Tag: Broadcast

  • Broadcast Bill: CAS law out, addressable systems in

    Broadcast Bill: CAS law out, addressable systems in

    MUMBAI: If the proposed Broadcast Bill 2006 does become law, it will not just be the requirement of a licence to operate that the cable fraternity will have to grapple with.

    The other worrying aspect of the Broadcasting Services Regulation Bill 2006, for the MSOs in particular, is the fact that conditional access systems (CAS) has no place in the Bill’s scheme of things. If the proposed Bill, which is presently being circulated among members of the Union Cabinet, does become law, it effectively means that there will be no rollout of CAS in India. At least as far as the way it was originally mandated (a timebound rollout first the metros and then further afield) is concerned.

    The cable industry is presently regulated by the Cable Television Networks (Regulation) Act 1995. This Act will automatically stand subsumed if (and that’s a BIG if) Parliament signs the Broadcast Bill into an Act of law. What this will mean also is that SEC 4A, the section through which CAS was introduced, would also get deleted.

    Interestingly, there is a “savings clause” provided in the proposed Bill that protects CAS where it has already been implemented. Since Chennai is the only metro that is CAS-delivered, it could well end up being the only CAS market in the country.

    The thinking of the information and broadcasting ministry mandarins on CAS comes through quite clearly in the wording that the draft Bill uses. It talks of the need to introduce a modified version of CAS that is “more consumer friendly” that it calls Addressable Systems.And the road map for addressability is through going digital. The Bill proposes to progressively introduce addressable systems from a specified date with a cut-off date to complete the changeover from analogue to digital. And rather than a mandated CAS rollout, the Bill sees addressability coming in as a natural fallout of the phasing out of analogue and the gradual switchover to digital – a process that is going on in many markets across the globe.

    An enabling clause in the Bill that eases the switchover to digital is also seen as allowing enough flexibility to make suitable changes or amendments where required.

    The draft Broadcast Bill, which calls for the setting up of a separate Broadcast Regulatory Authority of India (Brai), has covered four major areas in its ambit, which include content, cross media ownership, subscriptions and live sports feeds (which are already part of the downlink norms).

     

  • Broadcast bill ready; scheduled to be tabled in Monsoon Session of Parliament

    Broadcast bill ready; scheduled to be tabled in Monsoon Session of Parliament

    NEW DELHI / MUMBAI: After many years of meandering on the margins (since 1997), the information and broadcasting ministry is ready with a final draft of the Broadcast Bill 2006, which in all likelihood is going to turn out to be controversial and stringent at the same time.

    The recommendations that have been proposed in the bill, if they finally become law, are bound to have seismic repercussions in the industry. The draft bill, which calls for the setting up of a separate Broadcast Regulatory Authority of India (Brai), has covered four major areas in its ambit, which would call for major corporate restructuring by media companies, foreign and domestic, operating in India. These include content, cross media ownership, subscriptions and live sports feeds (which are already part of the downlink norms).

    Some of the key recommendations as per the draft bill:

    * The bill introduces restrictions on cross media holdings in all electronic ventures capping it a maximum 20 per cent. While print media companies have not been included in the ambit of the bill for the present, this could be later extended to them as well.

    On restrictions on accumulation of interest, the draft bill states, “The Central government shall have the authority to prescribe such eligibility conditions and condition with regard to accumulation of interest in the print and broadcast segments as may be considered necessary from time to time to prevent monopolies across different t segments of the media.”

    What this means is that a broadcaster like Star, for instance, can have a maximum 20 per cent stake in an FM radio venture or a multi system operator.

    The immediate fallout of such a bill becoming law would be that Star, which has a 26 per cent holding in the Rajan Raheja-promoted Hathway Cable & Datacom MSO, would have to bring down its stake by 6 per cent.

    It seems that the demerger that took place in Zee Telefilms could prove to be beneficial for the company. Down South, the Sun TV group would also have to restrict its interest in cable distribution companies like Sumangli.

    In this regard, the draft bill states, “No broadcasting network service provider and its associated companies shall have more than 20 per cent share of paid up equity or have any other financing or commercial arrangement that may give it management control over the financial, management or editorial policies of any other broadcasting network service provider…”

    * No broadcasting service provider (television company) can hold more than 20 per cent equity in another TV company. Additionally, no TV company can own more than 15 per cent of the total number of television channels beaming in the country.

    “No content broadcasting service provider shall have more than the prescribed share of the total number of channels in a city or state, subject to overall ceiling of 15 pr cent for the whole country,” the draft states.

    * A broadcast network service provider (presumably multi system operator / cable operator) cannot have more than 15 per cent of the national average in regards to subscriber numbers.

    What this means, at the moment as an explanatory annexure are not available, is that if 60 million is the C&S national subscriber average, an MSO like Zee group’s SitiCable or the Hinduja-owned INCablenet or Sumangli, for example, cannot exceed 9 million paid subscribers in a city or a state.

