Tag: BiggBoss

  • Why you should watch Colors’ Bigg Boss18

    Why you should watch Colors’ Bigg Boss18

    MUMBAI: I used to be a proud advocate of Bigg Boss, championing it as the epitome of human emotions and behaviour. I’d write blogs and tell anyone who would listen that it was a grand experiment in teamwork, polarization, resource mobilisation, negotiation, storytelling and the delicate dance between truth and lies that could turn tides faster than you could drop your popcorn. Some seasons were not to my liking, and some taught me a few lessons. I even predicted the end of Bigg Boss and called it a deadly social experiment that the HR department can copy for an offsite. I auditioned for the show one fateful day and am happy that I did not make the cut. Bigg Boss needs a reality check

    It was, of course, before Vermajee—my dear friend, soul mentor, and consultant in all non-working things in life said. It opened my eyes to the actual sincerity of it all. His wisdom, delivered with the gravity of a man who had mastered the art of sidestepping unnecessary drama, made me see Bigg Boss in another shadow. 

    Let’s face it. When it comes to quality television, nothing quite compares to the highbrow, intellectual oasis that is Bigg Boss. Because who wouldn’t want to watch a group of people—handpicked for their impressive lack of emotional regulation—battle it out in an elaborate social experiment that makes a corn maze for mice seem like the height of human achievement? 

    Allow me to walk you through why this epic display of “reality” deserves your full attention. Grab some popcorn, lean back, and marvel at this masterpiece’s sheer brilliance. The moment of truth is here. Here’s what Vermajee said. Was that not a big thumping whack on my head? 

    No One Ever Doubted The Real Test Of Human Behaviour

    Have you ever wondered how people behave when locked in a house, deprived of dignity, and prompted by whispering producers? Vermajee insists that Bigg Boss provides that valuable insight which you never asked for. It’s like watching a Roman gladiator match, except the contestants are armed with petty insults and inflatable egos instead of swords. And they have a constraint- they cannot get physical- I mean in terms of fights. Would you not agree that it is truly an anthropologist’s dream and for the audience, a release from the pressure cooker called life? 

    The whole show is an arena where emotionally volatile individuals are crammed together in a space smaller than your average Ikea display room, forced to coexist like caged animals. You’ve got your classic tropes: the guy who can’t control his temper, the girl who cries at the drop of a hat, a person still trying to find the pronoun to respond to, a couple deeply in love with but with controversial background, someone who is trying to repurpose life and the one who’s just there to add to the furniture count. You’ll be left asking the existential question: “Is this what Darwin meant by the survival of the fittest?” 

    Not The Biggboss But The Scriptwriter: Your Unseen Puppet Master 

    You might think the contestants or the voting audiences are driving the drama, but don’t be fooled. The producers of Bigg Boss are like mischievous masters tossing lightning bolts from the heavens, causing chaos and ensuring the drama never stops. The participants aren’t just navigating their emotions but also carefully following a meticulously crafted script that nudges them towards confrontations with all the subtlety of a sledgehammer and sometimes like a jeweller.

    Watch closely, and you’ll see the magic unfold: contestants are guided with cryptic “challenges” that are about as natural as a sitcom laugh track. And when you are deceived into thinking they might be showing the slightest hint of genuine emotion, the production team jumps in to stir the pot. Because who wants emotional growth or understanding when you could have a screaming match over a pillow? Or, better still, a monologue of abuses and misunderstanding longer than the one you read in Ayan Rand’s novel. 

    A Wardrobe Malfunction Waiting to Happen 

    Now, let’s talk about the visual feast Bigg Boss offers. Have you ever wondered why the contestants look like they stepped out of a trendy but slightly trashy catalogue? That’s because they didn’t even pick their clothes. That’s right, they are dressed by designers who seem to be playing a prank on them. Clothes too tight, too loud, or too inappropriate for any real-life scenario—it’s fashion with the subtlety of a fireworks display. 
    Because, after all, nothing says “real human experience,” like a grown man in a neon tank top and sequined shorts screaming about loyalty. 

    Fights? They’re Gloriously Predictable 

    If you’re looking for intellectual conversations or meaningful discussions, what are you doing here? Bigg Boss is all about the fights, and boy, do they deliver. The drama unfolds faster than you can shout “TRP”. Contestants hurl insults, food, and sometimes furniture at each other, like toddlers in an adult playground. 
    And the best part? These aren’t just spontaneous moments of anger. Oh no. These are curated, finely tuned explosions of rage, timed perfectly to break the monotony of everyone sitting around a couch wondering how they got into this mess in the first place. It’s like Fight Club, but without any subtlety, depth, or Brad Pitt. And what more do you think the producers can cram in a 90-minute daily update? What do you think the contestants do the rest of the day- other than when the cue says- Camera- sound- fights? 

