Tag: brand campaign

  • Galaxy Surfactants encourages sustainable personal care habits

    Galaxy Surfactants encourages sustainable personal care habits

    Mumbai: Specialty chemicals company Galaxy Surfactants has launched a new campaign called #OldHabitsNewForm urging the present generation to look back at and take inspiration from the ancestors’ good personal care habits to move towards a sustainable future.

    The campaign calls for reviving the age-old, traditional formats such as carrying paper soaps when travelling, using all-in-one shampoo bars for healthy hair and scalp, and brushing with toothpowders, which are not only convenient to use but also offer a sustainable alternative to current personal care practices.

    Galaxy Surfactants has been enabling the revival of healthy sustainable living by consistently bringing in environment-conscious product formulations such as Galaxy’s mild surfactants, syndets, and transparent bathing bars among others.

    Commenting on the campaign launch, Galaxy Surfactants, promoter and managing director, U Shekhar said, “The modern-day consumer is well-informed and aware of self-responsibility towards sustainable living. Our #OldHabitsNewForm campaign is an effort to derive inspiration from the environment-conscious lifestyle practiced by the older generation that now serves as benchmark template in modern-day personal care innovations.”

  • Myntra unveils latest brand campaign featuring Samantha Akkineni

    Myntra unveils latest brand campaign featuring Samantha Akkineni

    Mumbai: Myntra has unveiled its latest ad films featuring its brand ambassador, Samantha Akkineni, as part of a star-studded brand campaign that was launched earlier this month. With the rollout of the new ad films, Myntra is all set to strengthen its strong connect with its consumers, influence, and accelerate the business.

    Conceptualised by Brave New World, the brand campaign has been developed to reach the ever-growing community of fashion lovers from all walks of life and make fashion expertise accessible with the help of India’s most loved and popular trendsetters. The actor will appear in two ad films promoting women’s western wear and ethnic wear, largely across electronic and digital platforms in the South. 

    In the ad films that credit Tara D’Souzaas the creative director, viewers get to witness Samantha, as she walks them through the brand’s value propositions, with varying backgrounds and stunning looks. In addition to this, the film also highlights Myntra’s after-sales services such as exchange, returns, and refund.  

    “Samantha has impressed millions across the country with her talent and is the talk of the town for her acting prowess and fashion choices. Her fashion sense is something her wide fan base, particularly in the South, aspires for, and her influence over the fashion choices of the youth is unparalleled,” said Myntra, CMO, Harish Narayanan. “Being a household name in the region, Samantha will be key in bringing audiences from these regions onboard our platform. We are glad to have a star of her caliber as the face of Myntra to reinforce Myntra’s image and perception as India’s Fashion Expert.”

    “I have been associated with Myntra for almost a year now and the experience has been nothing short of fulfilling,” said Samantha Akkineni. “Fashion to me is an everyday affair, so it is for a growing number of people who are looking forward to experimenting with new looks and styles more often than ever. Myntra’s know-how of the fashion needs of people and its ability to keep up with the latest trends sets it apart, making it a necessity for the fashion conscious.”

    Myntra is implementing a 360-degree approach, leveraging TV, digital and social platforms to deliver campaign ad films across the nation. 

  • OPPO launches ‘The chronicles of Sharma-Verma’ digital campaign

    OPPO launches ‘The chronicles of Sharma-Verma’ digital campaign

    Mumbai: OPPO India introduced three digital films capturing the chronicles of ‘Sharma-Verma’ to highlight its commitment to provide the best after-sales services for customers. 

    Conceptualised by Havas Creative, the three digital films aptly connect different aspects of everyday situations, giving a deeper meaning to ‘service’ while tying back to the importance of convenience and ease in a customer’s life. 

    The campaign featuring two characters namely, Sharma and Verma, also promises to take its viewers on a journey with the duo to the store for them to experience OPPO’s after-sale services and highlight how easy and reliable the whole repair/inspection process is. Capturing small elements of quirkiness, the films highlight the exceptional and fast after-sale service offered by OPPO. Highlighting features such as free inspection, 30 days replacement, and quick service and repair, each video showcases the functional benefits of each of these services. 

     Commenting on the TVC launch, OPPO India, chief marketing officer, Damyant Singh Khanoria said, “Customer-centricity is at the core of everything we do at OPPO. The campaign showcases the brand’s customer-first approach, attention to detail, and quick resolutions resulting in exemplary service our customers always count on. We would like to thank our partners for their relentless support in helping OPPO go the extra mile and raising the bar for after-sale services.”

