Tag: BBC

  • Novelty, originality and availability: the keys to content success

    Novelty, originality and availability: the keys to content success

    MUMBAI: The NoTa (New on the Air)  Conference reviewing television trends and consumption around the world in 2019 presented on 6 February 2020 in Los Angeles confirms that catch-up and preview viewing for television programmes can significantly add-up to the ratings. In terms of content, “emotainment” represents a strong trend to unite the whole family around television. Fiction remains the key genre addressing both real events and supernatural fiction formats.

    Said research firm Glance (earlier Mediametrie) vice-president Frédéric Vaulpré: “The profusion of content presents a real challenge for the market: how to capture and then retain an increasingly sought-after audience and how to adapt to the new consumption habits of TV viewers. Making content available during an extended time period via live broadcasts, catch-up and, more recently, preview appears to be essential for the television offer going forward into the future.”

    Added Glance content insight director Avril Blondelot:  “Now more than ever, novelty is synonymous with audience success. In 2019, 10,600 new series were identified in the countries studied by the NoTa monitoring service. Among these new programme launches on the channels measured, the proportion of audience hits has risen in two years. Besides, over a three year period, quite many channels have had their most successful launch by genre in 2019 in ratings.”

    New timings benefit ratings

    Watch a TV programme … as it airs today, via catch-up tomorrow, or even as an advance preview before the show broadcasts in the coming days or weeks. In 2019, new ways to watch TV have become part of viewer habits. Although live TV broadcasts still account for the vast majority of daily TV viewing time, other practices are becoming established: let’s start with catch-up, which is now a well-known alternative amongst viewers. In 2019, out of the average of 3 hrs and 40 mins daily TV viewing time in five countries combined (France, Italy, Spain, the United Kingdom, the United States), 10 per cent was catch-up. This practice is growing its appeal across different age groups and is no longer the prerogative of young people.

    Preview – the possibility of watching a programme before it airs on a scheduled broadcast – represents a remarkable audience booster for the programmes that offer this option. In the United Kingdom for example, where preview is offered, it can bring an additional 37 per cent  audience share to a programme. On that side of the Channel, most preview shows are in the fictional genre, and are generally aired in the late-evening time slot. Other examples include the British series Manifest, broadcast on Sky One, and Gold Digger aired on BBC One for which 90 per cent and 58 per cent of their total audiences respectively were thanks to preview.

    Emotional content and original game formats bring audiences together

    Entertainment is still a strong draw to TV sets, especially as a family. Embracing this trend, the concept of “emotainment” means content that generates positive emotions around the themes of music, nostalgia and celebrations.

    Over its first month on air, Song of My Life (YLE TV1, Finland), a musical look back over events in the personal and professional lives of famous guests, boosted the prime time audience share for that country’s leading channel by more than 50% among its target audience: 25-44 year olds.

    Similarly, Studio G (TVA, Quebec), threw a Champagne party for celebrities whose 4 episodes were watched by one third  of young adult TV viewers on average.

    TV game shows are ever popular and gather viewers around their television sets. This year was particularly strong for original shows (twice the number versus 2017). One such example was: The Way Out (VTM, Belgium), a format that crossed a science experiment with a physical challenge and tinged it with humour; leading to an almost 80% average boost in evening market share for its channel across the four episodes.

    Lastly, as far as factual programming is concerned, the search for emotion is still there, but success lies in content that promotes helping others and which prompts all generations of the general public to get involved. Reflecting the current state of society, the programme The Key (RTL4, Netherlands), for example, gives homeless people the chance to make a new start by moving into accommodation. For its launch, the programme brought the channel an average audience gain of almost 75% among the 20-34 year old age group.

    Fiction: between reality and the supernatural

    With 4,700 series launched in 2019 (i.e. 45 per cent of the new shows studied), fiction remains one of TV content’s dominant genres. The two trends that emerged or were strengthened this year: fiction based on real events (news items and historical stories) and, on the opposite end, supernatural fiction formats.

    A common sight on special interest channels, documentaries that dissect news stories and unsolved crimes are a sure-fire hit with viewers. The phenomenon now extends to fiction, with the same demands in the search for truth and information. Examples include the series Stanley H. (NPO3, Netherlands) which tells the story of Stanley Hillis, one of the most famous criminals in that country; or White House Farm (ITV, UK), which focuses on the murders of five members of the same family on their Essex farm in 1985. Finally, digging up a national incident, relying on historical elements and sticking as closely to reality as possible is the subject of the one-of-a-kind fiction: 22 July (NRK1, Norway), which returns to the Utoya massacre perpetrated by terrorist Anders Behring Breivik. This fictional evocation of a trauma that gripped the nation focused on the professionals who were affected by the events (police, paramedics, journalists, etc.), and earned the channel an extra 28 per cent (ear average for its launch in primetime in all individuals.

