Tag: Bhojpuri

  • Stage secures $12.5m funding to take regional content centre stage

    Stage secures $12.5m funding to take regional content centre stage

    MUMBAI: Stage, the streaming platform championing India’s regional languages and cultures, has secured $12.5m in Series B funding led by Goodwater Capital and Blume Ventures, with Physis Capital and angel investors also piling in.

    The platform, which focuses on underserved linguistic communities, has become something of a dark horse in India’s crowded streaming market. Stage now boasts Rs 180 crore in annual recurring revenue, 4.4m paying households and over 20m app installations—impressive figures for a service that began by exclusively targeting Haryanvi speakers.

    Stage’s numbers tell a compelling story: a 289 per cent surge in revenue and 286 per cent jump in subscribers over the past year. Popular originals such as Videshi Bahu (Haryanvi), Kaand 2010 (Haryanvi) and Bhawani (Rajasthani) have helped drive growth, alongside the National Award-winning Dada Lakhmi featuring Bollywood veteran Yashpal Sharma.

    stage investors

    “What if stories could make people fall in love with their roots? That’s the question we asked five years ago,” reflected Stage chief executive and co-founder Vinay Singhal, on X (foremerly Twitter). “To everyone who’s ever hidden their dialect to sound ‘professional’… Walk taller today. Your culture, your dialect is not a liability. It is a matter of pride. And we’ll keep fighting to prove it. And this funding isn’t just about capital—it’s a resounding validation of India’s regional culture.”

    The platform’s success challenges the conventional wisdom that regional content remains a niche play. Harsh Mani Tripathi, chief product officer and co-founder, puts it bluntly: “Every subscriber who joins Stage isn’t just a user—they’re custodians of their culture.”

    Ritesh Malik, a Stage board member, waxed lyrical about the company’s mission: “By amplifying underrepresented voices and making regional dialects aspirational, Stage is not just shaping content—it’s shaping culture.

    With Bhojpuri content now live, Stage’s roadmap for 2025-26 involves breaking into new cultural territories while deepening its footprint in existing markets. “This isn’t just a growth story. It’s a movement. As we always say: ‘Company Nahin, Hum Kranti Hain!’,” declares Singhal.

    Reflecting on the journey, Karthik Reddy of Blume noted with satisfaction: “To see it bloom to Rs 15 crore a month when sceptics said no one would pay or watch this as primary content is very satisfying.” 
    The once-free Haryanvi app has certainly found its voice—and paying audience.

  • IN10 Network’s Filamchi Bhojpuri presents 75-hours non-stop entertainment to celebrate Independence Day

    IN10 Network’s Filamchi Bhojpuri presents 75-hours non-stop entertainment to celebrate Independence Day

    Mumbai: As India marks its 75th Independence Day this year, IN10 Network’s Filamchi Bhojpuri has come up with a unique way of celebrating. The regional channel has curated a feature film line-up for India@75 to honour the occasion.

    The channel has always captured the pulse of the nation and its viewers with special programs. It will air super-hit patriotic films like “Baaghi Ek Yodhha,” “Sher-E-Hindustan,” “Bolo Garv Se Vandemataram,” and many more for 75 hours non-stop as it recognizes the historic moment with Bhojpuriya Garv Azadi ka Mahaparv. 

    On Bhojpuriya Garv Azadi ka Mahaparv, Filamchi Bhojpuri VP-programming and strategy Rajeev Mishra said, “As the nation celebrates Azadi ka Amrit Mahotsav, we at Filamchi Bhojpuri want to salute the brave hearts of the region. Through this, we aim to not just entertain our viewers but also highlight the prominent personalities and their contributions to the region.”

    The three-day celebrations will commence on 13 August at 7:00 a.m. on the channel.

