Tag: Bob Dylan

  • MTV launching Classic channel focussing on 90’s nostalgic classics

    MTV launching Classic channel focussing on 90’s nostalgic classics

    MUMBAI: MTV is all geared up to bring its hit TV shows like Laguna Beach, Daria, Jackass, Cribs, Beavis & Butt-head, etc as part of its rebranding of VH1 Classic. The channel, renamed MTV Classic, will air favorite ‘90s and early 2000s shows starting from 1 August.

    MTV plans to offer up something special for the first hour of the revamped channel. The initial debut will replicate exactly the first hour of programming in MTV’s history. Fans will also be able to watch it via Facebook Live.

    Following the special one hour premier, MTV Classic will air a total request live retrospective called The TRL Decade.

    “From Beavis & Butt-head to Laguna Beach, MTV’s programming vault is a music and pop culture goldmine with universal resonance,” said MTV president Sean Atkins in a statement as reported by a website.

    The fun begins with a marathon containing the most memorable MTV: Unplugged episodes that feature legendary performances by Kurt Cobain, Bob Dylan, Alice In Chains, Erykah Badu, Oasis, Neil Young, etc.

    The cult-classic animated shows Beavis & Butt-head and Aeon Flux will lead the charge that first night but during the week MTV plans to feature from the vault programming blocks that include Run’s House, Pimp My Ride, Cribs, Jackass, Punk’d, Wonder Showzen, Clone High, etc. These will mostly be airing Monday through Thursday from 10 pm to 1:00 am.

    On Fridays, MTV Classic will feature a classic music series such as MTV Unplugged, Storytellers, and other live music performances.

  • MTV launching Classic channel focussing on 90’s nostalgic classics

    MTV launching Classic channel focussing on 90’s nostalgic classics

    MUMBAI: MTV is all geared up to bring its hit TV shows like Laguna Beach, Daria, Jackass, Cribs, Beavis & Butt-head, etc as part of its rebranding of VH1 Classic. The channel, renamed MTV Classic, will air favorite ‘90s and early 2000s shows starting from 1 August.

    MTV plans to offer up something special for the first hour of the revamped channel. The initial debut will replicate exactly the first hour of programming in MTV’s history. Fans will also be able to watch it via Facebook Live.

    Following the special one hour premier, MTV Classic will air a total request live retrospective called The TRL Decade.

    “From Beavis & Butt-head to Laguna Beach, MTV’s programming vault is a music and pop culture goldmine with universal resonance,” said MTV president Sean Atkins in a statement as reported by a website.

    The fun begins with a marathon containing the most memorable MTV: Unplugged episodes that feature legendary performances by Kurt Cobain, Bob Dylan, Alice In Chains, Erykah Badu, Oasis, Neil Young, etc.

    The cult-classic animated shows Beavis & Butt-head and Aeon Flux will lead the charge that first night but during the week MTV plans to feature from the vault programming blocks that include Run’s House, Pimp My Ride, Cribs, Jackass, Punk’d, Wonder Showzen, Clone High, etc. These will mostly be airing Monday through Thursday from 10 pm to 1:00 am.

    On Fridays, MTV Classic will feature a classic music series such as MTV Unplugged, Storytellers, and other live music performances.

  • One week in DD Freedish takes Big Magic Ganga to number two from five

    One week in DD Freedish takes Big Magic Ganga to number two from five

    MUMBAI: Television audience ratings measurement body Broadcast Audience Research Council (BARC) India after the roll-out of its rural data has changed the entire dynamics of television viewership. BARC India’s rural roll-out resonated Bob Dylan’s famous lines in every ear as an alarm. Don’t speak too soon, for the wheel’s still in spin. And there’s no tellin’ who That it’s namin’. For the loser now Will be later to win, For the times they are a-changin. The rural data certainly gave all the followers wings of fire which got them right over the leaders who probably never thought of trailing.