    Fantasy and horror series are spreading out in Western Europe and Asia on major channels. BBC has opted to air the mini-series Dracula created by the authors of Sherlock, and Hotel del Luna (TVN, South Korea), broadcast on Korea's fourth largest channel, was introduced as one of the best science-fiction productions in 2019, increasing the average audience share for the channel by a factor of 3.5 amongst 15-34 year olds, across the first eight episodes.

  • BBC| Sadguru | Money Control| Film Companion and many more exciting podcast stations on Saregama Carvaan 2.0

    BBC| Sadguru | Money Control| Film Companion and many more exciting podcast stations on Saregama Carvaan 2.0

    MUMBAI: Saregama announced its tie up with eminent content providers to boost the podcast offerings of its recently launched product Carvaan 2.0, which also supports 5000 pre-loaded retro songs. Podcast line up now includes BBC, Sadguru, Money Control, Film Companion by Anupama Chopra, Popular Fever FM Originals like Jai Bajrangi featuring Sunil Shetty, Sai Nath featuring Jackie Shroff, Ramayana in iconic voices of Naseeruddin Shah, Anupam Kher, Om Puri, motivational talks, love stories & other interesting topics via Hubhopper podcasts. With these recent associations ,  Carvaan 2.0 becomes an undisputed  single one stop audio destination for consuming varied content ranging from music , Bollywood interviews, financial advice, insights on relationships, kids content, health & general wellbeing to devotion among many other such topics across genres. Saregama Carvaan 2.0 is a first ever product, which offers not just pre-loaded music but also, aggregates and brings various genres of podcasts to one single platform, which consumers can access on-demand.

    Carvaan 2.0 was launch with a very clear strategy of extending the relevance of the product from just lovers of retro music to every member of the family. The content acquisition driven totally, by what different age groups are consuming today via various platforms. Apart from offering 5000 pre-loaded evergreen songs , there are bedtime stories , rhymes, devotional series for young children,  bollywood interviews, travelogues , motivational talks, love & horror stories, poetries for the younger generation, tips on carefree parenting , stock market analysis, BBC World Service English Podcasts like BBC Minute, WorklifeIndia, Crowd Science etc  for other age groups.  

    Here is the overview of current podcast line up. 

    BBC World Service English Podcasts – BBC Minute, WorklifeIndia, Kalki Presents: My Indian Life, Crowd Science, Death in Ice Valley, The Assassination and People Fixing the World
    Insights on life, relationships, health and all aspects of human wellbeing by Sadhguru, Founder, Isha Foundation
    Bollywood Interviews and Film reviews by Anupama Chopra via Film Companion
    Motivational talks, love & horror stories, shayari and poetry, tips & conversations on carefree parenting, and more top audio shows via Hubhopper podcasts
    Dig Deeper into the stock market with Moneycontrol: Analyses of business news and history, and their impact on the markets
    Fever FM original Jai Bajrangi – A very popular podcast on the life of lord Hanuman. Sunil Shetty has lent his voice to the character of Hanuman
    Fever FM original Sai Nath : The life and journey of Saibaba featuring Jackie Shroff as Sai
    Fever FM original Ramayan : Epic audio series featuring Naseeruddin Shah as Raavan, Anupam Kher as Dashrath, Javed Jafferi as Hanuman, Ratna Pathak Shah as Mantra, Jayati Bhatia as Kaikeyi and Om Puri as Narrator 
    Bachchan Recites Bachchan where Amitabh Bachchan himself recites Shri Harivansh Rai Bhachchan’s poems
    Music stations of Tamil, Telugu, kannada , Malyalam and Assamese songs to cater to its regional listeners 
    Exclusive dedicated stations like M S Subhalakshmi, Rabindra Sangeet, Gurbani , Classical Carnatic, Hindustani  Vocal and Instrumental
    Other highly consumed and popular stations include Bhagwad Geeta ka Saar, Sampoorna Sundarkand, Nani Maa ki Nuskhe, Musafir hoon Yaaron, Wordgram, Open Mike, Bachchon ki Kahaniyan, Bedime stories among many others
    Podcasts on various topics like travel, children stories and rhymes, mind body and soul, stories of various spices, wordgram
    Gulzar’s Nazam, Poetries and more
    Various devotional stations like Bhagwad Gita, Krishna Bhajan, Sai Chalisa and more  
    Additional 15000 Hindi songs via various playlists

    Vikram Mehra, Managing Director, Saregama says, “ Carvaan 2.0 is not just an audio player with pre-loaded music but a full-fledged audio platform offering a very wide range of popular and relevant content for all age groups and every member of the family. Simplicity is the core of Carvaan, this version though has evolved in terms of content offering but with zero compromise on the simplicity and ease of access.”

