Tag: cable

  • Zee TV to soon have entertainment channel sibling; Zee Next working title

    Zee TV to soon have entertainment channel sibling; Zee Next working title

    MUMBAI: Star Plus has it, so too does Sony’s SET channel; and now Subhash Chandra’s Zee Entertainment Enterprises Ltd will soon have it as well – a flanking channel that is.

    If all goes according to schedule, Zeel will be launching a sibling to its flagship channel Zee TV within the next three to five months. While the name of the channel is yet to be finalized as yet, reliable sources at Zeel say that it has been given a working title Zee Next.
    Zee Next is envisioned as a metro-centric entertainment channel that will have content that in scope and feel will be quite similar to what was envisaged for Star Plus’ sibling Star One, when it first launched in late 2004, the sources say.

    This news comes alongside the further closing of the channel share gap between Zee TV and Star Plus in the latest ratings issued by Tam Media. Tam is now beginning to deliver better numbers as function of new markets being added to the panel as well as expansion in peoplemeter numbers.

    Overall, Star Plus’s gross rating points (GRPs) are down from 518 in December to 403 this week. Zee’s GRPs have also dropped from 240 in December to 217 in the current week.

    There are those in the industry who question Zee’s move to launch another entertainment flanking channel, saying that it would only distract Zee TV from a focused assault on Star Plus. The logic of the new channel is reportedly that it will essentially be targeted as a channel that is focused more at marking its presence on addressable systems. That Zee owns both cable (WWIL) and DTH (Dish) platforms also means that packages can be created that will push the new channel to the maximum possible.

  • Taffy Ent. unveils multi-platform kids’ service ‘Kabillion’ in US

    Taffy Ent. unveils multi-platform kids’ service ‘Kabillion’ in US

     MUMBAI: Taffy Entertainment has announced the launch of Kabillion, a multi-platform, kids’ program service, available both as a free online broadband site (www.Kabillion.com) and a free video on-demand (VOD) channel.

    According to an official release issued by the company, the new service, developed in conjunction with Remix Entertainment Ventures, offers high-quality animated and live-action kids’ series entertainment on both the online and VOD platforms. The VOD platform is now available to digital cable subscribers in the US on Comcast Cable systems, with additional systems to be added in the near future. Future plans also call for offering mobile, gaming and wireless platforms.

    Kabillion’s initial programming lineup includes a variety of options, in keeping with the channel’s “On Demand/Viewer’s Choice” philosophy. From the CGI comedy show Pet Alien, to anime trading card-themed Mix Master: King of Cards original series.

    The On-Demand channel will allow viewers to choose the episodes they want, when they want it and in some cases, the language they want, as Kabillion will offer multi-lingual versions of many titles.

    Instead of being designed from a traditional linear programming service perspective, Kabillion has been conceived and developed around the role that emerging digital media is playing in the lives of kids. To help guide viewers through the new service, Kabillion will also offer “Kablab,” a comedic, live-action Preview show, intended to not only entertain, but to inform kids about some of the other available programming and content choices, adds the release.

    “Kabillion will transform how kids experience media, allowing them to engage in a more interactive and dynamic way, across a range of platforms. Taffy Entertainment will supply first class, award-winning programming through its global production pipelines at both Moonscoop and Mike Young Productions,” explains Taffy Entertainment co-CEO Bill Schultz. “Key acquisitions will also play an important role and we anticipate some important announcements to that effect very soon.”

    The network is advertiser-supported and already has signed key sponsors. Kabillion’s infra-structure will transform traditional approaches to advertising with the innovation that is currently sweeping the older demographic’s advertising models.

     

  • Casbaa Convention 2007: It’s all about content

    Casbaa Convention 2007: It’s all about content

    MUMBAI: The Casbaa Convention 2007 will be staged from 30 October to 2 November at Hong Kong’s Academy for Performing Arts. The theme this year has been set to ‘It’s all about content’.

    Casbaa chairman Marcel Fenez said, “Focusing on the most vital market driver for pay-TV services, video content, the Convention 2007 will highlight how the relationship between content, carriage, customers and revenue is indivisible.”

    “There is now a deeper industry-wide recognition that whether the platform is cable, satellite, broadband, mobile or any other delivery mode consumers ultimately pay for the images on screen,” he added.

