Tag: Canadian

  • Ross Video acquires ioversal to offer clients  immersive experience solutions

    Ross Video acquires ioversal to offer clients immersive experience solutions

    OTTAWA: Ross Video is buying ioversal, the German creator of Vertex, a platform for immersive audiovisual experiences that has powered interactive exhibits and large-scale productions worldwide. The deal, announced on Thursday, marks the Canadian firm’s first serious push into experiential technology, extending its reach beyond traditional broadcast and live sports production.

    Vertex unifies video, audio, lighting and control systems into a single suite, allowing production teams to orchestrate complex installations—from projection mapping spectacles to interactive museum displays—without wrestling with multiple incompatible systems. The platform has earned its stripes through high-profile deployments, though Ross declined to disclose financial terms or specify which installations.

    “Vertex gives our customers a powerful new way to tell their stories,” said David Ross, chief executive of Ross Video, the family-owned firm his father founded in 1974. “It extends our live production solutions into the experiential world, opening creative possibilities that inspire audiences everywhere.”

    The acquisition fits Ross’s strategy of building an end-to-end production ecosystem that spans broadcast studios, sports venues, corporate events and cultural institutions. For customers already using Ross’s switchers, graphics systems and production control gear, Vertex offers a natural extension into permanent installations and experiential work—areas where margins can be fatter than in the commoditised broadcast kit business.

    Jan Hüwel and Martin Kuhn, ioversal’s co-founders, will join Ross along with their team, bringing decades of expertise in media servers and interactive control systems. “Joining Ross Video is a natural next step in our journey,” said Hüwel. “Ross shares our passion for empowering customers and our belief that innovation should always serve creativity.”

    Kuhn added that the tie-up would help Vertex reach a broader audience. “From the beginning, our mission has been to simplify complex audiovisual productions so creators can focus on storytelling,” he said. “Together, we’ll unlock incredible new possibilities for experiential media.”

    Ross Video, headquartered in Ottawa, has been on an acquisition spree in recent years as it seeks to fend off competition from software-defined production tools and cloud-based workflows. The privately held company does not disclose revenues but is estimated to generate several hundred million dollars annually from sales of production switchers, graphics systems and robotics to broadcasters and live-event producers.

    The firm plans to showcase Vertex through demonstrations and events in coming months, highlighting how the platform integrates with Ross’s existing production kit. Whether customers—many of whom are wrestling with tighter budgets—will embrace yet another platform remains to be seen. But Ross is betting that simplifying the chaos of experiential productions will prove irresistible to creative teams tired of duct-taping incompatible systems together.

  • Avengers crosses $ 1 billion mark

    Avengers crosses $ 1 billion mark

    MUMBAI: After taking a $200 million opening, Disney and Marvel‘s The Avengers has recorded a $100 million-plus second weekend.

    The superhero tale took in $103.1 million to cling onto the No. 1 position and lift its domestic take to $373.1 million in just 10 days. With nearly $630 million more overseas, The Avengers raised its worldwide total to just over $1 billion.
     
    Johnny Depp and Tim Burton‘s latest collaboration, the vampire romp Dark Shadows opened a distant second with $29.7 million domestically.
     
    The top 20 movies at US and Canadian theatres from Friday through Sunday last followed by distribution studio, gross, number of theatre locations, average receipts per location, total gross and number of weeks in release.

  • 12 EU film producers for TIFF

    12 EU film producers for TIFF

    MUMBAI: A dozen European producers attached to Producers Lab Toronto will fly to Toronto on the occasion of this year‘s Toronto International Film Festival (TIFF) to meet an equal number of Canadian producers.
    The Lab has been in operation for the previous two editions of the Canadian festival and this year has secured necessary funding from the European Union‘s Media Mundus program to help the Europeans reach the Canadian festival event.

    The forum is organized by European Film Promotion (EFP) in collaboration with the Ontario Media Development Corporation (OMDC) and Toronti International Film Festival (TIFF).

    In order to foster closer relations between the producers, the participants are subsequently invited to alumni meetings during the Berlin and Cannes film festivals.

    Organisers of the first two editions of the Lab said almost all of the participants from 2010 and 2011 are in contact with one another and 27 projects are actively in development.
    The TIFF, that will run from 5 to 8 September, aims to unite producers from Europe and Canada on film projects and bolster co-productions.

  • Akshay Kumar’s Breakaway breaks records in Canada

    Akshay Kumar’s Breakaway breaks records in Canada

    MUMBAI: Though his film Speedy Singhs didn‘t do well domestically at the box office, its English version Breakaway has made producer Akshay Kumar proud by becoming the highest-grossing English film in the Canadian history.

    The film, co-produced by Kumar‘s production house Hari Om Entertainment and Paul Gross, has broken records set by earlier crossover productions including Monsoon Wedding and 3 Idiots.

    “We released the film in 51 theatres across Canada on 30 September this year and the box office returns ever since then have exceeded expectations,” Canadian distributor Mark Sloane said in a statement.

    The film, that released in some territories under the title of Speedy Singhs, centres around Toronto‘s Indo-Canadian community.

  • Alliance Atlantis announces licensing of intl second window rights for ‘CSI’

    Alliance Atlantis announces licensing of intl second window rights for ‘CSI’

    MUMBAI: Canadian media firm Alliance Atlantis Communications has announced the licensing of certain international second window rights for the CSI franchise including CSI: Crime Scene Investigation, CSI: Miami and CSI: NY.

    In India, the show airs on AXN.
    The license fees generated for these international second window rights total approximately $250 million. Alliance Atlantis executive MD of international content distribution Ted Riley says, “We have now secured second window licensing agreements in a number of countries including France, Spain, Australia and, most recently, Germany and the UK. These agreements with international broadcasters demonstrate the strong interest in the re-licensing of CSI around the world.”

    Alliance Atlantis Communications CEO Phyllis Yaffe says, “We are exceptionally pleased with the performance of the CSI franchise in the international marketplace. As we have previously stated, the franchise has outperformed our original expectations in international first window and DVD sales. With this announcement, we can confirm that the trend continues. International second window rights are worth significantly more than we had originally anticipated. We continue to have active discussions with broadcasters in other territories regarding further second window licensing opportunities.”

    International broadcasters that have acquired second window rights to the franchise include RTL in Germany, Five in the UK, TF1 in France, Telecinco in Spain, Nine Network in Australia and CTV in Canada. These sales include both produced and future episodes of CSI. To date, the CSI franchise has produced 287 hours of programming inventory.

    Alliance Atlantis also announced video-on-demand (VOD) partnering agreements for the CSI franchise in certain European territories including Germany and the UK, to take advantage of emerging opportunities in cable and online distribution.