Tag: Bollywood

  • Pepsi announces Salman Khan as brand ambassador

    Pepsi announces Salman Khan as brand ambassador

    MUMBAI: Pepsi India has constantly innovated and reinvented itself to create experiences that connect with consumer passions, be it Bollywood, Music or Sports. The brand has also consistently partnered with artists and new age icons of today’s generation, as it has built strong connect with its consumers. The company has announced its collaboration with bollywood superstar Salman Khan

    PepsiCo India spokesperson said, “We are excited to announce Pepsi’s collaboration with bollywood superstar Salman Khan. Over the last year, SWAG has been the underlying message throughout brand Pepsi’s campaigns, celebrating the innate self-belief of the Indian consumer today. In 2020, we look forward to building the brand’s "har ghoont mein swag" proposition with Salman in 2020.”

    The year 2020 will see brand Pepsi create a scale 360 degree campaign that will reflect the self-confidence of today's youth in a manner that is as effortlessly cool as Salman.Salman will be next seen in the super successful Dabangg franchise. Pepsi will be launching its association with Salman by tying up with Dabangg 3. This campaign will give consumers a sneak peek into what the Pepsi 2020 campaign will look like.

  • Critically acclaimed short film Half Full starring veteran Naseeruddin Shah and Vikrant Massey wins major accolade at ShortsTV’s Best of India Short Film Festival 2019 in Los Angeles

    Critically acclaimed short film Half Full starring veteran Naseeruddin Shah and Vikrant Massey wins major accolade at ShortsTV’s Best of India Short Film Festival 2019 in Los Angeles

    Mumbai: Critically acclaimed short films Half Full, featuring veteran actor Naseeruddin Shah and Vikrant Massey, and Counterfeit Kunkoo, written and directed by Reema Sengupta, were declared winners at ShortsTV’s Best of India Short Film Festival 2019 being held in Los Angeles. Organised by ShortsTV, the world’s leading short film TV service and official distributor of the OSCAR nominated short films theatrical release, a special screening was conducted in Mumbai to announce the winners. Present on the occasion were veteran actor Naseeruddin Shah, winning directors Karan Rawal (Half Full) and Reema Sengupta (Counterfeit Kunkoo), along with Chief Executive of ShortsTV, Carter Pilcher.

    Half Full is a 12-minute short film that focusses on the trials and tribulations of a young man (Vikrant Massey) who is undergoing an internal conflict. One night, he encounters an old man (Naseeruddin Shah) and a strange vibe develops between the two leading to some sarcastic and vague questions. The other winner, Counterfeit Kunkoo is a 15-minute short film which is based on the life of a middle-class Indian woman named Smita who lives without her husband. The film offers an intimate perspective on the identity of the 'Ideal Indian Female' in the urban India of today. 

    Expressing his happiness on winning the award, Half Full actor Naseeruddin Shah said, “It’s a proud moment for the entire cast and crew of Half Full. I am happy to note that discerning Indian audiences are moving towards short format content and ShortsTV has taken this initiative to provide an ideal platform to Indian filmmakers and actors. I am also glad that we finally have a destination where one can watch the best of curated short format content from across the world.”

    Commenting on the initiative, Mr. Carter Pilcher, Chief Executive of ShortsTV said, “India’s love affair with short movies has taken off since launching ShortsTV here late last year.  Our audiences can’t get enough of them. Both Bollywood and Hollywood are starting to take notice, and it’s exciting. We created the Best of India Short Film Festival to get Indian talent into the mainstream of the Academy of Motion Pictures Award consideration – and to give Indian talent a chance to bring home an Oscar that was “made in India.”  We are the only short film festival in India whose prize is Oscar qualification, and the world better watch out —ShortsTV and the amazing talent here in India are going to bring home an Oscar!”

    Meanwhile the other short films amongst the finalists selected to screen in Los Angeles and become qualified for Oscar consideration were Unfamiliar by Rahat Jain and Maya by Vikas Chandra. These are also eligible for a television broadcast deal on ShortsTV.

    ShortsTV was launched in India in 2018 exclusively with Tata Sky. With a catalogue of over 10,000 short films, ShortsTV provides a single curated destination of the best shorts from India and around the world, with a line-up including films recognized by the Oscars, BAFTA and Cannes. With the Best of India Short Film Festival, ShortsTV strives to create opportunities for Indian filmmakers to be recognized internationally. The winner last year was Mumbai based filmmaker Chintan Sarda and his short film ‘Shunyata’, featuring Jackie Shroff in a leading role.

