1,133 million) to $4,087 million. The current and prior years included $17 million and $137 million, respectively, of foreign currency says Time Warner.

    Home Box Office

    Revenues increased four per cent ($217 million) to $5,615 million, due to increases of four per cent ($170 million) in Subscription revenues and six per cent ($47 million) in Content and other revenues. Subscription revenues grew primarily due to higher domestic rates, partially offset by lower international revenues, which included the impact of the transfer to Turner of the operation of HBO’s basic cable network in India. The increase in Content and other revenues primarily reflects higher licensing revenues, partially offset by lower home entertainment revenues.

    Adjusted Operating Income rose 5.2 per cent ($88 million) to $1,878 million in FY-2015 as compared to $1,790 million in FY-2014, reflecting the higher revenues partially offset by increased expenses. The growth in expenses was mainly due to higher marketing and technology costs related to HBO Now, HBO’s stand-alone streaming service, as well as higher programming costs, partially offset by lower restructuring and severance costs. Programming costs grew 3 per cent reflecting higher original programming expenses, including programming charges.
    Operating Income increased 5.2 per cent ($92 million) to $1,878 million in the current year as compared to Rs 1,786 million in the previous year.

    Warner Bros.

    Revenues increased 3.7 per cent ($466 million) to $12,992 million in FY-2015 as compared to $12,576 million, reflecting higher videogames and television revenues, partially offset by lower theatrical and home entertainment revenues as well as the impact of foreign exchange rates.

    The increase in videogames revenues was mainly due to the releases of Mortal Kombat X, LEGO Dimensions and Batman: Arkham Knight. Television revenues increased primarily due to higher licensing revenues, including from the domestic availabilities of 2 Broke Girls, The Big Bang Theory, Person of Interest, Friends and Seinfeld. Theatrical revenues declined as the prior year included revenues from the final two instalments of The Hobbit trilogy as well as The LEGO Movie and Godzilla.

    Adjusted Operating Income increased 15 per cent ($187 million) to $1.4 billion, reflecting higher revenues as well as lower restructuring and severance charges and related cost-savings.

    Operating Income increased 22.2 per cent ($257 million) to $1,416 million. The prior year included a $36 million foreign currency charge related to the re-measurement of Warner says Time Warner.

  • NBC Universal names Turner’s Josh Feldman as EVP, Network Partnerships

    NBC Universal names Turner’s Josh Feldman as EVP, Network Partnerships

    MUMBAI: NBCUniversal has appointed Josh Feldman to the newly created role of executive vice president – network partnerships reporting to NBCUniversal’s Advertising Sales division chief marketing officer John Harrobin.

    Feldman will lead the Network Partnerships group whose goal is to drive revenue across the entire portfolio through strategic sponsorship opportunities. He will be responsible for partnering with the leadership of each NBCUniversal network across every platform to execute client-focused marketing efforts. Feldman will work closely with the Client Partnerships team to develop custom marketing solutions that deliver data-driven insights for each campaign.

    “Josh’s impressive career in entertainment media sales and client relations is exactly what we need as we strengthen our efforts to serve our advertisers better,” said Harrobin. “Josh has a proven track record of consistently delivering some of the most creative ways for marketers to reach consumers, particularly millennials, in meaningful ways. We’re excited to have him on board.”

    Prior to joining NBCUniversal, Feldman served as senior vice president and national sales manager of Turner Emerging Consumer Ad Sales for Turner Broadcasting, overseeing client relationships for Cartoon Network, Adult Swim and truTV.

    Previously, Feldman was vice president and New York sales manager for Cartoon Network and Adult Swim. He started his sales career with Turner and worked as an account executive for sister networks TBS and TNT before moving over to the animation group and Turner’s emerging consumer media business.