Tag: Big Synergy

  • Reliance Entertainment’s Big Synergy Landmark Production ‘Kaun Banega Crorepati’ Awarded “Best Game Show” at Indian Telly Awards

    Reliance Entertainment’s Big Synergy Landmark Production ‘Kaun Banega Crorepati’ Awarded “Best Game Show” at Indian Telly Awards

    MUMBAI: Anil D. Ambani led Reliance Entertainment's Big Synergy production Kaun Banega Crorepati (KBC) won the “Editorial Choice Award for the Best Game Show” at the Indian Telly Awards 2019 underlining the company’s distinct strength and wide experience to create and execute the most entertaining and high rating non-fiction shows. 

    Big Synergy produced the past seasons of KBC, hosted by the iconic and India’s biggest superstar Amitabh Bachchan, in Hindi for Sony Entertainment. Airing on Sony, KBC is one of the most watched television shows on the Indian television and is loved by the viewers across Indian urban and rural markets for almost two decades. With its superlative presentation and exceptional execution, KBC is amongst the most awarded long-running television franchises in India.

    Rajiv Bakshi, CEO of Reliance Entertainment’s Big Synergy said, "It’s a proud honour for the entire team to win the Editorial Choice Award for the Best Game Show for Kaun Banega Crorepati. KBC is a landmark show for the entire industry and demonstrates Big Synergy’s inimitable competence for produce top rating, digitally empowered and endearing content for audiences across all markets and target groups.”

    India’s foremost content development and production company, Big Synergy is an acknowledged leader in non-fiction category and has produced Indian television’s most successful format shows across all leading national and regional networks. In recent years, it has added strength in the fiction genre and produces shows across OTT and Broadcast platforms Rajiv Bakshi, CEO of Reliance Entertainment’s Big Synergy said, "It’s a proud honour for the entire team to win the Editorial Choice Award for the Best Game Show for Kaun Banega Crorepati. KBC is a landmark show for the entire industry and demonstrates Big Synergy’s inimitable competence for produce top rating, digitally empowered and endearing content for audiences across all markets and target groups.”

    India’s foremost content development and production company, Big Synergy is an acknowledged leader in non-fiction category and has produced Indian television’s most successful format shows across all leading national and regional networks. In recent years, it has added strength in the fiction genre and produces shows across OTT and Broadcast platformsRajiv Bakshi, CEO of Reliance Entertainment’s Big Synergy said, "It’s a proud honour for the entire team to win the Editorial Choice Award for the Best Game Show for Kaun Banega Crorepati. KBC is a landmark show for the entire industry and demonstrates Big Synergy’s inimitable competence for produce top rating, digitally empowered and endearing content for audiences across all markets and target groups.”

    India’s foremost content development and production company, Big Synergy is an acknowledged leader in non-fiction category and has produced Indian television’s most successful format shows across all leading national and regional networks. In recent years, it has added strength in the fiction genre and produces shows across OTT and Broadcast platforms

  • CEO Rajiv Bakshi unveils transformational roadmap for Big Synergy

    CEO Rajiv Bakshi unveils transformational roadmap for Big Synergy

    MUMBAI: Rajiv Bakshi describes his latest gig – CEO Big Synergy – as a homecoming to the media and entertainment ecosystem. During his 13-year stay at Discovery Networks, Bakshi helped curate thousands of hours of content across factual, lifestyle, kids’ categories among others. More importantly, his stint coincided with the network introducing and expanding new genres that delivered a lasting impact on television and the society at large.

    Bakshi has witnessed the evolution of India’s media and entertainment industry from close quarters. The perks of his ringside seat have helped him compartmentalise that evolution into three distinct phases.

    “When I started in television in the early 2000s, it was the era of ad sales. Everything was about attaining reach and filling the inventory. Post digitisation, the era of distribution set in and pay-TV model emerged as a strong component. Channels started getting rewarded for differentiated and high-value content. Now we have entered the most exciting and dynamic phase where content and consumer form the core of the business. I call it the golden era of content,” he says.

    With the emergence of OTT and Indian broadcast getting sharply segmented into genres and regions, the direct and immediate benefits to the balance sheet from content innovation are substantial. In addition to that, there are exciting possibilities for building personalised relationships with consumers on mobile devices.

    “The research and analytics available in terms of content and storytelling with respective audience sets are both liberating and refreshing for content creators. The content explosion being witnessed is most satisfying and charges us to deliver influence and impact,” highlights Bakshi.

    Reliance Entertainment's Big Synergy today produces content for all platforms. Widely regarded as a content powerhouse when it comes to non-fiction, the company is now pushing to becoming a power player in the fiction arena.

    “In the next 12 months, you’ll witness a lot of disruptive content from Big Synergy across all genres and formats. We have a range of high decibel developed projects aligned with top directors and writers slated for 2020 launch,” Bakshi points out.