  • Creativity is major factor behind the popularity of ‘Memsaab No 1’: Makers

    Creativity is major factor behind the popularity of ‘Memsaab No 1’: Makers

    Mumbai: Bhojpuri GEC Zee Ganga’s non-scripted reality show “Memsaab No 1” recently garnered a lot of attention from the audience owing to its unique concept and novel presentation. The latest season of the show is steadily growing in its viewership and has received a thundering welcome from the audience since its launch on 17 January. A marquee property of the regional channel, the tenth season of “Memsaab No 1” has successfully engaged audiences and increased viewership on a week-on-week basis.

    After nine successful seasons, the channel revamped the show for its latest turn. With this strategic move, Zee Ganga has tried to break the monotony and come up with exclusive content to capture the audience’s attention. 

    Speaking about the show’s brand new concept, Zee Entertainment Enterprises Ltd’s (Zeel) chief channel officer for Bhojpuri cluster Amarpreet Singh Saini says the latest season of the show is a giant creative leap in both formatting as well as in content delivery. “Zee Ganga is for a renewed Bhojpuri mindset seeking a high degree of novelty and creativity in its originals,” he remarks.

    On the format of the show

    Saini explains that the show’s new format focuses on three critical parameters of evaluation. This includes areas like personal identity, family identity, and social identity that make a woman complete. The tenth season of “Memsaab No 1” is launched with a creative concept of ‘Chalni Ke Chalal Babuni,’ which is a hunt for showcasing ‘Sarvagunn Sampann’ character of a woman in the current scenario.

    The core format of the show displays interpersonal dynamics, conflicts, relationships, and power plays. The participants are judged at various levels and different types of tasks are given to them, which facilitate deciding on their talents and capabilities. In the process of performing the tasks, the participants are groomed in a manner, which makes them an ideal candidate for winning the title of ‘Memsaab No 1.’ Undoubtedly, the show is providing an intense engagement and portrays the real personality of the participants.

    “This exciting hunt for Sarv Gunn Sampann Babuni, spanned across 13 weeks where the contestants are tested over three stages filled with terrific tasks,” Saini further says. “This true test of their all-round development sees their identity skills (Shubh Mangal Saavdhan, Tip Top Babuni, Rasoi Ki Rani), family identity skills (Aamdani Athani Kharcha Rupaiya, Neg Jog Ke Lekha, Saas Bahu Ke Sangam, Suno Sasoor Ji ) and lastly, the third and final stage – social identity skill (Maai Ka Anchara, Jaagruk Babuni) which makes todays’ woman a complete woman.”

    Catering to the younger audience

    Filmlion Production India’s director and producer Harsha Khanna says Zee Ganga desired to have a major twist in the tail in the latest season of “Memsaab No 1.” The channel wanted to experiment with the format of the show and approached her to plan for a complete makeover. From a simple studio-based set-up focusing on dance and quizzes, the programme has been turned into a hardcore reality show where 16 unmarried girls started showcasing their talent on Bhojpuri television.

    Khanna points out that from Monday to Wednesday, the reality episodes are telecasted and on Thursday, there is the gala round where the contestants get eliminated based on their score. The participants having the lowest scores get evicted.

    She says that the channel is trying to attract a younger audience by bringing reformation and innovation to the show. The viewership is expected to grow in the future as the show is based on ‘sanskar’ and typically focuses on Indian cultural values. 

    “We are looking at a decent rise of 20-25 per cent in the viewership,” Khanna points out.

    It is observed that the channel is witnessing significant growth in viewership during primetime between 6-7 p.m. Referring to the recent data by the Broadcast Audience Research Council (Barc) India, Saini also mentions that “Memsaab No 1” is currently achieving growth on a week-on-week basis. “It’s this complete viewer-centric novel presentation that has led to ‘Memsaab No 1’ achieving a staggering opening of 74 per cent slot jump with 88 per cent reach in growth and 15 per cent jump in time spent over pre four weeks, and on week-on-week, it has witnessed 85 per cent viewership growth in its second week and 112 per cent growth in its third week and more than millions of viewers are watching the show every week which is giving a thumping verdict of viewer engagement to the new format,” he says.