     

    But once that has happened, it was time for the erstwhile leaders to act and act fast before too much damage was done. Big Magic Ganga, the Bhojpuri channel from Anil Dhirubhai Ambani’s broadcast conglomerate Reliance Broadcast Network Limited (RBNL) had been leading the urban tally with over 45 per cent of the viewership share since BARC’s inception. Week 41 ratings of BARC India which had the rural data included in it saw the channel sliding down to the fifth position with a humongous difference when compared to the leaders.

     

    The top brass then got together to work out a strategy and the permutations and combinations lead them to the best friend of rural India – DD Freedish. DD Freedish is Doordarshan’s direct-to-home innovation which enables one to watch content for free. There is only a one time charge that one needs to bear and after that it’s free for life.

     

    “In the urban market we were undisputed number one. But after BARC started to roll out its rural data we lost our position. 85 per cent of the total viewers in Bihar and Jharkhand are DD Freedish subscribers, hence we decided to have a presence on the platform” says RBNL COO Ashwin Padmanabhan  

     

    The decision did not take much time turn the tables, as with a rating of 38455 (000s Sum) the channel leapfrogged to second position, below Bhojpuri Cinema which garnered 41361 (000s Sum) in week 45. “We are happy to see the surge and it has been just a week. The others on the list were there on DD Freedish since a very long time” explains Padmanabhan.

     

    Big Magic Ganga has 5 to 6 hours of original content curated keeping the local sentiments in mind. The programming is also a strong weapon for the channel says Padmanabhan. Elucidating further he says, “From the beginning we have believed that content is what drives the channel to success. We invested on setting up a local team which works extensively to create relevant content. Recently we did a special programme on Chatt and it emerged as one of the top 5 shows in the genre. We will continue to explore and create original content which the viewers will cherish.”

     

    Phase III of digitisation has a deadline of 31 December. Padmanabhan feels that the mandatory shifting to DAS might see a huge number of consumers shifting to DD Freedish. “Buying a set-top box itself is an expensive proposition and after that the cost per house will also go up. Why will people pay more while they can watch content for free on DD Freedish. Having said so, digitization will help us grow the subscription revenue so it’s good for broadcasters” says Padmanabhan.

     

    There is no subscription revenue that comes out of DD Freedish, since it is a free platform. In markets like Bihar and Jharkhand a channel like Big Magic Ganga does not rely on subscription revenue at this stage informs Padmanabhan. The COO says, “Advertisement is directly proportional to viewership and quality of content. Our advertisers are happy to associate with us as they know the content we create is relevant to viewers and hence it provides them the platform to garner eyeballs.”

     

    FMCG leads the tally while is comes to category of advertisers closely followed by automobile companies. Two wheelers and affordable cars are seen frequently during breaks. Local advertisers which want to target that particular audience are also seen frequently between breaks.

     

     

    A media planner on condition of anonymity says, “The ad rates for a 10 second slot in a channel like Big Magic Ganga used to be close to Rs 1000. But after the rural roll-out now it would be somewhere between Rs 2000-3000. Post January we might see a further inclination to the ad rates depending on how the broadcasters plan out their strategy.”

     

    Creating content is not enough to reach out to a huge number. Every initiative needs to be backed by aggressive marketing says Padmanabhan. He further adds, “We believe in marketing each and every product independently. If a particular product needs an aggressive on-ground push, we opt for on-ground marketing initiatives. Depending on the product, we curate our marketing strategy. Radio, print, outdoor, cross network promotions are the mediums that we normally use.”

     

    The COO wants to see the channel an undisputed leader not only in terms of viewership but also content and revenue. “170 – 180 GRP is what I am eying at in terms of viewership while a 200 to 300 per cent surge in the ad rates is my target in terms of ad-revenue growth. I am confident that by January once the new rating phenomenon settles down we will meet the target” Padmanabhan concludes.

  • Subtle yet creative, Google unveils new logo

    Subtle yet creative, Google unveils new logo

    MUMBAI: The times they are a-changin’! Google acknowledges these evergreen lines from Bob Dylan’s song as it changes its logo and branding yet again. The last change had come about in September 2013.

