Tag: Broadcast Audience Research Council India

  • News18 India garners 12.8 per cent average market share during Week 27-30: Barc

    News18 India garners 12.8 per cent average market share during Week 27-30: Barc

    Mumbai: News18 India has widened its lead in the Hindi-speaking 15+ market with 12.8 per cent market share during Week 27-30 as per Broadcast Audience Research Council (Barc) India data.

    As per Barc ratings released on Thursday, Aaj Tak garnered a 12.02 per cent relative share and India TV stood at 12.01 per cent.

    Republic Bharat had 11.2 per cent relative share, followed by TV9 Bharatvarsh with 9.8 per cent share, Zee News at 7.2 per cent, ABP News 6.6 at per cent, Times Now Navbharat at 6.4 per cent, News Nation at 5.8 per cent, Good News Today at 5.1 per cent and Zee Hindustan at 4.1 per cent.

    News18 India further strengthened its position during primetime hours between 1800-2400 hours with 13.6 per cent market share. Aaj Tak had a 12.1 per cent relative share, followed by Republic Bharat at 12.0 per cent, TV9 Bharatvarsh at 10.6 per cent, Zee News at 7.6 per cent, ABP News at 6.6 per cent and Times Now Navbharat at 5.7 per cent.

    Source: BARC data, TG: NCCS 15+ (All Viewership data based on TV only) Wk 27-30’22: 22nd July’22 to 29th July’22, All Days, 24 hrs Market Share – HSM – Urban + Rural

    In the last few months, News18 India has spruced up its content and programming strategy, coupled with new marketing initiatives.

    Network18 CEO Hindi Cluster Karan Abhishek Singh said, “Continuous dominance of News18 India as the country’s top news channel shows the kind of viewer’s affinity and trust the channel enjoys. Our robust line-up of shows and anchors also keeps us ahead in primetime. Our focus on news, unmatched perspective, insightful analysis, and debates are the key differentiating factors that keep us ahead of the competition.”

    The channel has not only performed well on TV, but its digital audience base has also seen steep growth.

    News18 India managing editor Kishore Ajwani said, “There are a multitude of reasons which have helped us become a daily household name across India. The strong line-up of story-driven shows, the diversity of content, debates that offer perspective, and our fast-paced information delivery, all of these offerings have contributed to the increase in engagement with the audience and resonance of the channel.”

  • Sony PIX viewership share grows in FY23 during Week 14-26: Barc

    Sony PIX viewership share grows in FY23 during Week 14-26: Barc

    Mumbai: English movie channel, Sony PIX, has grown its viewership share from 27 per cent in FY22 to 31 per cent in FY23 among the target group 15-40 AB, market 10 lakh+, period Week 14-26 of 2022, as per Broadcast Audience Research Council (Barc) data.

    “Moreover, it has the distinction of being the only channel in the English movie category to have shown viewership growth over the last fiscal,” said the company’s statement.

    The channel is launching two new properties – Always Trending and Action @11. Always trending will showcase the best performing titles on the channel and Action @11 will soar the adrenaline rush of viewers through power-packed movies.

    With the brand promise of ‘Stay Amazed’, Sony PIX is home to Hollywood’s biggest franchises. Some of the thrilling additions that steered the performance numbers have been “Shazam”, “Venom”, “Spider-Man: Homecoming”, “Jumanji: Welcome To The Jungle”, “Kong Skull Island”, and “Wonder Woman”. In fact, 12 of the top 20 movies in the category during the last quarter were aired on Sony PIX. The channel has been a frontrunner in the primetime slot of 07:00 p.m – 12:00 a.m.

    To drive viewer engagement and build a strong recall, the brand has been innovating its IPs each year, making them more interesting. Among all the properties, some of the most successful ones have been PIX Arena Bingo Nights – the perfect Bingo for movie buffs, PIX Premiere League – an action-packed line-up, Mind It showcasing English movie titles in regional languages, and Hollywood’s Finest – telecasting critically acclaimed award-winning Hollywood titles.

    “Being no. 1 is a matter of immense pride for us and we are grateful for the continued love and support of our viewers,” said Sony Pictures Networks chief marketing officer and business head – English cluster and Sony Aath Tushar Shah. “I would also like to take this opportunity to thank all our stakeholders for supporting us in our fulfilling journey. Being the most viewed channel in the category is a testimony to our commitment to providing only the best Hollywood experience to our audiences, and we are committed to sustaining this momentum.”