    The Voting – A Systematic Scam

    Ah, the thrill of voting! You, the audience, have the privilege of participating in a system that isn’t rigged. Week after week, you send in your votes, believing your voice truly matters. This misguided perception is truly adorable, like the playschool girl dancing to Chikani Chameli. Because let’s get real: the producers have already decided who stays and who is evicted with honourable escape routes. They’ve got their favourites—those who guarantee more drama, more sponsorship deals, are promised a more extended stay or are material for the follow-up reality shows. 

    You’re not voting for who you want to stay; you’re voting to keep the illusion alive. Have you ever wondered how Bigg Boss never reveals the vote percentages? Have you ever demanded? Are you satisfied with the lollipop of one of the audit firms endorsing the results? Don’t even try going that path. Bigg Boss is less democracy and more dictatorship with a touch of game show order. 

    The Host: Bias? What Bias? 

    Then there’s the host, the impartial face of the show. Or at least, he would be unbiased if they weren’t so clearly spoon-fed instructions to keep the show’s prized troublemakers in the game. Watch as the host subtly (or not-so-subtly) guides conversations, drops hints, and occasionally throws shade at the contestants they’ve been told to hate. It’s like watching a chess game, except one side doesn’t know they’re being played. The host is also genuinely human and bias is a human trait. 

    The Reality Show Contestant Manufacturing Line

    When it’s all said and done, when the “winner” emerges, the rest of the contestants move on to their next gig in the reality show carousel. Today’s Bigg Boss loser is tomorrow’s Khatron Ke khiladi contestant. Their career? A carefully curated series of reality show appearances, each more absurd than the last. And you’ll watch them all because, let’s be honest, there’s no escaping the pull of this car-crash television. 

    NET NET – Final Thoughts on BIGG BOSS (Not That You Need Them) 

    So, why should you watch Bigg Boss 18? Because it’s a masterclass in what happens when human dignity is tossed out the window for entertainment. It’s the TV equivalent of a sugar rush—quick, addictive, and utterly devoid of nutritional value. But hey, at least you can say you witnessed the unravelling of the human spirit in high definition. 

    And who knows? You might feel better about your own life in the process. Now go and watch Bigg Boss 18 and tell me if Vermajee is right and if it made you feel better. Seeing the participants of the Bigg Boss family foundering and falling apart like straws on the bar counter may even help create stronger family bonds. 

    DISCLAIMER. Even Vermajee’s more-than-accurate tutorials aimed at brainwashing an ardent BiggBoss fan have limited appeal. I will be glued to the initial weeks of Bigg Boss18, and if the contestants ignite my curiosity, I will travel with them on the unpredictable journey.

    (The views expressed in this comment piece are the author’s and the author’s alone. Indiantelevision.com does not endorse them. We are open to contrarian views to Sanjeev Kotnala’s and will happily carry them. There’s only one requirement: the write ups should be written coherently and well)

  • “Colors has been pushing the envelop across languages and  genres successfully” – Viacom18’s Alok Jain

    “Colors has been pushing the envelop across languages and genres successfully” – Viacom18’s Alok Jain

    When you run a marathon, you have to set the pace, knowing your own stamina. Some sprint ahead right from the firing of the starting gun and lead the pack all the way to the finish line. Others plod along, happy to be just completing the grueling run. And yet others gradually fall behind as the pace gets too difficult to handle.

    Viacom18 president – general entertainment Alok Jain belongs to the first category. An avid marathoner and tennis player, he has within his first year at the broadcasting major set a scorching pace reaching a milestone by coming up with a TRP topping non-fiction show Laughter Chefs. He’s hoping that fiction shows Megha Barsenge and Mishri will follow, though it’s early days yet. And he’s extremely sanguine about the network’s Marathi and Gujarati programming initiatives which he has been re-inventing along with the respective teams.

    Indiantelevision.com editorial head Mishaal Wanvari had a quick chat with Jain – who is also a fan of Nobel Prize winning psychologist and author Daniel Kahneman – on a range of subjects.

    Excerpts:

    On his first-year at Viacom18.

    It’s been amazing. It did not feel like one year at all. It has felt much longer than one year.I have worked in regionals quite a bit; last six years in Star. So Hindi was a new piece in terms of language and market and I felt that it was an extremely exciting market. The scale at times and the ecosystem is very different. A lot of exciting things have happened for us across markets and it has been a very satisfying experience.