    This version of Carvaan gives access to 5000 pre-loaded songs, additionally to 15000 songs via wi-fi audio stations and various other podcasts. It offers other features like FM/ AM, USB, Bluetooth and a rechargeable battery. It comes with app compatibility, which gives easy access to pre- loaded library of songs and to various podcast stations. Setting up of wi-fi is extremely simple and is just a onetime process.  The product comes with 1-year doorstep warranty backed by an all India service network.

    Carvaan 2.0 is available in Classic Black and Emerald Green at Rs 7990. The same is also available in Gold variant as well with iconic Harman Kardon speakers in two colors – Champagne Gold and Rose Gold at Rs 12990.   All versions are available on www.saregama.com

  • Catch Richard Gere’s return to television with the BBC First drama MotherFatherSon

    Catch Richard Gere’s return to television with the BBC First drama MotherFatherSon

    MUMBAI: If you are expecting the everyday decorum that an elegant media dynasty story has to offer, think again. Beneath the steely performance of Richard Gere marking his much-awaited return on television after 30 years, MotherFatherSon offers twists and turns with a quirky sense of glee. The drama revolves around Max, who is at the helm of a mammoth media empire and his son Caden who is seen crumbling under pressure. Tensions are rife in this not-so-conventional story as Caden knows secrets that could bring Max’s empire crashing down. This is a fight for family, a fight for truth – a fight for the heart of the nation.

    Watch MotherFatherSon only on Zee Café from 16th August at 10 PM.

    Highlights of the show:

    A complex interplay of a media mogul’s fractured family and a country at the brink of a change
    Family, media, politics and the intense drama that ensues in the life of the troubled business titan Max
    An enthralling drama that marks Richard Gere’s return to television after 30 years
    From bestselling author and Emmy-nominated writer Tom Rob Smith.

  • Market-leading ThinkAnalytics is the only content discovery vendor with capability to scale to over 100 million users in the cloud

    Market-leading ThinkAnalytics is the only content discovery vendor with capability to scale to over 100 million users in the cloud

    MUMBAI: ThinkAnalytics™ today announced that its cloud-based personalized content discovery platform is the first in the industry to scale to over 100 million monthly active users in the cloud.

    ThinkAnalytics’ customers rely on this ability to deal with massive scale to power personalized user experiences as they undergo rapid growth in both audience numbers and the number of hours each user spends viewing content.

    Four of the firm’s OTT customers – BBC, DAZN, Tata Sky and Viacom 18 – now have a combined user base that exceeds 100 million monthly active users. Plus Viacom18 has attracted more than 50 million monthly users to its Voot platform and is targeting 100 million by the end of March 2020.

    Using the Amazon Web Services cloud platform, ThinkAnalytics’ content discovery platform both auto-scales to meet peak demand and deliver a consistently high-quality personalized viewing experience that boosts engagement, and scales down during quieter periods to reduce costs.  Combining full redundancy in geographically distributed data centres and a self-healing capability that automatically replaces any failed instances, the ThinkAnalytics platform provides industry-leading performance, scalability and reliability.

    One global streaming customer recently scaled to run at over a million requests per minute without a glitch, with no manual intervention required. The ThinkAnalytics platform auto-scaled from the minimum configuration to peak demand, all fully automated.

    Peter Docherty, ThinkAnalytics CTO, said, “Scalability, which has always been at the heart of our technology, is critical as established brands look to scale their D2C services quickly across multiple markets, while established providers in countries such as India are breaking new barriers with ever growing numbers of active OTT users. For these providers, a cloud-based content discovery platform that can reliably auto-scale to support many millions of viewers is a priority, offering the peace of mind that comes with a reliable, high-quality experience – even at peak periods. With our platform, customers get the world-leading personalization capabilities they need to engage their audiences and showcase the breadth and depth of content available, combined with the tools and insight needed to attract and retain viewers. ”

    The ThinkAnalytics portfolio gives customers a holistic view of their business with full viewer lifecycle management, helping them to better address KPIs such as boosting loyalty, ARPU and customer experience, and developing new revenue streams.

    As well as personalized content discovery powered by AI and machine learning, solutions include: ThinkInsight, the TV industry’s first viewer and video insight platform; the ThinkEditorial campaign tool, and the ThinkComposer dynamic UX engine that provides the ability to personalise the viewer experience.

  • Sir David Attenborough makes surprise onstage appearance at glastonbury to launch new BBC natural history series seven worlds, one planet

    Sir David Attenborough makes surprise onstage appearance at glastonbury to launch new BBC natural history series seven worlds, one planet

    MUMBAI: To celebrate Glastonbury going single-use plastic free for the first time in its 49-year history, inspired by the continued Blue Planet II effect, BBC Studios joined forces with festival organisers to celebrate the amazing work of its iconic Natural History Unit and globally launch its next blockbuster Seven Worlds, One Planet, which is set to premiere in India on Sony BBC Earth.