    According to Casbaa, with the need to maximise viewership and revenues in a world of proliferating channels, the delineation of quality niche products is gaining ever greater relevance. Meanwhile, a more sophisticated understanding of consumer behaviour and the development of related marketing campaigns all flow back to the core product: compelling content.

    The ever-changing technology landscape will also feature strongly during the Casbaa Convention 2007, as will the mega-markets of China and India and the still green-field markets of Indonesia and Vietnam, asserts an official release.

    The annual Casbaa Convention brings together broadcast executives and technology specialists from Asia and around the world to exchange views and information during high-powered interactive debates.

    Casbaa CEO Simon Twiston Davies said, “This is where Asia’s pay-TV decision-makers meet market dynamics head on. First comes carriage, but then you need content.”

  • Tam’s Elite Panel data goes live

    Tam’s Elite Panel data goes live

    MUMBAI: It has taken quite a while but media research agency Tam has finally got its Elite Panel up and running.

    This latest value addition for the Indian TV industry will measure the TV viewership behaviour of the crème de la crème of the Mumbai and Delhi population.

    An Elite Household in the panel is defined as one which is SEC A1 owning AC & PC & Car.

    Tam’s Elite Panel is a mix of cable, DTH and Cas homes. The Indian Elite Panel captures the nuances of TV Viewing among the top three per cent of the Socio-Economic strata in Mumbai and Delhi. Tam Media Research CEO LV Krishnan says, “Across the globe, all Elite consumer media studies are recall based survey measurements. Very few attempts have been made to measure this exclusive set of consumers through a continuous panel based method. Tam’s Elite Panel is the world’s first such study to understand Elite consumers’ TV viewing habits.”

    “At this moment of time, I would like to thank every senior member of our industry who gave us a patient hearing, offered us valuable suggestions and stood the test of time to finally see the industry project through. What I am even more pleased about is that, throughout the two years it took us to implement the industry proposal, Tam received support from all constituents of the industry.

    The key question is how is this development viewed by the industry. Star India president, ad sales and distribution, Paritosh Joshi says that while he has not yet seen the numbers, in principle the Elite Panel together with Cas represents a strong plus for channels like Star Movies and Star World that target the affluent segment. “They will be able to offer more demonstrable numbers to clients. More and more brands that target the upmarket audience from sectors like hospitality, finance, automobiles, apparel and lifestyle are looking for the right media vehicles. This development will allow them to do that.”

    Zee Network’s ad sales head Joy Chakraborthy feels that the introduction of the Elite Panel is better late than never. “It is not fair that unique channels are measured in the same way as the general entertainment channels. That situation will change. So far unique channels have been bought on the basis of perception rather than on reality. It was a case of ‘if I am watching it then others must also be watching it’ scenario. This issue will now get addressed. We are still examining the data though, as we only just got it.”

    On the media side Starcom’s Manish Porwal was happy that the long awaited development had finally happened. “While we will wait and see how it fares in terms of consistency, the fact that it has happened is good news for the niche channels who will now get better exposure. Their representation earlier was small. It certainly allows us to look at the niche English genre with finer lenses and also allows us to better qualify the upmarket audience segment.”

    Spatial Access’ Meenakshi Madhvani says that so far the television ratings system has basically catered to the lowest common denominator i.e. the masses. Now though, one will hopefully get a better idea of what the small in number but important affluent consumers are watching. “It will allow us to get a better fix on the affluent viewers. Also the disadvantage that the niche channels had in terms of not having the numbers to show will not be there.”

    One of the additional USPs of the panel is that it has deployed the state-of-the-art Digital TVM5 peoplemeters. Commenting on this, Tam Media Research VP Pradeep Hejmadi says, “The Elite Panel comprises of homes receiving channels through a mix of Analogue cable, Digital set top box (Cas) and Direct –to-Home (DTH) platforms, making this the first technology-hybrid, platform neutral TV study.”

    Tam adds that across the globe, all Elite consumer media studies are recall based survey measurements. Very few attempts have been made to measure this exclusive set of consumers through a continuous panel based method. Tam says that its Elite Panel is world’s first such study to understand Elite consumers’ TV viewing habits.

  • BBC World Service to kick off roadshow in Northern India from Thursday

    BBC World Service to kick off roadshow in Northern India from Thursday

    MUMBAI: BBC World Service has announced that its radio service BBC Hindi hopes to meet more than 20,000 listeners in a series of roadshow events across three states in Northern India. From tomorrow 16 November to Monday 25 December, Your world, your voice is taking BBC Hindi teams to 14 towns across Uttar Pradesh, Bihar and Jharkand, engaging audiences in lively debates broadcast live on the BBC, together with other activities, including street theatre and website demonstrations.