     The campaign is in line with the high rate of customer satisfaction OPPO received over the years through impeccable services. The brand currently has 500+ service centres spread across 500+ cities, forming the brand’s premium experience in after-sales service. OPPO strives to provide a comprehensive customer experience across its customer base.  

    Havas Group India, chairman & chief creative officer, Bobby Pawar said, “After-sales service is a serious business, but if you look at the reasons for which one visits the service center, you’d find it ranging from silly to unfortunate. And you thank the good lords at OPPO for rescuing your phone from any such incident. The ads begin on a funny note and slowly veer towards a serious note- that of OPPO keeping its word to its customers, and that’s what we wanted to bring alive – whatever life throws at your phone, OPPO is there to take care of it.”

     A recent report by Counterpoint highlighted that OPPO leads the top spot in after-sales service experience with 93 per cent of the respondents rating their experience as ‘very good’ or ‘excellent’. Additionally, the lowest waiting time was recorded among OPPO customers with half of the respondents being attended within just 15 minutes of their arrival, the brand stated. 

    OPPO is leading in customer support with most of the users receiving status updates through WhatsApp and SMS. As per the study, OPPO was the fastest in turn-around time during after-sales delivery and maintained the most updated inventories, it added.

    https://bit.ly/3BcPHP1

  • Supertails marks International Dog Day with new campaign

    Supertails marks International Dog Day with new campaign

    Mumbai: Homegrown digital pet care startup Supertails has come up with a new campaign for International Dog Day celebrated on 26 August every year. The digital campaign celebrates the little joys of dog parenthood.

    Addressing people who think they may not be cut out for pet parenthood because of their perceived inability to communicate with them, Supertails used this opportunity to say that it takes only love to understand a pet. “Aaja”, “Vaa”, and “Come” all mean the same to a dog who’s being called with affection.

     

    Commenting on the campaign launch, Supertails’ co-founder, Varun Sadana said, “In the last two months, we have conducted over 2000 online vet consultations and interacted with over 5000 pet parents from across the country. This language diversity was one of the most beautiful insights we got from our interactions. The campaign highlights the diversified culture of India, and how pets bring it all together. Where else will you find a Golden Retriever who responds to Gujarati in one part of the country, and to Kannada in another!”

    The campaign video is dedicated to young pet parents whose mundane days are brightened up by the presence of dogs. The brand is also launching the first edition of ‘Superwag 21’ to mark the occasion.

  • ITC Dark Fantasy says ‘Din Khatam, Fantasy Shuru’ in new campaign

    ITC Dark Fantasy says ‘Din Khatam, Fantasy Shuru’ in new campaign

    Mumbai: Sunfeast Dark Fantasy, the premium center-filled cookie brand from ITC Ltd, has launched its new campaign called ‘Din Khatam, Fantasy Shuru’. Featuring the brand ambassador Alia Bhatt, the ad captures ‘the end of day feeling’ that one typically goes through.

    The bilingual TVC, shot with a blend of Hindi and English, has been released on the brand’s social media handles on Instagram and Facebook, YouTube. The TVC is also on AIR in four South Indian languages.

    With its popular jingle ‘Can’t Wait Won’t Wait’, Sunfeast Dark Fantasy in line with the evolving times has now put the spotlight on encouraging consumers to wrap up their day and bring alive their innocuous fantasies. Unwinding after a hard day’s work and biting into a small piece of indulgence has taken various manifestations in the ‘Din Khatam, Fantasy Shuru’ campaign.

    The campaign commenced with a cryptic tweet “______ Khatam, Fantasy Shuru”, which explored the audience’s creative flair and identified things they would like to end for their Fantasy to start. The activity revealed some interesting responses which went on to create a buzz on the platform. More than thirty brands and many consumers participated in this twitter conversation, which was trending at the third spot on the platform. The brand had also put up digital billboards in Delhi, Mumbai and Bangalore where some of these interesting tweets featured. The same activity also happened on the radio where RJs on popular channels engaged with consumers.

    Commenting on the campaign, ITC Ltd, chief operating officer- biscuits & cakes cluster, foods division, Ali Harris Shere said, “Every day ends on a different note for everyone. Some days end on a high note with a sense of achievement while some may end with lingering thoughts about a multitude of things. It is in moments like these that one seeks comfort for oneself and Dark Fantasy can be their partner, as they unwind for that day. A brand grows when it continues to be relevant in consumers’ lives and through this campaign, Dark Fantasy wants to help them find their little sweet spot for indulging in their little fantasies.”