    Saini asserts that the new format of “Memsaab No 1” has received support from advertisers. The segments like personal care, home hygiene, beverages (mostly tea brands) and chocolates are the top categories that are contributing maximum to the top line, and Ultratech cement, Adani fortune and Eyetex Dazller are on-boarded as sponsors of “Memsaab No 1.” “Over the years Bhojpuri category has seen a significant increase in presence of established national brands along with regional ones,” Saini tells.

    Season 10 of “Memsaab No 1” was premiered on Zee Ganga on 17 January and has 65 episodes, which include both semi finale and finale. It is on air from Monday to Friday and is hosted by the Bhojpuri actor Pradeep Pandey (Chintu). 

    The show has a prominent presence of celebrities like Rinku Ghosh, Pakhi Hegde, ChamkiBhauji (Rekha Singh), Kajal Raghwani, Rani Chaterjee, Nissar Khan, and Puspa Verma in various capacities like judge, co-host, inspires, and promoters.

  • Filamchi announces 50 world TV premieres starting 14 August

    Filamchi announces 50 world TV premieres starting 14 August

    Mumbai: IN10 Media Network-backed Bhojpuri film channel Filamchi is all set to entertain its viewers with 50 world television premieres starting 14 August.

    In the next three months, the channel will showcase blockbuster Bhojpuri films featuring popular actors. The titles include Baaghi Ek Yoddha, Lallu ki Laila, Pawan Putra featuring Khesari Lal Yadav, Dinesh Lal Yadav ‘Nirahua’, and Pawan Singh, respectively. 

    The channel said its go-to-market strategy is to serve the large appetite for films that exist within the Bhojpuri audience and that all the titles were handpicked for the viewers.

    “Our selectively curated world TV premieres offer great differentiation from the competition. The continuous streak of super-hit world television premieres will help us increase our audience base and build loyalty to the channel. The strategic move will further bolster our goal of being amongst the top three channels in the category,” said Filamchi, VP – strategy, Tarun Talreja.

    To ensure the viewers are in awe of the content lineup, the channel will be focusing on a 360-degree marketing plan to ensure an unparalleled experience for the audience. Additionally, the channel will unveil an engagement activity for its loyal customers wherein they will get a chance to win exciting gifts like bikes, TVs, and much more.  

    The film premieres will be aired every Saturday at 6:30 pm from 14 August and every weekend from 21 August. Keeping in mind the upcoming festive period, the channel will showcase a premiere every day at 6:30 pm between 11 and 18 September.

  • Filamchi inks a strategic partnership with Chingari app

    Filamchi inks a strategic partnership with Chingari app

    MUMBAI: Filamchi, a Bhojpuri movie channel from the house of IN10 Media Network has signed a strategic partnership with Chingari, a homegrown short video app for live streaming of its world TV Premieres.

    The association will commence with the premiere of the movie Loha Pahalwan, which will be live-streamed on the Chingari app. The tie-up marks a first in the genre as a TV channel and short video platform will integrate to enhance a multi-viewing experience for the audience.

    Speaking on the plan of action, Chingari’s co-founder and CEO, Sumit Ghosh said, “This is one of its kind collaboration where a film will be premiered and made available to the audience through not just TV channel, but also through a short-video platform which will not only expand the audience base but provide a new way of live streaming films in the current digital world. Evolution is the key and Chingari aims to continue collaborating and evolving the space of digital media to the best of its capabilities so that the audience and creators both benefit from it.”

    Commenting on the association, IN10 Media Network, AVP-Marketing, Vinita Shrivastav, said, “The Bhojpuri market has the potential to grow as the audience seeks more localized and relatable content. In today’s multiscreen world, we need to be omnipresent to reach out to our viewers and let them experience content across platforms. The association will aid the platforms in increasing their audience base and engaging them across Bhojpuri movie fans.”

