Tag: BIFF

  • Forum BIFF 2025 marks 30 years of K-Arts with big-picture rethink on Asian film education

    Forum BIFF 2025 marks 30 years of K-Arts with big-picture rethink on Asian film education

    BUSAN: The 30th Busan International Film Festival will stage a special Forum BIFF to mark the 30th anniversary of the Korea National University of Arts’ (K-Arts) school of film, TV & multimedia, with a hard look at how Asian film education can reinvent itself for the future.

    Founded in 1995, K-Arts has been the launchpad for a generation of Korean and Asian filmmakers, building co-production bridges with Japan and China, running pan-Asian short-film labs, and powering the global surge of K-content. This year’s forum, themed Revisiting the path of Asian cinema, will spotlight those achievements while grappling with the future: how to sustain cross-border learning, plug into AI-driven change, and keep Asian schools at the cutting edge.

    Sessions will examine collaborative short-film programmes, Korea-Japan and Korea-China co-productions, and the AMA+ scholarship that has seeded talent from across the region. The Campus Asia Plus initiative — linking Korea, Japan, China and Asean — will be in focus for its efforts to build an Asian animation education network that meshes advanced learning, exchange and industry tie-ups.

    The three-part forum will run on 20 September, moderated by professors Choi Yongbae and Steve M. Choe of K-Arts. It will feature a keynote by cinema studies professor Kim Soyoung, presentations from animation professor Lee Jungmin, filmmaking professor Pyeon Jangwan, Cambodian director and AMA+ alumnus Him Sotithya, and producer Ahn Jihye. The closing panel will pull in film critic Lee Seunghee, Japan Institute of the Moving Image president Tengan Daisuke, Beijing Film Academy professor Liu Yu, Yale lecturer Tian Li, and Indonesian director Makbul Mubarak.

    The conversation will stretch from the past three decades of K-Arts’ influence to the next thirty years of Asian cinema education — and what it will take to keep pace with technology and global demand.
     
    BIFF 2025: 17–26 September

    Asian Contents & Film Market: 20–23 September

  • Asian Cinema Fund unveils 14 bold bets for 2025

    Asian Cinema Fund unveils 14 bold bets for 2025

    MUMBAI: The Asian Cinema Fund (ACF), a key pillar of the Busan International Film Festival (BIFF), has unveiled its 14 official selections for 2025 — drawn from a record 850 submissions, up 23 per cent from last year. The picks, spanning three categories, champion fearless storytelling and fresh cinematic forms, offering a snapshot of the region’s creative pulse.

    Three projects have been selected under the ‘Script Development Fund’, each awarded KRW 10 million and a spot at the Asian Project Market 2025. Black Star Angel tells the gripping tale of a woman breaking free from war-fuelled trauma. Heaven Help Us! revisits the Manila Film Center disaster with aching intimacy, and New Life maps the emotional terrain between a grieving mother and daughter.

    The ‘Post-Production Fund’ shortlist includes four films — two Korean, two from the wider region — all set to bow at the 30th Busan International Film Festival this September. Korea’s Coming of Age dives into class and generational shifts, while The Observer’s Journal serves up a quirky, tense thriller. From India, If on a Winter’s Night interweaves complex love stories, and The River that Holds Our Hands traces displacement and memory across borders.

    Meanwhile, the ‘AND Fund’ for feature-length documentaries has backed seven titles with an eye for visual poetry and political poignancy. Korea’s Sea, Star, Woman and Sprouted Potato Lives On explore personal loss and collective memory, while Weathering Architect meditates on Seoul’s vanishing skylines through the lens of veteran architect Joh Sung-yong. From Asia, Kampuchea wrestles with inherited trauma, and Oma profiles a silent yet steely survivor.

    The chosen projects — sharp, subversive, and deeply local — promise to elevate Asia’s voice on the global screen. BIFF 2025 runs 17–26 September at the Busan Cinema Center, with the 20th edition of the Asian Contents & Film Market slated for 20–23 September at BEXCO.

  • Discovery to premiere documentary on AR Rahman – ‘Jai Ho’

    Discovery to premiere documentary on AR Rahman – ‘Jai Ho’

    MUMBAI: Jai Ho – a documentary on music maestro AR Rahman, which has been screened at a few international film festivals earlier this year, is all set to have its television premiere in India on Discovery Channel. The channel will air the documentary on 26 October at 9 pm. 

     

    Jai Ho, which has been directed by Umesh Aggarwal, will take viewers through the unseen and unheard story of one of the finest musicians the world has ever known.

     

    Speaking to Indiantelevision.com about the documentary, Rahman says, “It’s an understated documentary. It’s not the kinds that makes a big fuss and that’s what I like about it. It has its own humour. It is about the music and its making and not just about me. Jai Ho has eminent people taking about me and it is fascinating to listen to them. I am lucky to have done a song on Jai Ho (for Slumdog Millionaire). It’s like a mantra for India, which has always been there. It fell in the place at the right time and the whole world has a portrayal of it. I am very proud of it.”