    And in a surprise appearance in front of his biggest ever live audience, the show’s narrator, Sir David Attenborough, took to the legendary Pyramid stage yesterday on Sunday 30 June to introduce the world premiere of the new series’ curtain-raising prequel.

    MAIN – Please see caption description for details

    Sir David also revealed that the extended trailer features a tantalising collaboration between enigmatic Australian performer/songwriter Sia and legendary composer Hans Zimmer, who join forces on the original song ‘Out There’, that accompanies the prequel.

    The Seven Worlds, One Planet prequel, showcasing the rich diversity of the earth’s continents, was also simultaneously broadcast globally in almost 50 countries on linear and digital platforms, providing international fans of BBC’s natural history shows with a first glimpse of the new show. As well as scenes from the seven-part landmark series, the prequel also features some exclusive additional footage.

    Throughout the final day of Glastonbury, festival-goers have been immersed in the natural world with clips in between performances as well as a three-minute piece of footage celebrating the diversity of life on planet earth. The Worthy Farm faithful were also treated to a breath-taking natural soundscape set to ambient oceanic footage celebrating diversity in our oceans before the Seven Worlds, One Planet world exclusive.

    BBC Radio 1 also gave the song Out There its global radio debut on the Dev and Alice Show at the same time as the prequel played out to the Glastonbury attendees.

    The song, inspired by the Attenborough-fronted Planet Earth II series, was composed by Sia, Christopher Braide and Hans Zimmer, produced by Russell Emanuel, and arranged by Andrew Christie for Bleeding Fingers Music.

    The Seven Worlds, One Planet prequel can be viewed here:

    Sir David Attenborough, commented on the upcoming series by saying: “Seven Worlds, One Planet will resonate with audiences worldwide. We all belong to a continent after all, we all share planet earth. I am delighted to introduce the latest work from BBC Studios’ Natural History Unit.”

    Sia commented: “I was honoured to be asked to collaborate with Hans Zimmer for Seven Worlds, One Planet. The work this programme – and the Planet Earth series – does on behalf of our planet is essential and I’m proud to be a part of it.”

    Hans Zimmer says: “Sia is a real virtuoso and has a voice to match the power of her song writing. Out There is sublime and it was a joy for myself and the Bleeding Fingers team to bring it to life and give the Seven Worlds, One Planet prequel a soundtrack to complement the extraordinary imagery and voice of Sir David.”

    Charlotte Moore, BBC’s Director of Content, added: “We’re delighted to give the Glastonbury audience the first look at the prequel for Seven Worlds, One Planet. This is going to be an extraordinary series for BBC One fronted by Sir David Attenborough. The combination of cutting edge technology and unique insights into animal behaviours will give us a new perspective on the natural world.”

  • Discovery and BBC sign major global content partnership  And agree on future of uktv channels

    Discovery and BBC sign major global content partnership And agree on future of uktv channels

    MUMBAI: Discovery, Inc. and BBC Studios today jointly announce a series of agreements, reigniting their historic relationship with a significant multi-million pound global content partnership spanning a library of premium factual series to power a new global streaming service, and a bespoke development deal for BBC Studios’ iconic genres of natural history, animals, adventure, science, travel, space, history and civilization documentaries.  Additionally, the two companies have concluded the future of UKTV’s channels business in the UK with a structured split that complements the strategic focus and commercial business of both organizations.  

    The new 10-year content partnership, effective in all territories outside the UK, Ireland and Greater China, will make Discovery the exclusive global home of BBC landmark natural history programmes in SVOD, including the Planet Earth, Blue Planet and Life collection of titles, the recently lauded Dynasties and others, as well as future BBC-commissioned landmark series from BBC Studios, following their linear transmission.   Discovery also acquires SVOD rights to hundreds of hours of BBC programming across factual genres.  All of this iconic content will form one of the pillars of a new global streaming service, which will also include some of the best of Discovery’s programming library, original content created for the service, and experiences and offerings that go well beyond video.  The service will launch by 2020 and will form a key part of Discovery’s unique and growing portfolio of direct-to-consumer services that will enable fans to ‘view and do.’  These services will also be made available to distribution partners for retail.   

    Discovery and BBC Studios have also signed a bespoke development deal to create new landmark factual content for Discovery that furthers audiences’ discovery of the world for both linear and digital distribution.   This deal reunites the two media and entertainment brands that worked together on unrivalled natural history series such as Planet Earth, Walking with Dinosaurs, Life and Blue Planet.   The two companies will co-fund a dedicated development team within BBC Studios.
     

  • 55%Urban Indians bat for listening to opposing views on politics: BBC Crossing Divides Global Survey

    55%Urban Indians bat for listening to opposing views on politics: BBC Crossing Divides Global Survey

    MUMBAI: The BBC Crossing Divides Global Surveyshows that while politics maybe a thorny issue, unlike popular perception, over half of urban Indians polled (55%) believe that it is important for them to listen to people with different views on politics, even if they disagree with them. Further, 42% urban Indians polled say that they feel comfortable sharing their political opinion with others even if they have a contrary view to theirs. India is placed fourth in the pecking order. Other three markets endorsing this view were Turkey (61%), Mexico (45%) and South Africa (43%). At the bottom of the heap were Japan (7%), South Korea (27%) and Italy (28%) – being least comfortable about sharing their political opinions.   