    The company is committed to invest in three key areas for growth – original formats and rights, scaling talent and teams, and building the finest production capabilities.

    “The thing we are always working hard is to anticipate change. Client's requirements and business models and the market dynamics are ever changing, and therefore we prefer to invest in research and keep our ears on the ground to stay on top of things and trigger new trends,” the veteran executive adds.

    The dependence on content to differentiate a brand is the biggest new development. With most of the markets now progressing towards a pay model, differentiated content will be the trigger for revenue and audience growth. 

    “It’s a period of transformation. The demand for fiction content, with OTT platforms appearing in the last few years, is on the up. The market has immense confidence in Big Synergy’s capabilities to produce breakthrough fiction content. Our parent company has produced some of the biggest movies and OTT show and offers us access to the finest creative talent and partnerships and an overall environment of mass entertainment. We are all set to wow the market,” says Bakshi with a great deal of confidence.

    There's absolute clarity at the company in terms of what it has set out to achieve. Bakshi's vision has percolated down to the bottom of the pyramid.

    "We want to produce the biggest fiction series on both OTT and broadcast, on both original and acquired formats. Dailies for GECs are something we are investing in. In non-fiction, we have some amazing in-house formats and a large slate of acquired formats and then we are also evaluating co-developing new formats with international partners. Expansion into regional space, on both broadcast and OTT is also high on priority," he states.

    So, what are the obstacles that could prevent the team from accomplishing its goals?

    "The only challenge could be to prioritise the right stories, formats, partners, acquisition and talent," he remarks.

    Content creation is an intricate affair. It’s also an expensive affair. According to industry estimates, the top 15 OTT platforms are spending Rs 1000 crore annually on Originals. Therefore, content creators apply a series of filters to a project before giving it the green signal. There’s more to the process than just the power of the story. Content creation today comprises algorithms and data analysis. And yes, consumption trends.

    Bakshi, however, has a rather different take on the matter at least when it comes to adopting trends as a marker for content creation.

    “Trends typically do not occur over quarters, they establish over years. So I can’t certainly say we’ll have a dramatic new change this year. The trends from the last couple of years will continue – to produce sharper and bolder stories with great characters. And, I think the biggest trend will be to invest in a variety of content and not over depend on any one particular genre,” he says.

    So, how does he greenlight a project?

    “Story, characters and team's conviction. These factors help us in backing a project. We have a good sense of what is happening and we continue to invest in research to comprehend emerging trends,” is his instant response.

    Creating content for some of India’s largest broadcast and OTT platforms is now a high-stakes play. The top five streaming platforms are not shying away from writing big checks and are certainly here to stay. As companies vie relentlessly for a piece of the consumer’s attention and wallet, collaborating with the best content producers is of paramount importance.

    Therefore, companies like Big Synergy are bound to play a vital role in helping further build and scale up India’s content creation ecosystem. While Bakshi does not carry the burden having to shell out millions of dollars for consumer acquisition, he does have to achieve some significantly lofty targets. “Surpassing client's goals, team's ambitions and establishing new performance and quality benchmarks. And yes, a growing bottom line,” he signs off.

  • Big Synergy appoints Simmi Karna to produce fiction series for OTT, TV

    Big Synergy appoints Simmi Karna to produce fiction series for OTT, TV

    MUMBAI: Anil D Ambani-owned Reliance Entertainment's Big Synergy, a content creation and production company, is powering its fiction content team and has appointed Simmi Karna to produce fiction series for OTT and broadcasters.    

    Karna brings to Big Synergy her vast experience of having developed and produced hundreds of hours of fiction content in Hindi, Marathi, Bengali, Tamil and Telugu languages and will empower the company’s ambition in both national and regional markets. She has over two decades of experience in creating long form (TV, OTT/web series) and short form content (films, documentaries).  In the past, she has worked in various capacities as a writer, producer, director, head of programming, business head, chief revenue officer and content head and has been associated with Sakal Media, Reliance Broadcasting, Balaji Telefilms, IMG and more.

    Reliance Entertainment Big Synergy CEO Rajiv Bakshi said, “Big Synergy is committed to producing the finest content across both fiction and non-fiction and across all platforms and markets. Today, we are in an ideal position to create fiction content across all genres including thriller, comedy, romcom, crime, family, mystery, women empowerment and more. The team is passionately progressing in developing multiple high-impact series, with some releases planned across platforms in 2019. With her vast experience, Simmi will further augment our strategy and boost the ambition to offer the widest variety of content and creative partnerships to our esteemed clients on both OTT & broadcast platforms."

    Big Synergy has amplified its fiction content offering over the past few years and currently produces impactful content in both genres across broadcast and OTT platforms. Some of the popular fiction web-series include Bose: Dead/Alive on ALTBalaji’s, Yo Ke Hua Bro on Voot and the new season of Savdhaan India, Savdhaan India Naya Adhyay on Star Bharat and many more.

