Tag: Bengal

  • Telewise Bangla: Why West Bengal’s local brands prefer TV as a medium

    KOLKATA: Behemoths like Hindustan Unilever, Godrej, Procter & Gamble, and others of their ilk, may be lording it over product categories nationally, but in regional markets, they more often than not come up against sprightly, nimble, scrappy local players who give them more than a run for their money.  Not only for space in shop shelves but even as far as media spends on TV, print and digital are concerned. The scenario is no different in west Bengal.

    The sentiment and proclivity of local entrepreneur-led brands to use TV as a communication medium and brand builder was the topic of discussion in a virtual session ‘New Bastions of Growth’ at indiantelevision.com’s  Tele-wise Bangla- the Power of Television summit.  Prestige Ice Creams (owner of Rollick) managing director Gaurav Khemani, Ajanta Shoe, managing director Sagnik Banik, Keya Seth Aromatherapy founder Keya Seth, Initiative Media executive vice president Mahesh Motwani got into conversation with Indiantelevision.com founder, CEO & editor-in-chief Anil Wanvari and senior reporter Gargi Sarkar to give their perspectives.

    Khemani, who took over the company five years ago, is a big believer in television as a medium. The company that was growing 23 per cent year-on-year pre-pandemic started expanding the moment it went on TV, albeit improving product quality and distribution also played important roles, he said. Even this year, Rollick launched a campaign in February which ran till March. As Khemani shared, the campaign led to sales reaching levels never reached before in March.

    “The reach of TV is far ahead in Bengal, compared to print or any other medium. If you take TV, you can get around 75-80 per cent reach, whereas for print it is 30-35 per cent at best. If you look at the rural segment, print almost does not reach there,” Motwani stated, noting that Bengal is almost 68 per cent rural.

    However, the reach of digital still stands at around 50 per cent at best in urban areas of West Bengal. While everyone gets excited about digital, TV is extremely important for any advertiser in the state. Moreover, the brands need to plump for Bengali  TV channels which have the highest reach amongst TV viewers,  Motwani added. For premium programmes like SaReGaMaPa, Dadagiri, advertisers start booking slots way ahead.

    Ajanta Shoes’ Banik said it has only been two years since it signed Sourav Ganguly as a  brand ambassador for its sports shoes  as it pivots the company towards being a complete footwear provider from being a manufacturer of slippers alone. And its constant bombardment of the TVC with Ganguly and his dog on Bengali TV channels, has seen its sports shoes kick in sales of Rs 20 crore, Banik claimed. He added that there is no doubt that  TV is important to reach the masses but digital plays a role in  showcasing the technology that goes into the making of a sports shoe.

    Keya Seth Aromatherapy takes a different marketing tack.  Rather than jumping on to celebrity endorsements, the beauty brand’s founder Keya Seth and her daughter are  the faces in its promotions. The company was compelled to pull back media spends since filming stopped in March 2020. Seth explained that the company was compelled to do so as Keya Seth Aromatherapy used to produce a half-an hour programme for TV rather than buying spots.

    For the past year, it has not opened the lock it has put on its media spend chest  as yet. According to Seth, that has not had much of an impact on its growth with sales rising four-five per cent in the past one year. She asserted that she might opt for ad spends again, but the focus would be on digital.

    One of the major issues that some of the local brands are facing is being “outbid” by national advertisers, Seth highlighted. Earlier, regional channels used to treat local and national clients  differently. Some local brands used to spend even Rs 25-30 crore in a year for TV advertising, she noted. And the sales team would stand by them and give them enough priority. But now TV channels are selling slots to any brand which  is willing to fork out more.

     Hence, many of the local brands are not being able to match up their ad budgets with larger brands and gradually shifting to digital. Most of the local brands ink year long deals while many of the national brands just spend for a few premium properties, for a limited period of one -two months. Seth noted that the TV channels are on the verge of losing those long-term investments of local clients prioritising short-term  gains from national brands. While Seth is still keen on coming back to TV, she is of the view that the channels will have to look at how they can add more value.

    According to Motwani, most clients in Bengal work closely with agencies on their branding and media strategies, with owners getting on top of even negotiating ad rates. ”Sometimes, because of their relationships, the entrepreneurs get a better buy,” he said. “If the clients don’t feel like they are getting the right rate, they hold back their TVCs. Their thinking is that if they accept a higher quote, it will become the benchmark for future deals.”

    What about local Bengal brands spreading their wings nationally? Ajanta Shoes has already started moving beyond the eastern market to enter Punjab, Rajasthan, Uttar Pradesh. Keya Seth Aromatherapy already has a  presence in  Delhi, Jharkhand, Tripura, Assam, Jaipur, Bangladesh, Nepal. As Bengali consumers across the world have emotional attachment to homegrown brands, the beauty brand has some customers in the US and  London too.