  • Tele-Wise Marathi: Why TV still remains the best medium for advertising

    Tele-Wise Marathi: Why TV still remains the best medium for advertising

    Mumbai: The Marathi TV language landscape presents a stark contrast to the regional TV landscape in the southern states where the regional language is almost a necessity to communicate and connect with the viewers. Over 70 per cent of Maharashtra’s TV viewership overlaps with Hindi TV channels, while only 30 per cent of viewers opt for purely Marathi entertainment and news.

    Amid all this, is the vernacular language still the most important medium to communicate with the Marathi speaking, urban populace of television viewers in Maharashtra? This was one of the key questions debated at the recently concluded Tele-Wise Marathi, a virtual summit organised by Indiantelevision.com and presented by COLORS Marathi.

    “Most people in Maharashtra, not just Mumbai are multi-linguistic and comfortable watching Hindi entertainment also,” said Godrej Tyson Food Ltd CEO Prashant Vatkar. “So, there is not so much of a need to create Marathi-exclusive advertising content, as long as the consumer is comfortable.”

    Edelweiss Asset Management Ltd head -product, marketing & digital business- Edelweiss AMC, Niranjan Avasthi concurred. However, he added that one can definitely have a higher impact and reach if one customises the content in the local language. “The authenticity of the message being conveyed will also increase. So while it is not a necessity as far as Maharashtra is concerned, it definitely is an add-on, which can be an advantage for the marketers,” he added.

    Over 45 per cent of the Maharashtra population lives in urban areas, as against the national average of 31 per cent, observed Maruti Suzuki India Ltd, executive director – marketing & sales Shashank Srivastava, adding that the state also has several independent urban centres apart from Mumbai, such as Pune, Nashik, Kolhapur, Nagpur, Solapur.

     

    Recent data from Broadcast Audience Research Council (Barc) however, suggests that the ‘spillover’ viewership in Maharashtra has really reduced with regional channels seeing an uptick in numbers, especially in the last few months, as was pointed out by Madison Media Sigma- Madison World CEO Vanita Keswani, who was moderating the panel.

    “Even in the urban centers, the viewers’ market share for Marathi content is actually higher than the non-urban areas of Maharashtra. So, there is no way a marketer can afford to ignore it, especially when it comes to the auto sector TG, the affinity for local content is pretty high,” said Srivastava indicating the continued need for specific investments in regional content.

    Maruti continues to invest in regional markets along with Hindi and English content. The auto-maker uses digital for the lower end of the funnel, but television reigns supreme when it comes to brand building, reach and awareness and in TV it is the GEC and news genres, even in the vernacular belt, shared Srivastava.

    According to RamBandhu (ESFL) director, Anand Rathi, when it comes to genres within the Marathi content, more regional news was consumed, especially during the pandemic when people were more curious and anxious to know local news. “The pickle and papad brand has targeted audiences across all classes. Pre-Covid there was a leaning towards GEC content, but all that changed with the onset of the pandemic and regional news channels took precedence over regional GECs for hyper-local reach,” he added.

    Being more of an urban-centric brand selling to higher socio-economic class consumers, Godrej’s Vatkar shared that the brand uses more of digital and OTT to reach out to their specific and well-defined target audience. For this, they used experiential content by roping in celebrity chefs along with micro-influencers. The flexibility offered by digital platforms worked well for the brand, while regional language content did not play a big role since food is not so much language-oriented as much as it is an experiential concept, he pointed out.

    While agreeing to food being more experiential in nature, Rambandhu’s Rathi had a different point of view when it came to the importance of regional language in Maharashtra’s food segment. “Language plays a crucial role in Maharashtra, for me to have a strong connect with my consumer. If I’m able to talk in the language that my consumer wants to hear, he would probably give preference to my product,” Rathi said.

    The brand has recently launched a TVC campaign with celebrity brand ambassador Madhuri Dixit-Nene for its papad and pickle category, who’s the new face for the brand.

    Rathi said that the actor, for the first time, has done a commercial in the Marathi language, while stressing on the importance of the local language’s connect with the consumers.

    Srivastava agreed that if the integration with the local content is strong, the brand connect can be good. “Our internal research has found that consumers actually look at brands differently if they find that connect- and the connect need not be based on just the product characteristics or the message- it is also the language in which it is being conveyed,” he said.

    Marathi language channels have the highest viewership share in the HSM (Hindi Speaking Market) after Hindi language channels. Talking about the KPIs (Key Performance Indicators) when it comes to television as a brand vehicle, Srivastava shared that the reason the brand continues to spend heavily on the medium is that TV has performed convincingly on all its KPIs – both on the brand salience as well as the consumer conversion parts.