    Hold a contrary view?43% self-righteous urban Indians believe opposers care less about India’s future. India is 2nd in pecking order. Turkey tops at 46%. Half of Indians polled (48%) tend to think that that opposers have been misled and 35% Indians feel that one should avoid conversation with them (highest across all markets). Indians realize the futility of the exercise – because 51% feel that those with opposing views even on presentation of evidence are likely to stay rigid with their opinions. 56% Indians profess to have conversations with people with opposing views on issues like politics, climate change, immigration, feminism etc. at least once a week.    

    Only two in ten Indians (22%) feel that people’s divisive views on politics are dangerous for the society. Majority shrug off the negative impact of the same. Poland (56%) however is most worried, while Japan is least worried (6%).

    At the same time, 34% Indians feel that compared to 20 years ago, our society now is more prone to clash of views between people on politics. 

    Social Media – a boon or curse? 

    Majority of urban Indians exhort merits of social media like Facebook and Twitter – at least 68% feel that these two platforms are giving a voice to people who would not normally take part in debates and social issues. Further, 63% Indians credit social platforms like Facebook and Twitter for breaking down barriers between the public and those wielding power. 

    Though 64% Indians polled feel that the debates on these social platforms are quite divisive. 

    Immigration, ethnicity, religion – myths busted?

    43% Indians hail the positive impact of immigration on India. Though 2 in 10 (20%) hold the contrary view.

    53% Indians say that they are comfortable in groups of people who are like them. Though in practice, it does not hold true, our study shows. 

    Only 19% Indians have friends from the same ethnicity as them; only 18% Indians say that their friends are from the same religious faith or belief as them; only 25% Indians have friends with same level of education as them; only 29% Indians have friends of the same age group as them; only 16% Indians have friends with the same political views as them; only 22% Indians would have friends with same views on climate change as them; only 13% Indians would have friends with same level of income as them and only 19% Indians would have friends with same level of views on feminism as them.      

    A new global study by Ipsos for the BBC Crossing Divides season carried out online among adults under 65 across 27 countries captures views on how differences of views are impacting societies.

    “The study shows that Indians are taking the opposing views in their stride and have figured out a mature way of dealing with them by avoiding direct confrontation. Social platforms like Facebook and Twitter are a big hit among Indians as conduits enabling the common man to connect with public figures, something which has been a dream come true for them. Also, majority of Indians exhort the merits of social platforms as interactive mediums. Downside being, social platforms are denounced for being divisive though,” says Parijat Chakraborty, head of Ipsos Public Affairs, Ipsos India.    

