Tag: British

  • Tata Play Binge adds BBC Player to its streaming menu, bringing British classics to Indian screens

    Tata Play Binge adds BBC Player to its streaming menu, bringing British classics to Indian screens

    MUMBAI: Tata Play Binge has inked a fresh deal with BBC Player, injecting its content library with a world of British brilliance. Subscribers are now in for a treat with a treasure trove of critically acclaimed BBC titles—Luther, Doctor Who, Top Gear, Planet Earth III, and more—joining the platform’s extensive streaming lineup.

    The partnership aims to offer a mix of iconic dramas, sharp-witted comedies, genre-defining documentaries, and engaging family-friendly content—all under one roof. From the legendary Mr. Bean to the culinary magic of Nigella Lawson and Jamie Oliver, there’s something for everyone. Even the kids can dive into animated favourites like Andy’s Aquatic Adventures and Junior Bake Off.

    Tata Play chief commercial and content officer Pallavi Puri said, “This partnership underscores our commitment to bringing the best of global content to our viewers, all in one place. BBC Studio’s premium storytelling and rich library of highly celebrated shows perfectly complement our growing content roster, and we are confident that our users will love this addition.” 

    BBC Studios  vice-president distribution Stanley Fernandes added, “, “We’re excited to bring BBC Player to more homes across India with Tata Play Binge, offering the best of British entertainment—from acclaimed dramas to inspiring lifestyle shows and kids’ favourites—all in one place. This marks a new chapter in our partnership with Tata Play as we expand into their OTT aggregation space, building on our strong collaboration.”

    BBC Player joins a star-studded lineup of over 30 streaming apps already available on Tata Play Binge, including Apple TV+, Amazon Prime Video, SonyLIV, and Zee5, making it a one-stop shop for diverse content. With this latest addition, Tata Play Binge continues its mission to be the ultimate hub for premium streaming.

  • India’s UK TV content imports rise to Rs 125 crore in 2015-2016

    MUMBAI: India is the second fastest growing market for the UK content. That’s the findings of the latest TV export report for 2015-2016 released by the Producers Alliance for Cinema & Television (PACT). The report states that imports of British content by Indian broadcasters grew a handsome 43 per cent in the year to pounds sterling 15 million (Rs 125 crore) as against pounds sterling 10 million last year.

    The highest growth came from Japan which imported 48 per cent more of UK content at 15 million pounds in 2015-2016, whereas China saw a 40 per cent rise in the same period to 23 million pounds (16 million in the corresponding period). South Korea registered a growth of 39 per cent to 8.1 million pounds (5.8 million pounds).

    The US continued to occupy its premier position of the leader by shipping in 16 per cent more British content to account for 497 million pounds of the UK TV sector’s revenue. Next in line was the Australia and New Zealand market with content imports of 131 million pounds. France with imports of 73 million pounds and a growth of five per cent came next In line.

    Overall, the UK TV content export sector grew by 10 per cent to 1.33 million pounds in 2015-2016 as against pounds 1.21 billion pounds in 2014-2015, when sales fell by 0.6 per cent.

    Exports of finished TV programmes were flat at pounds 668 million whereas digital sales seem to be exploding. The growth to these outlets was a hurricane like 79 per cent to £248 million. Digital sales accounted for almost 19 per cent of the total British TV content sales.

    North America accounted for 41 per cent of revenue that UK’s content makers make selling their programmes to the world, while Europe contributed 31 per cent and the rest of the world 29 per cent.

    Shows such as Deutschland 83 and The Returned have gone global while the ever so popular Sherlock and Dr Who have travelled beyond 200 countries

    One wonders whether India’s TV content creating community will start looking at programme syndication deals as a good source of revenue, especially in times when subscription revenue is not budging too much northwards. India is estimated to be distributing between Rs 350 crore to Rs 400 crore of its content annually. Which is much lower than Turkish drama exports which notched up some $320 million exports and is targeting $1 billion in exports of its TV content by 2020 and $2 billion by 2023.

    Clearly, India has a lot headroom to grow.

