Tag: BroadcastAsia 2014

  • Three Indian entries win for best TV production at Apollo Awards

    Three Indian entries win for best TV production at Apollo Awards

    NEW DELHI: Indians won three awards out of the eight entries shortlisted for the Apollo Awards for television programming in Asia to be presented in Singapore.

     
    There were a total of 15 categories for the awards. 

    The awards are to be presented on 18 June in conjunction with BroadcastAsia 2014 – the 19th International Digital Multimedia & Entertainment Technology Exhibition and Conference, at Marina Bay Sands, Singapore.

     

    While Studio Eeksaurus Production Pvt Ltd, India won two awards for Art Direction (Sandeep Shelhar & Ashok – Kitkat Astronaut- Diwali) and 2D Animation (Arun Rane & Sunita Kathiwada – Rotary Fateline), the third prize went to Prime Focus in Visual Effects/CGI – Long Form (Stefen Fangmeier & Merzin Tavaria – Sin City: A Dame to Kill For).

     

    Launched in 2005, the Apollo Awards is an initiative aimed at honouring the best in production and post-production across Asia Pacific, with a strong focus on the creative and technical mastery behind the scenes.

     
    The 23-member jury included one Indian – Studio Eeksaurus founder and creative director Suresh Eriyat.

    The Apollo awards had been introduced to recognize the fluid nature of talent migration in the production and post-production industry, coupled with the growth of Asia Pacific’s media and entertainment industry, has drawn top talent to the region and elevated the quality of work produced in this region.

     
    Since the launch of its new and improved version in 2013, the Apollo Awards has garnered attention from industry players as the nature of the awards is uncommon in this region.

  • Prime Focus dominates eight Indian nominations at Apollo Awards

    Prime Focus dominates eight Indian nominations at Apollo Awards

    NEW DELHI: Eight Indian entries have been shortlisted for the Apollo Awards for television programming in Asia to be presented next month in Singapore.

     

    There are a total of 15 categories for the awards, to be announced 18 June in conjunction with BroadcastAsia 2014 – the 19th International Digital Multimedia & Entertainment Technology Exhibition and Conference, at Marina Bay Sands, Singapore.

     

    First launched in 2005, the Apollo Awards is an initiative aimed at honouring the best in production and post-production across Asia Pacific, with a strong focus on the creative and technical mastery behind the scenes.

     

    In Direction – Short Form category, the Indian entry is Suresh Eriyat for Kitkat Astronaut- Diwali by Studio Eeksaurus Production, and this programme has also been shortlisted in Art Direction by SandeepShelhar and Ashok.

     

    Prakash Kurup and Huzefa Lokhandwala of Prime Focus have been shortlisted for two programmes – Mahindra Taqdeer and Royal Challenger in Editing – Short Form category. 

     

    Swapnil Patil of Studio Eeksaurus Production has been nominated in 2D Animation for two programmes: Rotary Fateline and Rotary Heartline.

     

    In the Visual Effects/CGI – Long Form, the Indian entry nominated is Stefen Fangmeier and Merzin Tavaria of Prime Focus for Sin City: A Dame to Kill For.

     

    Prime Focus also gets the nomination in the Visual Effects// CGI – Short Form for Prakash Kurup and Huzefa Lokhandwala for the programme Panasonic.

     

    The 23-member jury includes one Indian namely Studio Eeksaurus founder and creative director Suresh Eriyat.

     

    In recent years, the fluid nature of talent migration in the production and post-production industry, coupled with the growth of Asia Pacific’s media and entertainment industry, has drawn top talent to the region and elevated the quality of work produced in this region.

     

    To reflect this growing expertise, the Apollo Awards seeks to showcase and reward more niche specialties in production and post-production in the years to come.

     

    Since the launch of its new and improved version in 2013, the Apollo Awards has garnered attention from industry players as the nature of the awards is uncommon in this region.

     

    With a distinguish jury of academic excellence and industry expertise in the technical and creative fields, and the results tabulated and audited by an international auditing firm, this is the highly anticipated Award for production and post-production artists in the Asia Pacific region.

  • BroadcastAsia 2014 to focus on 4K technology and monetisation of second screen

    BroadcastAsia 2014 to focus on 4K technology and monetisation of second screen

    MUMBAI: One of Asia’s largest information and communications technology events, BroadcastAsia, returns this year between 17-20 June at the Marina Bay Sands in Singapore. BroadcastAsia 2014 will focus on 4k technology and monetisation of second screens by broadcasters. Showcasing the ‘pay TV boom’ will be various technological displays at the exhibition as well as keynotes, case studies and conference topics.

