Tag: Cannes Lions

  • Ogilvy Mumbai named Cannes Lions creative agency of the decade

    Ogilvy Mumbai named Cannes Lions creative agency of the decade

    MUMBAI:  The first ever ‘LIONS CREATIVITY REPORT OF THE DECADE’ saw Ogilvy Mumbai ranked as the highest most creative agency of the decade among all Indian agencies in the Asia rankings.

    Additionally, Ogilvy’s 'Savlon Healthy Hands Chalk Sticks' (which won Ogilvy's first Creative Effectiveness Grand Prix besides 7 Lions) features amidst the 'Iconic Work' in this report.

    Furthermore, Ogilvy India has the distinction of contributing the only coveted Glass Lion to the WPP global tally, for 'Beauty Tips by Reshma'.

    Overall, WPP emerged as the 'Holding Company of the Decade', with Ogilvy Worldwide contributing richly to that title through the decade.

    The Cannes Lions Creativity Report of the Decade monitors and maps the most creative advertising companies of these past 10 years, across the world.  Given that only 3 per cent of all work entered goes on to win a Cannes Lion, this result marks a a moment in time for the industry in India as well as the world. It is a benchmark that has been defined at a time when the industry could do well with a boost.

    Ogilvy executive chairman India & Worldwide chief creative officer Piyush Pandey said, "It is a great feeling that the work that you do for your clients and audiences in India is recognized at one of the biggest creative forums in the world as the Best Of The Decade. I am very proud of all our people who enable our creative leadership to consistently deliver excellent work across traditional and modern media for our clients’ brands.  I am grateful to our clients who have given us the opportunity as well as their faith and belief in what we do for them. I agree with Susie Walker, Head of Awards, Cannes Lions, who states in her Introduction, ‘This report marks a moment in time’.

    Ogilvy India CEO Kunal Jeswani said, "I joined Ogilvy 15 years ago and learnt one thing. Focus on the work. Everything else will follow."

    Ogilvy India Chief creative officers Kainaz Karmakar and Harshad Rajadhyaksha said, "Savlon Healthy Hands Chalk Sticks featuring as one of the iconic campaigns of the decade is an achievement we will not forget as long as we live.  It is a privilege that our decade-long journey at Ogilvy overlaps perfectly with the timeline of this prestigious report, which places us as India’s most creative agency. It feels great that this report also acknowledges ‘Beauty Tips by Reshma’. Our heartfelt thanks to all our teams and clients. They are the best."

    Ogilvy India chief creative officer Sukesh Nayak said, "This is a proud moment for all of us. Our clients have backed our vision and that vision has now placed us right on top.  So, a big thank you to all our clients and our super talented people who made this happen."

  • Mary Wells Lawrence honoured with lifetime achievement at Cannes Lions

    Mary Wells Lawrence honoured with lifetime achievement at Cannes Lions

    NEW DELHI: “I love New York!”

    “Plop, plop, fizz, fizz, oh what a relief it is.”

    “Flick your Bic.”

    Recognize any of these jingles? All of these iconic ads were created under the supervision of Mary Wells Lawrence. She brought a burst of colours to otherwise boring and bland television screens.  

    The 92-old year, Lawrence was one of the trailblazers of the advertising world. Cannes Lions on 26 June, presented the prestigious lifetime achievement award, the Lion of St. Mark.  


    The in-person festival was cancelled this year due to the pandemic.


    Lawrence who has had a successful advertising career is the founder of the New York advertising agency, Wells Rich Greene established in the year 1966. She was the first woman to found, own and run a major ad agency. She was one of the first female CEOs of a company which was traded on the Big Board of the New York Stock Exchange.

    Within its first year, Wells Rich Greene had 100 employees and $39 million in billings. By 1976, it had billings of $187 million and a client roster that included Procter & Gamble, Trans World Airlines, Miles Laboratories, Philip Morris, Bic Pen Corp, Ralston Purina Co, Midas Inc, White-Westinghouse Electric Co and Sun Oil Co. The New York Observer said that the agency was responsible for creating ads that “etched indelible phrases into the public’s imaginations.”