    She said, “I am excited to join Big Synergy at this amazing time when the industry is treating content as central for growth. Having produced fiction content in over 5 languages over the last many years, I am confident of creating path-breaking, soul-touching, contemporary and entertaining content for viewers across platforms and markets.”

  • Big Synergy appoints Rajiv Bakshi as CEO

    Big Synergy appoints Rajiv Bakshi as CEO

    MUMBAI: Reliance Entertainment's Big Synergy Media Ltd has appointed Rajiv Bakshi as its chief executive officer.

    At Big Synergy, Bakshi will take forward the mantle of enhancing multi-platform reach, driving strategic partnerships & developing the Original Content portfolio.

    Speaking about his new role, Bakshi said, “I am incredibly excited to join Big Synergy at this stage of the company's evolution into scripted shows, along with the non-scripted content. Content will fuel the next wave of growth in media. India is one of the rare markets where both television broadcast and OTT platforms continue to demonstrate robust growth. I am passionate about transformative disruptions that change consumer behaviour and will strive to create a competitive advantage and long-term value for the business and our esteemed clients.”

    On the development, Reliance Entertainment group COO Shibasish Sarkar said, “We are happy to have Rajiv on board. He comes with a wealth of experience and domain expertise. With his extensive knowledge across the television and digital medium, we are confident that he will be able to further accelerate the growth of the entertainment sector within the group.”

    An alumnus of Harvard Business School, Bakshi comes with over two decades of experience and a proven track record across TV, internet, media, telecom and consumer durable industries. He has a deep understanding of broadcast media & OTT, digital, mobile and FMCG industries.

    Previously, Bakshi was the chief marketing officer at Intex Technologies where he led the brand strategy across 4 business verticals – smartphones, electronics, durables and accessories.

    Prior to Intex, he was at Discovery Networks Asia-Pacific as VP & Head products & marketing, India & South Asia where he steered strategic development and localisation initiatives for a multi-channel portfolio for Discovery Channel serving 100+ million Pay TV households.

  • Sun TV, Star Maa only non-Hindi GEC channels in across genre list

    Sun TV, Star Maa only non-Hindi GEC channels in across genre list

    BENGALURU: For the second consecutive week in a row, the Sun TV Network’s flagship Tamil GEC and Star India’s flagship Telugu GEC Star Maa were the only non-Hindi GEC channels in Broadcast Audience Research Council of India (BARC) weekly list of top 10 channels across genre. The other eight channels in BARC’s weekly across genres list in week 41 0f 2018 (Saturday, 6 October 2018 to Friday, 12 October 2018) were all Hindi GECs. Besides the two South Indian languages channels, BARC’s weekly list normally had at least one channel from the Hindi movies genre in the past. During important sports events such as the Indian Premier League or IPL, at least one Hindi channel that aired sports was also present in BARC’s across genres lists.

    The same channels that were present in BARC’s across genres weekly list in week 40 were present in the week 41 of 2018 list, but with a change in order of ranking. Like last week, from the network’s perspective, there were four channels from Star India, two channels each from SPN and Zeel and one channel each from the Sun TV Network and Viacom18.

    As mentioned above, at its normal first rank in week 41 was the Tamil GEC Sun TV with 1,003.083 million weekly impressions as compared to 1,048.662 million weekly impressions in week 40 of 2018. Sun TV also led BARC’s weekly list of top 5 Tamil channels in the Tamil Nadu and Puducherry market and the first four of the 5 programmes in BARC’s list of top 5 Tamil programmes during primetime in these markets based on average rating across all airings (original and repeat) in the week under review were aired on Sun TV.

    Retaining its previous week’s second place in week 41 of 2018 was Star Utsav with 883.504 million weekly impressions as compared to 841.719 million weekly impressions in week 40. Star Utsav was ranked first in BARC’s list of top 10 Hindi GECs in HSM (U+R), second in HSM (R) and was ranked seventh in HSM (U). The soaps Rabba Ve and Veera aired on Star Utsav were ranked third and fourth in BARC’s weekly in BARC’s list of top 5 Hindi GEC programmes during primetime based on average rating across all airings (original and repeat) in the week in HSM (R).

    Also retaining its previous week’s third rank in week 41 of 2018 was Zeel’s FTA Hindi GEC Zee Anmol with 806.664 million weekly impressions as compared to 833.614 million weekly impressions in week 40. Zee Anmol was also ranked second in BARC’s weekly list of top 10 Hindi GECs in the combined urban and rural Hindi speaking markets lists or HSM (U+R), first in rural HSM or HSM (R) and was ranked ninth in HSM (U). The Balaji Telefilms-produced soap Kumkum Bhagya aired on Zee Anmol was ranked second in BARC’s list of top 5 Hindi GEC programmes during primetime based on average rating across all airings (original and repeat) in the week in HSM (U+R) and was ranked first in HSM (R). Another soap from the channel, Mahek, was ranked second in HSM (R).