  • Bollywood in 2018: CNN-News18 Wraps-Up the Year with  ‘The Bollywood Roundtables’ with Rajeev Masand

    Bollywood in 2018: CNN-News18 Wraps-Up the Year with ‘The Bollywood Roundtables’ with Rajeev Masand

    MUMBAI: 2018 has been an eventful year for the Indian film industry. To discuss the year gone by, CNN-News18 is back with another edition of ‘The Bollywood Roundtables’ – a year-end series of exclusive chat shows on Bollywood. Hosted by renowned critic Rajeev Masand, the show features India’s finest actors, actresses, and directors who come together to discuss, debate and decipher the art of movie making along with the latest trends in the entertainment industry. 

    Continuing with the tradition, this year’s 3-episode entertainment series will witness candid and eye-opening conversations with guests who will discuss their inspiration, most talked about films and performances and how this year was for the Bollywood industry.

    This week Rajeev Masand interacts with top directors of 2018 – Amar Kaushik, MeghnaGulzar, ShoojitSircar, SriramRaghavan, NanditaDas, Anubhav Sinha and Amit Sharma where they talk about the big shift taking place in Bollywood currently, the impact of #Metoo Movement in the film industry, and how the digital revolution will affect the future of cinema.

    Apart from this, the Actress’ Roundtable will see Alia Bhatt, DeepikaPadukone, TapseePannu, Anushka Sharma, Rani Mukherjee, and Tabu open up about their films and performances. The Actors’ Roundtable will feature Ranveer Singh, Vicky Kaushal, AyushmannKhurrana, Rajkummar Rao and Pankaj Tripathi discuss their year in the Bollywood and their work. 

  • Entertainment Goes Online – A $5 Billion Opportunity in India

    Entertainment Goes Online – A $5 Billion Opportunity in India

    Mumbai: Over-the-top (OTT) content market in India is at an inflection point in India, as per the latest report by The Boston Consulting Group titled ‘Entertainment Goes Online’. 

    The report pegs the Indian OTT market to reach $5bn in size by 2023. This growth is being driven by rising affluence, increase in penetration of data into rural markets and adoption across demographic segments including women and older generations. 

    The ‘Entertainment Goes Online’ report is based on a first -of-its-kind consumer survey that seeks to understand consumers’ motivations in adopting OTT content over other conventional modes of content delivery. Survey results showed that there is a room for many types of OTT models such as SVOD (subscription-based platforms), AVOD (advertising-based platforms) and TVOD (transaction-based platforms) to succeed in the market. 

    “Majority of India has a single TV per household. Affordable data has created an alternate medium where consumers, for the first time, can tap into content basis individual preference at a time and space convenient for them. Whilst the current market operates with a largely advertising paid content paradigm, consumers are not averse to paying for convenient content access that OTT unlocks,” said Kanchan Samtani, Partner & Director, The Boston Consulting Group. Affluence and wide variety of content being developed for OTT market including diversity in genres and language gives OTT market a favorable edge over it traditional counterparts.

    The study identified three archetypes of customers in the Indian market, 1) traditionalists – who primarily consume on other than OTT platforms, 2) OTT Experimenter – who has significant consumption on both conventional and OTT platforms 3) Early Adopter – whose primary consumption occurs on OTT platforms. While early adopters are still a more urban phenomenon, going forward it will be more equally distributed.

    48% of India’s internet users (~650 million by 2023) are expected to be from rural areas. With development of regional content by various players, the rural market is poised to become a significantly large opportunity for players. OTT is riding the wave of increased data consumption and internet access in rural India, has opened a new distribution channel that is viable for regional and niche content. 

    Indian content including music, Bollywood content and cricket have large following in the Indian diaspora also. OTT Players with Indian content have potential to tap into this market too. “While the NRI content market is huge and demonstrates willingness to pay, it is not only dominated by cricket – Bollywood music and films are very significant. With their large content libraries, Indian OTT players are sitting on a metaphorical gold mine to serve this increasingly important customer base”, said Gaurav Jindal, Principal, The Boston Consulting Group.