    Her work in the field of advertising has been recognised all over. That’s not it, Lawrence was named Advertising Woman of the Year by the American Advertising Federation in 1971, and was inducted into the American Advertising Hall of Fame in 1999. In 2002, Mary also published her autobiography A Big Life (in Advertising).

    Throughout her lifetime Wells Lawrence has directed a host of notable campaigns. 

    Cannes Lions chairman Philip Thomas said in a statement: “Mary is an extraordinary woman with a drive, passion and talent to burn. Cannes Lions campaigns for creativity as a force for business but Mary was ahead of the game – she already knew this 50 years ago. Her ability to inject entertainment and creativity into her advertising saw her transform the reputations and revenues of many a struggling brand, and she has earnt huge respect and admiration from the industry as a result. We’re thrilled to be presenting a true legend with the Lion of St. Mark.”

    Lawrence said: “Awareness of the time you are in is at the core of any business of persuasion, but I think my particular strength is my belief in passion – caring obviously and emotionally about how IMPORTANT what I am selling is. I want to leave you FEELING about it – nervous if you are doing something else. Like falling in love.”

  • Cannes Lions 2020 Cancelled

    Cannes Lions 2020 Cancelled

    MUMBAI: Cannes Lions today announced that the annual Festival of Creativity will not take place in October as previously planned. The next edition of the Festival will run June 21-25, 2021, said a Cannes Lions statement.

    “As the impact from COVID-19 continues to be felt across the world on consumers and our customers across the marketing, creative and media industries, it has become clear to us our customers’ priorities have shifted to the need to protect people, to serve consumers with essential items and to focus on preserving companies, society and economies. Our difficult decision follows in-depth consultations with our partners and customers and reflects the unprecedented societal, health and economic challenges currently facing the world, as well as our desire to remove any uncertainty about the running of the awards and event for our partners and customers,” said the statement.

    Cannes Lions chairman Philip Thomas said: “Cannes Lions at its core has always been about creativity and the Lions. We realise that the creative community has other challenges to face, and simply isn’t in a position to put forward the work that will set the benchmark. The marketing and creative industries, in common with so many others, are currently in turmoil, and it’s clear that we can play our small part by removing all speculation about the Festival this year. We have tried to make our decisions as early as possible to give the industry total clarity on the situation, and that is why we are announcing this move today.”

    Cannes Lions managing director Simon Cook said: “We all look ahead to a more positive time – right now, Cannes Lions will continue to bring the global creative community together and provide inspiration where we can find it. Our recent call for inspirational creative stories from around the world has already garnered hundreds of accounts of our community uniting and showing progress in this crisis. We believe firmly that the Lions continue to offer valuable recognition to that community and we look forward to celebrating and honouring the work in 2021, when the world will hopefully feel more stable, and our community can give their work the focus it deserves.”

  • Cannes Lions postpones Festival of Creativity as coronavirus crisis deepens

    Cannes Lions postpones Festival of Creativity as coronavirus crisis deepens

    MUMBAI: Cannes Lions has postponed the International Festival of Creativity at the south of France to October. The festival was scheduled to be held in June. France the other day had asked citizens not to leave their homes in a bid to curb the spread of COVID-19 which has killed 148 peopld and infected more than 6,000 in the country.

    The decision to postpone the festival from June "comes following much deliberation with our partners and customers, as well as, consultation with public health officials, the mayoral office of Cannes and the French Authorities," said a statement from Cannes Lions. 

    The statement further states that the "health, safety and wellbeing of our customers, employees, sponsors and partners remains our first priority." 

    Ascential, the parent company of Cannes Lions, had directed its employees to work from home as the coronavirus outbreak worsened.