    Source: BARC, TG: 15-40 AB, Market: 10L+, Period: WK 14-26’2022, Average Weekly AMAs, SD

  • Solid content planning, programming & marketing strategy makes CNN-News18 industry leader: Smriti Mehra

    Solid content planning, programming & marketing strategy makes CNN-News18 industry leader: Smriti Mehra

    Mumbai: CNN-News18 emerged as the leading English news channel in terms of relative market share during weeks 15-18 2022, as per Broadcast Audience Research Council (Barc) India. The channel garnered a relative share of 29 per cent followed by other channels Republic TV (25.90 per cent) and Times Now (23.80 per cent). 

    The channel’s lead became even more remarkable during the primetime hours between 18:00-23:00 pm where its relative share reached 37.3 per cent with Republic TV in second place trailing far behind at 28.7 per cent.

    The leap in the channel’s ratings were supported by a sustained strategy by the broadcaster to broad base its programming to cater to all geographies in the country and build its content strategy around news that the consumer wants to see. This strategy was implemented during the ‘ratings dark’ period that lasted from October 2020 until March 2022 (week 10 2022) where there was no Barc data available for individual news channels.

    With 19 years of experience, Smriti Mehra leads Network18 Group’s news brands such as CNBC TV18, CNBC Awaaz, CNBC Bajar and CNBCTV18.com. She’s an experienced revenue head with a demonstrated history of working in the media industry across mediums.

    Her expertise lies in customer relationship management, market research, management, marketing, and business development.

    Her past associations include stints at Bennett Coleman and Company, Discovery Communications, Turner Broadcasting and Arré.

    In conversation with Indiantelevision.com, Network18 Media and Investments CEO – business news Smriti Mehra who speaks about the business strategy, brand positioning and marketing initiatives by the network to become a leading brand in the English news genre.

    Edited Excerpts

    On the programming strategy adopted by Network18 during ‘ratings dark’ period

    In the 18 months when there were no ratings, we consciously took a step back from everything we were doing. When you work in a faced-paced industry some paradigms and templates are formed that everyone conforms to. We took that time to reflect and it was not just a passive process, it involved social listening and observing the content offtake. We asked if there was a sharper target group that we wanted to aim at. We decided that we have to diversify beyond just serving political news to understanding what the consumer really wants to watch.

    The channel built its content strategy around multiple layers of content. Now, it shows content on start-ups and sports while there is still political news at the centre.

    Network18 has a massive network of 1200 reporters across the length and breadth of the country that helps us go hyperlocal. There’s also a strong international presence with brands like CNN and CNBC. This helps us cover an entire palette in our content strategy and that’s what we offered to the consumer.

    The amalgamation of all of this has been an evolved content strategy. Along with distribution, it has led to a dramatic surge in CNN-News18’s performance and I think this strategy, where we put the consumer at the centre and build content around them, is here to stay. CNN-News18 is not just a debate-only channel, we’re doing story-led content that’s really working with our viewers.

    On broad basing programming to attract a wider audience to the channel

    To widen our content offering, what we’ve done is integrate our newsroom. The content needs to be offered across multiple platforms and in multiple formats but at the centre the product remains the same, which is news. That has helped us attract eyeballs or target audiences beyond the core T.G of the news genre that every channel goes after.

    On the brand positioning – ‘news over noise’

    What I’ve spoken to you about kind of reflects our positioning as well. We want to invest our mind space, energy and efforts into actually doing the news. It’s also about breaking the existing mould of TV programming and moving away from the standard template. This is an experiment that we’re trying and some of the experiments may succeed and others may not succeed but at the end the consumer is at the centre of the news programming that we’re building.

    There has been a positive response to our efforts from the viewers and acceptance of our programming. Not to say that this strategy is fixed and not open to change as some things will work and others will not. By and large, we are constantly putting pressure on ourselves to evolve as the demand from the viewer changes and the audience asks for something different from news programming.

    On consumption trends of the English-speaking audience in the news genre

    Broadcast is seeing an increasing need to converge. The offtake of news consumption is moving to screens beyond television. TV content is also moving from being just cable and DTH driven to being powered by the internet.