  • Telangana govt & film industry set up crime unit to fight software piracy

    Telangana govt & film industry set up crime unit to fight software piracy

    NEW DELHI: The Telangana Intellectual Property Crime Unit (TIPCU), which has been in the planning for almost five years, is being formally launched this week in Hyderabad to create a sustained platform to bridge communication between industry stakeholders, ISPs, policy makers, enforcement agencies aided by legal and financial experts to fight software piracy.

    TIPCU has been set up by the Telangana government in collaboration with the United States Trade Marks and Patents Office (USTPO), the Federation of Indian Chambers of Commerce and Industry, the Telugu Film Industry and the Motion Picture Distributors Association (MPDA, India).

    State IT minister K T Rama Rao and United States Ambassador Richard Rahul Verma will formally launch TIPCU on 24 June at a meet followed by a discussion on the copyright enforcement model by key government officials and senior industry leaders.

    TIPCU will set in motion, online content protection initiatives through proactive and stringent enforcement measures to counter online film piracy.

    Rajiv Aggarwal, Joint Secretary in the Department of Industrial Policy and Promotion of the Central Government which now deals with IPR issues and state IT Secretary Jayesh Ranjan will also speak on the occasion. Several filmmakers are also expected to speak at the event.

    TIPCU will create a watch list of pirate websites similar to the IWL (Infringing Website List) of the British PIPCU at regular intervals; evolve mechanisms to counter online film piracy; and create an industry interface for sharing of intelligence on such syndicates.

    It will work on effective measures to curb flow of revenues to infringing sites; and monitor high risk (Ad-supported) websites and initiate suitable actions to choke revenues to such sites. It will bring down and block infringing links, websites, hosting and streaming sites; provide immediate relief to the film Industry without having to obtain Court orders; and systematically eradicate pirate websites and platforms illegally hosting or streaming copyright content.

    It will also evolve enforcement mechanisms to align with the ever-changing digital content landscape and criminal syndicates operating therein.

    Earlier on 6 May 2016, indiantelevision.com had reported about the setting up of TIPCU and the collaboration of the state IT Department with the film industry and the USTPO. 

    Also read:

    Telangana leads fight against online piracy in partnership with film industry
    http://www.indiantelevision.com/movies/hindi/telangana-leads-fight-against-online-piracy-in-partnership-with-film-industry-160506

  • Telangana govt & film industry set up crime unit to fight software piracy

    Telangana govt & film industry set up crime unit to fight software piracy

    NEW DELHI: The Telangana Intellectual Property Crime Unit (TIPCU), which has been in the planning for almost five years, is being formally launched this week in Hyderabad to create a sustained platform to bridge communication between industry stakeholders, ISPs, policy makers, enforcement agencies aided by legal and financial experts to fight software piracy.

    TIPCU has been set up by the Telangana government in collaboration with the United States Trade Marks and Patents Office (USTPO), the Federation of Indian Chambers of Commerce and Industry, the Telugu Film Industry and the Motion Picture Distributors Association (MPDA, India).

    State IT minister K T Rama Rao and United States Ambassador Richard Rahul Verma will formally launch TIPCU on 24 June at a meet followed by a discussion on the copyright enforcement model by key government officials and senior industry leaders.

    TIPCU will set in motion, online content protection initiatives through proactive and stringent enforcement measures to counter online film piracy.

    Rajiv Aggarwal, Joint Secretary in the Department of Industrial Policy and Promotion of the Central Government which now deals with IPR issues and state IT Secretary Jayesh Ranjan will also speak on the occasion. Several filmmakers are also expected to speak at the event.

    TIPCU will create a watch list of pirate websites similar to the IWL (Infringing Website List) of the British PIPCU at regular intervals; evolve mechanisms to counter online film piracy; and create an industry interface for sharing of intelligence on such syndicates.

    It will work on effective measures to curb flow of revenues to infringing sites; and monitor high risk (Ad-supported) websites and initiate suitable actions to choke revenues to such sites. It will bring down and block infringing links, websites, hosting and streaming sites; provide immediate relief to the film Industry without having to obtain Court orders; and systematically eradicate pirate websites and platforms illegally hosting or streaming copyright content.