    The debates have been inspired by local residents who took part in specially-commissioned research. Conducted by the Delhi-based rural research agency, Prastut Consulting, the research is based on interviews with decision-makers and residents at each of the roadshow locations and gives the BBC invaluable insights into what really matters to its audiences in India’s heartland.

    BBC Hindi head Achala Sharma says, “We always keep our hand on the pulse of India: what concerns them, what their expectations are, what they want to change in their lives. The special research we commissioned this year is a real treasure trove, giving us first-hand information which will form the basis of our roadshow debates as well as our programming in general.

    “All those interviewed for this research said that they see the BBC as being able to influence change. That’s why we are looking forward to meeting our audiences in this roadshow.”

    Connecting with local culture, the BBC uses traditional Kalamkari artwork throughout the Your world, your voice roadshow. Street theatre will open each event with a dramatised demonstration of the values and benefits of listening to the BBC. There will also be demonstrations of the bbchindi.com website. Simultaneously, BBC World Service has organised purely promotional activity in 34 towns of the states of Madhya Pradesh, Uttaranchal and Rajasthan using the campaign imagery and messages.

    BBC Hindi programmes are produced from studios in London and New Delhi and are set in a rolling format, with news, current affairs and features. The interactive morning and evening programmesAaj Ke Din and Aaj Kal, bring the BBC Hindi listeners news, analysis and interviews on issues, from current affairs and careers to showbiz and sports.

    BBC Hindi is available on short wave and medium wave radio and via cable television.

  • Time Warner’s Q3 revenues up 7%

    Time Warner’s Q3 revenues up 7%

    MUMBAI: US media conglomerate Time Warner has reported financial results for its third quarter ended 30 September, 2006.

    In the quarter, revenues rose by seven per cent over the same period in 2005 to $10.9 billion, led by growth at the cable and networks segments. Adjusted operating income before depreciation and amortisation climbed 16 per cent to $2.9 billion, reflecting double-digit increases at the cable and AOL segments as well as gains at the networks and publishing segments. This growth was offset partly by a decline at the Film segment. Operating income was up one per cent to $1.7 billion.

    Time Warner chairman and CEO Dick Parsons said, “Time Warner continues to build momentum and deliver value for our shareholders. This quarter’s results position the Company to meet all of our full-year financial objectives. We’re particularly encouraged by AOL’s early progress in making the transition to an advertising-supported business.

    ” Just as importantly, Time Warner Cable is generating outstanding results, even while successfully integrating its newly acquired cable systems. In addition, our capital allocation efforts continue to drive incremental value – including our $20 billion share repurchase programme as well as this year’s more than $20 billion of acquisitions and almost $4 billion of announced or completed non-core asset divestitures.”

    Revenues at AOL fell by three per cent ($58 million) to $2.0 billion, due to a 13 per cent decrease ($210 million) in subscription revenues, offset in part by a 46 per cent increase ($151 million) in ad revenues. The decline in subscription revenues was due primarily to a decrease in domestic AOL brand subscribers, which reflects in part AOL’s previously announced plan to offer its e-mail, certain software and other products free of charge to broadband users in the

    US ad revenues reflected strong growth in sales of advertising run on third-party websites generated by Advertising.com, as well as display and paid-search advertising. At the network segment (Turner Broadcasting, HBO and The WB Network) revenues rose by four per cent ($100 million) to $2.5 billion, reflecting higher subscription and ad revenues, including the consolidation of Court TV ($60 million), offset partially by lower Content revenues.

    Subscription revenues climbed nine per cent ($125 million), due to higher rates and, to a lesser extent, increased subscribers at Turner and HBO as well as the consolidation of Court TV ($17 million). Ad revenues were up by six per cent ($42 million), led by 16 per cent growth at Turner, including Court TV ($42 million), offset partly by a 36 per cent decrease ($48 million) at The WB Network, which ceased operations on September 17, 2006.

    The 23 per cent decline in content revenues ($72 million) is related to a decrease at HBO, due mainly to a difficult comparison to the prior year quarter, which included higher syndication sales of Sex and the City. For the quarter, Cartoon Network posted gains among kids 6-11 in both prime-time and total-day delivery compared to the prior year period.

