Tag: Bollywood

  • Time to democratise brands: Kevin Hill

    MUMBAI: In a world where fluidity is the order of the day and there is no dearth of choice, brands are faced with the uphill task of staying relevant in their consumer’s lives. With the marketing landscape being so dynamic, one begs to ask whether the very fabric of branding needs to revamp.

    Kevin Hill Design creative director Kevin Hill explores this topic in a session, ‘Does branding need re-branding’, at the Promaxbda 2012 held in Mumbai.

    According to Hill, brands should have a contemporary outlook and disciple. In order to establish new guidelines, it is important to understand how the relationship between a brand and its consumers have changed over time. We need to move away a one-way communication where brands spoke and the audiences merely heard. “Take the example of the recent global debate sparked by Bollywood actor Aishwariya Rai Bachhan’s post partum weight gain. The conversations, supporting and criticising her, have been largely audience led. So you see, audiences are no longer a passive partner in the communication process,” explains Hill.

    Since the audiences have become interactive, it is now easier to segregate them into demographic, geographic or psychographic clusters. This also helps targeting communication at the audience since the idea of ‘one size fits all’ no longer bears relevance for brand marketers today. Old methodologies and guidelines need to be replaced by new and more contemporary points of view.

    Analyzing your brand along with your audiences is equally important. Every brand has a global DNA, but may have some localised tweaks to better suit the target audience. Also, analyse how the communication from the brand’s end has been. In most cases, the brands are used to talking at the audience rather than talking with them. In this regard, it is important to analyse the tone, pitch, philosophy and language of the communication and adjust it according to the current trend. In other words, democratise the brand.

    Brands are not the sole owners of their products now. The consumers are equally passionate about a brand they affiliate to and do not mind speaking out in appreciation or criticism. An effective communication strategy in today’s environment is to let the audience know that they are the owners and brands are the custodians. It is necessary to accept that today, more than ever, brands exist in the context of their consumers.

    The consumer is spoilt for choice and has brands vying for his attention in a chaotic market space. “In this tyranny of choice, it is difficult for the consumer to differentiate one brand from another and there is a risk of saturation. Also, it has been observed that due to the abundance of products and brands, brands tend to make a hollow effort to differentiate from their peers rather than being actually different. At times, in their will to be different, brands end up doing something meaningless. The focus is on creating new rather than something true,” observes Hill.

    In this case, not only does the audience feel confused and even cheated but the competition also picks up on the flaws and has an opportunity to attack the brand’s strategy. In any day and age, substance and quality will always speak for itself. Authenticity in communication is of paramount importance as audiences are not afraid of challenging mediocrity.

    While listening to the audience is important, the trick lies in making critical decisions. Not everything the audience says will be beneficial for the brand. Analyse feedback, test it and then implement. Also, getting to the heart of the brand and communicating from there on makes for an honest communication which is largely appreciated by the consumers.

    There needs to be a shift in the approach towards branding. The strategy should shift from exposure to engagement. Similarly, the intent of the communication should change from interruption to permission and from broadcasting to customisation.

    “There are some rules that the new age branding professionals and brands should keep in mind. Be authentic, be honest, be open, be charismatic, be meaningful and be true,” sums up Hill.

  • Maker of science programmes turns to Bollywood

    Maker of science programmes turns to Bollywood

    MUMBAI: Maker of the popular science programme ‘Turning Point‘, Sanjay Tripathy, has debuted into filmmaking with his upcoming film ‘Club 60‘ that delves into the lives of a bunch of people aged 60.

    Commenting on his drive to make it to Bollywood, Tripathy said, “I started my career as a journalist. I also produced and directed many science based shows for BBC, National Geographic and Discovery. But making films was always the final destination.”

    Club 60 is about four-five oldies. They are not depressed or bored. They are not even counting their final days. They are a group of happy-go-lucky people who are members of Club 60.

    Being a graduate in Physics and having created a number of science based shows, one expected a science fiction from Tripathy. But the director maintains that the film is very close to his heart as it is based on his own experience.

    “It is based on my personal experience. I used to frequent a club in south Bombay. There I interacted with a bunch of fun loving, passionate oldies. I found out that they were plagued with a lot of troubles in their life but that did not deter their spirit and zeal to live life happily,” he said.

    The film boasts of veteran actors like Farooque Sheikh, Sarika, Satish Shah, Tinu Anand, Raghubir Yadav and Sharat Saxena.

    The film, now under production, is expected to be wrapped up in September and to release by the end of this year.