    Talking about the collaboration, app’s co-founder, and COO, Deepak Salvi said, “The contest on Chingari is to provide an overall benefit to both the film creators and the Chingari creators. Pawan Singh is one of the most renowned actors of Bhojpuri Cinema and hence it is authentic entertainment being made available for our audience along with a chance to win a huge cash prize.”

    The live streaming is supported by a dialogue challenge #mainbhifilamchi where Chingari users can create interesting videos on Pawan Singh’s dialogues from the movie and participate in the contest to win 20 lakh Chingari coins.

    The movie will air on 22 May at 1:00 pm on Filamchi channel and Chingari App.

  • ZEE Biskope serves weekend entertainment with TV premiere of Kayamat

    ZEE Biskope serves weekend entertainment with TV premiere of Kayamat

    Mumbai: Bhojpuri channel ZEE Biskope is all set to bring fresh content for its viewers this weekend with a special line-up including the world TV premier of blockbuster movie Kayamat.

    The movie featuring Namit Tiwari and Poonam Dubey will be telecasted this Sunday at 6 PM in Jila Top band. The story revolves around the life of Ajay (Namit), an honest and brave police officer, who risks his life to serve in the line of duty and justice. Ajay goes through a host of challenges in his quest to unravel the truth and provide justice to a couple in a murder case.

    Apart from the world premiere, the channel also plans to bring Hollywood movies dubbed in Hindi, as part of a new content band ‘Hollywood Garda’ on Sundays at 12 noon. It will broadcast the 2018 American live-action animated horror comedy film Goosebumps 2: Haunted Halloween on 23 May. Making the day all the more engaging, it will also telecast the winning entries of its Mother’s Day campaign ‘Tu Chinta Mat Kar Maai’ throughout the day. There will be some heartfelt messages of viewers giving an assurance to their mothers on how they took care of themselves during the pandemic.

    Zee Biskope & Big Ganga, business head, Amarpreet Singh Saini said, “At ZEE Biskope our core objective now is to meet the content upswing while people are homebound. Being with family would mean increased need for family entertainment. The channel has already seen an upsurge in its weekday and weekend viewership. Hence, we plan to cater to the loyal audience base with more variety and offer them a rich family viewing experience aimed at providing an emotional cushion during a difficult reality.”

    Along with headlining a host of category first initiatives, ZEE Biskope has brought novelty to the category and continues to break new ground in the industry as the ultimate Bhojpuri entertainer. Zee Biskope is available on Airtel (channel no 663), Tata Sky (channel no 1120), DEN Bihar (channel no 840), DEN Jharkhand (channel no 839), DD Free Dish (channel no 31), d2h (channel no 859), Dish TV (channel no 1555), Siti Cable (channel no 214) and Darsh Digital (channel no 189). It’ll soon be available on all other major cable platforms.

  • BARC week 29: B4U Bhojpuri leads in Bihar/Jharkhand (U+R) HSM

    BARC week 29: B4U Bhojpuri leads in Bihar/Jharkhand (U+R) HSM

    MUMBAI: In regional GECs, B4U Bhojpuri jumped to the leading position in week 29 of BARC India ratings. The channel has jumped from third position last week to first position in week 29. Last week Bhojpuri cinema was at first position, this week the channel has moved to second position. 

    Bhojpuri

    Rank Channel Name Weekly Impressions (000s) sum
        Week 29
    1 B4U Bhojpuri 65061
    2 Bhojpuri Cinema 62589
    3 Big Ganga 59600
    4 Dabangg 16429
    5 Bhojpuri Dhamaka DISHUM 15485
    Bihar/Jharkhand (U+R) : NCCS All : 2+ Individuals,

     

    In Tamil segment, Star Vijay Super was the new entrant in the list of Tamil (U+R) segment. The channel replaced Star Sports 1 Tamil at fifth position.