    Star India’s Hindi GEC Star Bharat climbed up one place to fourth rank in week 41 of 2018 with 756.584 million weekly impressions as compared to 769.987 million weekly impressions in week 40. Star Bharat was also ranked third, fourth and fifth in BARC’s weekly list of top 10 Hindi GECs in HSM (U+R), HSM (R) and HSM (U) respectively. The mythological drama Radhakrushna aired on Star Bharat was ranked fifth in BARC’s weekly list of top 5 Hindi GEC programmes during primetime based on average rating across all airings (original and repeat) in the week in HSM (U+R).

    Star India’s flagship Hindi GEC Star Plus also climbed up one rank to fifth place in week 41 of 2018 with 746.196 million impressions as compared to 739.660 million weekly impressions in the previous week. Star Plus was ranked fourth in BARC’s weekly lists of top 10 Hindi GECs in HSM (U+R) and was ranked first in HSM (U) and eighth in HSM (R). Director’s Kut Productions produced Hindi soap Yeh Rishta Kya Kehlata Hai  and 4 Lion Films soap Kulfi Kumar Bajewala aired on Star Plus were ranked third and fourth respectively in BARC’s weekly list of top 5 Hindi GEC programmes during primetime  based on average rating across all airings (original and repeat) in HSM (U).

    Zeel’s flagship Hindi GEC also climbed up one rank to sixth place in week 41 of 2018 with 722.309 million weekly impressions as compared to 728.065 million weekly impressions in week 40. Zee TV was ranked fifth in BARC’s weekly list of top 10 Hindi GECs in HSM (U+R), seventh in HSM (R) and third in HSM (U) during the week. Kumkum Bhagya’s spinoff Kundali Bhagya was at third rank in BARC’s list of top 5 Hindi GEC programmes during primetime based on average rating across all airings (original and repeat) in the week in HSM (U+R) while Kundali Bhagya was ranked second in HSM (U).

    Star Maa fell three places to seventh rank in week 41 of 2018 with 702.617 million weekly impressions as compared with 809.562 million weekly impressions in week 39. Star Maa was ranked first in BARC’s weekly list of top 5 Telugu channels in the Andhra Pradesh and Telangana market. Five programmes that were aired on Star Maa were present in BARC’s weekly list of top 5 Telugu programmes during primetime based on average rating across all airings (original and repeat) in the week in the same market.

    SPN’s flagship Hindi GEC Sony Entertainment Television (SET) also climbed up – two ranks to eighth place in week 41 of 2018 with 623.976 million impressions as compared to 635.564 million impressions in week 40. SET was ranked seventh in BARC’s weekly list of top 10 Hindi GECs’ in HSM (U+R) and second in HSM (U). Big Synergy’s Indian edition of British program Who Wants to Be a Millionaire? aka Kaun Banega Crorepati? hosted by Amitabh Bachchan was ranked fifth in BARC’s list of top 5 Hindi GEC programmes during primetime based on average rating across all airings (original and repeat) in the week in HSM (U).

    SPN’s women focused Hindi GEC Sony Pal dropped one place to ninth rank with 606.739 million weekly impressions as compared with 690.261 million weekly impressions in the previous week. Sony Pal was ranked sixth and eighth in BARC’s weekly list of top 10 Hindi GECs in HSM (U+R) and HSM (U) respectively and was ranked third in HSM (R). The sitcom Tarak Mehta ka Ooltah Chashmah on Sony Pal was ranked fifth in BARC’s weekly list of top 5 Hindi programmes during primetime based on average rating across all airings (original and repeat) in the week in HSM (R).

    Viacom18’s flagship Hindi GEC Colors also dropped down a rank to tenth place in week 41 of 2018 with 602.469 million weekly impressions as compared to 637.777 million weekly impressions and seventh rank in week 40. Colors was ranked eighth in BARC’s weekly list of top 10 Hindi GECs in HSM (U+R), fourth in HSM (U) and tenth in HSM (R). The third season of the Balaji Telefilms produced supernatural drama Naagin 3  aired on Colors was among BARC’s top 5 Hindi GEC programmes during primetime based on average rating across all airings (original and repeat) in the week in HSM (U+R) and HSM (U).

  • Star Utsav leads Hindi channels across genres

    Star Utsav leads Hindi channels across genres

    BENGALURU: Star India’s free to air (FTA) Hindi GEC Star Utsav was ranked second in Broadcast Audience Research Council of India (BARC) weekly list of top 10 channels across genres for week 40 of 2018 (Saturday, 29 September 2018 to Friday, 5 October 2018, week under review). Star Utsav was preceded by the Sun TV Network’s flagship Tamil GEC Sun TV which was at first rank. After quite a long while, there were no Hindi movies channels in BARC’s weekly list of top 10 channels across genres during the week under review. Also all the flagship Hindi GEC channels of the four major networks – Star India, Sony Pictures Network India (SPN), Viacom18 and Zee Entertainment Enterprises Ltd (Zeel) were present in BARC’s across genres list for week 40 of 2018.