    As the world bid adieu to the good old days when Google was only accessed from desktops, the company is re-inventing itself yet again. Since Google’s launch 17 years back, a lot has changed. Thanks to the aggressive penetrations of internet and smartphones, Google now is as mobile as human beings are. On 1 September 2015, the world’s largest used search engine changed its logo and identity once again, which reflects this reality and shows people when the Google magic is working for them, even on the tiniest screens.

    Google has said goodbye to the small blue ‘g’ and replaced it with a capital ‘G,’ which has all four colors – blue, red, green and yellow – in it.

    So why did they do so? In an announcement, the company said, “As you’ll see, we’ve taken the Google logo and branding, which were originally built for a single desktop browser page, and updated them for a world of seamless computing across an endless number of devices and different kinds of inputs (such as tap, type and talk).”

    Google is known for its subtle changes and the voyage started from 1998 when Larry Page and Sergy Brin used the logo for their Stanford University graduate project.

    August 1998: The team heads to Burning Man and creates the first Doodle as an out of office message.

    September 1998: Google moves to Google.com and shares its beta release with the world.

    May 1999: Still playful, the logo gets a more sophisticated look based on the Catull typeface.

    May 2010: The logo brightens up and sports a reduced drop shadow.

    September 2013: The logo goes flat with some typographical tweaks.

    September 2015: The logo becomes part of a new family that includes the Google dots and ‘G’ icon.

    The new logo doesn’t simply tell consumers that they’re using Google, but also shows them how Google is working for them. For example, new elements like a colourful Google mic helps identify and interact with Google whether a person is talking, tapping or typing.

    Complimenting the subtle yet creative development, RK Swamy Hansa Group chairman S K Swamy said, “Google has been refreshing its logo quite often but the current change is a larger and continuing step. I quite like the modern looking upper case – lower case version.”

    “Google has succeeded in striking a fine balance of form with function in its new logo. It’s a homegrown typerface and vector based, which makes it scalable across devices in so far as legibility is concerned and sports a contemporary look at the same time. Although it will take some time to get used to the new look, it’s nice that Google has retained slight tilt of ‘e’, ” said Leo Burnett’s digital creative agency’s Indigo Consulting national creative director Navin Kansal.

  • “Special ads will soon start storming in for mobile phones:” Rajdeepak Das

    “Special ads will soon start storming in for mobile phones:” Rajdeepak Das

    At a young age he decided to convert his passion into profession. At 21 he made his first ad and by the time he was 23, he joined Contract Advertising. At 25 he was off to BBDO Bangkok where he waited outside the office for 17 days as the security did not allow him to go inside due to a language problem.

     

    At 28 he started BBDO Mumbai with five creative officers and five interns and took the company to new heights. He has many accolades against his name and one of them is being the youngest executive creative director. He is Leo Burnett India chief creative officer Rajdeepak Das.

     

    A Bob Dylan and Steve Jobs fan, a firm believer in Hope, Faith, Love and Charity, Das speaks to Indiantelevision.com’s Anirban Roy Choudhury about the changing advertising industry and the role that mobile is going to play in near future.

     

    Excerpts:

     

    Do you think the ad fraternity will have to start adapting to the growth of smartphones in India?

     

    Special ads will soon start storming in for the mobile phone where the format is not landscape anymore. It will be more candid, more catchy, sometimes longer and interactive. Mobile opens a number of avenues like geo-targetting. For example, there is no point in showing a Bandra person, an ad about Delhi. Moreover, mobile also enables us to know the behavior and attitude of users. The adaptation has already started and the ad fraternity is creating special creatives and strategies for smart phones.

     

    Do you think the device mobile phone is used a little too often in ads now?

     

    We have 300 million TV and 500 million mobile phones and therein lay the answers. In next 10 years, the country will have 1.2 billion mobile phones, which will be three or four times more than a TV. People are on Facebook, Whatsaap, Twitter and the amount of time they spend on the mobile is way more than TV. The time spent on mobile phones is only likely to increase more with time.