     

    Tamil

    Rank Channel Name Weekly Impressions (000s) sum
        Week 29
    1 Sun TV 800111
    2 STAR Vijay 506334
    3 Zee Tamil 386563
    4 KTV 254132
    5 STAR Vijay Super 94683
    Tamil Nadu/ Puducherry (U+R) : NCCS All : 2+ Individuals, 

    Zee Telugu and ETV Telugu have exchanged their positions and are at second and third positions. Star Maa Movies has replaced Gemini Movies in week 29. 

    Telugu

    Rank Channel Name Weekly Impressions (000s) sum
        Week 29
    1 STAR Maa 645802
    2 Zee Telugu 441470
    3 ETV Telugu 438562
    4 Gemini TV 411539
    5 Star Maa Movies 196550
    AP/ Telangana (U+R) : NCCS All : 2+ Individuals, 

    There were no changes in the Marathi segment. The genre was led by Zee Marathi and was followed by Fakt Marathi, Colors Marathi, Zee Talkies and Star Pravah. 

    Marathi

    Rank Channel Name Weekly Impressions (000s) sum
        Week 29
    1 Zee Marathi 383723
    2 Fakt Marathi 226194
    3 Colors Marathi 177330
    4 Zee Talkies 136492
    5 STAR Pravah 109059
    Mah/ Goa (U+R) : NCCS All : 2+ Individuals, 

    Colors Gujarati Cinema was in the leading position in week 29. The channel was followed by Colors Gujarati, TV9 Gujarati, ABP Asmita and Sandesh News.

    Gujarati 

    Rank Channel Name Weekly Impressions (000s) sum
        Week 29
    1 Colors Gujarati Cinema 30314
    2 Colors Gujarati 22085
    3 TV9 Gujarati 13730
    4 ABP Asmita 12747
    5 Sandesh News 10162
    Guj / D&D / DNH (U+R): NCCS All: 2+ Individuals

    Sony Aath and Zee Bangla Cinema exchanged their place at fourth and fifth positions.

    Bangla

    Rank Channel Name Weekly Impressions (000s) sum
        Week 29
    1 Zee Bangla 305114
    2 STAR Jalsha 241085
    3 Jalsha Movies 86279
    4 Sony Aath 60207
    5 Zee Bangla Cinema 55278
    WB (U+R): NCCS All : 2+ Individuals, 

    There were no changes observed in the Kannada genre. 

    Kannada

    Rank Channel Name Weekly Impressions (000s) sum
        Week 29
    1 Zee Kannada 427263
    2 Colors Kannada 297329
    3 Udaya TV 209446
    4 Star Suvarna 156309
    5 Udaya Movies 140624
    Karnataka (U+R) : NCCS All : 2+ Individuals, 

    Surya TV and Asianet Movies have exchanged their places at fourth and fifth positions. 

    Malayalam

    Rank Channel Name Weekly Impressions (000s) sum
        Week 29
    1 Asianet 276397
    2 Flowers TV 111479
    3 Mazhavil Manorama 96391
    4 Surya TV 57650
    5 Asianet Movies 50346
    Kerala (U+R) : NCCS All : 2+ Individuals, 

    Tarang and Prarthana have exchanged their places at fourth and fifth positions in Oriya segment.

    Oriya

    Rank Channel Name Weekly Impressions (000s) sum
        Week 29
    1 Tarang 158029
    2 Zee Sarthak 130706
    3 Alankar 48263
    4 Tarang Music 25843
    5 Prarthana 25114
    Odisha (U+R) : NCCS All : 2+ Individuals, 

    In Punjabi genre, Manorajan Movies and T TV have exchanged their places at fourth and fifth positions.