     

    Discovery Networks Asia-Pacific EVP and GM – South Asia Rahul Johri adds, “We are always looking for content that has the ability to surprise the audience. That’s our primary criteria and first preference when deciding on the channel’s content. We want people to acclaim, ‘Ohh wow, where did they get this idea from?’ And this show has that. It is different from all our other shows.”

     

    The documentary enables a window for the viewers into the personal life of Rahman from him leaving his education at a tender age to support his family to winning an Oscar as well as a Grammy. The programme depicts Rahman’s journey from working with Mani Ratnam forRoja to his first commercial break in Bollywood with Rangeela to his outstanding work in award winning movies.

    Throwing light on how he was on Rahman’s trail for almost six months to pitch the documentary idea to him, Aggarwal says, “I was in touch with his staff and I was told that Rahman would call me at 2:30 am. It was frustrating because I wasn’t getting an answer from him. So one fine day, I went to his office and met his sister. I explained the concept of the documentary to her. Precisely after five minutes, I met the man that I was trailing all this while. It took me six months to reach him and less than five minutes to talk to him about my content.”

     

    The documentary imparts details about Rahman’s personality, career, life, his love for music and his past life from the perspective of formidable personalities who have worked and observed his work and growth.

     

    The factual is shot across the world including Los Angeles where Rahman resides, London, Mumbai and Chennai which is his birthplace. When questioned about casting Rahman as the centre point of the show, he says, “He being the glory of India is just one peg. Whatever is spoken about him, it’s always a third party outlook. Rahman himself has never shared much on his own. This entire story comes from him as he narrates it and you get to know him as a person. This was my prime motive behind making this film. I think people should know that those who have reached to the top, don’t do so overnight. It takes time and that is what inspired me.”

     

    The channel has unleashed various promotional activities across its bouquet of 11 channels as well as created buzz on social media platforms.

     

    “We had started with eight channels in five languages. That is the trajectory we are on and we will speeding up our growth process. There has been a lot of localisation on our channels and going forward there will be more local and relevant content on the channel,” adds Johri.

     

    As was reported earlier by Indiantelevision.com, Jai Ho was recently screened at the 20th Busan International Film Festival (BIFF). It was also screened at the Indian Film Festival of Los Angeles (IFFLA) in April this year. 

  • ‘Finding Fanny’ and ‘Haider’ to be screened at BIFF

    ‘Finding Fanny’ and ‘Haider’ to be screened at BIFF

    MUMBAI: Deepika Padukone starrer Finding Fanny and Shahid Kapoor’s Haider have been selected to be screened at the forthcoming Busan International Film Festival (BIFF) in South Korea.

     

    The two films, along with Margarita, With A Straw, Labour Of Love, Goli Soda and Zahir from the country, will be showcased as part of the ‘A Window on Asian Cinema’ category at the fest.  The festival is scheduled to be held from 2-11 October 2014.  

     

    The director of Finding Fanny, Homi Adajania is ecstatic that his movie is among the projects chosen for the prestigious festival.

     

    “Yeehaa! @FindingFanny officially invited to the BUSAN International Film Festival! @arjunk26 @deepikapadukone @ankurtewari @Anaita_Adajania,” he tweeted.

     

    Finding Fanny is an off the wall, comical story about five people who venture out to find Stefanie Fernandes (Fanny). The movie stars Deepika Padukone, Arjun Kapoor, Naseeruddin Shah, Dimple Kapadia and Pankaj Kapur. The film has been produced by Maddock Films and is being presented by Fox Star Studios. Being hailed as the movie to watch out for, Finding Fanny is set to release on September 12.

     

    Meanwhile, Haider too is among the much-awaited Bollywood films this year. With Shahid Kapoor in the lead role, this Vishal Bhardwaj directorial is the Indian adaptation of William Shakespeare’s play Hamlet. The movie also stars Shraddha Kapoor, Tabu and Kay Kay Menon. The movie is produced by VB Pictures and distributed by UTV Motion Pictures. It will release on 2 October.

  • BIFF to screen Life! Camera Action twice

    BIFF to screen Life! Camera Action twice

    MUMBAI: The Beloit International Film Festival (BIFF) 2012 will screen director Rohit Gupta‘s internationally acclaimed film ‘Life! Camera Action‘ in the 4-day festival that will start on 16 February.


    The BIFFofficial selection has already had one screening on 17 February while the other will be on 18 February.


    Life! Camera Action has brilliant performances by Dipti Mehta, Shaheed Woods and Noor Naghmi.


    Said BIFF executive director Roddie Beaudoin in a statement, “This year, BIFF will screen a new level of quality of films and present the filmmakers‘ stories in ways that BIFF audiences have not experienced before.”


    As per its tradition, the festival is expected to be divided into a series of special events showcasing some of the world‘s finest independent films.


    BIFF will emphasise its international dimension with the premier presentation of ‘BIFF Latino,‘ a full-day celebration of Spanish culture including film, food and music at La Casa Grande Saturday on 18 February.


    BIFF 2012 is showcasing 140 films in 15 venues in Beloit, Janesville, Wisconsin and for the first time in Rockford.