    It will also evolve enforcement mechanisms to align with the ever-changing digital content landscape and criminal syndicates operating therein.

    Earlier on 6 May 2016, indiantelevision.com had reported about the setting up of TIPCU and the collaboration of the state IT Department with the film industry and the USTPO. 

    Also read:

    Telangana leads fight against online piracy in partnership with film industry
    http://www.indiantelevision.com/movies/hindi/telangana-leads-fight-against-online-piracy-in-partnership-with-film-industry-160506

  • Colors Infinity to premiere ‘Heartbeat’ season 1 on 24 March

    Colors Infinity to premiere ‘Heartbeat’ season 1 on 24 March

    MUMBAI: This March, the English Entertainment channel Colors Infinity is all set to launch some fresh content with varied entertainment.

    Along with newer episodes of its existing show, the channel is also planning to premiere a new show next month.

    While the channel will air new episodes of its existing show Blindspot from 1 March onwards, it will also premiere the first season of the drama titled Heartbeat on 24 March.

    Heartbeat is a British police drama series set in the background of a fictional town Ashfordly, Yorkshire, has an intense storyline revolving around serious crimes and human tragedies. A piercing plot of a young couple shifting into a small town who end up becoming the target of suspicion for everything that goes wrong, is a must watch and surely to look out for!

    On the other hand, continuing with the ongoing season, Blindspot’s new episodes will see the plot unfolding in the suspense drama of a tattooed girl, who has lost her memory and is unaware of her own identity.

  • Colors Infinity to premiere ‘Heartbeat’ season 1 on 24 March

    Colors Infinity to premiere ‘Heartbeat’ season 1 on 24 March

    MUMBAI: This March, the English Entertainment channel Colors Infinity is all set to launch some fresh content with varied entertainment.

    Along with newer episodes of its existing show, the channel is also planning to premiere a new show next month.

    While the channel will air new episodes of its existing show Blindspot from 1 March onwards, it will also premiere the first season of the drama titled Heartbeat on 24 March.

    Heartbeat is a British police drama series set in the background of a fictional town Ashfordly, Yorkshire, has an intense storyline revolving around serious crimes and human tragedies. A piercing plot of a young couple shifting into a small town who end up becoming the target of suspicion for everything that goes wrong, is a must watch and surely to look out for!

    On the other hand, continuing with the ongoing season, Blindspot’s new episodes will see the plot unfolding in the suspense drama of a tattooed girl, who has lost her memory and is unaware of her own identity.

  • MipCom 2015: Combating nature’s fury, and winning

    MipCom 2015: Combating nature’s fury, and winning

    MUMBAI: The world’s largest TV content market Mipcom was hit by a freak storm and floods. It all started on Saturday 5 October when late in the evening what was predicted to be an evening of gentle rain, turned out to be three hours of a raging thunderstorm. Something that had not happened in 50 years. Seven inches of rain fell in one fell swoop. Some 20 people died, and cars were swept out to sea. 

    The Hotel Martinez where MipJunior (the kids content screening and conference) was being held was the most affected. It lost power because of the flooding, internet went off and its ballrooms were water logged. As were most of Cannes and its surrounding towns.

    Reed Midem, the organiser of MipCom and MipJunior acted fast. Overnight the MipJunior screenings and conferences were shifted to the higher levels of the Palais des Festivals.

    The Palais itself was hit by the storm. The basement area (P-1), which constitutes a large part of the exhibition area and where most of the Indian exhibitors are located, had patches, which were damaged courtesy the flooding. The management of the Palais des Festivals and Reed Midem’s operations executives worked through late Saurday night and Sunday to mop up the excess water, used drying machines, changed carpeting, to get the exhibition area spic and span.

    Came Monday morning and to the astonishment of exhibitors and participants, MipCom started on time. Almost as if the resort town had not faced a natural catastrophe. There were queues at the registration desk, and queues waiting to get into the exhibition area. The rest of Cannes, was however, struggling with some areas being without power, most without internet and telephone lines. And most bank ATMs and credit machines were not working.