    The sources of news and credibility of news brands, however, are not changing. There are still people who want to listen to brands like ours whether it is CNN-News18 or CNBC-TV18.

    We’re moved beyond just doing TV news. Our brand is across formats like platform video, audio and we’re investing in products like Local18, our hyperlocal news platform, and we’re building our social media content as well. This is the need of the hour and there’s no running away from it. 

    On the revenue outcomes for the channel

    The revenue outcomes for the channel change in two ways.

    One is just the television ratings. Not just now but even during the Covid phase when ratings were there, since there was no fresh content on entertainment channels and live sports was not happening, the news genre saw a huge upsurge in viewership.

    The news cycle became extremely relevant in the backdrop of Covid and the economy. People were turning to news and being an essential service, we were up and running at all points in time. During this period, we saw a huge amount of viewer interest and because of that a whole lot of advertisers partnered with us. This was an industry phenomenon and not confined to CNN-News18.

    The return of TV ratings has only helped us substantiate our position and supersize our association and commercial arrangements with a lot of advertisers.

    The second part is Network18 Group at large is diversifying its content and bringing news at the centre of all its programming efforts. And I think advertisers have taken notice of our efforts. We’re become so much more brand safe and have created a non-volatile environment to advertise in.

    We’ve created solutions for big name advertisers like Reckitt who partnered with us for the social campaign ‘Mission Paani’. P&G partnered with us on the ‘Period of Pride’ campaign around menstrual health education. These are brands of repute who are wanting to affect behaviour change through social campaigns.

    When you do all these things, my experience of 19 years has shown that revenues generally follow. This strategy has not been taken up with just revenues in mind but as an overall business strategy upholding all the pillars of Network18.  

    On partnering with brands for larger initiatives

    There’s a lot more appetite among brands to do socially conscious messaging campaigns. On 5 June, World Environment Day, you must have observed that a plethora of brands put out messaging celebrating the day. Climate change is a reality and as the country experienced one of the harshest summers in decades, brands want their communication to reflect what the consumer is going through.

    A lot of brands want to partner with a larger platform like ours to co-create and build large campaigns that speak to the consumer. At Network18, we’re brilliantly poised to deliver such campaigns as we have a national presence, a regional presence and speak across 12 Indian languages. We report news from every corner of the country and there’s a big digital reach as well.

    On the business strategy of the channel going forward

    We want to continue our content and performance leadership. We’ve been able to reach there very quickly during the financial year. Our efforts will be to remain in this position and grow bigger from here. There will be endeavour to experiment with more content formats as we continue to stay committed to our diversification intent for CNN-News18. Beyond that, we’d like to partner with advertisers to work on contextual campaigns and co-create large campaigns that really bring their message across in a credible way.

    English news content will become multi-screen sooner than any other language. The response to this trend is not bifurcating your business into silos. Network18 has a very large TV business and digital business and we’ve seamlessly converged on the content side and business side everywhere. That’s a step that most companies haven’t taken.

    For us, digital business is growing at a hyper-speed and it is happening because there is excellent monetisation of the audiences that come on digital.

    On the marketing initiatives undertaken by the network to strengthen its positioning

    During the two years of the pandemic, we constantly rolled our campaigns that had nothing to do with CNN-News18 brand or TV ratings. Our marketing was about building a responsible voice and communicating what was important to the consumer. We executed a campaign that celebrated frontline workers ‘Extraordinary Among Us’ and another one that was about India supporting Covid orphans. There were campaigns on masking-up and social distancing because the community needed to know.

    In the coming months, you’ll see fresh intellectual properties (IPs) coming from our stable that capitalise on the leadership position of CNN-News18.

  • Zee Kannada completes 16 years; leads Karnataka market

    Zee Kannada completes 16 years; leads Karnataka market

    Mumbai: Zee Kannada completes 16 years as a general entertainment channel today. The channel is leading the Karnataka market with 40 per cent share for the last 181 weeks as per Broadcast Audience Research Council (Barc) data.