  • ALTBalaji ends 2019 with 4x growth in direct subscriber base

    ALTBalaji ends 2019 with 4x growth in direct subscriber base

    MUMBAI: Subscription-based video streaming platform ALTBalaji has emerged as the fastest-growing over-the-top platform with four-fold growth in the direct subscriber base in 2019.

    ALTBalaji has launched 23 originals this year and garnered over 33 million subscriptions to date. It has been one of the top 3 highest-grossing apps with a library of 53 exclusive originals.

    ALTBalaji chief executive officer and Balaji Telefilms Group chief operation officer Nachiket Pantvaidya said, “2019 has been a phenomenal year for us both in terms of content and subscribers growth. We have registered 4X growth in our direct subscriber-base and we will clock revenue between Rs 80-100 crore.”

    He said, “The aim is to tap the next billion users coming onto the internet by enabling easy and seamless access to the content they want to watch, wherever they want to watch and whenever they want to watch – at no extra cost to the subscriber. On the back of successful 2019, we are hopeful that ALTBalaji will break even in 2020-21.”

    ALTBalaji’s will launch 25-30 more shows in the year 2020. Some of the interesting shows for 2020 are already in the pipeline.

    Cartel, Apharan 2, Code M, Mentalhood, It happened in Calcutta, Dil Hi Toh Hai S3, Class of 2020, Kehne Ko Humsafar Hain Season 3, Baarish 2, Dev DD 2, Haq Se 2, Virgin Bhaskar 2, Gandii Baat 4 and Mumbhai among many others are some of the originals scheduled for next year.

    As OTT platforms are changing the showbiz game, Bollywood and television actors such as Sharman Joshi, Tusshar Kapoor, Mallika Sherawat, Isha Koppikar, Sagarika Ghatge, Rajeev Khandelwal, Divyanka Tripathi, Shabbir Ahluwalia, Karan Singh Grover among others made their grand debut in the web space through ALTBalaji Originals.

    ALTBalaji is also working towards strengthening its UI/UX for a seamless experience by focusing on aspects like language interface, voice search, targeted retention strategies, quick onboarding, convenient payment gateways, and tailored recommendations, a press statement said.

    Apart from its strong content library, ALTBalaji has also launched some clutter-breaking and tech-driven innovations like ‘Breast Buffer’ to create consumer awareness against Breast Cancer.

    Breast Buffer was nominated in Cannes Lions as one of the brilliant uses of technology by media as well as was applauded by subscribers, media, influencers, critics and celebrities alike.

    Similarly, the OTT platform also brought its most acclaimed series Apharan to Alexa, enabling users to now listen to dialogues, the trailer, the song and other exclusive content from this cult show.

  • WATConsult focusses on purpose-driven marketing

    WATConsult focusses on purpose-driven marketing

    MUMBAI: When Rajiv Dingra started with WATConsult, which is today one of the prime agencies in India, digital media was nothing but a bud in the nascent stage that could very well have been nipped if not given the right ingredients to bloom. To give context, in his own words, social media giant Facebook was still available only for university students having a ‘.edu’ id, YouTube was even younger, and Instagram was not even born.

    It was the year 2007 and a certain marketing manager of a well-known bank, which Dingra refrains from naming, had looked the man straight into the eyes to say, ‘I don’t think digital media is going to be a big thing in the future'. Flash forward 12 years ahead, digital media is not only a ‘big thing’ but a substantial part of each brand’s marketing mix. And WATConsult has been one of the prime players to not only contribute to but also smartly leverage its massive success. The agency, which is a part of the well-known Dentsu Aegis Network, won several international accolades last year including a Grand Prix at the Prague International Festival, and a shortlist at Cannes Lions. The agency celebrates its 12-year anniversary on 10 January and Dingra looks all set to conquer the coming years in a grander way.

    Sitting in his comfortable cabin that has a wooden chess board placed right across his table and some cool action figures lining up the space behind that, Dingra comes across as a man who knows what he's up against. His eyes have a certain charm and glint, which speak volumes for his amiable personality. He is happy when he speaks about his and WATConsult’s success and has passion brimming in his words as he reflects on the way ahead.