    Revenues from films fell by 10 per cent ($260 million) to $2.4 billion, due to difficult comparisons to the prior year period. The current quarter included revenues from Superman Returns while overall theatrical revenue declined from the prior year quarter, which included results from Charlie and the Chocolate Factory, Batman Begins and Wedding Crashers.

    The company also reaffirmed its 2006 full year business outlook. It continues to expect that its 2006 full-year growth rate will be in the low-double digits.

  • Cable blackout in Mumbai ends

    Cable blackout in Mumbai ends

    MUMBAI: Cable television is finally back in Mumbai after almost two days. However, movie channels, as well as Hindi entertainment channels Star One and Sahara One, remain on the blink.

    A compromise was reached late this evening after the Cable Operators and Distributors Association (Coda), which represents local cable ops, as well as representatives of the various multi-system operators, met Maharashtra home minister RR Patil.

    The cable fraternity’s contention has been that since they are only service providers, and not content producers, they require “clear cut regulation from the government for the telecast of movie channels.”

    According to a cable operator who preferred to remain anonymous, all the networks were restoring cable services barring those of the nine channels that triggered the imbroglio in the first place. “We will wait for the verdict, which will be heard tomorrow (Wednesday) by Justice Lohda (before deciding on the next course of action),” he said.
    Cable operators have filed an intervention petition in the Bombay High Court asking why broadcasters and direct-to-home operators were not being taken to task by the authorities. The petition is scheduled to come up for hearing tomorrow.

    Earlier in the day, cable operators were running a scroll informing viewers of the reasons behind the suspension of services. “Due to unprecedented raids on cable operators for carrying satellite movie and entertainment channels having adult content, all Maharashtra cable operators have shut down these channels till further directions from the High Court and commissioners. Kindly bear with us.” — Cable Operators and Distributors Association.

    The channel blackout was not total all over Maharastra though. Besides Mumbai, other parts of the state – such as Nasik, Pune, Thane and New Mumbai – were affected to varying degrees by the channel blackout. In Pune, for instance, the cable networks only discontinued the transmission of movie and music channels.

    Cable services were halted last evening after the Mumbai police raided cable TV control rooms and seized the decoder boxes of nine channels charged with showing adult content. Among these were Hindi and English movie channels (Zee Cinema, Star Movies, HBO, Filmy, Star Gold, AXN and Max), and Hindi entertainment channels Star One and Sahara One.

    Police said the operators were raided because they were showing adult films, despite there being a ban on them. At least three million homes were affected by the blackout.

  • Cable, DTH locked in ad war

    Cable, DTH locked in ad war

    MUMBAI: The ad war between direct-to-home (DTH) service providers and cable TV operators has started. Soon after Dish TV ran a full page campaign on print asking viewers to stop watching cable TV, operators have retaliated with the tagline “Cable TV – Service at your doorstep.”

    The most obvious attack is on pricing. Dish TV, the ad says, offers all channels without the Star bouquet at Rs 300 per month. After adding up the 10 per cent licence fee and taxes (entertainment and service), the monthly bill in Mumbai will work out to Rs 412. Then there is the hardware and rental cost for the set-top boxes (STBs) which have to be paid in advance. Besides, there are no discounts for multi-TV homes, the ad states.

    Cable prices in the conditional access system (CAS) areas, on the other hand, will begin from Rs 77 per month for the free-to-air (FTA) channels. The pricing for the pay channels is yet to be decided as broadcasters have to fix the rates. As for the set-top boxes, the early bird offer is Rs 2000. “With judicial intervention and government regulation now being brought in place, you too will reap benefits of CAS once it takes off from 1 January,” the ad says.

    Regarding service, cable TV has run even on days of calamities. Most of the consumer complaints are pricing related issues which are linked to pay channel hikes. “Cable networks also provide internet service. How come you never faced price related issues when dealing with the same cable network,” the ad states.

    The cable TV industry is “geared to usher in a new digital cable revolution with over 140 channels, radio services, games and on screen electronic programme guides.”

    The cablewallah may have finally woken up to the competition from alternate digital distribution platforms. The battle, as they say, is just beginning.

  • Digital cable heart of Zee’s WWIL story

    Zee Telefilms chairman Subhash Chandra is on a roll. The resurgence of flagship Hindi entertainment channel Zee TV has come after years of slippage since Kaun Banega Crorepati catapulted Star plus into leadership position.