    “One of the key insights of our consumer work was that, while OTTs rely on top-notch hero content to attract consumers to the platform, the stickiness of these consumers is not very high unless accompanied by ways in which they engage more deeply with the platform and is associated with strong marketing efforts," said Kanchan Samtani when discussing the subscriber acquisition and retention strategy of various OTT platforms.

    While Indian OTT players have taken many steps to capture the market, there is a lot that needs to be done before, Indian OTT market achieves the same penetration and maturity as its western counterparts.
     

  • This October, Nickelodeon urges you to STAND UP! BE HEARD!

    This October, Nickelodeon urges you to STAND UP! BE HEARD!

    MUMBAI: A study done by Punjab University’s department of psychology, stated that a staggering 77 percent of school children in India reported being a victim of online or offline bullying, compared to 50 percent in the UK and 65 percent in France. Children being bullied in their formative years is a very grave issue that often tends to affect their mental health. If left unattended, the effects can damage the overall abilities of the child for the rest of his/ her life. October being the Anti Bullying month, Nickelodeon under its ‘Together for Good’ campaign will spread awareness about the issue of bullying in schools. It will educate people about what constitutes bullying and what action kids should take to avoid the same.

    With the help of its digital and social media reach, the channel aims to encourage children to speak up and talk to their parents or mentors if they were or are being bullied. The campaign is curated with interactive pictures where Superkid-Shiva champions how to stand up against bullying in different environments. Daaduji – our newest IP also gives out lessons of how bullying can be curbed and creating a safe environment for kids.

    The ‘Together For Good’ campaign was introduced earlier this year with the thought of ‘Say No to Fear and Yes to Safety’, reaching out to 40 million viewers with friendly yet informative videos. This initiative has received heaps of praises from the media fraternity, industry honchos, Bollywood and TV celebrities who’ve also spoken against bullying and promoting child safety.

  • Zee Bollywood aims to capture 10% market share

    Zee Bollywood aims to capture 10% market share

    MUMBAI:  While every other movie channel in the Hindi space is offering dubbed South Indian movies, Zee Entertainment Enterprises Ltd (ZEEL) is launching a pure offering – its ‘101% Shuddh Bollywood’ channel Zee Bollywood. The channel is launching on 31 August.

    Earlier reports had said that Zee Bollywood would be replacing Zee Classic, but ZEEL Hindi movies cluster business head Ruchir Tiwari said that it is not shutting the channel. In fact, the network still has Zee Classic’s HD licence. “We are not shutting Zee classic. As you know, ministry permission for launching a new channel is a very slow process and the demand of Bollywood from the consumer is urgent,” he said.

    He added that research shows 39 per cent Indians love watching masala Bollywood movies that are truly entertaining. “Getting the permission is not easy and so we had to use the Classic license to launch this. We did not apply for the Classic license, it will be revamped as a refreshed offering that will be premium and niche and it wouldn’t be ad-supported. You will hear about Zee Classic also very soon,” he said.

    With Zee Classic’s market share being 6.5 per cent, Tiwari feels that Zee Bollywood has the potential to reach up to 10 per cent.

    Tiwari added that there might be an overlap with other players when it comes to certain movies. “Today all the top three channels have 50-60 per cent of south programming on a weekly level because there is larger viewership in the category especially from west India, where there is a very strong demand. For example, Lagaan movie will be aired quite a few times on the other channels or maybe on Sunday afternoon and this is because there is no room. So now, in this case, there will be some overlapping,” he said.

    The network has curated a roster of over 600 exclusive ‘Masalon se koot koot ke bhari filmein.’ ZEEL CMO Prathyusha Agarwal said, “At ZEEL, our aim has always been to fuel the entertainment space with extraordinary content that satiates the needs of our viewers. Specifically, in the Hindi movie segment, we understand the viewer as someone whose mind seeks different kinds of cinema, while his heart continues to yearn for masala Bollywood! Hence, we came up with the big idea of Zee Bollywood.”

    The channel has started scouting for advertising partners. Zee network president sales Vijay Sanil said, “Currently we have Nerolac, Lays, Cadbury and Nirma Salt as our channel partners. The response has been extremely positive from our clients and such partnerships further validate our belief in our offering. We are hoping to drive synergies with more brands as we embark on this new journey.”