    Worlds Apart? Global findings

    While people around the world agree there are political divisions in their country, they are split over whether these divisions are healthy or dangerous for society
    •    Globally, while the majority of people (81%) say there are differences in people’s political views in their country, a third (33%) think these divisions are healthy for society but a similar proportion (32%) thinks they are so divisive that they are dangerous for society.  Only 16% think that these differences have no major impact on their society. 
    o    People in Poland (56%) and the United States (51%) are much more likely to think these differences are dangerous for society, whereas close to half in Mexico (49%) and Peru (47%) believe they are healthy. 
    o    Britons follow the global picture, with 85% agreeing that there are divisions in society.  And despite Brexit, they are more confident that these divisions are healthy for society (41%), but three in ten (31%) still think they are dangerous. 
    •    Two in five (41%) think their country’s society is more at danger because of divisions between people with different political views than it was twenty years ago; this rises to over half (57%) in the United States (57%), Sweden (57%), South Africa (53%) and France (53%).  However, three in ten (29%) say that divisions are about the same as they were twenty years ago, and more so in Japan (40%), Italy (39%), Belgium (38%) and Canada (37%). Only 14% believe that society is less in danger now than it was 20 years ago.  This is higher in Chile (27%), but perhaps they were still recovering from the Pinochet dictatorship two decades ago.
    Half believe that it’s important to listen to people with different viewpoints, but only a third say they talk to others who have opposing views on a weekly basis
    •    Half of all people (50%) say that it is important to listen to people who are different to themselves, even if they disagree with the other person, they still want to understand them – this sentiment is significantly higher in South Africa (71%) and Turkey (68%).  But the study shows that in Germany (43%), Malaysia (44%), Belgium (45%) and Brazil (45%) there is less of a willingness to listen to those with opposing views. 
    •    However, despite saying it is important to listen to others just over a third (35%) of people say they have conversations with people who have opposing views to their own (on issues such as politics, climate change, immigration and feminism) on at least a weekly basis, although nearly three in five (58%) say they do on at least a monthly basis. Just one in ten (10%) say they never speak to people holding opposing views to them, while a similar proportion saying they don’t know (11%). 
    •    One in five (21%) say they talk to people with opposing views on a less than monthly basis, and is higher in Canada (33%), the United States (30%) and Russia (30%). Weekly conversations among people with different views happen more frequently in India (56%) and an array of Latin American countries – Peru (54%), Argentina (49%) and Colombia (49%). Meanwhile, respondents in Japan (40%) and South Korea (34%) are more likely to say they never have conversations with people holding opposing views to them. 
    •    Around two in five say that over half of their friends have similar views or beliefs to them, in terms of religion (38%), immigration (38%), climate change (42%) and feminism (37%). However, when asked about political views, this drops to around three in ten (32%).
    Politics is a thorny subject – only one in three say they’re comfortable sharing their political views with other people 
    •    Around a third (35%) of people globally say they feel comfortable sharing their political opinions with other people, including those they do not necessarily agree with them.  Respondents in Turkey (50%) and Mexico (45%) are much more comfortable sharing opposing political views than average – but this is much less the case in South Korea (27%), Germany (28%), Italy (28%) and Malaysia (28%). 
    o    One in five globally (19%) say they do not feel comfortable sharing their political opinion with others at all, and this is higher in the United States (24%) and Peru (24%). 
    •    Two in five globally (41%) say they feel more comfortable in groups of people of people who are similar to them, and this is significantly higher in China (68%) and Hungary (57%), while less so in Italy (30%) and Belgium (30%). 
    •    Around half of all people say that over half of their friends share similar demographics to them, in terms of ethnicity (56%), age group (49%) and levels of education (46%). However, this drops to less than a third (30%) when discussing levels of income. 
    Political views are fairly entrenched; half of all people think that people with opposing views are unlikely to change their opinions regardless of the evidence presented 
    •    Around half of all people globally (49%) agree that those with opposing political views to them are unlikely to change their opinions regardless of the evidence presented (just 14% disagree). And this rises to three in five in Hungary (63%), the United States (62%) and South Africa (62%).
    •    People are split on whether people with different political views care about the future of the country or not.  Close to three in ten (28%) think that people with opposing political views to their own don’t care about the future of their country but a similar proportion (31%) disagrees.  Respondents in Turkey (46%) and India (43%) are much more likely to think those with different views don’t care about their country’s future.  However, people in the United States (39%) and Colombia (38%) are more likely to disagree that this is the case. 
    •    Over a third (36%) believe that people with opposing political views to them have been misled (19% disagree).   This is particularly the case in Hungary (55%), South Africa (54%), Turkey (51%) and Colombia (50%).  On the other hand, people in South Korea (31%) and Mexico (25%) are most likely to disagree with this statement.
    •    Despite political differences, only a quarter globally (24%) think that people with opposing political views to them aren’t worth trying to have a conversation with, although this is much higher in India (35%) and South Africa (33%). Two in five (37%) however disagree – with those in Poland (50%) and South Korea (48%) the most likely to disagree with this statement.
    •    A third of people globally (31%) agree that people with opposing political views do not care about people like them, with a quarter disagreeing (24%). Turkey (46%) and India (44%) were more likely to agree, while more disagreed in Columbia (31%) Mexico (30%) and Poland (30%).
    •    However, only one in ten (11%) say that all or almost all of their friends have the same political positions to them, and around three in ten (32%) say over half their friends share the same politics. One in five (20%) they were unsure of their friends’ political views, which reaches over a third in France (36%) and Australia (36%).
    o    Respondents in South Africa (20%), Russia (18%), Hungary (18%) and Peru (18%) are the most likely to say that all or almost all of their friends have the same political views as them while this is much lower in Japan (2%), South Korea (3%) and Australia (6%). 
    •    These findings link into other recent polling by Ipsos MORI, which show that nearly two in three (65%) think that people across the world live in their own internet bubble, but only one in three admit they do themselves (34%). It also reveals that three in five (60%) think that other people don’t care about facts anymore, they just want to believe what they want. 
    •    Two in five Brits (38%) say that over half of their friends share the same views as them on Brexit, while only 12% said less than half do.  Close to three in ten (28%) say that do not know their friends’ position on Brexit, which is notable given that Brexit is one of the key dividing lines in UK politics. 

    Social media – boon or curse?  Views are mixed; it has enabled more people to join in on social debates but it has made society more divisive.