    “These 12 years have been a long-winding journey. In fact, in hindsight we did not think that it will take this long for digital media to come where it is today (smiles). But we are glad that it has reached where it has in these 12 years,” says Dingra recounting WATConsult’s steps in the industry. “I think in our initial years in the industry, from 2007 to 2011, we were focused on being a social media specialist agency. In the next three years we transformed into a full-service digital agency. From 2015 onwards, we have invested into a lot of technology, data, and ORM. This prowess has only been increased from then."

    He adds, “I think, the last year has been our biggest high, as we finally broken the glass ceiling. Our work has been noticed worldwide. As a digital agency very few, in fact, none in India can boast about the sort of achievements that we got in 2018. I believe nobody has been awarded, in the same year, a London International Award, a Prague International Award, and a nomination at Cannes. It’s a very illustrious list.”

    WATConsult surely had a stupendous 2018, but unlike many would believe, it wasn’t a fluke or something that just happened overnight. Dingra and his team had been working towards it since the past three years at least. He shares, “We have been investing in creative trainings for our team and upgrading them to suit the needs of all media, be it mobile, e-commerce, technology, or video. We have also been increasing our staff strength and are now a strong family of 377 members. It not only makes us the largest digital media agency within DAN network but also one of the larger agencies in the country.”

    The agency also bagged some big clients like Riso and Domino’s. “We worked across several different aspects of digital right from e-commerce to mobile, to technology-enabled work and a lot of video content. We must have made at least 150 digital films, which were more than a minute long. We saw a growth of 30 to 35 per cent. That’s what kept us in good step as an agency, he says.

    And obviously the laurels followed. On being asked if the agency is working towards winning awards only or is also seeking creative satisfaction, he says that awards can’t come without a person actually being satisfied with one’s work. “In fact, it is important to emphasise that how difficult it is to win at international platforms. It is extremely difficult to even reach to that level and compete. It requires great focus and great effort, which goes beyond your regular campaigns, to create something that wins there. It means you not only have to be satisfied with what you have done but you have to feel that you have done something pathbreaking,” Dingra quips.

    He adds, “You do not participate in such competitions for the sake of vanity. It has unimaginable positive impact beyond just getting fame or new businesses. The biggest impact is on internal team members who suddenly start to push the bar and work harder towards innovating new content.”

    Highlighting what remains the prime focus for him and his team while working on such campaigns, Dingra shares, “At the international award shows ‘impact’ always performs better. Be it impact on society or people; things that improve the behaviour of people and change lives for better perform better. They might look purpose-driven on the outside, but inside they just highlight what the brand’s purpose is.”

    He revealed that at WATConsult their aim is to involve the brands in the creative purpose. "We are creating campaigns that are around experience and technology. For us it is not performance-driven but purpose-driven marketing," he says excitedly.

    WATConsult has had a fabulous upward growth trajectory till now and digital media is growing in parallel. That means the competition is increasing and so is the trust of brands on such agencies. Dingra himself shares that in the coming two years, digital will amount to one-fourth of the total ad-spends made by any brand. So, how is he planning to maintain the stead?

    “I think 2019 is going to be a key year for us. We want to push further on the path that we are already on, which is the path of creative excellence. We don’t want 2018 to be a one-off year here we performed good at the global awards. We definitely want to up that benchmark in 2019. We believe that we are going to do a lot of interesting work in form of good video content and reach age social platforms—leveraging gaming platform like PubG, or video platform Tik Tok. We will experiment with new platforms, new technologies, and in general a new way of communicating on digital media,” Dingra mentions.

    Dingra is certainly proud of WATConsult’s illustrious journey and is looking forward to an amazing year and beyond.

  • McCann terminates global CCO Jeremy Perrot

    McCann terminates global CCO Jeremy Perrot

    MUMBAI: Based on employee complaints for violating the company’s code of conduct, McCann Health’s global chief creative officer Jeremy Perrott has been terminated. This marks the second termination of a prominent global industry figure this week based on employee complaints, following Ogilvy’s firing of Tham Khai Meng.