    Zee Kannada’s content strategy involves offering thought-provoking fiction shows, clutter-breaking reality shows, intriguing talk shows and blockbuster movies to woo viewers to the channel. The channel has its expertise and uniqueness in both the fiction and non-fiction space, appealing to all age groups of people. It has also provided a stage for emerging talent with its non-fiction properties such as Maharishi Vaani, Drama Juniors, Sa Re Ga Ma Pa, Dance Karnataka Dance, Comedy Kiladigalu, Golden Gang, Weekend with Ramesh amongst others.

    Similarly, Zee Kannada’s fiction properties have also resonated with Kannada audience, especially shows like Hitler Kalyana, Puttakkanna Makkalu, Sathya or Manhanayaka, which have gone on to be cult classics.

    The year 2021-2022 has been a hit year for the channel with many of its shows garnering high launch TVRs (TV ratings) including Hitler Kalyana garnering 9.3 TVR, Puttakkana Makkalu at 13.5 TVR, Drama Junior Season Four at 8.4 TVR, and Dance Karnataka Dance Season 6 at 7.0 TVR. Notably, Puttakkana Makkalu launch week rating is a record for any new show in the history of the Kannada television industry.

    The channel has also bagged the satellite rights of top upcoming films like KGF 2, Vikrant Rona, Bajrangi 2, Ek Love Ya, Garuda Gamana Rishaba Vahana, Ratnan Prapancha, Galipata 2, Gandhada Gudi, Rider, and Drishya 2.

    “With an aim to inspire our viewers and help open doors for them to achieve their goals, we at ZEE Kannada and ZEE Picchar have always put the audience at the forefront and that is something that has truly worked well for us,” said Zee Kannada and Zee Picchar business head Raghavendra Hunsur.

    “From celebrating several milestones to emerging as the market leader, to taking social media by storm and having a highly successful season of fiction and non-fiction shows, Zee Kannada has had quite an eventful year. As the channel completes 16 successful years, it shows how we have grown as a brand and become leaders in our own right. The recognition also helps us understand and motivates us that we are on the correct path, and we hope to continue entertaining our viewers. I also hope that the viewers continue showering our shows with their love and support for years to come,” he added.

  • DD India records 8.2 million TV reach over eight weeks: Barc

    DD India records 8.2 million TV reach over eight weeks: Barc

    Mumbai: Prasar Bharati’s English news channel DD India has recorded a reach of 8.2 million on TV over the last eight weeks, as per Broadcast Audience Research Council (Barc). The data was for 15+ audience based on a four week rolling average.

    “In terms of TV reach, DD India is the number one English news channel in the country,” said the statement. “Its closest competitor could manage only around half the reach of DD India. Even the viewership for DD India has witnessed a consistent upward weekly growth, registering a whopping total growth of almost 150 per cent over the last eight weeks.”

    Prasar Bharati also reported that its YouTube subscriber base has grown up to 20 million. Recently, DD Sahyadri News crossed 800K subscribers, followed by DD Sahyadri at 600K, DD Odia at 300K, DD India at 200K and DD Tura at 120K.  Prasar Bharati has more than 190 YouTube channels and its regional channels from the South and North-east are the fastest growing in terms of subscriber base.

    Launched in January 2019, DD India reaches more than 190 countries via satellite, OTT platforms and the NewsOnAir app. The channel through its various programmes offers international viewers India’s perspective on domestic and global developments. Its popular programmes include “India Ideas,” “World Today,” “Indian Diplomacy,” “DD Dialogue” and “News Night.”

  • GNT gains 7.6% share of HSM market in week 13 on free platforms: Barc

    GNT gains 7.6% share of HSM market in week 13 on free platforms: Barc

    Mumbai: Hindi news channel Good News Today (GNT) has captured 7.6 per cent market share on free platforms within the first month of ratings released by Broadcast Audience Research Council (Barc) India. GNT is a part of India Today Group that showcases stories of hope, human triumph, innovation, and inspiration from different parts of the world.

    As per Barc ratings, the channel has topped rankings for the Hindi-speaking market region in terms of market share for week 13 of 2022 on free platforms.

    “GNT, which is uniquely positioned with its news packaged as humanely and emotionally positive, has found high appreciation amongst its viewers,” said the channel in a statement.

    Barc ratings have been released after a 17-month gap. GNT has a greater market share as compared to Zee News at 6.8 per cent, Zee Hindustan at 6.6 per cent, News Nation at 5.6 per cent, ABP News at 5.4 per cent, DD News with 2.6 per cent, and others in the 15+ target audience in the free all target category.  