    •    Across the world, three in five (61%) agree that social media platforms such as Facebook and Twitter are giving a voice to people who would not normally take part in debates about social issues, and 44% agree that they are breaking down barriers between the public and people in power. However, over half (54%) believe that social media platforms are making these debates much more divisive than they used to be – only one in ten (11%) disagree. 
    •    Belief that social media is empowering people who were previously not engaged is highest – over three in four – in South Africa (78%), Mexico (76%) and Colombia (75%). Comparatively, it drops to under half in Germany (45%), South Korea (48%) and Belgium (50%). 
    •    Latin American countries are much more likely to agree that social media is breaking down barriers between the public and people in power – Colombia (67%), Peru (67%), Chile (61%) – and are joined by India (63%) and South Africa (63%). This sentiment is lowest in Hungary (24%) and Belgium (28%).
    •    Respondents in Colombia (67%), South Africa (65%), Mexico (64%) Turkey (64%) and India (64%) are most likely to say that social media is making debates much more divisive while respondents in Russia (32%), Poland (41%) and Germany (45%) are less likely to agree with this sentiment. 

    Globally, more think that immigration has had a negative impact on their country rather than positive impact but the British are most positive
    •    Around a quarter (24%) think that immigration has had a positive impact on their country compared with two in five (39%) who believe that it has been negative. 
    •    People in the UK (48%), Saudi Arabia (48%) and Australia (46%) are the most positive, but seven in ten say that it has been negative in Colombia (71%) and Turkey (71%).  These findings for Colombia and Turkey are likely to reflect the fact that both these countries have recently taken in large numbers of refugees. 
    •    A number of European countries are more negative than average too – Italy (55%), Hungary (54%), France (53%), South Africa (53%), Belgium (52%) and Germany (51%). 
    •    Immigration is an issue that divides people; globally just 16% say that all or almost all of their friends have the same view on immigration as them, this more than doubles in Hungary (35%) and is much lower across East Asia – Japan (2%), South Korea (3%) and China (8%). One in five (21%) report that they don’t know their friends’ views on immigration, which rises to over a third in Australia (36%), Canada (34%) and France (33%).

  • DD India to reposition as English channel; digital platform to launch before elections

    DD India to reposition as English channel; digital platform to launch before elections

    MUMBAI: Even as all the private media houses are gearing up for the general election, public broadcasters Doordarshan and All India Radio (AIR) are not lagging in their attempts to make hay out of the most lucrative season for news channels.

    According to ThePrint, DD India will be revamped and positioned as an English news channel for the global audience soon while AIR is planning to launch a 24×7 news stream in the next few weeks. Apart from this, Prasar Bharati News Service, a 24×7 digital platform for the global audience, is also set to begin in the next few weeks which is conceptualised along the lines of BBC and CNN in 2017 by a panel headed by Prasar Bharati chairman A Surya Prakash.

    The digital platform will broadcast international news to a global audience to counter anti-India narratives in the foreign media. According to reports, the platform will be an app-based interface that will offer services in multiple languages and publish news in the form of text, video, podcast and alerts.

    About the content, Vempati said, “The contents on these channels will be guided by the Prasar Bharati Act, which lays out quite clearly the mandate of the public service broadcaster.”

    The plan for the new 24X7 AIR stream is to broadcast news bulletins primarily in English and Hindi which will go live in the next few weeks.

    “AIR did not have any such channel. News bulletins were broadcast sporadically in gaps across the AIR network,” Prasar Bharati CEO Shashi Shekhar Vempati told ThePrint.

    A 24×7 stream, officials said, will help expand the reach of AIR news significantly, running parallel to AIR’s recent decision to share its unaltered news feed with private FM channels as a pilot project.

    FM radio channels are currently not allowed to produce and broadcast their own news bulletins, so the move will help the wider dissemination of AIR news since nearly 235 private radio stations across India have already registered with Prasar Bharati to source AIR news content.

  • BBC LAUNCHES HUGE NEW INTERNATIONAL ANTI-DISINFORMATION INITIATIVE

    BBC LAUNCHES HUGE NEW INTERNATIONAL ANTI-DISINFORMATION INITIATIVE

    mumbai: The BBC will be launching the Beyond Fake News project on 12th November with the release of findings from original BBC research into how and why disinformation is shared. Around the globe, disinformation has been seen to cause social and political harm, with people having less trust in the news, or in some cases being subjected to violence or death as a result. The BBC’s Beyond Fake News project aims to fight back with a major focus on global media literacy, panel debates in India and Kenya, hackathons exploring tech solutions and a special season of programming across the BBC’s networks in Africa, India, Asia Pacific, Europe, the USA and Central America. The research to be released publicly on 12th November comes after users gave the BBC unprecedented access to their encrypted messaging apps in India, Kenya, and Nigeria.

    The Beyond Fake News media literacy programme has already begun delivering workshops in India and Kenya. It draws on the BBC’s pioneering work to tackle disinformation in the UK, where digital literacy workshops have also been delivered to schools across the country.   