     

    Let’s take prime time for example. What has happened to prime time? It used to be from 7 pm – 10 pm but that has changed. Now the prime time is the time you are in the toilet or traveling. The phone has enabled us to decide our prime time where we can consume content at our own convenience. The mobile phone is a major target of brands and hence in every second ad there is a phone on the screen.

     

    Do you think different treatment should be given to campaigns curated for a high magnitude and prolonged event like IPL to avoid repetitiveness?

     

    Vodafone came up with 52 days 52 ads with their Zoo Zoo campaign during IPL. So variety is possible. We launched around five ads during this IPL. Sometimes repetition is necessary to make something noticeable hence you can’t totally get away with it.

     

    What role is social media playing in advertising? Are shares and likes becoming one of the prime demands of clients?

     

    I think this is one of the best times to be in the creative field. While we are solving clients’ problems, it’s not about shares and likes. It’s more about creating something that addresses the problem.

     

    Gone are the days when advertising was just creating an ad. Now it is about understanding issues like clients problem, business problem etc. At times you might not even need an ad. A simple change in packaging, understanding the ground territory or understanding what people want can do the trick

     

    At Burnett, we follow the philosophy of Human Kind, so we try to understand the problem from people’s point of view. Social media has emerged as a weapon for us. The interaction has become faster, we get to know the reaction immediately and if we see that we need to correct it somewhere, we go ahead and do it.

     

    Crash the IPL was a great example of crowd sourcing. Do you think following its success, it can become a trend and disrupt the ad agency?

     

    If I want something to be written, I can go to the crowd. There are many amateur writers. All of them will send something but will it carry a solution for the brand? Maybe… maybe not.

     

    It is not necessary that quality content can become a quality solution. So with crowd sourcing, the chances of hit are less and miss are more while an agency will surely provide you with a solution.

     

    Interaction with crowd will always be there. There will be more interactive creative campaigns, which will make people talk about it. But for the time being, I don’t see crowd sourcing becoming a trend and hurting ad agencies.

     

    Due to YouTube and other technical innovations, foreign ads have become easily accessible and with that emerged a competitive debate. Where do you see us compared to them?

     

    What works in India will work anywhere in the world. We cry, we smile, we fall in love, we have desires and greed and that’s the same everywhere. I love Japanese ads and ads of Thailand. So if it is good work, it will garner global recognition.

     

    The difference is in quality of production. Their crafting is better than us and they exhibit some quality work. Having said that, we are not far behind. Our directors are getting better as is our story telling. At the creative thinking level, we are at par if not better than them.

     

    Do you think out of the box ideas, which once created can be recreated? And if it is recreated, will it work?

     

    It depends on the story telling and how well the execution is. Dil Chahta Hai,Zindagi Na Milegi Dobara and Rock On had the same story. Did it work? Of course it did. It worked and it became bigger and better. So out of the box concepts will always stand out and there will be many more recreations. It will be a mix of new and old, depending on the need of the brand. Everything will work if it is done eloquently.

     

    What should young minds who aspire to become an ad man do? Is classroom education enough?

     

    Classroom education is not enough. They should start working as soon as possible. Work for small clients, less money but work. They should start practicing the art as early as possible. The greatest of minds in this world are college dropouts. I am not insisting anyone to dropout from college but them becoming big have a reason.

     

    They learn by themselves. For them, learning 5+5 = 10 is not as easy as it is for someone in college and schools. In the process of learning 5+5 = 10, they learnt 10 different things, which made them what they are. I want all of them who aspire to become an ad man to start working as early as possible and that will take them a long way.

     

    What do you like about the advertising industry and is there anything that the industry should change?

     

    The beauty of our industry is that whether it is an intern or a chief creative officer, we all start by looking at an empty white page. Whoever cracks the idea and comes with a better concept is victorious. So there’s a subtle unanimity in all hierarchal positions. In other words, there is no boss or everyone is the boss.

     

    The thing that the advertising industry needs to change is to stop making an ad, if it is not necessary. An ad is not the solution of each and every problem. We should understand the problem and address it. After duly understanding the problem, if there is a need of an ad, only then should we go for it. Ads shouldn’t be a subject of hatred for consumers. We can’t keep interrupting someone with a pop-up ad. By doing that, we will only manage to get skipped and nothing beyond that.