    Time bands also speak the Bollywood lingo such as Mere Sat-Sun Aayenge (Sat, Sun 9pm), Subhah Ho Gayi Mamu (Mon to Fri 10:30am), Dopehar Ka Tadka (Mon to Fri 2pm), Chalti Hai Kya 9 se 12 (Mon to Fri 9pm), Raat Baaki (Mon to Fri 12 am) and Maa Kasam Sunday Hai (Sun 10:30am, 2pm, 5pm).

    Shows with romance like Chennai Express, Jab We Met, comedy films like Phir Hera Pheri, Houseful, Welcome, panga with films like Agneepath, Josh, Gadar and drama with films like Lagaan, Judaai, Raja Hindustani among others will be on air.

    In the most crowded segment on TV, Zee Bollywood has tough competition to prove and capture market share.

  • Facebook aims to be first choice for movie marketing, fan engagement

    Facebook aims to be first choice for movie marketing, fan engagement

    MUMBAI:  Thursday morning Twitter was flooded with Karan Johar’s teaser tweet on his upcoming film Takht. Film marketing has changed so much over the time that fans are going gaga over a film which will be released after two long years. Not only Twitter but also other social media giants like Facebook and Instagram are becoming highly relevant for Hindi film marketing. Long gone are those days when the audience used to get information about an upcoming movie before a fortnight. Indian film industry, especially Bollywood, is optimising social media assets as much as possible.

    Research company Ormax Media and Facebook India have launched a report titled ‘Media Effectiveness in Hindi Film Marketing’ that studies and correlates the actual box office collections to a movie’s marketing mix. The research done independently by Ormax Media tracked the performance of nine media from both digital and traditional genre –  Facebook, YouTube, Instagram, Twitter, television, print, in-theatre, radio & OOH. Six film campaigns including Judwaa 2, Secret Superstar, Golmaal Again, Ittefaq, Tiger Zinda Hai and Pad Man were tracked using the research.

    The research went beyond analysing a film’s marketing success, basis the elementary media metrics like impressions and readership, and also focused on evaluating awareness or buzz among the audience and their intent to watch or appeal of the movie.

    The study found Facebook is one of the top three mediums among nine sample mediums in driving buzz and appeal for a film campaign. While buzz power stands for incremental awareness or discovery driven by the platform, appeal power stands for incremental interest in the audience via campaigns or content. Moreover, Facebook and Instagram combined proved to have delivered the highest impact with 21 per cent contribution to a Hindi film’s first-day box office sales.

    “The analysis was done for all nine media by extracting the buzz and appeal scores among those not aware of the film through that media. If the film’s actual first-day was X and the first-day without a particular media was projected as Y, the contribution of that media to the opening is X-Y. This contribution was calculated for all nine media,” the report reads.

    While organic methods like link shares and conversations helped to achieve the success, initiatives like Facebook Live also played an important role. Dharma Productions, the producer of recent hit Dhadak created an event on the platform using the feature Scheduled Live for the trailer launch of the movie. The trailer got 8.9 million video views. Other than that, several movies including Padman, Tiger Zinda Hai used Facebook Stories to engage fans.

    Akshay Kumar, a loyal Facebook user recently launched the trailer for his upcoming movie Gold on IGTV along with using Facebook Live.

    “Facebook is a great place for fans to directly connect with their favourite stars and movies and drive reach and more engagement. We aim to become the go-to destination for celebrities and movie marketers to promote and connect with their followers in an authentic way and experience the power of organic content and first-hand interactions,” Facebook APAC entertainment partnerships head Saurabh Doshi said.

    In case of any movie marketing campaign, Facebook typically divides it into three phases. While the first phase is about making users aware of the movie’s existence, second is about making relevant people engaged and the final phase is converting those users as actual moviegoers.

    Production houses leverage various Facebook features to create more engagement. Yash Raj Films uses Facebook for premium music through its weekly jukebox property where it streams full-length albums and music videos over a Facebook live. Red Chillies Entertainments experimented with the messenger bot for its movie Jab Harry Met Sejal where it used Shah Rukh Khan as the voice and face of the bot. Fox Star India also markets its films with gamification of the bot with videos, music, dialogues, and quizzes. Even the company created an AR Filter for movie Sanju where fans could get into the look of Sanjay Dutt using the filter.