    Banik stated that he will depend largely on TV to popularise his brand in new states to which it is spreading out. And he will go for a mix of both regional channels there as well as those with a national footprint. But the weightage will be more towards regional channels.

    However, Khemani pointed out that he would rather concentrate on building Rollick in east India for now. “Covid has given us opportunities to think through new opportunities. Pre-covid, I was interested in going national straightway. At this point of time, we want to stay in the east at least for three years and  take a leadership position here,” he said.

    Motwani in closing pointed out that West Bengal has oodles of entrepreneurial spirit pointing to brands like ITC, Gestetner, tea companies, plywood producers like Century and Green Ply which have come to define and dominate product categories. “They are ambitious and they are great believers of TV as a brand building medium,” he said. “Both locally and nationwide. And that will stand TV in good stead.”

  • TV9 Network forays into Bengal market

    TV9 Network forays into Bengal market

    NEW DELHI: With the aim to further reinforce its regional dominance and consolidate its position as the number one news network in the country, TV9 Network has embarked on a massive expansion plan for both its linear television as well as digital news businesses in West Bengal. The expansion plan will kick off with the launch of TV9 Bangla, a 24X7 news channel in the dynamic Bengal news market early next year. 

    Before the launch of TV9 Bangla, the network will unveil its digital offering, tv9bangla.com in December. As West Bengal prepares to go to the hustings, the grand entry of TV9 Bangla digital and TV platforms will be a game-changer for the robust Bangla news market. 

    TV9 Network CEO Barun Das said: “Gopal Krishna Gokhalre had famously said – ‘What Bengal thinks today, India thinks tomorrow’. But nearly a century later it would seem like that statement applies more to Bengal’s past than the present. An intellectually progressive state and exporter of the best talent to India and the world, we believe the state and its people still retain the wisdom and wares to make that its future as well. Bengalis are the typical argumentative Indians, they want to keep her ear to the ground and hence are naturally drawn to the news."

    “More importantly, Bengalis are proud of their language and largely consume news in their language. The discerning Bengali viewer will always have room for a neutral perspective and a balanced opinion. That’s the place in the Bengali heart and mind that TV9 Bangla aspires to occupy. We are here to strike the right balance with neutrality and a fair perspective forming the core of our operations. Our unbiased coverage and world-class presentation will give teeth to the Fourth Estate in West Bengal,” added Das. 

    On the timing of the launch, Das said: “The state is already into election mode. Indirect canvassing has already started and the heat is building up. Given Bengal’s propensity for the free flow of information, news viewership is bound to peak. We believe this is a perfect opportunity for TV9 Bangla to establish its credentials and win the maximum share of viewership and voice.”

    The network has onboarded veteran journalist Anjan Bandyopadhyay as the editor of TV9 Bangla news channel. A gold medallist from Calcutta University, Bandyopadhyay has 32 years of experience and has worked with almost all major media houses, including ABP, Zee, ETV and Sky Bangla. He was the Editor input of Zee 24 Ghanta and his last assignment was with ABP as its Editor-Digital.

    Hiring for both the platforms is in full swing.  Amritanshu Bhattacharya has also joined as the editor, TV9 Bengali Digital and will also serve as deputy managing editor, output, for the television channel. Bhattacharya comes with a rich experience of more than 25 years across print, audio visual and digital media, having worked with Jugantar, Aajkaal, ETV and Zee Media Corp. His last assignment was as an associate editor and head of digital of Zee 24 Ghanta.

  • This Durga Puja, Tanishq urges celebration with safety

    This Durga Puja, Tanishq urges celebration with safety

    NEW DELHI: Rabindranath Tagore described the fragrance of autumn as one of shiuli flowers and incense. But the poet forgot one little thing – for Bengalis, the autumn air is charged with anticipation for Durga Puja, or pujo. Everyone – from the young and the old, prosperous or modest – comes together to celebrate this annual festival. Family gatherings, pandal hopping and festive shopping are de rigueur. But in the new normal post Covid2019, pujo will be different this year. What hasn’t changed is the zest for pujo in the heart of every Bengali: for it is not just a festival, but an emotion.

    With this sentiment, jewellery brand Tanishq has launched its new campaign Ekotai Shundor, Ekotai Shokti (unity is beautiful, unity is strength), an ode to the resilient spirit of Bengalis. The campaign intends to kick start the season of celebration and encourages people to come together while adhering to safety norms.