    A person with knowledge of the matter said the complaint surrounded allegations of “offensive and inappropriate language”, according to Campaign India.

    Perrott has been with the Interpublic Group company for nearly three decades was let go in the days leading up to the 2018 Cannes Lions International Festival of Creativity.

    A statement from McCann reads, “We received a complaint about a violation of our Code of Conduct by McCann Health’s Jeremy Perrott. As a result, following an investigation, he is no longer with the company.

    “Our foremost priority is to foster a workplace where people are respected and valued, and importantly, an environment where people feel safe and protected to come forward to report actions that run counter to our values and code of conduct,” the company added.

    McCann Health is in the process of replacing Perrott. Other members of his former leadership team are taking on his responsibilities in the interim.

  • Savlon wins Grand Prix for Creative Effectiveness at Cannes Lions

    Savlon wins Grand Prix for Creative Effectiveness at Cannes Lions

    MUMBAI: In a first for any Indian brand, ITC’s Savlon has bagged the coveted Grand Prix at Cannes Lions 2018 for Creative Effectiveness. Designed and conceptualised by Ogilvy India, the innovative campaign is a rendition of the ‘Savlon Swasth India Mission’ programme unveiled by ITC’s Personal Care Products division to encourage behavioural change towards washing hands amongst children through various engaging and entertaining educational initiatives.

    ITC Personal Care Products business chief executive Sameer Satpathy says, “We at ITC are indeed delighted to have won the Grand Prix for Savlon for creative effectiveness at the Cannes Lions. This award is testimony to ITC’s focus in creating an ecosystem which fosters creativity, talent, collaboration and innovation. I would like to thank the team at Ogilvy, who are our partners in rebuilding this brand and have helped us achieve both commercial and creative success. And also a big thank you to the internal teams at ITC on brand, activation and R&D.”

    The Creative Effectiveness Grand Prix at Cannes is one of the most prestigious awards honouring creativity that impacts consumer behaviour, brand equity and sales. ‘Creative Effectiveness’ judges previous year’s award winning works at Cannes Lions to evaluate its impact in the market place. The Grand Prix win, is an endorsement of ITC’s commitment towards children’s hygiene and celebrates the innovative product solution as an authentic cause collaboration that has helped garner success for brand Savlon.

    The ‘Savlon Healthy Hands Chalk Sticks’ won global honours at Cannes in 2017 and was also recognised as one of the world’s top 10 PR campaigns by the Global SABRE awards. The unique chalk sticks have been invited to be displayed at the Museum of Applied Arts and Sciences (MAAS) in Sydney, Australia to inspire youth on innovation that enables social good.

    Conceptualised by Ogilvy & Mather, the initiative provides a unique solution to promote hygiene among children by infusing cleansers like soap into chalks. Children in different primary schools use these chalk sticks for writing on slates and when they wash hands before eating, the chalk dust on their hands work just like soap, helping them avert serious diseases. The ongoing school outreach programmes under the aegis of ITC’s ‘Savlon Swasth India Mission’ has reached out to more than 2.3 million children in over 5200 schools. The innovative ‘Savlon Healthy Hands Chalk Sticks’ as part of this outreach, have engaged nearly 8 lakh children in close to 2000 schools.

  • MediaCom wins Media Network of the Year at Cannes Lions 2018

    MediaCom wins Media Network of the Year at Cannes Lions 2018

    MUMBAI: MediaCom has been named Media Network of the year at the 2018 Cannes Lions Festival.

    The agency’s work for Tesco in the UK landed the Grand Prix for Excellence in Media Planning, while campaigns for P&G’s Gillette in Israel added two Silver Lions and a Bronze Lion. The agency also received eight shortlist nominations, making MediaCom the most decorated media agency in the competition.