    Facebook also partnered with PVR Cinemas to create a medium where celebrities could engage with the audience sitting in theatres. Under the partnership, the Facebook live of celebrities were broadcast on cinema screens. To make the engagement lively, Facebook also leveraged technology using physical cameras in cinema screen itself where the screen was tilted half and half so the celebrity also could see the audience sitting in the theatre. It launched the product with Dharma Productions for the film Raazi.

    Facebook’s relevance for marketing is not limited to big shot production houses, celebrities like Priyanka Chopra, Akshay Kumar and film fraternity.  Anupama Chopra’s movie review company Film Companion, MissMalini, Pink Villa, also leverage the Facebook community to engage in active conversations. The musician community of record labels, bands, independent artists also use the platform. Top examples include Maatibani, Sona Mahapatra, T Series who have created buzz and increased discoverability of their content through various initiatives on Facebook.

    It is no wonder given the rapid growth of internet and smartphone users that social media platforms will emerge as key players in digital marketing. Facebook standing with 217 million users every month is definitely going to acquire stronger foothold in near future.

  • Netflix, Amazon may contribute to rising production cost in India

    Netflix, Amazon may contribute to rising production cost in India

    MUMBAI: Netflix and Amazon Prime Video are known for loosening their purse strings when it comes to production cost. The threat of driving up costs is already looming over the Hollywood industry. As the OTT giants have begun to mark their territory in India, there is a concern that production cost may rise here as well.

    Recent reports state that Netflix and Amazon are throwing money to lure top talent from Hollywood. In addition to that, Netflix is also driving up Hollywood salaries by offering big pay rises. Traditional players have been sweating it out in competing with the rising cost. Netflix’s $300 million deal to poach Ryan Murphy from 21st Century Fox was a classic example of this development. Robert Kirkman, the creator of the hit show The Walking Dead, signed a two-year deal with Amazon last August.

    Both companies have renewed their focus on India and, in order to understand the market, it is likely that they will look to poach talent from rival companies. The quest to offer premium content will also lead to higher production cost.

    When Eros Digital COO Ali Hussein was asked if because of Netflix and Amazon’s higher investment the overall cost of Indian ecosystem will go up or not, he said though there’s not a definitive answer to this. But, in general, the cost will definitely go up. Along with that, he also feels that it depends on how smartly the work is being done in the existing ecosystem to have a certain amount of control over the cost.

    “If in any business, the demand is high, the supply chain cost will go up. Across all businesses, when there is a large demand for episodic or original web content, how do you ensure you are able to maintain a certain quality of production with a growing talent pool? It’s not just the cost of the celebrities or directors, it is the technical cost and that of the entire process,” says Hussein.

    ALTBalaji CMO Manav Sethi thinks the cost has already increased due to international players splurging but the output quality has not increased much. In addition to that, the companies have less understanding of the Indian market, which has unorganised, segmented content making.

    According to Bodhi Tree Multimedia founder Mautik Tolia, the increasing number of productions from Netflix and Amazon will not have any short-term impact on overall production costs. This is because the volume of content being produced at the moment by the duo is very limited compared to overall content production in India.  It will only drive the premium talent costs upwards such as A-list actors and directors. But at the same time platforms are providing opportunities for new and fresh talent, making the content creation process more inclusive and might actually bring down the talent costs as a fresh pool of talent will get injected in the system. “It all depends on what path the platforms will take forward whether they emulate the traditional studio systems going for safer bets with established stars and directors or punting in and promoting new talent. This remains to be seen,” Tolia says on the possible future scenario.

    However, one of the main reasons for spending more money on production is to increase premium quality content. “Overall, I believe that content quality in digital both for domestic as well as international players is improving and there will be a premium for quality content,” Arre co-founder Ajay Chacko says.

    Endemol Shine CEO Abhishek Rege also thinks Netflix is only shelling out money to get premium content. “Costs in digital will be higher than that of what we see in television because digital needs better quality of content,” he says.

    Where there’s a fear that Netflix and Amazon may shake up the Indian ecosystem like they are doing in Hollywood, the scenario is less viable in India despite the fact that production cost will definitely go up. Indeed, the streaming giants will aggressively try to acquire top talent from the industry but other OTT players can opt for fresh talent. In the next four to five years, the traditional players, including Bollywood and broadcasters, will face a tough challenge from these international players. However, with new content strategies, the cost can be controlled to a certain level.