  • Warne joins Vidya Balan to launch Indian Film Festival, Melbourne

    Warne joins Vidya Balan to launch Indian Film Festival, Melbourne

    MUMBAI: Cricketer Shane Warne joined Vidya Balan at yesterday‘s launch of the Indian Film Festival of Melbourne (IFFM), a state government-funded event.

    The event is said to be more about spinning Victoria‘s business relations with the subcontinent to showcase the world‘s largest movie industry, Bollywood.

    ‘‘The world is interested in India because of its burgeoning middle class and its capacity to buy,‘‘ Tourism Minister Louise Asher has reportedly said. ‘‘We want to ensure [Victoria is] at the forefront of positioning our businesses to do well in India. It‘s in that context, given that Bollywood is so big, that we‘re not only looking to develop business ties but cultural ties with India.‘‘

    Asher said that it was hoped that the upcoming festival might attract tourism from India and conceded that the government hoped it might play a part in repairing the damage to Victoria‘s education industry. ‘‘Education is Victoria‘s number one export and Indian students are a substantial part of that,‘‘ she said.

    Victorian premier Ted Baillieu has been a staunch advocate of the festival. Incidentally, Balan is the event‘s ambassador.

  • ‘GEC programmers need to understand IPL viewing behaviour’ : Ormax Media co-founder and CEO Shailesh Kapoor

    ‘GEC programmers need to understand IPL viewing behaviour’ : Ormax Media co-founder and CEO Shailesh Kapoor

    Ormax Media, the consumer knowledge and consulting firm for the media and entertainment industry, has entered into its fourth year of operations with plans to expand its product offerings and business. 

    Launched jointly by research specialist Vispy Doctor and former Filmy business head Shailesh Kapoor in July 2008, the company boasts of growth across sectors, including television, radio and media agencies.
     

    In an interview with Indiatelevision.com‘s Gaurav Laghate, Kapoor talks about the trends in entertainment television across genres – GEC, Sports, English entertainment and infotainment.

    Excerpts:

    What are the significant changes you are witnessing in the Hindi GEC space, both in terms of programming and marketing?
    There has been a definite movement towards light-hearted treatment of content. Stories may still be based around families and social change, but the treatment is less heavy and emotional than what it was before. Meanwhile, reality shows are going through a tricky phase, with no new ideas coming up, except Satyamev Jayate. We seem to have saturated the formats available to us.

    How do you see GECs getting affected from IPL this year?
    There is definitely diversion of viewer attention, but like Bollywood, GECs too have realised that at some point, they will have to take the IPL on. The key is to identify which programmes to focus on during IPL and which to duck. Understanding of IPL viewing behaviour becomes critical for that.

    What do you think of all the sports entertainment properties that are coming up…like Super Fight League? Will they gain traction?
    Mixed Martial Arts, being presented through UFC and SFL, is a very popular International sport. It should surely find its audience.

    What are the trends in sports viewership? Are non-cricket sporting events growing?
    Yes, the growth is there, but slow. Marketing is the key. I‘m glad that a new channel (Sony Six) has launched, as any channel launch always gives impetus to sports in general.

    ‘Language feed is the way forward as C&S penetration will continue to increase in smaller towns. Subtitling has helped English language channels a lot, and so have language feeds for English infotainment‘

    Your view on declining viewership of IPL?
    All trends and data we have suggest IPL viewership is actually 20 per cent higher than last year. I will not like to comment on the ratings.

    Is too much cricket causing viewers’ fatigue?
    A lot of it depends on India‘s performance. Having said that, we have a fairly lean period over the next few months, so cricket should be back in its full glory later this year.

    What are the trends in English infotainment and niche programming? Do you see language feeds getting more eyeballs?
    Language feed is the way forward as C&S penetration will continue to increase in smaller towns. Subtitling has helped English language channels a lot, and so have language feeds for English infotainment.

    And what about programming trends in the English general entertainment space?
    The genre needs some Indian programming desperately. The issue is – are the costs affordable. But a good Indian show, especially comedy or non-fiction, can definitely prove to be a game changer.

    What do you think about English music channels – now three… Will they manage to get viewers share without appointment viewing?
    The genre is very niche and its business model is based largely on imagery, perception, innovations and client servicing. So viewership doesn‘t matter that much.

    How has been the year for Ormax Media in terms of revenue and business growth?
    2011-12 has been an excellent year. We showed 62 per cent growth in our revenue, and added 24 new clients. Our proprietary product line now stands at 19 in number. Film research has been a big growth area for us last year, and should continue to grow this year too. But overall, growth has been across sectors, including television, radio and media agencies.