     

    Summing up the event, BroadcastAsia assistant project director Calvin Koh said, “As India moves into its final stages of digitisation, the demand for higher quality digital content looks set to escalate. The industry has never been more ready to embrace the latest and most advanced technologies, and BroadcastAsia provides the ideal platform for Indian industry professionals to get acquainted with the world’s best.”

     

    Spread over an area of 57,000 sq m across five levels will be key Indian companies including Essel Shyam Communication, Indiasign, Interra, Monarch Innovative Technologies, Prime Focus, RGB Broadcasting Equipments, Studio Systems, Wasp 3D and Cable Quest Satcom. The event will also see participation by new exhibitors such as Akamai, Mstar Conductor, Anevia, NEC, DJI, DYVI, Rosco, Brightcove and Arris. “Nearly 90 per cent of the exhibitors are direct manufacturers,” informed Koh.

     

    Also present will be Blackmagic Design, which will unveil in Asia many of its recent launches including the 4K studio camera and the Cintel film scanner. Blackmagic Design Asia country manager India Vishal Alex Chacko said, “Our products with UltraHD and 6G SDI technology lead the industry in production, broadcasting and post-production workflows.”

     

    On the content value chain side, focus will be on sportscasting, professional audio technology and cinematography/film/production zones. While on the technology front, the spotlight will be on 4K/UHD, DVB-T2, NextGen broadcasting-OTT/Hybrid/LTE/Broadband/Cloud, video content delivery network and multi-screen streaming.

     

    Tracks to look out for at the conference are: Second Screen- the TV viewing transformation, second screen and social TV- redefining user experiences and DVB in Asia and advanced broadcast solutions with key speakers such as BBC Global News CEO Jim Egan, YouTube APAC head and marketing partner Benjamin Grubbs, and Twitter media director of Australia Danny Keens.

     

    CommunicAsia 2014 and EnterpriseIT 2014

     

    This year, CommunicAsia will focus on technologies including 4g/LTE, mobile marketing/payment/security, OTT, sustainable ICT and smartphones and devices. EnterpriseIT 2014 will highlight cloud computing and services, enterprise applications, enterprise networks and technologies and IP technology.

     

    The summit will see topics such as consumerisation of the enterprise-BYOD vs CYOD, monetizing fibre broadband for your business and digital and social disruptions being discussed. A visionary keynote will be given by Twitter APAC, America and emerging markets vice president, Shailesh Rao.

     

    Over 715 exhibitors from 12 international groups including China, France, Germany, Italy, Korea, Singapore, Spain, US/Canada and UK will participate in BroadcastAsia this year

     

    Indiantelevision.com had a little chat with Koh along the sidelines of the event. Excerpts…

     

    Do you see the role of BroadcastAsia changing over the years?

     

    Koh: Yes. Now, we have a lot of new non-traditional exhibitors with us unlike the past when we had a lot of camera exhibitors. Now we have companies such as Akamai and Arris who are participating for the first time this year. We are witnessing a new dynamic which is good for the show and the businesses that come to see not just camera exhibition but also management and delivery. BroadcastAsia and CommunicAsia allow businesses to see everything from acquisition to delivery.

     

    What are the key trends for this year?

     

    Koh: 4K is surely one of it. The other is that though second screen technologies took off about two years ago, it is important for broadcasters to know how to monetise them. Some of the conferences and case studies will discuss and show how successful businesses have monetised the second screen.

     

    Is adoption of technology on a rise because of reduction in rates of equipments?

     

    Koh: Adoption is certainly increasing but at the end of the day, broadcasters have to see what technology will give them the best ROI. For some broadcasters, second screen is an early adoption while for others, it has already been implemented. So, the need is not just to go for technology that costs less but to know where to invest and how to get good ROI. We do see companies getting efficient and providing things at a lesser price but efficiency matters.

     

    Where are the new entrants coming from to BroadcastAsia 2014?

     

    Koh: We are seeing an increase in participation from China, Singapore, UK and parts of Europe and some growth in the US.

     

    How does Asia stand?

     

    Koh: Asia is surely a place to reckon with. India, Indonesia and Malaysia are big markets for media consumption which is why a lot of exhibitors want to be present at BroadcastAsia.

     

    What are the key changes at this year’s BroadcastAsia?

     

    Koh: We have improved the physical experience. We have streamlined level four exhibition by anchoring key exhibitors to get people to come to level four. We are moving from a vendor speaking to user speaking format, where we are engaging people to talk about their experiences.