    (Source: Barc India; TG: 15+ Free All; Market: HSM; Period: Wk 13’22; market share % in 13 Hindi News Channels)

  • Barc 13-week historical data shows Aaj Tak in the lead

    Barc 13-week historical data shows Aaj Tak in the lead

    Mumbai: The past 13 weeks historic data by Broadcast Audience Research Council (Barc) India indicates that news channel Aaj Tak was leading the Hindi-speaking market (HSM) (U+R) from week 49’2021 till week 10’2022 in terms of market share. Aaj Tak garnered 25.5 per cent of the market share amongst eight opt-in news channels that include TV9 Bharatvarsh, Republic Bharat, Zee News, News Nation, Zee Hindustan, DD News and India News.

    In the HSM Urban market, Aaj Tak’s lead was stronger as it garnered a market share of 27 per cent versus its nearest competitor TV9 at 20.7 per cent. The competition for eyeballs in the HSM Rural market was more intense with Aaj Tak at top with 23.2 per cent but with TV9 Bharatvarsh following closely at 22 per cent.

    Republic Bharat (20.8 per cent) and Zee News (15.6 per cent) were the only other channels whose market share was in double digits. The top four channels had 82.3 per cent share in the HSM market. However, it should be noted that historical Barc data does not include prominent news channels including India TV, News18 India, ABP News, Good News Today, News 24 and NDTV India who have opted out of past ratings. NDTV India has pulled out of ratings completely.

    Barc India has released data for individual news channels after a 17-month hiatus. The TV audience measurement agency had also agreed to release past 13 weeks data after consultation with industry stakeholders. 

    (Source: Barc; TG: 15+ NCCS All; Market: HSM; Period: Wk 49’2021-10’2022; 8 Opt-in Hindi News Channels)

    Barc; TG: 15+ NCCS All; Market: HSM Urban; Period: Wk 49’2021-10’2022; 8 Opt-in Hindi News Channels

    Barc; TG: 15+ NCCS All; Market: HSM Rural; Period: Wk 49’2021-10’2022; 8 Opt-in Hindi News Channels)

  • BARC India’s Derrick Gray appointed as MRSI VP

    BARC India’s Derrick Gray appointed as MRSI VP

    Mumbai: BARC India’s chief of measurement science and business analytics Dr Derrick Gray has been appointed as vice president of the Market Research Society of India (MRSI).

    Earlier this year, Gray was also appointed as chair of the professional standards committee at MRSI that was established to ensure strong ethical and professional standards for the Indian market research industry.

    “I am quite honored to assume the role at MRSI India,” said Dr Gray. “With my experience over the years in statistical research, measurement and data science, I am looking forward to working collaboratively with the team at MRSI. We hope to be able to make significant progress together as a team.”

    A veteran audience measurement and advanced analytics executive, Gray brings with him a global experience of two decades in audience measurement and audience information systems for various media including linear TV, digital video, and radio. He has lead several statistical research, measurement science, data science functions during his distinguished career.

    He has previously served on the board of directors of the Marketing Research and Intelligence Association (MRIA) of Canada.

    “We at BARC India are extremely proud of Derrick’s recent appointment and would like to congratulate him. We wish him all the success for this new role and look forward to him guiding market research in India to even greater heights,” said BARC India CEO Nakul Chopra.

  • BARC India revenues at Rs 251 crore in FY21: Crisil

    BARC India revenues at Rs 251 crore in FY21: Crisil

    Mumbai: The Broadcast Audience Research Council (BARC) India revenues stand at Rs 251 crore for FY 2021, according to a Crisil report. Its profit after tax stands at Rs 44 crore. 

    The TV rating agency’s financials for FY 2020 stood at Rs 317 crore in revenues and net loss of Rs five crore. The agency also has a debt obligation of around Rs 38 crore for FY 2022. Crisil reaffirmed its rating of ‘Crisil A/Stable’ for the agency.

    “TV advertisements, the major factor driving revenue for the company, have a high correlation with economic activity. The lockdown imposed to contain the Covid-19 pandemic and weak economic activity in the first half of fiscal 2021 led to a significant drop in ad revenue for television broadcasters, which led to decline in revenue for BARC. However, with an uptick in economic activity in the latter half of the fiscal, revenues have been gradually recovering. Furthermore, the cost-rationalisation measures undertaken by the company ensured better operating profit in fiscal 2021,” said the report.