  • Weekends Get Entertaining Again With COLORS’ Entertainment ki Raat@9 – Limited Edition

    Weekends Get Entertaining Again With COLORS’ Entertainment ki Raat@9 – Limited Edition

    MUMBAI: When the audience demands, we oblige! After a successful innings with Season 1, Entertainment ki Raat@9 Limited edition is back with its second season that is infused with comedy, tons of drama, juicy gossip and entertaining tête-à-têtes with celebrity guests who will be at their candid best, making for wholesome family entertainment on the weekends. Adding oomph and pizzazz to this season will be television divas – Saumya Tandon & Neha Pendsealong with Abhilashthat join comedians – Mubeen Saudagar, Balraj and child artist Divyansh who will be back to amuse you in their signature style. Produced by Optimystix Entertainment India Pvt Ltd, this entertainment extravaganza premieres on 21st April and will air every Saturday and Sunday at 9pm. 

    Speaking about joining Season 2, Saumya Tandonsaid“Speaking about joining Season 2, Saumya Tandon said “Comedy as a genre is my favourite and very tough too.  As a performer it’s very fulfilling to bring a smile on peoples face. I have hosted various formats but Entertainment Ki Raat @9 allows me to use my anchoring skills to entertain the viewers and the guests on the show. This show is the perfect mix of entertainment and we hope to make viewers across the country have a good time at the end of a long, hard week.”

    Neha Pendsefurther added saying, “The vibe on the sets is amazing and I am delighted to have joined the team for this limited edition. This comedy brigade jams together, improvises on acts and together – we will tickle your funny bone with one hour of unlimited entertainment.”

    Reprising his role in the second edition, Mubeen Saudagarconcluded saying, “After the staggering success of Entertainment ki Raat, we are glad to have had this extension; with the new additions to our team coupled with fun chats, quirky tasks and Bollywood’s most loved celebs – we promise to up the ante of entertainment and continue engaging with our fans.” 

    Kickstarting the show will be Bollywood’s Baba aka Sanjay Dutt followed by B-town mommies Farah Khan and Raveena Tandon in episode 2. At his candid best, Sanjay Dutt spoke about his time in prison as well as the happiness he gets from being with his family while Farah and Raveena reminisced about their antics from college and what motherhood entails. Celebrity couple Bipasha Basu and Karan Singh Grover, the charming Karisma Kapoor and the witty Ganesh Acharya are the next in line on the celebrity list. So, let laughter be your medicine and stay entertained on the weekends by tuning into COLORS every Saturday and Sunday at 9pm!

  • Are celebs killing their brand by endorsing too many products?

    Are celebs killing their brand by endorsing too many products?

    MUMBAI: How often do we come across an ad that features a Bollywood celebrity? Maybe, a lot, and it is mostly driven by people’s affinity for seeing their favourite celebrity on television, outside of movies.

    The brand value added by a celebrity to the product is immediate and palpable. When a celebrity signs an endorsement deal with a company, an element of legitimacy is suddenly attached to the product simply because of the power of the name backing it up. Even though viewers enjoy watching their favourite celebs on screen advertising products, more often than not, the message becomes a little too much about the celebrity rather than the product itself. 

    Today, there are numerous celebrities endorsing multiple brands. Two such popular celebrities are Amitabh Bachchan and Shah Rukh Khan, who endorse multiple brands across a range of categories from fashion, food and beverage, consumer products and others. 

    public://AMITABH-BACCHAN-COLLAGE.jpg

    Does a celebrity’s association with several brands reduce his brand equity? It is quite likely that their endorsements may not resonate as well when the same face woos them with the goodness of everything–from biscuits to oil to a direct-to-home connection to chocolates. The case is similar is for female celebrities. Deepika Padukone promotes Coca-Cola, L’Oreal, Venus and Axis Bank while Katrina Kaif backs Mango Slice, Veet, Pantene and Lux.

    But the question here is whether these celebrities actually consume or use the products that they endorse. Highly unlikely is the quick answer.