    Conceptualized by Tanishq and WYP Brand Solutions, the campaign features popular Bengali actress Mimi Chakraborty, who is also brand ambassador of Tanishq for the east region. The campaign dwells on the lore of Pujo and the myths of Maa Durga and is shot against the backdrop of rituals and traditions which are integral to Pujo.

    The campaign attempts to put across the message, more relevant than ever in these times, that one cannot battle it out alone and the true essence of victory lies in the spirit of oneness.

    The campaign also celebrates the Karigars and the entire ecosystem who infuse life into every aspect of pujo celebrations – from the potters who shape up Maa’s protima (statue) with dedication, to the daaker shaajer shilpi, to the ones who mould the dhunuchis (earthen incense burners) and craft the pradips (lamps) out of brass – essentially everyone who adorns Maa in all her festive glory.

    Also pujo is not only a festival but also an industry which provides livelihood to various craftsmen. This year, the pandemic and cyclone Amphan have significantly impacted the overall wellbeing of karigars and the entire value chain associated with jewellery making.

    With their campaign Ekotai Shundor, Ekotai Shokti, Tanishq urges Bengali women to make its latest collection – Aparajita a part of their pujo celebration and appreciate the efforts of Bengal’s karigars for their contribution. The new collection in yellow gold inspired by Bengali traditional designs is exclusively curated for Bengalis, and was released ahead of festive season this year.

    Explaining the rationale behind the new campaign, Tanishq GM marketing Ranjani Krishnaswamy said that the campaign has been crafted to instill hope, positivity, and oneness which are intrinsic to pujo celebrations. “First came the pandemic and then came Aamphan and along with it, the realisation as to how no one can battle these adversities all alone. The campaign is inspired by the symbolism of Ma Durga, her avatar of Aparajita and the invincible force she represents.”

    He described the campaign as an ode to the countless craftsmen for whom these few days of festivities are a crucial source of livelihood. “Even with reduced demand, they are pouring in their artistry with utmost dedication! These karigars are the foundation of the festivities, involved in evoking faith and devotion through the celebrations,” he added.

  • Bengali TV industry witnesses an uptick

    Bengali TV industry witnesses an uptick

    MUMBAI: West Bengal has been one of the strong bastions of the film and TV industry in India. While fears of the regional industry facing tough financial times are not unfounded, Bengal’s TV industry is well and truly in the black despite the speculation that viewership of TV shows is dipping.

    Both local and national names have set themselves up in the state. Viewership allows them to rake in the moolah to survive. Moreover, top brands and advertisers choose regional TV channels to reach particular audiences.

    Bengali dramas aren’t immune to the age-old mix of shows and the saas bahu sagas reign even today. Despite content experimentation, soap operas continue to thrive because of their ability to pull viewers and, in turn, advertising revenue.

    For instance, many shows such as Bhutu, Icchenodi started with the promise of different content but soon kitchen politics took centre stage. A popular show, Ganer Opare, also succumbed to family politics despite being committed to the main idea. The dramatic element can be termed as a necessary evil as they can bring in good viewership that channels desperately need. If producers don’t agree to change the story’s plot, there are several instances of being moved to a different time slot. 

    Giving a tough fight to family dramas, however, is the highly popular Kusum Dola, Rasmoni, a periodic drama and Saat Bhai Chompa, a fantasy drama, topping many viewership charts. A Bengali show named Taranath Trantrik has even been dubbed for an Odia channel.

    Other than dubbing, many Bengali shows are being remade in several languages. “Almost 8 of our shows are being remade in different languages.  Star Plus next big launch “Kulfi Kumar Baajewala is a remake of one of our path breaking show on Star Jalsha “Patol Kumar Gaanwala”, SVF Entertainment’s director and co founder Mahendra Soni commented when he was asked about Bengali content’s potential to be marketed to other regions. 

    The Bengal entertainment industry has a large number of production houses. The big production houses are SVF, Magic Moments Motion Pictures, Surinder Films and Raj Chakraborty Production House which invest for both films and television shows. SVF invests 2.5 lakh per episode for a daily soap from the house. ” We have done shows at as high as 4 lakh per episode too. In fact our last limited series “Mahanayak” was costlier,” Mahendra Soni said.

    However, few players have a good control over the industry. The medium level and small production houses are not able to compete with the biggies and sometimes the big production houses buy a slot for whole year.

    Over the top (OTT) has taken hold of people’s imaginations in West Bengal as well. Everyone is trying to catch the young audience by investing in web-series. In a short time, Hoichoi, and Addatimes have gained a good amount of popularity. New shows are constantly on the launch. Many theatre groups are starting to enter the OTT industry with their own content.

    With the ongoing changes in the entertainment industry, regional players are also embracing new technology and new media content. The TV industry in Bengal, despite facing a potential threat from OTT platforms, has gained viewership in spite of all the odds.