    Crisil’s report indicates that downward factors such as weakening support from member entities of promoter bodies, change in status as the sole provider of TV viewership measurement in India, and larger than expected debt may impact ratings for the company in the future.  

    80 per cent of BARC India’s revenue comes from broadcasters. It levies a fixed percentage of the ad revenue of broadcasters (0.8 per cent for fiscals 2017 to 2021). As the sole provider of independent TV viewership estimates, BARC India is highly strategic to broadcasters which ensures stickiness and good visibility.

    The agency is promoted by three industry associations, the Indian Broadcasting Foundation (IBF), the Indian Society of Advertisers (ISA), and the Advertising Agencies Association of India (AAAI) with a shareholding of 60:20:20. BARC uses audio watermarking technology and deploys around 46,000 BAR-O-meters. “The company is venturing into viewership estimation for digital platforms, and is increasing the number of BAR-O-meters deployed,” said the report.

  • Guest Column: Measure by Measure

    Guest Column: Measure by Measure

    Year ends are always a good a time to reflect on the past, take stock of the present and plan for the future. So let me begin, by reflecting on the year that was.  

    In 2016, the state of audience measurement in India grew by leaps and bounds. From just 10,000 homes in the previous system, we are already at 22,000 homes, with the course set for 55,000 as mandated. Over the year, the broadcast industry got a better idea of ‘What India Really Watches’, thanks to the addition of rural viewership measurement which BARC introduced– a fact that has been applauded by all. In fact, BARC’s investment in technology has ensured greater robustness in the system, with more automation and less manual interventions. Our system is also very scalable as our Bar-o-meter costs less than US$400 compared to the previously used meters which cost US$2500!

    The watermarking technology adopted by BARC, is two generations ahead of the rest. It not only captures catch up TV but also simulcast. What this means is that BARC can monitor any recording of a programme, seen within seven days of its telecast, and can also accurately measure a simultaneous telecast of a cricket match across say 20 channels, including Doordarshan, and can report which channel is drawing the highest eyeballs. In fact, the watermarking technology is also future-ready which can be used for digital measurement, which BARC currently is evaluating.

    Taking stock of the present, we at BARC are immensely proud of the credibility we have established and the trust that we have earned from the industry. This has come about as a result of support of our stakeholders and our commitment to transparency. Incidentally, the need for transparency was also the one big reason industry came together and formed BARC. It propelled the need for the formation of a joint industry body, where all stakeholders’ representatives are part of the board and the technical committee. A unique aspect of that is BARCs governance structure which ensures that decisions must necessarily be agreed to jointly. To further strengthen transparency and credibility, BARC has partnered with Ernst & Young (E&Y) so that data can be audited by an external independent auditor. Evidence enough to the seriousness of thought that was given to credible data by the three industry bodies which make up BARC.

    Having established credibility in our data and systems, our task for the year ahead on that front is cut out: we will leave no stone unturned in our endeavour to maintain integrity, and take every step possible to ensure a robust and reliable viewership measurement environment: which is essential for the broadcast industry to thrive and grow. The support of our Board validates the faith we have in our systems and processes, and we will continue to build on that. We have set up a vigilance team that works with specialist agencies on the ground to track mala-fide activities. Any attempt to unfairly influence our measurement system has been dealt with firmly and we will continue to maintain zero-tolerance towards any acts of infiltration or tampering of our panel homes.

    The TV Industry draws in multiple crores of rupees worth of advertising in a country with over 153.5 million TV homes, where watching TV firmly remains a family routine. Be it entertainment or news, sports or movies, music, kids shows or a national events like Independence and Republic Days, TV will continue to take centre stage in the lives of Indians. And monitoring who is watching what will continue to remain a critical need for the growing stakeholders.

    While welcoming 2017, we at BARC, promise to continue our commitment to a transparent and credible viewership measurement system, because that’s the only way we know to measure things.

    public://Parth.jpg The author of this article is Broadcast Audience Research Council India CEO. You can follow him on Twitter @parthodasgupta. The views expressed are personal and Indiantelevision.com need not necessarily subscribe to them