    Although the Advertising Standards Council (ASCI) has laid down guidelines for celebrity endorsements, not much seems to be followed in the industry. The ASCI’s guideline for celebrity endorsement states:

    a) Testimonials, endorsements or representations of opinions or preference of Celebrities must reflect genuine, reasonably current opinion of the individual(s) making such representations, and must be based upon adequate information about or experience with the product or service being advertised.

    b) Celebrity should do due diligence to ensure that all description, claims and comparisons made in the advertisements they appear in or endorse are capable of being objectively ascertained and capable of substantiation and should not mislead or appear deceptive.

    Celebrities that do not abide by these guidelines have to pay a fine of Rs. 20 lakh or more according to the current limit for appearing in a single advertisement or a campaign or per year, whichever is more. 

    public://SHAHRUKH-KHAN-COLLAGE.jpg

    But the celebrity ad world isn’t entirely about the money after all and not every celebrity wants the limelight all the time. Some are picky about the brands they associate themselves with. Cricketer Virat Kohli and Bollywood actor Aamir Khan are paragons for this endorsement phylosophy. 

    According to a recent report by corporate advisers Duff & Phelps, Kohli is India’s most valuable brand surpassing even Shah Rukh Khan who held the title since 2014. While the early glamour may have pushed Kohli to advocate Pepsi and Fair & Lovely Men, he eventually decided to move away from these brands. He was signed up as the brand ambassador for Pepsi in 2011 but refused to renew the contract, which ended in April 2017, saying at the time that he would not ask people to consume something that he himself does not. Kohli said, “The things that I’ve endorsed in the past—I won’t take names—but I feel that I don’t connect to [the brands] anymore. If I myself won’t consume such things, I won’t urge others to consume it just because I’m getting money out of it.”

    Many saw his move as a sign of a man who believes in himself and someone who has invested his mind, heart and body in his role as a leader in society. “I want to give something to people that I use myself. One of the reasons I decided not to sign Pepsi is that I have undergone a lifestyle change. It might have been big money for me and a very lucrative deal but I opted out as we need to have some thought behind the products we promote and we must understand that people trust us,” he added. He no longer endorses fairness creams or products of that genre since equating success with skin fairness goes against his values.

    It is no coincidence that the number of celebrity endorsements has gone up in recent years. A 2015 study by Nielsen found that famous faces work best on millennials and gen Z– the two generations most likely to spend the most compared to their predecessors and with aims of having a topnotch lifestyle.

    In 2014, Bachchan had also cut off ties with Pepsi after 16 long years of commitment, when a young girl asked him why he promoted a product her teacher branded as ‘poison’. Bachchan, having realised the impact on the minds of people, even urged his son Abhishek and daughter-in-law Aishwarya Rai Bachchan to be careful about their ties.

    Studies have shown that consumers have better brand recall of products backed by celebrities. Celebrity backing adds awareness, trust and familiarity–important objectives for marketers to achieve. People believe that by using products their favourite celebrities endorse, they will be able to emulate their lifestyle.

    Similarly, Aamir Khan has been known to be picky about which products he wants to endorse. Although the actor was associated with Coca-Cola, Godrej, Titan Watches, Tata Sky, Toyota Innova, Samsung, Monaco Biscuits in the past, he decided to move away from products that he does not believe in and does not consume himself. 

    The actor witnesses backlash after his intolerance comment in 2016 and the uproar impacted his endorsed brand Snapdeal that bore the brunt with more than 7 lakh customers uninstalling the app. Soon after the incident, Khan was removed as the India brand ambassador for Incredible India and was replaced by Bollywood actress Priyanka Chopra. The actor did not have any endorsements for nearly two years as brands did not want to associate themselves with negative publicity. 

    The actor was recently announced as the India and Pakistan brand ambassador for Chinese handset maker Vivo, which many see as his big come back. Brands of Desire CEO Saurabh Uboweja believes that Khan, as a brand, doesn’t need comebacks to make his point. “He is a brand in every way and on the contrary, it is a big opportunity for Vivo to establish itself as a mainstream brand,” he says.

    While the over exposure does harm the brand equity of celebrities in the long term, being selective with endorsements is beneficial to the star as well as the brands.

    Also Read :

    Pepe Jeans launches India centric ad with Siddharth Malhotra

    The ins and outs of femvertising

    The influence of influencer marketing

    Kohli brand driving on the up

    Gender stereotyping remains the template for weight-loss ads