     

    What’s the way forward for Rajdeepak Das?

     

    I love what I do and there is one thing that I will do till my last breath and that is ads. I want to keep making quality ads provide creative solutions to brands, which helps them rejuvenate their statistics. I believe in the four magical words that I saw written on Steve Jobs’ grave: Hope, Faith, Love and Charity and that says it all.

  • Nicks digital roadmap

    Nicks digital roadmap

    The times they are a-changin – Bob Dylan’s popular song – couldn’t have rung more true than present-day. A decade into the current century and change feels like the only constant. Gone are the days of VHS video tapes, black and white television, analog channels and wires; these have been rendered redundant by Blu-Ray discs, LED HD TVs, digital channels, Wi-fi and other what have you in terms of electronics. Mobile phones, laptops and tablets have replaced children’s toys and why not, when e-textbooks are on their way to becoming the norm in schools. The younger ‘digital’ generation is conversing in a language unbeknownst to the older one.

    In such a scenario, Nickelodeon (Nick) India, a part of Viacom18 Media, like its peers, is pulling out all stops to adapt to the changing times. Speaking at length to Viacom18 VP and business head – Digital Media Rajneel Kumar, indiantelevision.com tried to find out just how.

    The idea is to build something for advertisers to address their audience in this period says Rajneel Kumar

    “We went in for a complete revamp of the Nick India site, as we wanted to make it completely gaming-centric, along with showcasing our great library of video content,” explains Kumar.

    For the uninitiated, Nick India has an array of online properties under its wing, addressing different age groups among youngsters. Nick Jr. caters to the needs of toddlers, but parents too are actively involved in their kids’ consumption patterns. The prime property, Nick, has both kids and parents consuming or engaging on the digital platform. And then there’s TeenNick, which is the only such platform, which addresses young girls and Sonic Gang which caters to young boys, who’re typically into high octane action, adventure and drama.

     

    Of which, Sonic Gang has been a revelation of sorts, what with some exclusive content around popular IPs such as TMNT, Kung Fu Panda, Power Rangers and Avatar.

    With 100 plus episodes of content and nearly 60 high-end (overall more than 80) games, the Nick India site has witnessed an increase in time spent by more than six minutes, which is deemed very healthy. Additionally, it has an exclusive digital magazine titled ‘SonicMag’ which covers gaming, cars, sports and gadgets. Currently, the magazine boasts of over 49 articles, with fresh articles being published from time to time.

    Kumar says all these properties are an ideal platform for advertisers to reach out to their audience. “Looking at the overall digital economy and how we are addressing it, we are creating properties that help advertisers reach out to these particular segments, which are of keen interest to them. We are working really closely with advertisers across all categories to essentially run campaigns that are not really straight forward ones like banners and videos, but large campaigns around each of these markets that we are addressing,” he explains.

    Citing an example, he says: “If the addressable community is Nick Jr. as a category and looking at parents, our focus would actually be on taking characters from within that entire franchise and making it into how parents are an active part of the entire campaign…”
    For a one-of-its-kind platform like TeenNick, apart from fresh programming and a presence on social media, Nick also encourages associations with fashion and lifestyle brands. There are integrated campaigns running for Nick’s advertisers, which run from the online space to the apps and as per the need of advertisers.

    Nick prides itself on having an all-round strategy. “We also look at on-ground activation. So, it’s a complete 360, and not just sending a piecemeal part of the digital experience to advertisers. It’s about integrating all our strengths and being able to address the audience’s perspective as far as possible,” exults Kumar. 

    As far as that online video streaming monster called YouTube is concerned, Nick is very clear on how it plans to use it. “We use YouTube to primarily do a lot of promotions around our content and for showcasing teasers as also some content pieces from our entire library,” says Kumar.