    What all new clients and new tools and products the company has launched or is launching in the near future?
    We recently launched the third edition of our IPL ad tracking study, Day After Cricket. Our music countdown product ‘Heartbeats‘ is now available in a Kolkata edition also, where we track Hindi and Bangla music in the Kolkata market. Our flagship products Cinematix and Showbuzz recently went through major market expansions. Cinematix expanded from 6 cities to 16 cities, while Showbuzz expanded from 6 to 14 cities. In the coming months, we have a huge product launch lined up. Without revealing much, we can say that it will be a product every advertiser and media agency will find extremely useful and relevant.

  • Four filmmakers making 80-minute docu on Bollywood

    Four filmmakers making 80-minute docu on Bollywood

    MUMBAI: Karan Johar, Zoya Akhtar, Anurag Kashyap and Dibakar Banerjee have got together to make an 80-minute documentary on Bollywood to mark 100 years of Indian cinema.

    The makers will make their own films separately under the banner of Flying Turtle Films that will then be clubbed together, it is understood.

    Confirming her involvement, Akhtar said that she was involved in the project, “Yes, I am making a film on 100 years of Indian cinema. It‘s not a documentary film but a fiction. Since it‘s not from my production house, I cannot talk more about it.”

    Akhtar’s film will narrate the story of a young boy and his obsession with the song Sheila Ki Jawaani.

    Kashyap‘s already launched film is still untitled. Priyanka Chopra has confirmed she would be playing a key role in the film. Karan Johar and Dibakar Banerjee are yet to start work on their respective films.

    2012 marks the 100th year of Indian cinema. The first Indian feature film, Raja Harishchandra, was made by Dadasaheb Phalke and released a 100 years ago on April 1913.

  • Fortissimo Films acquires international rights of Miss Lovely

    Fortissimo Films acquires international rights of Miss Lovely

    MUMBAI: Days before the Cannes Film Festival, Amsredam-based Fortissimo Films has acquired the international rights of director Ashim Ahluwalia‘s Miss Lovely.

    The film will have its premiere in the Un Certain Regard section at 65th Cannes Film Festival. Taking advantage of the situation, Fortissimo will also market the film at the festival.

    Set in the lower depths of Bombay‘s “C” grade film industry, Miss Lovely follows the devastating story of two brothers who produce sex horror films in the mid-1980s.

    Commented Fortissimo in its official website, “The film gets under the skin of the Bollywood underground, an audacious cinema with wild cinemascope compositions, lurid art direction, rollicking background soundtracks and gut-wrenching melodrama.”

    The production, sales and distribution company has been behind films like Wong Kar Wai‘s In the Mood for Love. It had earlier acquired international rights of Indian director Anand Gandhi‘s Ship of Theseus which is currently under production.

  • Golden Kela awards to be preceded by comedy festival

    Golden Kela awards to be preceded by comedy festival

    NEW DELHI: The fourth annual Golden Kela Awards to be held to honour the worst in Bollywood will be preceded this year by a two-day festival of comedy and fun.

    Iconic comedy films like ‘Jaane bhi do yaaro‘, ‘Andaz Apna Apna‘ and ‘Tere Bin Laden‘ will be screened on 31 March and 1 April and the event will include a Standup Comedy show by Papa CJ and Sanjay Rajoura.

    There will be a play on Ghalib by Pierrot’s Troupe which has been running to full houses for several years.

    There will also be a ‘Haasya Kavi Sammelan’ (a comic poetry festival) featuring the renowned Surendra Sharma..

    There will also be a competition on Standup Comedy as part of the Indian Comedy Festival. On 1 April, the three finalists will meet and compete for the top prize of Rs 1,00,000 along with the chance to be featured on Comedy Central, according to Jatin Varma, Organiser, Indian Comedy Festival and head of Twenty Onwards Media.

    There will also be a competition of India’s funniest videos, and these could win a Grand Cash Prize of Rs 1999.

    Last year the ceremony was hosted by Cyrus Broacha, and this year the ceremony will also feature the winner of the Short Video Contest, and will feature a very special guest – B-Movie Filmmaker Extraordinaire Kanti Shah!

    Kanti Shah is a director and producer of B grade Hindi movies. Best known for the cult film ‘Gunda’ in 1998 (Starring Mithun Da!) and such classics as Loha, Duplicate Sholay, Shaadi Basanti ki Honeymoon Gabbar ka, and Sheela Ki Jawani. Kanti Shah is perhaps the only Director worthy of the title ‘So Bad It’s Good’.