    Keswani noted that, interestingly, the bulk of Marathi TV advertising is occupied by national advertisers, and not regional players, as would be expected. One of the reasons for this, RamBandhu’s Rathi shared, could be the high costs of regional GECs today from an advertiser’s point of view. Talking about the brand’s advertising journey from scratch, he said that since their product targets households across categories, they felt TV was the way to go, right from the starting point. So, while other mediums like hoardings and OOH helped, the kind of reach that TV gives would be difficult to emulate on any other medium, said Rathi.

    With 115 million TV viewers, the Marathi TV language landscape is certainly not losing ground to newer kids on the advertising block, like digital. As per a Nielson study, television gives a whopping 83 per cent reach in Maharashtra, as against 51 per cent with digital. Television as a medium cannot be ignored when it comes to mass reach to a wider audience, regardless of the product category, it was roundly agreed by the panelists.

  • CARS24 makes this Onam special with vibrant film ‘Onam Bumper’

    CARS24 makes this Onam special with vibrant film ‘Onam Bumper’

    Mumbai: Adding to the joy of Onam, a homegrown e-commerce platform for pre-owned vehicles CARS24, has rolled out a new digital film, to celebrate the festival. The vibrant campaign film revolves around the iconic trend of lottery that has been ongoing in Kerala for decades.

    Denoting the spirit of fortune, success, and happiness among family members and loved ones, the Malayalam film, with English subtitles, showcases the local elements of Kerala during festive celebrations. 

    Capturing the joy this lottery festival brings, in the brand film, an old ambassador car travels across the city distributing pamphlets of the Onam Bumper offer as the announcer encourages people to upgrade their lifestyle and choose and purchase their dream car with just a click on CARS24.

    The film features TV star Riyas Narmakala, Kozhikode Radio Mirchi – RJ Kensha Zohra and CARS24 employee Shahid Salman, and is being promoted on CARS24’s social media platforms including Facebook, YouTube, and Instagram.

    Reflecting upon the rich culture and heritage of Kerala and celebrating the visit of King Mahabali, the film takes the viewer on a visual treat that showcases Puliyattam folk dance where a human-tiger dances to the tune of drums and children collect flower petals for the festival ceremonies and the car travelling by ferry along the backwaters of Kerala.

  • Pooja Hegde unveils pTron’s new brand campaign #pTronEveryday

    Pooja Hegde unveils pTron’s new brand campaign #pTronEveryday

    Mumbai: Lifestyle digital accessories brand pTron has launched its new brand campaign titled #pTronEveryday, starring Bollywood actor Pooja Hegde. Earlier this year, the brand announced the actor as their brand ambassador. 

    The brand’s very first campaign #pTronEveryday with the actor showcases its wide range of new-age audio & lifestyle gadgets that are made for the millennials.

     pTron’s new range of digital accessories promise quality combined with affordability and its mantra is to make ‘technology accessible to all’, the brand stated.

    The pan-India star took to her social media to kick start her ambassador journey with the campaign #pTronEveryday with Pooja Hegde. The campaign film flaunts the actress’ refined style. With products that are thoughtfully crafted for the new-age Indian youth, Pooja’s modern girl boss energy resonates with the electronics and mobile accessories brand’s key messaging of confidence.

    Commenting on the campaign, Pooja Hegde shared, “pTron stands for living life loud. With products that are affordable & accessible to all, yet futuristic and aesthetically modern, pTron has become a significant choice of new-age India and steadily becoming the country’s most favourite lifestyle digital accessories brand. I thoroughly enjoyed working with the team for the new campaign.”

    “We are immensely excited at the chemistry between our brand and Pooja Hegde. The new campaign represents the spirit of the millennial generation, in being fearless and confident. Pooja perfectly embodies what the brand stands for,” said pTron founder & CEO Ameen Khwaja. Khwaja also thanked M5 Entertainment for being instrumental in getting Hegde as a fabfit endorser for pTron.

  • Trell launches #AzaadHoAzaadRaho campaign ahead of 75th Independence Day

    Trell launches #AzaadHoAzaadRaho campaign ahead of 75th Independence Day

    Mumbai: Homegrown social commerce platform Trell has announced its new initiative #AzaadHoAzaadRaho to celebrate the 75th Independence Day.

    The company has roped in Rock and HipHop Indian artivists EPR Iyer & GJ Storm for a special anthem with empowering lyrics that scream out #AzaadHoAzaadRaho, loud and proud.

    “While we have been an independent country for 75 years, there are quite a few things that entrap us and curb our freedom – be it judgment, opinions, or even trolls. With this campaign, the company wants to instill the message for its audience to be free, be azaad of anything and everything that holds them back,” said the statement.

    Across the platform, Trellers are empowering audiences to express freely & recreate their own versions of the anthem.