    Eight Hindi GECs and one channel each from the Tamil and Telugu genres were present in BARC’s weekly across genres list in week 40 of 2018. From the network’s perspective, there were four channels from Star India – something that is becoming another norm, two channels each from SPN and Zeel and one channel each from the Sun TV Network and Viacom18.

    As mentioned above, at its normal first rank in week 40 was the Tamil GEC Sun TV with 1,048.662million weekly impressions as compared to 1,020.107 million weekly impressions in week 39 of 2018. Sun TV also led BARC’s weekly list of top 5 Tamil channels in the Tamil Nadu and Puducherry market and all of the 5 programmes in BARC’s list of top 5 Tamil programmes during primetime in these markets based on average rating across all airings (original and repeat) in the week under review were aired on Sun TV.

    Climbing up one rank to second place in week 40 of 2018 was Star Utsav with 841.719 million weekly impressions as compared to 743.449 million weekly impressions in week 39. Star Utsav was ranked second in BARC’s list of top 10 Hindi GECs in HSM (U+R), second in HSM (R) and was ranked seventh in HSM (U). The soap Rabba Ve aired on Star Utsav was ranked third in BARC’s weekly in BARC’s list of top 5 Hindi GEC programmes during primetime  based on average rating across all airings (original and repeat) in the week in HSM (R).

    Dropping down a rank to third place in week 40 of 2018 was Zeel’s FTA Hindi GEC Zee Anmol with 833.614 million weekly impressions as compared to 777.386 million weekly impressions in week 39. Zee Anmol was also ranked first in BARC’s weekly list of top 10 Hindi GECs in the combined urban and rural Hindi speaking markets or HSM (U+R) and HSM (R) and was ranked ninth in HSM (U). The Balaji Telefilms produced soap Kumkum Bhagya aired on Zee Anmol was ranked fourth in BARC’s list of top 5 Hindi GEC programmes during primetime based on average rating across all airings (original and repeat) in the week in HSM (U+R) and was ranked first in HSM (R). Another soap from the channel, Mahek, was ranked fourth in HSM (R).

    Star India’s flagship Telugu GEC Star Maa also jumped up a rank to fourth place in week 40 of 2018 with 809.562 million weekly impressions as compared with 666.396 million weekly impressions in week 39. Star Maa was ranked first in BARC’s weekly list of top 5 Telugu channels in the Andhra Pradesh and Telangana market. Five programmes that were aired on Star Maa were present in BARC’s weekly list of top 5 Telugu programmes during primetime based on average rating across all airings (original and repeat) in the week in the same market.

    Another Star India Hindi GEC Star Bharat climbed up one place to fifth rank in week 40 of 2018 with 769.987 million weekly impressions as compared to 660.371 million weekly impressions in week 39. Star Bharat was also ranked fourth, fifth and sixth in BARC’s weekly list of top 10 Hindi GECs in HSM (U+R), HSM (R) and HSM (U) respectively. The mythological drama Radhakrushna aired on Star Bharat was ranked third and fifth in BARC’s weekly list of top 5 Hindi GEC programmes during primetime based on average rating across all airings (original and repeat) in the week in HSM (U+R) and in HSM (R) respectively.

    Star India’s flagship Hindi GEC Star Plus dropped down two places to sixth rank in week 40 of 2018. The channel scored 739.660 million impressions as compared to 710.478 million weekly impressions in the previous week. Star Plus was ranked fourth in BARC’s weekly lists of top 10 Hindi GECs in HSM (U+R) and was ranked first in HSM (U) and ninth in HSM (R). Director’s Kut Productions produced Hindi soap Yeh Rishta Kya Kehlata Hai  and 4 Lion Films soap Kulfi Kumar Bajewala aired on Star Plus were present in BARC’s weekly list of top 5 Hindi GEC programmes during primetime  based on average rating across all airings (original and repeat) in HSM (U).

    Zeel’s flagship Hindi GEC Zee TV climbed up three places in week 40 of 2018 to seventh rank with 728.065 million weekly impressions as compared to 645.325 million weekly impressions and tenth rank in week 39. Zee TV was ranked seventh in BARC’s weekly list of top 10 Hindi GECs in HSM (U+R) and HSM (R) and fourth in HSM (U) during the week. Two programmes that were aired on Zee TV- Kumkum Bhagya, and its spinoff Kundali Bhagya were at fifth and third ranks respectively in BARC’s list of top 5 Hindi GEC programmes during primetime based on average rating across all airings (original and repeat) in the week in HSM (U+R) while Kundali Bhagya was ranked second in HSM (U).