    In fact, the mayor of Cannes, has made an appeal to the world of film, television and the rich to contribute to get Cannes back on its feet. The town and its businesses have suffered a loss of Euro 45 million courtesy the freak rain.

    During Mipcom business deals, and alliances were struck and TV premieres held. .Hollywood and British celebrities such as Dennis Quaid, Chris Carter, Lily James, Tuppence Middleton and Stephen Rea mingled with attendees after the screenings in the Grand Auditorium. The opening party was shifted to the Carlton Hotel from the Martinez and the red carpet, however, was canceled. Sponsored by Turkey, which was the country of honour or focus, it was one of Mipcom’s finest organised parties in recent times. The food and wine flowed till past midnight.

    Overall, 13,700 executives from 112 countries did make it to Mipcom, a record of sorts. More than 150 broadcasting, production, animation, digital, content distribution, and buyers and sellers from Pakistan, Bangladesh and Sri Lanka jetted their way to Cannes – a record number for the region this year. Each probably has his or her own story on what he/she did during the deluge. We present a first person account of what one such group went through during the storm and thereafter. Read on:

    The lightning shards continuously cut through the dark incessant rain as the 500 or so guests at MipJunior’s opening night inside the tent on The Martinez Beach in Cannes partied.

    They sipped away at their glasses of wine and munched away at the entrees, exchanging business cards on programming pitches – blissfully unaware that the French Riviera village was going through its worst thunderstorm in almost 50 years.

    As the clock ticked away, the gusts of wind grew stronger, and one such blast shattered a few wine glasses, the chandeliers overhead swayed. A couple of the lights went out. Then the water from the sea outside started seeping under the tent as the angry storm pushed the waves higher.

    Jackie – the event and operations in charge of Reed Midem was worried – as she – like Laurine and Jerome and most of us attending the world’s largest content market – had heard the metro department’s report that there would be rain – but the prediction was that it would be a passing shower. Not a continuous cloud burst on account of which the village and other surrounding ones would be inflicted with the equivalent of more than a month and a half of rain in just three hours.

    The situation was getting alarming as the rain, loud thunder, lighting and wind continued. Would the tent hold? The DJ had already been told to pack his console, the wine and food put away by the stewards. And the guests, who had thinned down to 200 odd by then,  had to be kept safe. Thus a decision was taken to evacuate.

    A warning shout went up: “The entire Croisette is flooded. I tried to cross but there’s too much water.”

    But evacuate we had to. So some of us took off our shoes and jackets, packed them in the Mask of Zorro bags, which the concierge provided us, rolled up our trousers, walked out of the tent. And indeed where earlier in the evening there was beach sand, all we could see was water. Carefully, we walked through it and up the stairs to the Croisette.

    What greeted us was a sea of water all through the main street of Cannes. We stepped into it and it reached up to our knees. And it was cold, bitingly cold. But gritting our teeth and with sheer disbelief in our hearts we trudged through it across the street to the famed Hotel Martinez – which has been home to the world’s biggest celebrities. Were we in Cannes the famed beach town of France to which the world flocks every summer? Or were we in some south east Asian country or in India where such flooding is rather common?

    As we reached the Martinez Hotel we heard there were no shuttles to ferry us across to our apartments or hotel rooms. And that we were on our own. We picked up a couple of hotel umbrellas and decided to make our journey home.

    Every street, by lane and tony street was flooded. To make matters worse, the village’s sewer and drainage system had spewed and vomited out all the waste – including feaces – which its denizens had earlier through the day dumped down commodes or waste disposal systems.

    Most of the by lanes leading to the Croisette were angry torrents of fast paced water through which it was very difficult to swim, forget about walking. And yet everywhere we looked there were executives – both men and women – plodding through the knee-deep water. It was a struggle, no doubt, but move everyone had to know because the water was chilling.

    Thankfully, there were no open manholes or sewers, but we were cautious nonetheless courtesy Mumbai’s dangerous streets during the monsoons every year.

    What was even more shocking was that expensive stores, hawking the most premium brands, which line the main street opposite the Croisette were hit by the water flowing down the streets towards the sea. Many of the stores were forced to garbage some of the goods, costing thousands of euros, which were damaged by the flowing waters.