    Punjabi

    Rank Channel Name Weekly Impressions (000s) sum
        Week 29
    1 PTC Punjabi 52076
    2 Pitaara TV 27215
    3 DD Punjabi 23063
    4 Manoranjan Movies 16792
    5 T TV 14713
    Pun / Cha (U+R): NCCS All: 2+ Individuals,

     

     

     

     

     

     

     

     

  • BARC week 24: No changes in the Bengali, Bhojpuri, Kannada, Malayalam, Marathi sectors

    BARC week 24: No changes in the Bengali, Bhojpuri, Kannada, Malayalam, Marathi sectors

    MUMBAI: No changes were observed in the Bengali, Bhojpuri, Kannada, Malayalam, Marathi space in BARC data for week 24. In the Tamil segment, Star Sports1 Tamil emerged as the new player by replacing Star Vijay Super on the and fifth position.  Star Maa continued to be on its leadership position in the Telugu space.

    Bangla

    No changes were observed in the Bengali space. Zee Bangla, Star Jalsha and Jalsha Movies, Sony Aath and Aakash Aath stood at first, second, third, fourth and fifth positions respectively.

    Bhojpuri

    In the Bhojpuri market as well, no changes were observed. Bhojpuri Cinema, Big Ganga, Dabangg, Bhojpuri Dhamaka Dishum and Oscar Movies Bhojpuri bagged first, second, third, fourth and fifth positions respectively. 

    Kannada

    Zee Kannada, Colors Kannada and Udaya TV retained their first, second and third positions respectively. Star Suvarna and Udaya Movies also continued to be in third and fourth positions respectively

    Malayalam

    No changes were observed. Asianet, Flowers TV, Mazhavil Manorama, Surya TV and Asianet Movies continued to be in first, second, third, fourth and fifth positions respectively.  

    Marathi

    Zee Marathi, Fakt Marathi, Colors Marathi, Zee Talkies and Star Pravah continued to be in first, second, third, fourth and fifth position as compared to the previous week.

    Tamil

    Sun TV, Star Vijay, Zee Tamil, KTV, Star Vijay Super secured first, second, third, fourth positions respectively. Star Sports1 Tamil emerged as the new player by replacing Star Vijay Super in the fifth position.  

    Telugu

    Star Maa continued to be in its leadership position. ETV Telugu, Zee Telugu, Gemini TV and Star Maa Movies stood at second, third, fourth and fifth positions respectively.

  • Sony Marathi new player in BARC data week 48

    Sony Marathi new player in BARC data week 48

    MUMBAI: BARC data for week 48 shows that in the Bengali space, Zee Bangla and Star Jalsha continued to be in the first and second positions. No changes were observed in Bhojpuri, Kannada, Malayalam and Tamil segment. In the Telugu space, Star Maa retained its first position. Sony Marathi emerged as the new player in the Marathi space.

    Bangla

    Zee Bangla and Star Jalsha continued to be in first and second positions with 362811 impressions '000s and 309608 impressions '000s respectively.  Jalsha Movies, Colors Bangla and Aakash Aath stood at 69124 impressions '000s, 65304 impressions '000s and 56837 impressions ‘000s respectively.

    Bhojpuri

    Big Ganga, Bhojpuri Cinema, Bhojpuri Dhamaka Dishum, Housefull Action and Oscar Movies Bhojpuri retained their first, second, third, fourth and fifth positions with 40461 impressions '000s, 35791 impressions '000s, 10852 impressions '000s, 6625 impressions '000s and 3186 impressions '000s respectively. 

    Kannada

    No changes were observed in this segment. Colors Kannada, Zee Kannada, Udaya TV and Udaya Movies and Color Super continued to be in first, second, third, fourth and fifth positions respectively with 450055 impressions ' 000s, 389247 impressions ' 000s, 196316 impressions ' 000s, 188975 impressions '000s and 141803  impressions '000s.

    Malayalam

    Asianet, the Malayalam general entertainment channel from Star TV retained its first position with 302637 impressions '000s. Flowers TV, Mazhavil Manorama, Surya TV and Asianet Movies also continued to be second, third, fourth and fifth positions with 111067 impressions '000s, 85709 impressions '000s, 75191 impressions '000s and 64645 impressions '000s respectively.