    But this is not just about Zee TV‘s prime time assault on Star Plus; it is also about how Chandra is preparing for the big fight against Rupert Murdoch in the direct-to-home (DTH) space which will determine who will dominate the broadcasting business.

    Laying the preparatory ground, Chandra has streamlined his media empire to give it the right focus, resources and value. His announcement on 29 March: Zee Telefilms will be de-merged into four separate entities. While cable business will come under Wire and Wireless India Ltd (WWIL), Dish TV will handle the DTH operations. News and regional channels are being consolidated in Zee News Ltd. Under the umbrella of Zee Telefilms will be the newly launched Zee Sports.

    The “sum total of the parts” concept ignited the scrip which, once hovering around Rs 130-150 in mid-2005, has breached the 200-mark and closed today at Rs 227.

    In the first of a four-part series, Indiantelevision.com takes an in-depth look into the de-merged cable business of Zee Telefilms.

    Subhash Chandra sees a golden opportunity in the cable TV business becoming a crown jewel in his media empire. His new mantra: digitalisation, broadband and Voice over Internet Protocol (VoIP).

    Media czar Subhash Chandra

    Having built the largest network in the country with a base of 6.8 million subscribers, Chandra has set upon himself the task of refashioning the business model to discover hidden value. His first step: to hive off the cable assets into a separate company, Wire and Wireless India Ltd (WWIL), as it would allow for better allocation of capital and management resources.

    Jagjit Singh Kohli, a doyen in the industry, is put at the steering wheel to chalk out a comprehensive business plan. “We have identified cable distribution as a thrust area. We are building a separate team under Kohli to work out the full plan. Digital cable will help push up the ARPUs (average revenue per user). We can also share the infrastructure with telecom companies for voice services,” Chandra told analysts at a meeting after announcing his de-merger plans.

    Chandra is weary of the fact that multi-system operators (MSOs) have been incurring historical losses in an unorganised sector dominated by last mile operators (LMOs) who terribly under-report subscriber numbers. For the fiscal ended March 2006, Zee‘s cable business barely managed to post an operating profit of Rs 17 million on a revenue of Rs 1.5 billion. Lack of addressability in the industry has, in fact, dragged down valuations of analogue cable networks.

    Making digital cable the heart of WWIL‘s growth strategy, Chandra has earmarked an investment of Rs 5 billion over three years to charge up the business. “The minimum we will be pumping in this fiscal is Rs 600 million. But we are working on two models and if we are able to push digitalisation in a big way, we will actually be investing Rs 1.3 billion this year,” says Essel Group CEO of corporate strategy and finance Rajiv Garg.

    After Delhi, a digital headend is being set up in Mumbai, a lucrative market where WWIL currently has a small presence. Kolkata, Bangalore and Hyderabad are some other cities which will also inhabit the digital map.

    That does not mean that analogue expansion will be abandoned. WWIL is best poised to take up this role as, with a huge pile up of Zee channels, there are broadcasting interests to protect in an environment where cable bandwidth is choked. Siticable (earlier name of Zee‘s cable company), in fact, swung into action last year to snap up RPG-promoted Indian Cable Net, the biggest MSO in Kolkata. Spoiling Kalanithi Maran‘s SCV plans, the acquisition established Siticable as the leading MSO with a market share of over 60 per cent.

    Siticable has also taken on lease two prominent cable networks of Bangalore, Ice Network and Atria Network. In Hyderabad talks with Maran to tie up against Hathway Cable & Datacom were initiated but failed. Expansion through affiliation schemes to existing cable networks is also much on the agenda.

    By aggressively pursuing such plans, Chandra feels his cable business is sure to find a pot of gold. He has put WWIL‘s valuation in the region of $800-900 million (Rs 36-40.5 billion).

    Just over six years back, Chandra had bought out News Corp‘s 50 per cent stake of Siticable at a valuation of Rs 15 billion. So how does he arrive at such a steep rise in valuation now?

    The calculation runs somewhat like this: Siticable gets paid for a million homes which, according to Chandra, can attract a valuation of $500 (Rs 22,500) per subscriber. For the balance 5.8 million subscribers (for which Siticable is not paid), he puts a value of $50 (Rs 2,250) per subscriber, taking the total worth of the network to around $800 million.

    Since the buyout in 1999, Chandra believes a turnaround in valuations is possible for two basic reasons: conditional access system (CAS), which will ensure rollout of digital cable TV in the country; and potential of cable to get into the arena of triple play convergence – voice, data and video.
     