    “No broadcasting network service provider shall have more than the prescribed of the total number of consumer/subscribers in city or a state subject to the overall ceiling of 15 per cent for the whole country,” the draft bill states.

    * TV channels on a mandatory basis would have to have a certain prescribed percentage of content produced locally and also carry socially relevant programmes.

    “The share of content produced in India shall not be less than 15 per cent of the total content of a channel broadcast during every week,” the draft bill states.

    It also goes on to state that the share of public service/socially relevant programme content shall not be less than 10 per cent of the total programme content of a channel broadcast during every week.

    This would mean that channels like Cartoon Network, Animax, Discovery, Animal Planet and Discovery Travel and Living would have to have a prescribed percentage of content generated from India, which has been a long-standing demand of Indian animators.

    *Cable Ops / MSOs to operate only on licence from Brai.

    This could well be the catalyst that brings in some order into the cable industry. At present, the only requirement for anyone wanting to start cable services is that he/she should fill in the prescribed form at any post office and pay the nominal fee.

    * Existing laws and guidelines relating to broadcasting, TV and radio, would subsume under this over-arching regulatory framework.

    This would mean that laws and guidelines relating to FM radio, DTH, community radio, uplink and downlink of channels and use of SNG/DSNG infrastructure would cease to exist and assimilate with the broadcast law.

    The Broadcasting Services Regulation Bill 2006 is presently being circulated among members of the Union Cabinet. Depending on the Cabinet direction, the bill is scheduled to be tabled during the Monsoon Session of Parliament.

    TV and cable companies refused to comment on the draft proposals today, saying they are yet to see the government paper, which needs to be studied in detail.

  • Daytime Emmies to feature an interactive fan zone

    Daytime Emmies to feature an interactive fan zone

    MUMBAI: This year’s Daytime Emmys in the US are filled with firsts. For the first time in its history, the show will be broadcast from Hollywood, and for the first time ever, the telecast will interact with its enthusiastic fans during the live broadcast.

    The show takes place on 28 April.

    The Luminous Colour Glaze Fan Zone is a new feature to the 33rd edition of the show and will be hosted by actor Cameron Mathison who plays Ryan Lavery in All My Children. The Zone will serve as an interactive element incorporated into the live ceremony

    Fans will have the opportunity to watch, interact with and meet the night’s Emmy Award winners immediately following their acceptance speeches from bleachers that will line Babylon Court in the Hollywood and Highland Complex.

    n addition, the telecast will open from this exciting new amphitheater-like setting with a rock-the-house performance by General Hospital actor and musician Rick Springfield (Jesse’s Girl), as he sings a mix of his best songs. During the show, fans won’t miss a moment as they watch live feeds of the ceremony taking place in the Kodak Theater in Los Angeles.

    ABC president daytime programming Brian Frons says, “Daytime fans are the most dedicated viewers in all of television. ‘The Luminous Color Glaze Fan Zone’ will allow them to share Emmy night with the stars they love in a way that has never been done before. In the past you have only heard the fans’ enthusiastic screams from the balcony. This is a chance for the viewers to connect with their energy and passion.”

  • Animal Planet’s contest looks to unearth talent

    Animal Planet’s contest looks to unearth talent

    MUMBAI: This is a piece of news that should interest aspiring filmmakers who are passionate about animals.

    Animal Planet is searching for the next great wildlife filmmaker globally. The four-part reality series Unearthed will follow six contestants on an intensive training course as they learn the essential skills and realities of creating a natural history documentary.

    The budding directors and animal enthusiasts will carry out their challenges at the award-winning Shamwari Game Reserve in South Africa in July 2006, competing to ultimately have their film chosen the winner.

    Industry experts and wildlife filmmakers Lyndal Davies and Andrew Barron will guide the contestants through their tasks on the course. The tutors will provide invaluable inside knowledge to help the students each shoot and edit their own short wildlife film.
    An international panel of experts will judge the final documentaries, and the winner will have his or her film broadcast on Animal Planet in 160 countries throughout Europe, Asia, Latin America, Africa and the Middle East.

    To apply for one of the six places on this amazing course all participants have to do is to go to www.animalplanet.co.uk/unearthed and download the application form and send it in by 5 May, 2006 to the following address:

    Animal Planet – Unearthed
    Discovery Networks India
    9/1 B Qutab Institutional Area
    Aruna Asaf Ali Marg
    New Delhi-110 067, India

  • AOL partners with Shanghai Media Group to beam programs

    AOL partners with Shanghai Media Group to beam programs

    MUMBAI: The Internet unit of Time Warner, AOL is set to begin carrying news content from Shanghai Media Group on its Chinese-language website.