    The Golden Kela Awards ceremony will take place on 1 April at Ficci Auditorium. The Golden Kela Awards, the Indian version of Razzies – “Golden Raspberry Awards” which are very popular awards in the West for awarding the worst in the film making industry – will be awarding the worst of Bollywood in the year 2011. Voting is already on at www.goldenkela.com and closes on 31st March’ 2012.

    The Comedy Fest will also have several stalls by some of the most fun merchandisers, t-shirt companies, publishers, toy makers etc. Also, there will be Open Mic – Musical acts, amateur standup comedy, juggling and puppets.

  • Bollywood by Gulzar finds special place in Delhi’s literary festival

    Bollywood by Gulzar finds special place in Delhi’s literary festival

    NEW DELHI: Delhi’s own literary festival Spring Fever 2012 this year attracted special participation from Bollywood.

    The third annual literature festival of Penguin Books concluded on a high note in the evening with the legendary veteran poet and lyricist Gulzar reading out his best poems from his recently launched book ‘Neglected Poems‘.

    “Epics may seem distant from our modern-day lives, but that is not right. After Pawan wrote this episode from the Mahabharat in relevance with people`s lives today, I realised it should reach out to more people,” he said.

    “Translations are very important these days, since an average person can only know two to three languages. We have so many languages in India and poems are being written in as many of them. Also, a translator should be well-versed in both languages, the original and the one in which he is translating,” he added.

    Penguin Spring Fever 2012 also saw the participation of authors like Anupam Kher and Raghav Bhal.

    The topics covered during the ten day festival varied from ‘Sex and romance outside the bedroom‘ to the ‘New Indian Consumer‘.

    A unique Bollywood quiz was held with a special round on superstar Rajnikanth, apart from performances by bands like Faridkot, Vedas and Qawwali.

  • Rana Daggubati goes international with ‘A Momentary Lapse Of Reason’

    Rana Daggubati goes international with ‘A Momentary Lapse Of Reason’

    MUMBAI: South hero Rana Daggubati will shortly make his debut in international cinema with Aditya Bhattacharya’s A Momentary Lapse Of Reason, being produced by Asif Noor, Aditya Bhattacharya and SunitaTati under the banner of Hyderabad-based Guru Films.

    Raakh is the story of a young man, who, after witnessing the public humiliation and abuse of a female friend, vows to avenge her by going after the hoodlums.

    Said Bhattacharya, “Rana perfectly fits the role as the scion of a wealthy Hyderabad Industrialist with real-estate ambitions in Los Angeles, who gets brutally sucked into that city‘s underbelly, setting off a chain of events that sucks him into a vortex of violence till he finds an unlikely ally and mentor in an over-the-hill LA Cop and the game changes.”

    Though the cast of the film hasn‘t been disclosed yet, it will have an ensemble of Hollywood A-listers.

    Daggubati, who shot to fame in Bollywood with Dum Maaro Dum, will soon be seen in Ram Gopal Varma‘s Department.

  • Symphony coolers tell a new story in summer campaign

    Symphony coolers tell a new story in summer campaign

    MUMBAI: Breaking away from the normal feature-led campaigns that symbolise the category, air cooler brand Symphony has launched its summer campaign for its product ‘Storm‘ has used a feature film footage in the commercial.

    The task of Mudra Ahmedabad was to create a campaign that would make the storytelling fresh and brave. launch a and produced by Hello Robot. What came out was a story that is part real, part gimmick, part Bollywood masala and part social message. Heat makes people crazy, they go out and do things that are bizarre as they are irritated by the rise in temperature. The answer: Symphony Storm that will keep these people indoors and in check.

    Says Mudra Ahmedabad group creative director Ravinder Siwach, “We decided to do something that will make people say ‘what was that‘!? Think, this is the first time anybody has used a feature film footage in a commercial.”

    The brief given to the agency was to to launch the new model in a ‘never before manner‘. Says Symphony GM marketing Rajesh Mishra, “We wanted a very unique launch communication for it in our unique Symphony language. We experimented a bit with the execution and at times even had second thoughts about taking the risk. But today I am happy to share that we have been able take it at a level above. The rest is for the audience to judge.”

    The sales for Symphony this summer, already rising to record temperature levels in many parts of the country so early in the year, will confirm whether the experiment to do a break away campaign was worth taking a risk or not.