    Retaining its previous weeks eighth rank in week 40 of 2018 was SPN’s women focused Hindi GEC Sony Pal with 690.261 million weekly impressions as compared with 650.544 million weekly impressions in the previous week. Sony Pal was ranked sixth and eighth in BARC’s weekly list of top 10 Hindi GECs in HSM (U+R) and HSM (U) respectively and was ranked third in HSM (R). The sitcom Tarak Mehta ka Ooltah Chashmah on Sony Pal was ranked second in BARC’s weekly list of top 5 Hindi programmes during primetime based on average rating across all airings (original and repeat) in the week in HSM (R).

    Dropping down two ranks to ninth place in week 40 of 2018 was the Viacom18 flagship Hindi GEC Colors with 637.777 million weekly impressions as compared to 657.875 million or weekly impressions and seventh rank in week 39. Colors was ranked seventh in BARC’s weekly list of top 10 Hindi GECs’ in HSM (U+R), third in HSM (U) and tenth in HSM (R). The third season of the Balaji Telefilms produced supernatural drama Naagin 3 aired on Colors was among BARC’s top 5 Hindi GEC programmes during primetime based on average rating across all airings (original and repeat) in the week in HSM (U+R) and HSM (U).

    SPN’s flagship Hindi GEC Sony Entertainment Television (SET) re-entered BARC’s list of top 10 channels across genres in week 40 of 2018 with 635.564 million impressions. SET was ranked eighth in BARC’s weekly list of top 10 Hindi GECs in HSM (U+R) and second in HSM (U). Big Synergy’s Indian edition of

    British program Who Wants to Be a Millionaire? aka Kaun Banega Crorepati? hosted by Amitabh Bachchan was ranked second in BARC’s list of top 5 Hindi GEC programmes during primetime based on average rating across all airings (original and repeat) in the week in HSM (U).

  • Zeel channels rule Hindi channels across genres

    Zeel channels rule Hindi channels across genres

    BENGALURU: Subshash Chandra’s Zee Entertainment Enterprises Ltd (Zeel) Hindi GECs Zee Anmol and Zee TV were ranked second and third in Broadcast Audience Research Council of India weekly list of top 10 Hindi channels across genres: All India (U+R) : 2+ Individuals in week 36 of 2018 (Saturday, 1 September 2018 to Friday, 7 September 2018). At its normal first rank was the Sun TV Network’s flagship Tamil GEC Sun TV. 

    In terms of ranks and networks, channels from four networks followed a simple arithmetic progression in consecutive order. One rank, rank one was held by a Sun TV Network channel; two ranks, ranks two and three, were held by Zeel Networks channels. Three ranks, ranks four, five and six, were held by Star India channels and; four ranks, ranks seven to ten, were held by Sony Pictures Network India (SPN) channels in week 36 of 2018. From the languages perspective, there was one Tamil GEC, two Hindi movies and seven Hindi GEC channels present in BARC’s across genres list in week 36 of 2018. Consequently, two Zeel Hindi GEC channels – free to air (FTA) Zee Anmol and flagship Zee TV ruled Hindi channels in week 36 of 2018 in BARC’s across genres list.

    One Sun TV Network channel

    As mentioned above, at its normal first rank in week 36 was the Tamil GEC Sun TV with 1063.806 million weekly impressions as compared to 999.006 million weekly impressions in week 35 of 2018. Sun TV also led BARC’s weekly list of top 5 Tamil channels in the Tamil Nadu and Puducherry market and all of the 5 programmes in BARC’s list of top 5 Tamil programmes during primetime in these markets based on average rating across all airings (original and repeat) in the week under review were aired on Sun TV.

    Two Zeel channels

    Reclaiming its second rank in week 36 of 2018 was Zee Anmol with 840.010 million weekly impressions as compared to 701.762 million weekly impressions in week 35. Zee Anmol was also ranked first in BARC’s weekly list of top 10 Hindi GECs in HSM (U+R) and HSM (R). The Balaji Telefilms produced soap Kumkum Bhagya aired on Zee Anmol was ranked second in BARC’s list of top 5 Hindi GEC programmes during primetime based on average rating across all airings (original and repeat) in the week in HSM (U+R) and was ranked first in HSM (R). Another soap from the channel, Mahek, was ranked third in HSM (R).

    Bounding up six ranks to third place was Zee TV with 721.364 million weekly impressions as compared to 620.187 million weekly impressions in week 35. Zee TV was ranked second in BARC’s weekly list of top 10 Hindi GECs in HSM (U+R), third in HSM (U) and seventh in HSM (R) during the week. Two programmes that were aired on Zee TV- Kumkum Bhagya, and its spinoff Kundali Bhagya were at third and fourth ranks in BARC’s list of top 5 Hindi GEC programmes during primetime based on average rating across all airings (original and repeat) in the week in HSM (U+R) and HSM (U).