    The programs will be available to users of http://aol.com/chinese, which carries news and programming, webcasts of sports events and other Internet services related to China.
    Shows will be broadcast on AOL’s Chinese language Web site and will focus on Chinese social, business, sports and entertainment topics. Said SMG Broadband spokeswoman Wang Xiaotang,”AOL aims to broadcast that content to Chinese all over the world.”

    SMG will provide more than three hours per day to its U.S.-based partner MediaZone, which worked with AOL on the Chinese-language portal. MediaZone is a worldwide provider of online television programming and a partner in China of AOL and Shanghai Media Group.

    According to AOL’s Web site, its Chinese language Web site was developed with ChinaPortal.com, a MediaZone division.

    “By creating this free, language-specific portal, we can better serve the millions of people in the United States who want access to critical features and communications tools, especially the latest news and entertainment video, in Chinese,” said AOL Web strategy executive Norman Koo in a statement.

    State-owned Shanghai Media Group was formed from the merger of the city’s government-run radio and television stations in 2001 and ranks as one of China’s biggest media and entertainment conglomerates.

  • B4U acquires overseas movie telecast rights from Sahara for Rs 15 million

    B4U acquires overseas movie telecast rights from Sahara for Rs 15 million

    MUMBAI: B4U Group has acquired overseas TV telecast rights to around 35 movies from Sahara One Media and Entertainment Ltd. for Rs 15 million.

    The movies include Page 3, Sarkar and Hanuman. B4U will also have telecast rights to some of Boney Kapoor’s films. Last year, Sahara had acquired satellite and pay TV broadcast rights worldwide and in perpetuity to the entire library of Kapoor’s films.

    B4U Movies can show these films in all other markets except India. The channel has a presence in more than 100 countries including the US, UK, Europe, Middle East, Africa, Mauritius and Canada.

    “We have taken rights to around 35 films from Sahara for our international channels. These include strong lineups like Sarkar, Hanuman and Page 3, but include some library products as well. The rights are non exclusive,” said a source in B4U.

    B4U’s Indian operations, however, continue to be starved of funds. The company has stopped movie acquisitions in India for almost two years. Though B4U gave carriage fee to cable TV operators for beefing up distribution of its two channels (B4U Movies and B4U Music) across the country, very little investment has been made on content.

  • Disney-ABC to offer hit shows online in May and June

    Disney-ABC to offer hit shows online in May and June

    MUMBAI: Get ‘Desperate’ and ‘Lost’ online! With an aim to expand its network and channel brands across multiple platforms and connecting viewers with their favorite shows anytime and anywhere, Disney-ABC Television Group will be offering ad-supported, full-length episodes of four ABC primetime series online at www.abc.go.com.

    However, this offer will be a part of a two-month-long experiment. Current episodes of Lost, Desperate Housewives and Commander In Chief, as well as the entire present season of Alias, will be available for streaming during May and June, marking the first time a broadcast network has made multiple series available for viewing online, free of charge to consumers.

    “The evolution of ABC.com is just one piece of our comprehensive, digital media multiplatform business initiative. This announcement highlights the momentum we’ve achieved both in launching new broadband services and working with strategic partners in the digital media space, to ensure that our high-quality, informative and entertaining content is available to consumers whenever and wherever they choose,” said Disney Media Networks co-chair and Disney-ABC Television Group president Anne Sweeney.

    ABC is also exploring ways to work with its local broadcast affiliates on these online offerings as they continue to evolve. “Our ultimate goal is to find an effective online model, one in which our affiliates can take part. To that end, we’ll be sharing information from this two-month test in our discussions going forward, and working on ways for them to participate in this new method of delivering ABC programming,” added ABC Television Network president operations and administration Alex Wallau.

    “Our mission with this trial is to gather key learning about the technology and the consumers who utilize it in order for ABC.com to become the leading broadband digital entertainment experience, packed with innovative, immersive content for our viewers. In the months ahead, ABC.com will not only deliver a high quality, on-demand viewing experience to users, but will also gain valuable knowledge and research to help us better understand and serve our consumers in the rapidly evolving digital world,” said Disney-ABC Television Group executive vice president digital media Albert Cheng.

    As part of the trial, ABC has offered 10 advertisers the opportunity to test possible in-stream broadband advertising models as well as the ability to take advantage of sponsorships. The unique interactive video ads will take many different forms and will be seen within each episode. The advertisers include AT&T, Cingular, Ford, Procter & Gamble, Toyota, Unilever’s Suave, Universal Pictures and Walt Disney Pictures, among others.

    “We have said all along that we are dedicated to finding ways to bring our advertiser partners along with us as we embrace new ways of doing business in the world of digital media. This unique project has allowed us to offer our advertisers the ability to deliver increased effectiveness in their messaging through targeted and engaging interactive ads that offer compelling consumer experiences,” said ABC Television Network president sales and marketing Mike Shaw.