    We waded through the water, taking care not to get clothes wet. Close to our apartment building, a SUV came racing, through the flooded street and the wave hit us as well as the restaurant, which was already knee deep in water. And all my efforts to keep my trousers dry came to naught.

    Even the apartment’s stairwell was flooded. But we made our way up and thankfully our flat had power, unlike others which went without any electricity throughout the night. We took quick hot showers and sipped hot cups of coffee and it was around 1 am that we managed to get some shuteye.

     

    Posted by Larysa Wanvari on Sunday, October 4, 2015

     

     

  • ‘Indian Summers’ to commence telecast on PBS

    ‘Indian Summers’ to commence telecast on PBS

    NEW DELHI: PBS will soon commence telecast of the British drama Indian Summers, which had earlier been telecast by Channel 4 in the United Kingdom and won accolades.

     

    The 10-episode British drama set in India in 1932 has been made by Masterpiece and shows the first signs of the end of British rule in India.  

     

    According to the story, members of the British ruling class are making their annual holiday retreat to the Himalayan foothills in Shimla where a brash old-school maven Cynthia Coffin (Julie Walters), runs a successful whites-only social club and schemes to advance the career of a snooty diplomat Ralph Whelan (Henry Lloyd-Hughes), hoping to get him named as the next Viceroy.

     

    While this is the main story, there are many subplots including the arrival of Ralph’s mysteriously widowed sister, Alice (Jemima West), and her baby son.

     

    A young Indian clerk Aafrin (Nikesh Patel) not only takes an assassin’s bullet meant for Ralph in the first episode slated for 27 September but also comes across evidence that suggests the attempt was not the revolutionary act it was reported to be.

     

    Julie Walters, Henry Lloyd-Hughes, Jemima West, Nikesh Patel, Roshan Seth and Lillete Dubey star in this saga.

     

    Set against the sweeping grandeur of the Himalayas and tea plantations of Northern India, the drama tells the rich and explosive story of the decline of the British Empire and the birth of modern India, from both sides of the experience. But at the heart of the story lie the implications and ramifications of the tangled web of passions, rivalries and clashes that define the lives of those brought together in this summer which will change everything. 

     

    Indian Summers is the first Channel 4 commission from New Pictures. It is a co-production with Masterpiece on PBS in the US. It is created and written by Paul Rutman, directed by Anand Tucker and produced by Dan McCulloch. Executive producers are Charlie Pattinson, Elaine Pyke and Simon Curtis, and Rebecca Eaton for Masterpiece on PBS.

     

    Indira Varma is co-executive producer for the series commissioned by Piers Wenger and Beth Willis for Channel 4. Indian Summers is being distributed internationally by All3M International.

  • TV viewers in Europe not averse to short ads if content is free: research

    TV viewers in Europe not averse to short ads if content is free: research

    NEW DELHI: This is something that could bring some cheer to the Indian television news channels fighting to remove any cap on advertising.

     

    A study by a British research firm in the United Kingdom, France and Germany has shown that over four in ten people say they expect advertising if the content is free.

     

    Another 12 per cent reported ‘there’s nothing wrong with ads’ and some respondents even said they enjoyed ads.

     

    Brightcove commissioned Vanson Bourne to interview around 4000 viewers last month on the same. 

     

    When asked for their opinion on the current state of advertising, 41 per cent of respondents cited advertising as a ‘nuisance’, but many were realistic about the necessity of ads. However, 39 per cent of viewers wanted the ads to be shorter, another 31 per cent wanted to be able to fast-forward through them and one in ten said they should be more targeted.

     

    Based on this research, to really ensure optimal ad engagement, broadcasters need to be mindful of the type of advertising they are serving to the type of audience who is viewing it, taking extra care to consider the length of the ad in relation to the content itself and the relevancy of that ad to the content being consumed.

     

    The study also showed that with new types of video services competing for viewers’ time, traditional players must respond to survive, according to Brightcove mobile business marketing director Tracy Williams.