    Three Star India channels

    Climbing up four ranks to fourth place was Star India’s FTA Hindi GEC Star Utsav in week 36 of 2018 with 669.262 million weekly impressions as compared to 629.138 million weekly impressions in week 35. Star Utsav was ranked third in BARC’s list of top 10 Hindi GECs’ in HSM (U+R), second in HSM (R) and was ranked seventh in HSM (U). The soap Rabba Ve aired on Star Utsav was ranked fourth in BARC’s weekly in BARC’s list of top 5 Hindi GEC programmes during primetime  based on average rating across all airings (original and repeat) in the week in HSM (R).

    Another Star India FTA Hindi GEC, Star Bharat, also jumped up two ranks to fifth place in week 36 of 2018 with 652.973 million weekly impressions as compared to seventh rank and 632.025 million weekly impressions in week 35. Star Bharat was ranked fourth in BARC’s list of top 10 Hindi channels in HSM (U+R), sixth in HSM (R) and HSM (U) in BARC’s weekly list of top 10 Hindi GEC channels during the week under review.

    Star India’s flagship Hindi GEC, Star Plus dropped down two ranks in week 36 of 2018 to sixth place with 650.318 million impressions as compared to 687.926 million weekly impressions in the previous week. Star Plus was ranked fifth in BARC’s weekly lists of top 10 Hindi GECs in HSM (U+R) and was ranked second in HSM (U) and tenth in HSM (R). Director’s Kut Productions produced Hindi soap Yeh Rishta Kya Kehlata Hai aired on Star Plus was ranked fifth in BARC’s list of top 5 Hindi GEC programmes during primetime  based on average rating across all airings (original and repeat) in the week in HSM (U+R) and was ranked second in HSM (U).

    Four SPN channels

    SPN’s Hindi movies channel, Sony Max, dropped down five ranks to seventh place in week 36 of 2018 with 630.227 million weekly impressions as compared to 721.447 million weekly impressions in week 35. Sony Max was also ranked second in HSM (U+R), first in HSM (U) and was ranked fifth in HSM (R). The Hindi version of SS Rajamouli’s film Bahubali the Beginning was ranked first among BARC’s list of the top 5 Hindi movies programmes during primetime based on average rating across all airings (original and repeat) in the week in HSM (U+R). Further, three Hindi feature films HFF – Bahubali the Beginning, 3 Idiots and Bhairava, on Sony Max were also among BARC’s list of top 5 Hindi movies programmes during primetime list in HSM (U).

    SPN’s women focused Hindi GEC Sony Pal re-entered BARC’s across genres weekly list in week 36 of 2017 with 626.815 million weekly impressions. The channel was ranked fifth in BARC’s list of top 10 Hindi GEC channels in HSM (U+R), third in HSM (R) and eighth in HSM (U). The long running sitcom Tarak Mehta ka Ooltah Chashmah on Sony Pal was ranked second among BARC’s list of the top 5 Hindi movies programmes during primetime based on average rating across all airings (original and repeat) in the week in HSM R).

    Big Synergy Productions’ Amitabh Bahchan anchored Indian version of Who Will become A Millonaire – Kaun Banega Crorepati or KBC is on air on SPN’s flagship Hindi GEC pay channel Sony Entertainment Television (SET). SET entered BARC’s weekly across genres list for the first time in 2018 in week 36 with 625.080 million weekly impressions. SET was ranked seventh in BARC’s weekly list of top 10 Hindi GEC channels in HSM (U+R), and first in HSM (U).

    At tenth rank was another SPN Hindi movies channel, Sony Wah with 623.522 million weekly impressions as compared to 669.499 million weekly impressions in week 35. Sony Wah was ranked first in BARC’s list of top 5 Hindi movies channels in HSM (U+R) and HSM (R). HFFs’ The Return of Rebel and Yevadu that featured on Sony Wah were among the top 5 most watched Hindi movies programmes during primetime based on average rating across all airings (original and repeat) for the week in BARC’s list in HSM (U+R) One more HFF- Dangerous Khiladi 4 on Sony Wah was also on BARC’s list of top 5 Hindi movies programmes during primetime in HSM (R).

  • Owning IP not priority for Big Synergy

    Owning IP not priority for Big Synergy

    MUMBAI: Broadcasters today are experimenting with a new type of show ownership–that of allowing the creators to hold the intellectual property (IP) rights. Most recently, Swastik Productions decided to own 100 per cent of its magnum opus Porus, which airs on Sony Entertainment Television in India, setting a benchmark in the industry as it went around the world gathering new broadcasters in new countries.

    In an interaction with Indiantelevision.com, Big Synergy partner producer Namit Sharma, however, said that the concept of owning an IP was a very subjective conversation and not too relevant in present times. “A lot of people hype it to make themselves look good, so it makes you look like a kingpin when in actuality, the real monetary value of that IP could be nothing,” he said.

    “I feel that the whole conversation in the industry is overrated. We want to be careful about when we do it and how we do it. We are a production service company. If we wanted to own an IP, we would have started making films, raised Rs 800 crore and taken the risk,” he added.