    The Grand Prix campaign, Tesco’s Food Love Stories, enabled the retail giant to turn food shopping from a functional to an emotional purchase. While competitors focused on food provenance, Tesco used its first food campaign in three years to celebrate “the food you love to cook for the people you love”.

    The message was spread via paid digital, out of home and radio, with data targeting ensuring the delivery of personalised stories to consumers. Owned media, including point-of-sale, recipe cards, email, print and digital helped spread the word.

    The fully-integrated campaign delivered a 53 per cent improvement in quality scores, making Food Love Stories Tesco’s most effective campaign ever.

    MediaCom worked with BBH London on the campaign with ITV Creative, Global Radio, Facebook and JCDecaux also providing production services.

    MediaCom Israel picked up three Lions for its work with P&G’s Gillette. The Babyface campaign picked up a Silver Lion by encouraging new dads to build strong physical bonds with their children by shaving their scratchy beards, while I Don’t Roll on Shabbos grabbed both Silver and Bronze for enabling members of the country’s Orthodox community to buy and use deodorant on the Jewish day of rest. I Don’t Roll on Shabbos boosted Gillette’s share of the deodorant market from 3 per cent to 15 per cent.

    “This is fantastic news, and I’m hugely proud of the UK team for winning the ultimate prize in our industry. Nor could I be happier for our client, Tesco, who worked in partnership with us to create this memorable campaign,“ said MediaCom Worldwide chairman and CEO Stephen Allan. “Tesco’s Food Love Stories combines great insight with fantastic business results and demonstrates how our Systems Thinking approach can help brands be both creative and effective in the way they invest their marketing budgets. I’m also thrilled by the geographical spread of our shortlisted work. From Vietnam to India, Australia to Belgium and Israel to Russia, we have ensured our clients get the same high quality of service in every market“.

    The result maintains MediaCom’s dominance at global award ceremonies, as it was named Agency Network of the Year by Festival of Media Global earlier this year and topped the Gunn Media 100, published by WARC.

    MediaCom is a member of WPP, the world’s largest marketing communications services group, and part of GroupM, WPP’s consolidated media investment management arm.

  • Unilever to cut ties with digital influencers

    Unilever to cut ties with digital influencers

    MUMBAI: While brands continue to engage in paid promotions through influencer marketing, consumer goods giant Unilever’s had enough. The world’s second biggest advertiser has decided to stop this practice to promote its products. Companies tend to rely on influencers to generate a buzz around their products on social media. But more often than not, followers of these influencers aren’t real people but fake accounts and bots.

    Hence, Unilever, maker of Sunsilk shampoo, Dove and Lipton tea, wants to help make advertising more transparent and will cut ties with all digital influencers. Unilever spent US $8.9 billion on marketing last year.

    The company’s  chief marketing officer Keith Weed is said to pledge today at the on-going Cannes Lions that Unilever will never buy followers or work with influencers who buy followers.

    “Trust comes on foot and leaves on horseback, and we could very quickly see the whole influencer space be undermined. There are lots of great influencers out there, but there are a few bad apples spoiling the barrel and the trouble is, everyone goes down once the trust is undermined,” Weed told Reuters. 

    It was only recently that Unilever threatened Facebook and Google that it will withdraw its advertising on the social media platforms if they fail to remove content that creates division in the society and promotes hate. Weed had said at the time, “As one of the largest advertisers in the world, we cannot have an environment where our consumers don’t trust what they see online.”

    The move also comes as Unilever and Procter & Gamble are in the process of auditing their ad spends and agency relationship to function more efficiently as the industry sale for consumer packed goods has witnessed a drop. To cut down on the advertising and marketing costs, these multinational brands are now working with fewer agencies while creating some of the campaigns in-house rather than spending millions on an ad agency. 

    According to a report by Rakuten Marketing, some UK advertisers were willing to pay US$100,000 to celebrity influencers for a single Facebook post whereas a micro influencer with followers as low as 10,0000 earns as much as 15000 pounds for a single post.

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