    Marathi

    Zee Marathi continued to be in the first position with 419693 impressions '000s. Colors Marathi and Star Pravah interchanged their second and third positions respectively with 147991 impressions '000s and 147486 impressions '000s. Zee Talkies continued to be in fourth position with 117349 impressions '000s. Sony Marathi emerged as the new player in the Marathi space with 46835 impressions '000s.

    Tamil

    No changes were observed in the Tamil space. Sun TV, Zee Tamil, Star Vijay and KTV and Adithya TV retained their first, second, third and fourth positions respectively with 927254 impressions '000s, 526195 impressions '000s, 508744 impressions '000s, 342071 impressions '000s and 106244impressions '000s.

    Telugu

    Star Maa retained its first position with 635818 impressions '000s. Zee Telugu, ETV Telugu, Gemini TV and Gemini Movies stood at 635818 impressions '000s, 572168 impressions '000s, 471045 impressions '000s, 412360 impressions '000s and 200711 impressions '000s respectively.

  • OTT platforms chasing the regional pie

    OTT platforms chasing the regional pie

    MUMBAI: It isn't just the broadcast sector that's woken up to the call of the regional, but even the budding over the top (OTT) platforms.

    On the stage of Vidnet 2018, hosted by Indiantelevision.com, experts from India’s leading OTT platforms were present. Voot Originals head and VP Viacom Tanya Bami, Eros Now VP editorial and content strategy Piyush Bhatia, monozygotic CEO Ravi Luthria, Arre Sharan Budraja and Spuul content head Girish Dwibhashyam shared their views on the state of content on OTT. The panel was moderated by Monozygotic founder Rajiv Laxman.

    Dwibhashyam highlighted about Spuul’s SVOD format and said that initially its primary focus was largely outside India but over a period of time, it captured users in India as well. According to him, currently, long form and live television are more suited for SVOD and for short form content which is less than 10 minutes, AVOD is the way to go. He added, “Earlier, viewership used to come from Mumbai, Delhi metro belt but in the last 9-10 months the consumption has started coming in from the small towns for regional languages like Bhojpuri, Punjabi and that is the trend that we are observing these days. So our focus in India will be more in vernacular languages as we believe that the next 400 million internet users will be different from people right now and they will largely speak vernacular language and would want to watch the content in their own language rather than English language.”

    Bami agreed to Dwibhashyam's point about Indian audiences getting inclined towards regional content. She said, “Half of the population is supposed to parallelly grow by 23 per cent in the next couple of years. So, those are people moving away from TV and if they were to watch TV, they will be already on Voot.” Furthermore, according to her, people are moving away from conventional mainstream content and are looking at the international channels and OTT platforms and those are the stories that are offered in regional languages which will gain traction from the viewers. “So the attempt is to move into pure-play storytelling and that will attract newer audiences to the ones who are digital natives. So to top-up the footfall that we may have is why we would go SVOD. Each show will attract the audiences like we did a very big experiment with a popular show on MTV, Kaisi ye Yaariyan, by bringing it on Voot.”

    Throwing light on the original content on the platforms, Bami said that serving original content is a must, but content strategy is also important. She said that the platform will be able to maximise and juice it up around content like extra dose, or behind the scenes or probably any sort of engaging content to the audiences will attract eyeballs. She explained by giving an example of Bigg Boss’s content strategy on Voot with Video Vichaar.

    Commenting on the same, Bhatia also added that original content is everyone’s primary focus on every OTT platform. While Luthria said the industry should get into more collaborations and developing content base because that will drive the industry. “Three years down the line you see the problem coming in that there are so many things happening. Also, if you are saying that there is no consolidation, then there will be more disruptive content because everyone will be running behind the same pie. So, I suggest there should be collaborative, creative content development.”

    Dwibhashyam concluded by saying that the Bible for content for OTT will be the internal consumption dashboard. “I think the future is going to be where we have seen it with Netflix or Amazon that how they used their internal data, that every platform today knows what content is actually getting consumed and what type of content works basically and in future consumers are going to see the stuff that they would like to watch.”