    Digital players are furiously churning out new formats to attract the moving eyeballs of younger audiences. New formats, ideas, execution–you get it all. But TV isn’t far behind. TV today has innumerable reality shows to pick from and is not restricted to saas-bahu sagas, sitcoms and period dramas.

    Sharma, feels that the Hindi GEC genre will not be experimenting anymore but this will be the prerogative of the digital industry. “They [Hindi GECs] are going to try and stick to what they have, whereas now all the experiments will start happening in the over the top and regional. We have a lot of developments happening in both these spaces,” he said.

    Shedding light on his plans for digital space, he said that talks with industry daddies Amazon and Netflix are on. “As part of a two-year plan, we intend to focus on getting together with storytellers; they could be filmmakers, writers, book authors, film writers, and they could be people who may have never written anything.” Big Synergy will set the ball rolling in the regional market with South India.

    Big Synergy, a part of the Anil Ambani-led Reliance Group, had tied up with Phantom Films, led by Anurag Kashyap, to create entertainment content across television and digital media. Speaking about the partnership, he said that there wasn’t any phenomenal interdependence apart operational synergies between the two entities. Both production set-ups co-ordinate in interesting ways behind the scenes.

    Recently, Big Synergy produced a web series for Viu named Kaushiki that has garnered a lot of traction for the OTT platform. The production company is looking to produce five marquee web series, such as Bose: Dead/Alive, in the next one year along with its slate of regular shows for OTTs.  

    Also read:

    Sony Yay banks on originals with a slew of fresh content

    No reason for GECs to panic as IPL grabs eyeballs

    The era of dance reality shows

  • Rajdeep Sardesai’s quiz show back on India Today TV

    Rajdeep Sardesai’s quiz show back on India Today TV

    MUMBAI: India Today Television has announced the second season of India’s first News Quiz Show – News Wiz. Veteran journalist and an avid quiz buff Rajdeep Sardesai will host the 13-episode show that is set to air every Saturday evening Prime Time starting 26 August (Saturday) on India Today Television. The telecast times are Saturday 8pm and the repeat will be on Sunday at 10 am and 10 pm.

    This season is conceptualised by Siddharth Basu’s Tree of Knowledge and Big Synergy.

    This second season has doubled the outreach, with more than 500 schools participating along with interactions on digital popular platforms like facebook and twitter! News Wiz reached out to tens of thousands of students across mediums, from all over the country right from city of Srinagar in J&K up to – Kavaratti in Lakshwadeep. Young, bright and effervescent girls & boys of classes IX –XII formed teams, registered & after going through levels of tests, the top teams from across the country will now be vying for the top honors.

    High energy ground activations across schools will be under the main theme “If your knowledge is Sound, Make the Noise”. News Wiz is going to the schools with Buzzers in place giving it in totality, a real feel of News Wiz 2017.

    Kalli Purie, Group Editorial Director (Broadcast & New Media), India Today Group, said, “Post the huge success of Season 1 of News Wiz, we are excited to announce the launch of another season with greater action and zeal. Young minds of the nation will be encouraged to learn more about news and connect with it on a much larger scale with return of News Wiz 2017.”

    Basu said: – “News wiz is not just the first and only news quiz in the country, it’s also at this time the only nationwide inter-school quiz on TV. Over the next quarter, viewers can look forward to keen competition among the best and brightest young minds from schools across the country”

  • Malayalam KBC ‘Ningalkkum Aakam Kodeeswaran’ S4 on Asianet

    Malayalam KBC ‘Ningalkkum Aakam Kodeeswaran’ S4 on Asianet

    BENGALURU: Star India’s Malayalam GEC Asianet is all set to start airing season 4 of the Malayalam version of the popular game show Who Wants to be a Millionaire? or Ningalkkum Aakam Kodeeswaran (NAK) from 9 January 2016 onward at the 930 pm primetime slot from Monday to Thursday. The one hour show will be anchored once again by Mollywood anchor Suresh Gopi. Asianet and Big Synergy Media Limited are the show producers.

    NAK replaces two thirty minute fiction shows Kavacham and Vellanakalude Nadu. The channel has roped in Nestle India Limited’s coated wafer brand Munch as title sponsor and is powered by Vivo phones. NAK season 4 will be co-presented by realty player Asset Homes; Jewellery brands Josco, Chungath; and Ayurmix.

    The game show will test the competence of the participants in general knowledge, current affairs and all the major fields of knowledge. The preliminary round had participants vying for opportunity to attend the phone-in, written test and interview. The finalists can join the anchor in the hot seat and try their luck in the 15 rounds of the game. Like last year, the prize money for a contestant who successfully answers all the 15 questions is Rs one crore.

    The finalists play a ‘Fastest Finger First’ round to make it to the main game. From there on, they play rounds with increasing levels of difficulty, and winning higher amounts of money, culminating in the Rs one crore prize. Contestants can stop at any time after having viewed the next question.