    “We are bullish about our cable business. We can attract investors in our distribution businesses in cable and direct-to-home (DTH),” Chandra had told Indiantelevision.com soon after announcing de-merger of Zee Telefilms into four individual entities.

    On annual revenue of Rs 1.5 billion, investors have to really bet their money on future earnings of the cable industry. The ARPU is around $3.5 a month, meaning a massive scale up has to take place.

    A question that analysts ask is: how does he put a value of $50 for the 5.8 million subscribers which WWIL is not paid for?

    A research firm has put the enterprise value (EV) of WWIL at $670 million (Rs 30.15 billion). This is based on EV per subscriber of $100 (with 6.7 million subscribers).

    Traditional cable valuations have been high but not at the level Chandra is looking at. Hathway was valued at $225 million and Star took a 26 per cent stake for $75 million, paying for a presence in distribution after exiting from Siticable and hype on IP-driven content. Even after adding size to the network, digital cable to a small extent and broadband growth, analysts put Hathway‘s current valuation at $400-500 million. Hinduja-owned Incablenet has also got on Intel and Kudelski to invest at huge valuations, but these have been small stakes in the company.

    What has changed this time, though, is CAS. This changes the business model of MSOs as it gives them direct control of the last mile subscribers.

    For getting an investor at the valuation that Chandra wants, WWIL will have to get in digital cable. Besides, it needs to have more control over the LMOs. The pot of gold, after all, resides in the last-mile system. CAS, or addressability, will instantly ignite valuations when it comes, but at the moment it looks some distance away.

    Chandra‘s corporate restructuring, however, has come at the right time. Telecom majors like Reliance Infocomm are feeling the need of getting access to the last mile through the chain of cable operators for rollout of IPTV. And, if CAS is mandated, international players like Liberty and Comcast will be keen to invest into the existing MSOs as an entry strategy. Private equity investors will also find cable worth putting their bets on.

    WWIL CEO J S Kohli

    Some investment bankers feel Hathway is handicapped in a way as, with Star as a 26 per cent partner, the MSO will find it difficult to woo in strategic investors. Even getting in private equity participation will require the approval of Star. Incablenet, on the other hand, may find reason to opt only for a strategic investor as it does not have any broadcast ownership.

    Chandra can find a business case in expanding analogue business, particularly in territories where it can rake in carriage fees from broadcasters, with the strategy of putting digital later on the platform. In this arena, WWIL can be more aggressive than rival networks Incablenet and Hathway and may not even face competition from them. For Incablenet, the focus will be on converting its existing network into digital cable. As for Hathway, future expansion strategies will depend on how much Star is prepared to invest to support these plans. With Tata Sky, Star also has an interest in promoting its DTH business.

    The tough question is: where and how can WWIL find the space to expand its footprint?

    In the southern region, Tamil Nadu and Kerala will be impossibly tough territories to crack with Maran‘s SCV and Rajan Raheja‘s Asianet Satellite Communications Ltd. having a dominating presence. As for Andhra Pradesh, WWIL will have to regain lost ground in Hyderabad where it has not been getting signals from Star and Sony-Discovery bouquets after Hathway was appointed as distributor of these channels. Karnataka is a different story as WWIL has a sizeable presence in Bangalore, though it is yet to roll out digital services.

    “We are plotting plans to revive our network in Andhra Pradesh. We will soon have a strategy in place,” says a Siticable joint venture partner in Hyderabad.

    In Madhya Pradesh, the main markets of Bhopal and Indore are dominated by Bhaskar Multi Net Ltd, promoted by print media giant Bhaskar group. Rajasthan Patrika owners have also diversified into cable. Though Kolkata is under the grip of WWIL, it will be difficult to extend the footprint in the eastern region. Orissa is dominated by Ortel and the other markets may not be attractive.

    WWIL has scope to expand in the smaller towns of western and northern India where it already has a well spread out presence. “It is nice to talk of expansion, but the market reality is different. In Karnataka there is scope to expand but ARPUs are low. It is also difficult to get carriage fees in the southern states where there is no appetite for Hindi content. WWIL can spread its wings in the northern and western regions but has to be careful if it wants to step into non paying and unstable markets,” says a trade analyst.

    The main challenge is to gain market share in Mumbai and Delhi. “WWIL will have to start a war in Mumbai and Delhi by dropping feeder rates to poach distributors and local operators. These will be two big digital markets. If WWIL goes on the offensive, we may have a land grab like situation,” says the analyst.