    Combining an all-new sleek, modern design with user-friendly functionality, ABC.com will offer episodes the day after they premiere on the linear channel. Consumers will be able to pause and move back and forth between “chapters” within each episode, but will not have the ability to fast-forward through advertisements. Episodes will be streamed in 16×9 formatting which offers a cinema-like feel to the viewing experience.

    Encoded and streamed in Flash 8, which offers the best video quality and allows users on both Mac and PC platforms to watch the video episode, will be offered in two different sizes. The standard viewing size is 500×282 pixels (streamed at 400kbs), and the larger viewing size is 700×394 pixels (streamed 700 kbps).

  • US conference to focus on IPTV broadcast technology

    US conference to focus on IPTV broadcast technology

    MUMBAI: American firm IQPC will host a conference focussed on the IPTV industry in the US. IPTV and Beyond: The Future of Broadcast Technology will take place from 18 to 20 April in San Diego, California and will feature best practices from companies that have actually completed successful IPTV deployments.

    The conference aims to help attendees capitalise on IPTV by showing them how to implement it, how to identify the potential for their organization, how to develop a content strategy for their services, and how to understand the economic benefits and challenges related to IPTV.

    Companies that will participate include Accord Media Group, ACN, Advanced Media Strategies, Alcatel, HBO Latin America Group, Motorola, MTV Attendees will learn about the economic benefits of delivering IPTV over RF in FTTP networks as well as how to differentiate IPTV from standard TV to customers.

    Speakers will dwell on the significant platform and technology trends affecting IPTV carriers going forward as well as why content protection is so important and how it can protect revenue for the service provider.

    A report from Infonetics says that IPTV is set to skyrocket to 53.7 million subscribers, $44B in service revenue by 2009. In 2004, service providers worldwide spent $304 million on IPTV-related services infrastructure, growing to almost $4.5 billion in 2009.

    The number of IPTV subscribers worldwide will grow to 53.7 million in 2009. The number of IPTV subscribers in North America will increase 12,985 per cent between 2004 and 2009. According to IP Television Magazine in the 1st quarter 2005 there were: 2.1 million IPTV users worldwide, 150 million broadband users worldwide, more than 240 carriers providing IPTV services, and more than 25 manufacturers producing IP set top boxes.

  • UK study highlights the need for more innovative TV on mobile phones

    UK study highlights the need for more innovative TV on mobile phones

    MUMBAI: The results of a new study, Mobile TV – Attitudes to Broadcast on Mobile, confirms the need for broadcast and entertainment brands to work harder to tailor their content to mobile phones.

    The qualitative study by Red Bee Media (formerly BBC Broadcast) and digital media research agency, iBurbia, aimed to research consumer attitudes to specially made or tailored mobile content compared to TV streamed to mobile phones.

    The findings suggested that full length programming on mobile is not as popular as made for mobile TV because screen sizes are too small, opportunities to watch full length programmes on-the-go are rare and subjects preferred to watch full-length programming on the TV.

    iBurbia’s Omar Bakhshi says, “We talked with a broad range of people in this study and there was significant interest in concepts that complemented TV viewing with extra and exclusive content on mobile phones. But, the content had to be sufficiently compelling to be worth the effort and there is a fear of billing abuse, meaning that cost needs to be made clear”.

    The results have also suggested that the most effective way to market mobile TV will be using on-screen prompts within related television shows. The most successful mobile TV will also be of the right quality to work on a mobile screen and targeted to a specific audience. Participants in the study found that, on the smallest of mobile screens, any content over three minutes was too long and anything over one pound was too expensive.

    The recent Oxford trials confirmed that there is an appetite for mobile TV, but this research highlights how ‘TV’ for mobile is wildly different from the ‘TV’ of linear broadcasting. New rules for advertising, navigating and entertaining apply. We worked with iBurbia to find out what viewers really want to watch on their mobile phones. Red Bee Media has built a successful business in understanding consumers’ needs in order to create and tailor content and communicaton for multiple platforms and formats.

    Red Bee Media business director new creative content Catriona Tate says, “The results point towards the mobile TV market being driven in the short term by advertiser funded content and mobile video that compliments or promotes TV programmes”.

    The qualitative study was produced by iBurbia in its interactive media research centre in West London. It included six focus groups – two groups made up of people aged 16-25, three 26-40 and one 41-60. One of these groups consisted of ‘gadget’ users (26-40 age group), the rest only having freeview TV at home and mostly using their mobile phones just for calls.

    The subjects were shown content specially made for mobile on mobile handsets that was created by Red Bee Media. The content included a sport clip, comedy clip, one minute mobidrama, advertiser funded programme, interview with football manager and reality TV clip. As a comparison, subjects were also shown a full length High Definition programme on a PSP (portable Play Station) and a Freeview channel streamed live to a mobile phone.