     

    The idea is to grab the attention of the young net surfer and lead him/her to the Nick India website and the strategy has worked wonders for the revamped website, which has seen more than 50 per cent growth in traffic, a 150 per cent increase in the time spent and more than 650,000 game plays in the last 60 days. “Our strategy is solid as we’ve seen how the digital advertising industry is growing. So we are building something for advertisers to address their audience in this period,” says Kumar.

    And how does Nick manage this gargantuan task? Apparently, they have a fairly robust digital team comprising a products team around the web and mobile (the latter also includes a small in-house gaming studio), a technology team which takes care of web and mobile, an editorial team which looks after social media and content creation and a very strong sales team.

    With youngsters increasingly preoccupied with games on their mobile phones, Nick also has a strong, primarily two-fold mobile apps strategy. First, every consumer should be able to access the app which is outside of television and is addressable to that consumer. Second, consumers must be kept engaged and connected to the brand even when they are not really watching just video content. The latter is where gaming comes into play. “The most popular characters that we have around in the kids segment encourage us to really build some engaging games for kids, and we will continue to launch such games throughout the year,” says Kumar.

    He explains that all social media platforms are rigorously used to generate traction amongst consumers. “We use all the mediums available at our disposal to generate traction and that’s an investment that we have been making and will continue making as it is clearly in line with us using these platforms as long-term consumer destinations. This will engage the consumers and help us use all platforms to market our products to reach our goal,” he says.

    But how does Nick plan to make moolah out of these activities? “By primarily focusing on advertisers as they shift their attention to digital platforms. The main strategy is to be able to build our own properties, whether it’s online or mobile, which then becomes fertile ground for advertisers and marketers to partner with us on,” replies Kumar.

    According to the KPMG FICCI 2013 report, the digital advertising market is pegged at Rs 21.7 billion and has grown at 40 per cent from 2011 to 2012. It is expected to be Rs 28.3 bn in 2013 and Rs 87 bn by 2017 growing at a CAGR of 31.1 per cent.

    “All the indicators today show the time spent on the digital medium by the target audience that we are speaking about, so it only makes sense to not only monetise on the current scenario but also to build future-ready properties across each of these,” rounds off Kumar.

    With the 2013 BCG report estimating that the number of children in the country expected to come online by 2017 is likely to more than triple to 134 million from about 40 million in 2012, Nick India certainly seems to be making all the right noises in the right direction…

  • Sony Music Jive claims to be most downloaded app

    Sony Music Jive claims to be most downloaded app

    MUMBAI: Sony Music Jive has claimed to be the most downloaded and accepted app. The app, launched six months back, was created for making legitimate music easy to use for customers. Launched by Sony Music India, the app is also a part of the Sony Xperia range of handsets and the new Sony Vaio range of laptops.

    Sony Music Jive allows consumers to download and stream unlimited music for free for a period of six months after which the consumer has to pay a nominal monthly fee.

    Sony Music Jive president India and Middle East Shridhar Subramaniam said, “Sony Music Jive is our foray into directly engaging with consumer by offering them a unique and compelling digital music proposition. It has been more than six months since the service was launched and we have been very encouraged by the consumer response. As a brand, we have been doing a number of digital innovations and the launch of this new hybrid application is another such.”

     The users can browse through over two million songs across multiple genres -pop, rock, reggae, hip hop, country, classical, dance, Indian regional, Bollywood and download to create a playlist or just listen on the go.  Sony Music Jive has access to iconic Bollywood soundtracks – Lagaan, Kuch Kuch Hota Hai, Guru , Kal Ho Na Ho, Rang De Basanti, Dostana, Kabhi Kushi Kabhi Gam, Jannat, Student of the Year, Agneepath, Bhaag Milkha Bhaag, Raanjhaana to 100 years of international music ranging from iconic and pop artists such as Elvis Presley, Bruce Springsteen, Whitney Houston, Aerosmith, Bob Dylan, Micheal Jackson, Santana, AR Rahman, Shakira, Beyonce, Keisha, Pitbull to pop stars like KK, Lucky Ali, Strings, Daler Mehendi, Harris Jayraj, Kailash Kher and more. 

    The app plans to be available across operating systems and integrated with operators for all consumers to have access to this service.