     

    The study showed that viewers remain markedly loyal to traditional television and rank it very important to their lives; cross-platform services are a near requirement as four in ten viewers watch on multiple screens; online video content is being viewed throughout the day, including in the morning; and viewers are surprisingly realistic about the role of ads, particularly when in exchange for free content.

     

    Expectations are extremely high and broadcasters serve disparate audiences, grouped in this report into four notable segments. In fact, more than seven in ten (71 per cent) of European viewers surveyed said there is still a lot of room for improvement across content choices.

     

    More than half (51 per cent) of the viewers said that television is either important or really important to their life and over two-thirds (67 per cent) of respondents described themselves as loyal watchers of television programmes. Around 24 per cent said they are ‘hugely passionate’ about TV.

     

    Thus, while television is still important for European audiences, technical innovation is altering how they consume broadcast content. Moving from the choice of just a few channels in the 1950s and 60s, through to satellite and later digital TV, viewers can now pick from a huge range of live channels and on-demand content (both linear or online) and watch what they want, where they want and whenever they want.

     

    About 75 per cent viewers prefer PC or laptops, over a third are now using mobile (33 per cent) and around 34 per cent use tablets to view video content, highlighting the continued need for high-quality cross-platform services.

     

    Content owners who do not invest in delivering the complete service that viewers expect risk low adoption rates and loyalty to their services. Four in ten (41 per cent) European viewers use more than one screen when watching video content. This consumer behaviour adds both an opportunity and a risk for broadcasters – an opportunity to create interactions across both screens (through social channels, for example), and a risk through added competition for attention from the second screen.

     

    The study also indicated that online video content is now being consumed round the clock.. On average, the evening period is still peak time with over half (55 per cent) of all viewing taking place then. However, daytime (24 per cent), overnight (15 per cent) and morning (six per cent) viewing are catching up. 

  • Interbrand appoints global CMO & North American CMO

    Interbrand appoints global CMO & North American CMO

    MUMBAI: Interbrand, a brand consultancy, has named Graham Hales as its global chief marketing officer and Andrea Sullivan will be the new chief marketing officer of Interbrand North America.

     

    Hales most recently served as chief executive officer of Interbrand London, while Sullivan served as executive director of client services and was responsible for client services and marketing for Interbrand North America. In their new roles, Hales and Sullivan will work closely to integrate marketing and business development initiatives to drive growth across Interbrand’s global network. Hales and Sullivan will work with regional managing directors to engage new clients while deepening relationships with existing clients, ensuring they continue to benefit from the firm’s strategic and creative offerings and services.

     

    As CEO of Interbrand London for the past four years, Hales led key brand engagements with some of the firm’s most high-profile clients, including the BBC, British Airways and Samsung. Under his leadership, Marketing Magazine named Interbrand’s London office Agency of Year in 2011. Hales brings extensive global experience to his new role as Interbrand’s global chief marketing officer. He has helped to oversee the firm’s offices in Amsterdam and Mumbai and has also driven regional business development activity in the Middle East, Turkey and Scandinavia. Prior to serving as Interbrand London’s CEO, Hales was Interbrand’s global chief communications officer. While in that role, he was instrumental in helping to create original content around the firm’s annual ‘Best Global Brands’ report.

     

    While serving as executive director of client services, Sullivan led the client services and marketing team and co-founded Interbrand’s global corporate citizenship practice. Additionally, she played a pivotal role in developing and promoting Interbrand’s thought leadership on a global scale, having delivered interactive experiences with partners such as the ANA, Cannes, Deloitte, Guggenheim, Harvard, Lyons, MoMA, NYSE, United Nations, World Business Forum and Yale. Sullivan was a founding member of G23, a landmark consultancy comprising top female leadership from within the Omnicom network. G23 was designed to lead Omnicom clients in activating the global female economy.

     

    “It is a very exciting time in the history of Interbrand,” said Interbrand’s global chief executive officer Jez Frampton. “The promotion of both Graham and Andrea marks the first time that the firm has had two leaders in place to strategically foster and activate a global vision of marketing, communication, and business development. Graham and Andrea have been proven leaders of the business for many years and I congratulate them both on the next chapter of their careers at Interbrand.”