    Some analysts feel WWIL will have a distinct advantage in case of a fast digital rollout growth. “They have the widest presence and have the largest cable network in the country. They can take advantage of the digital environment and launch a headend-in-the-sky (HITS) platform,” says a market analyst.

    What Chandra needs is to pump in money. As the ideal debt-equity ratio for WWIL is 1:1, getting an investor in would help though it is not imperative. “The net worth of the company currently is not that strong to support that size od debt. We are, after all, planing to invest Rs 5 billion to expand the business,” says Garg.

    Trust the maverick Chandra to make the right move at the opportune moment. Unlike in 2000, Chandra has one advantage in roping in an investor this time. With WWIL getting listed, the piece of cable business in his media empire can be an attractive buy.

  • Cable ops in US shift strategies to meet IPTV threat; report

    Cable ops in US shift strategies to meet IPTV threat; report

    MUMBAI: As telcos are gearing up to deploy competitive pay television offerings, a new report from market research division of Light Reading, Heavy Reading indicates that cable companies in US are revamping their video programming offerings.

    The cable ops are primarily doing it to fend off growing competition from IPTV services being launched by incumbent phone companies, adding more interactive services to their existing MPEG/QAM broadcast networks.

    The report suggests that the cable Next-Gen Video Plans and the Future of IP delves deeply into the next-generation video plans of North American multiple system operators (MSOs) as they prepare for the coming assault from telco IPTV and continue to defend against the competitive threat of direct-broadcast satellite providers.

    The report further analyzes the evolution of cable video from both a technology perspective and a business perspective, focusing not just on how MSOs are changing their networks, but also on how they are changing their business models with respect to video on demand (VOD) and the growing trend toward non- linear programming in general.

    “MSOs have no near-term plans to swap out their existing infrastructure to adopt end-to-end IP, nor is this type of move immediately necessary,” notes Heavy Reading and author of the report senior analyst Sterling Perrin. “In the near term, the MSOs plan to mimic the interesting features of IPTV using their existing MPEG/QAM networks.”

    Perrin adds, however, that switched digital video (SDV) could be a precursor to an MSO move to an end-to-end IP network — once SDV proves to be able to deliver quality equal to that offered now by conventional cable networks. “Cable end-to-end IPTV would require the final — large — step of replacing currently installed cable set-top boxes with IP STBs,” he says. “The rest of the network is moving to IP already.”

    Cable Next-Gen Video Plans and the Future of IP delivers a complete analysis of the Next Generation Network Architecture (NGNA) initiative from CableLabs, the cable industry’s research consortium, including how and when NGNA is likely to be deployed by leading MSOs. The report provides details covering product and market strategies of more than a dozen technology suppliers, including Ciena, Cisco Systems (and its Scientific-Atlanta subsidiary), Fujitsu, Motorola, and Nortel Networks.

    The methodology adopted has been exclusive one-on-one interviews with key executives from leading North American cable MSOs provide rich insight into this emerging market sector. Cable MSOs interviewed for the report include Comcast, Cox Communications, Rogers Cable, and Time Warner Cable.

    Other key findings of the report include:

    MSOs will leverage IP technology (and vendors) to expand their reach beyond the TV and set-top box as they branch into new areas, including delivery of content to mobile devices and to PCs. IP is well entrenched in MSO aggregation and core networks, but non-TV video service will likely be the first beachhead of IP in the access network — where preserving traffic in an IP form and building on the enormous industry support for IP (meaning lower costs) makes sense.

    MSOs are facing a spectrum crunch as they look to next-generation services to compete with both satellite and the telcos, but the situation is not dire. Cable executives interviewed for this report insist they have plenty of unused capacity in their networks. The efforts and innovation of the next three to five years will center on how best to tap that unused capacity.

    Deployment of SDV, when it does happen, will not necessarily boost sales of optical transport equipment. SDV is really about doing more with the same – – i.e., boosting the number of video channels available to subscribers without adding any new capacity to the network. The migration will likely be similar to that for VOD, which by its switched nature has allowed MSOs to ratchet up programming choices without having to dedicate much additional bandwidth (if any) to it.

    Cable Next-Gen Video Plans and the Future of IP costs $3,795 and is published in PDF format. The price includes an enterprise license covering all of the employees at the purchaser’s company.