    “I f you go full throttle without fear of failure, you can create shows like Laughter Chefs”

    On how he managed to crack the comedy code in Hindi with Laughter Chefs despite not having focused on Hindi entertainment. (Laughter Chefs achieved the No1 spot in nonfiction comedy and broke records with 13.6 crore viewers across TV and digital)

    Very frankly, we did not expect that the show will do so well. We feel,that comedy is a genre which always either works and, if it does, it works very well, otherwise, it falls flat. Comedy shows don’t fall in the middle.The genre has always been high risk, high reward and it is also difficult to crack. Not many content creators have been able to do so and there is not much competition so  there was a vacant wide space that the consumers really wanted. We took the risk and succeeded. If it hadn’t worked, we would have kept trying comedy in different formats. We are very gratified that it worked.

    What also worked for us is that the team is fantastic and are excited about non-fiction, They really liked the concept and really wanted to make it. Culminating from desire to vision – great team, great support system, great production house saw this show into a success. Sometimes in the creative space, if you are not afraid of failure, and go full throttle without taking the middle path,it works better and you can create shows like this.

    “O ur attempt is to keep looking for shows which are seamless from a consumer experience across screens – small screen, big screen.”

    On reality shows and specifically expectations from Khatron ke Khiladi this year.

    So I think Colors has always been a brand which has offered variety. We have fiction, we have reality, we have non-fiction and,even in fiction, we do a variety of stuff. We have attempted to do stories which are different. If you look at several years, non-fiction has been home for Colors. We have Bigg Boss which year on year does excellent,We have a calendar which works very well for Colors and now we have got this show Khatron ke Khiladi which we are very excited about. It has some great contestants and fans are already engaged with it.

    “C olors has the largest opportunity to create impact, shape society with shows like Megha Barsenge”

    One the two new fiction dramas  – Mishri and Megha Barsenge.

    Megha Barsenge is a very unique story. Colors has been very iconic in putting the light on stories which convey various social issues, issues from the ground, from the countryside. We have the largest opportunity to create impact, shape society and we should not miss this and with shows like Megha Barsenge we hope to achieve this and spread awareness across various states. Mishri is also a very exciting show with a lot of emotions of love and joy to display, it has done very well and audiences have loved it.

    “W e thought we need to really freshen up the channel.  We did it with Riteish Deshmukh in Bigg Boss and it worked. “

    On Bigg Boss Marathi on Colors Marathi.

    Certainly, see,for Colors Marathi, we started the journey seven to eight months back when we thought we need to really freshen up the channel. What has worked in the past doesn’t work in the future, So I think one of the big attempts has been to get Riteish on the show. He has been a big name in the Marathi industry especially with the kind of body of work he has done, and he’s all he’s been very excited about Bigg Boss. He’s been on the Hindi show once or twice as a guest, and he loves it. So we approached him, and he was very excited. There was a meeting of minds and hearts, and then we found a way to do it and to set it up very differently. We are glad that our attempt to set it up differently has worked. 

    “W e wanted to make sure that the Gujarati audiences get the same quality on Colors Gujarati that they would get on Colors Hindi.        

    On the Gujarati side where two new shows were announced in the past month.

    For Colors Gujarati, most of the content has been about trying to push the envelope. It’s about connecting with the Gujarati audience and culture. Hindi has always had a lens that it should be massier than any other states. For Colors Gujarati, we have taken topics very specific to Gujarat issues and Gujarati people. The big thing that we have done is that we made the production quality of the Colors Gujarati shows equal to Hindi. We wanted to make sure that the Gujarati audiences get the same quality on Colors Gujarati that they would get on Colors Hindi. This has been a great start for us.

    On how producers and creators should approach Colors with their offerings.

    Colors as a platform has tried all genres of shows from comedy to horror to romance. Any new fresh story which is for a world realistic of 2025 and not 2020 or 2015 is welcome.  Audiences are very smart and they know what they are consuming, They are very quick to decide whether to stay with a show or a movie.

    I think we are very excited that we have been able to push the envelope forward. We have been able to do and accomplish things which have not been seen in the past several years across the industry. We are very excited about shows which are going to come. Our attempt is to keep looking for shows which are different, new stories told in today’s time and which are seamless from a consumer experience across screens, small screen, big screen.                         
     

  • Bigg Boss Telugu S3 propels growth of Star Maa

    Bigg Boss Telugu S3 propels growth of Star Maa

    MUMBAI: Star Maa has ranked number 3 in the top 10 channels across genre in week 33 of BARC India ratings. Bigg Boss season 3 which has been the biggest launch property across seasons has been growing week on week.

    The channel has been leading the Telugu GEC space consistently for more than a year and has further recorded unprecedented growth driving them to a dominant leadership with the launch of Bigg Boss Season 3 with host Nagarjuna.

    Star Maa has become the 1st brand in more than a decade in AP/Telangana to have achieved 1000+ GRP milestone for 4 consecutive weeks.

    The brand now enjoys a staggering 73 per cent lead over the next competitor. Star Maa also ranks no. 3 at an all India level, making it the only Telugu channel amongst top 10 in BARC.