    Also Read :

    Regional to be at the forefront of content

    COLORS Bangla launches new period drama ‘Prothom Protisruti’

  • Takkar time on ABP Ananda – the biggest coverage of Bengal’s biggest festival!

    Takkar time on ABP Ananda – the biggest coverage of Bengal’s biggest festival!

    MUMBAI: BIG is the key word for Bengal’s most awaited festival this year.

     

    “Eto boro! Shotti?” (So Big! Really?) cemented itself as the longest running teaser campaign in the market with a cement brand’s innovative Pujo claim hitting the market almost 3 months ahead of the festivities.

     

    The biggest Pujo Committees (Naktala Udayan Sangha, Agradoot Uday Sangha, Santosh Mitra Square) were quick to ambush the campaign and out-shout it through the biggest outdoor blitz seen in Kolkata.

     

    In this melee, Bengal’s biggest news channel has caught on to the Pujo pulse of one-upmanship and spirited rivalry and launched the big-on-attitude ‘Pujor Tokkor’ campaign.

     

    While the full plan covers the biggest foot print of 71 on-ground touch points (56 Pujo tie-ups, 15 societies), the marketing campaign is already on air, on Friends FM, across our web and digital pages and in The Telegraph.

     

    For the first time in our 10 year history we have launched 3 films at one go for Pujo. The films have been shot in Kolkata by the director of this year’s acclaimed Bangla hit Open Tee Bioscope and award winning musician, Anindya Chattopadhyay. The stories bring to life the true mood, color, competitiveness and strive for excellence that embodies the Bengali’s relationship with our beloved Durga Puja.

  • DD launches another show to strengthen its afternoon slot

    DD launches another show to strengthen its afternoon slot

    NEW DELHI: Pubcaster Doordarshan is going all out to strengthen its content offering to its viewers. And in keeping with that, the channel will launch a new series ‘Aisa Prem Kahan’ starting 16 June. The series captures the unique story of a romance born out of the mayhem of the tsunami set against the renaissance of Bengal.

     

    The series will telecast from Monday to Friday at 1.30 pm on DD National.

     

    The over-riding element in the story comes when a storm over a waterway brings hurricane in the life of four characters: Ramesh, Kamla, Hemnalini, Shusheela and Dr Mahesh.

     

    The story shows how the four characters are hit by social and natural calamities, thereby leading to a tragedy pulling them towards inescapable circumstances hurtling towards an apocalypse.

     

    This ‘edgy-romantic’ tale weaves a complex saga of mistaken identity. It is the story of deep faith and undying love of Ramesh and Hem Nalini tested to the limit by an almost unimaginable twist of fate. Its charm lies in the lingering aftertaste of the “enduring pleasure in pain”. 

  • P C Chandra Jewellers appoints Hasleen Kaur, Former Femina Miss India Earth 2011 as their new brand ambassador

    P C Chandra Jewellers appoints Hasleen Kaur, Former Femina Miss India Earth 2011 as their new brand ambassador

    KOLKATA: P C Chandra Jewellers, one of the largest jewellery houses from Eastern India today announced Hasleen Kaur, former Femina Miss India Earth 2011 as their new brand ambassador. Hasleen Kaur will follow in the footsteps of previous emerging beauties like Deepika Padukone, Yami Gautam who were once a face of the brand and then later went on to become celebrated Bollywood beauty queens.

     

    The company is also soon to announce its new TVC with the newly appointed brand ambassador. Conceptualized by Bates CHI & Partners, the new campaign depicts a heavenly wedding, glamorous and grand against a regal backdrop; a dream wedding that is completed by the resplendent jewellery from PC Chandra Jewellers. The film, being the primary medium, is scripted and shot at in the mesmerizing palaces in Udaipur to recreate such a wedding in a palace by the lake.

     

    Speaking on the occasion, U.K.Chandra, M.D., P.C. Chandra Jewellers said, “P C Chandra Jewellers have had a history of recognizing emerging talents. Such has been the case with our earlier brand ambassadors. Hasleen embodies on one hand, the modern, young & independent woman of today and a loving daughter, a graceful bride and a nurturing lover on the other.”

     

    Former Femina Miss India Earth and the new P C Chandra Jewellers Brand Ambassador Hasleen Kaur shared her excitement on the brand association, “P C Chandra Jewellers, is a fine blend of modern and traditional designs. It is an iconic jewellery brand with a strong presence in Eastern India. I’m overwhelmed to partner with them at this juncture of my career and to represent the brand across India.”
    The group, which has 23 stores spread over Bengal, Delhi, Bangalore & Bhubaneswar, is targeting newer geographic regions in the coming years.