    Jamie Angus, Director of the BBC World Service Group, says: “In 2018 I pledged that the BBC World Service Group  would move beyond just talking about the global ‘fake news’ threat, and take concrete steps to address it. Poor standards of global media literacy, and the ease with which malicious content can spread unchecked on digital platforms mean there’s never been a greater need for trustworthy news providers to take proactive steps. We have put our money where our mouth is and invested in real action on the ground in India and in Africa. From funding in-depth research into sharing behaviours online, to rolling out media literacy workshops globally, and by pledging to bring BBC Reality Check to some of the world’s most important upcoming elections, this year we’re carving our path as a leading global voice for spotting the problems, and setting out ambitious solutions.”

    The Beyond Fake News Season

    Fake or real, truth or lie, transparent or deliberately misleading – how can you tell the difference? And what can you do about it to help build trust?  These are the problems the BBC explores in the Beyond Fake News season. This season will include Fake Me, a documentary revealing how far young people will go in pursuit of social media perfection, as well as the in-depth story of what happened when WhatsApp turned one Indian village into a lynch mob. There will also be reports on Russia’s disinformation campaign, how Facebook is being exploited in the Philippines to spread false information, and a debate with the world’s big four tech firms on what role they play in stemming the spread of ‘fake news’.  The season brings stories from across the world on TV, radio and online drawing on the expertise of the BBC’s international network of journalists.

    Programmes & Documentaries

    Global: From Delhi, 12th – 15th November

    Matthew Amroliwala takes BBC World News’ Global on the road through India, exploring what happens in a world where fake news goes viral, and trust is the victim. He’ll be talking to tech giants, politicians, school children and Bollywood actors.

    BBC World News

    Beyond Fake News – Tech Giants, 12th & 17th, 18th November

    The tech giants Facebook, WhatsApp, Twitter, and Google are brought together to discuss the fake news crisis and the roles their platforms play in the problem, and the solution. Matthew Amroliwala hosts.

    BBC World News

    The She Word: Fake Me, 10th November 

    From Insta-face to jeeps and bling to full-on faking it, millennials in Africa are living on “likes” as the social media world expands, sometimes going to extreme lengths to clock up the clicks. Using the Instagram look, the content, the followers and the tech to transform her online profile, we challenge one Kenyan student, a 21 year old social media ‘virgin’, to go from private to public, and see if she can fake it – in just five days.

    BBC World Service Radio, BBC World News, BBC World Service TV, BBC.com

    BBC Click: Kosovo’s Fake News Factories, 10th November

    Eighteen months ago Kosovo's fake news factories were running at full steam – fuelled by the country's excellent connectivity and its young tech-savvy population with few other job opportunities. Since then, Facebook has been aggressively targeting such operations. We go back to see how successful this crackdown has been and how the fake news game has changed.

    BBC World News

    Features

    “Deepfake” video manipulation, 14th November 

    When you’re not always seeing what you think you are – Matthew Amroliwala picks up new languages the easy way, but not without a little help from “Deepfake” software programmes that turn fiction into reality, making ‘fake video’. This technology could present opportunity for but also dangers – BBC Click look into this for BBC World News.

    BBC World News – preview available on request

    Explainer: Why a Fake News story spreads, 12th November 

    How does fake news get onto your feed? Zoe Kleinman explores how fake news goes viral, the role of social network algorithms in its spread and how automated bots push false stories to millions. How easily are legitimate publishers tricked into repeating false news, and why are we the public so willing to share stories we see on social media?

    BBC World News, BBC.com

    Special Reports

    India/Asia Pacific

    An interactive data project mapping the violence fuelled by false rumours in India

    From the BBC India team in Delhi, we have scraped hundreds of newspapers to compile data on violence and lynchings driven by social media and messaging apps in India.

    BBC.com

    What happened when WhatsApp turned one Indian village into a lynch mob, 12th November  

    The story of Nilotpal and Abhishek. Mini-documentary on two men lynched after rumours on WhatsApp suggested they were child abductors.

    BBC World News, BBC.com

    The people behind the spread of fake news in India, 12th November
    The BBC’s Vineet Khare meets some of the people behind the Facebook pages and websites accused of spreading fake news across India.

    BBC World News, BBC World Service TV

    Thailand’s victims of fake news “law”, 13th November

    Four years after the military coup, Thailand may return to democracy with an election next year. But political activity is still limited and critics are being increasingly threatened with cyber security laws that often use the "fake news" crutch and carry prison sentences. For the BBC's Beyond Fake News season, our South Asia correspondent Jonathan Head meets people who are facing legal threats for speaking out against the military government.

    BBC World News, BBC World Service Radio, BBC.com

    Fake news and the Philippines, 12th November

    Howard Johnson travels to the remote archipelago of Batanes to understand how supporters of the late Philippine dictator Ferdinand Marcos have been exploiting Facebook to spread fake news and help his family stage a political comeback.

    BBC World News, BBC.com

    Africa

    Somalia: Media freedom under attack, 12th November 

    Somalia is one of the most dangerous places in the world to be a journalist and media outlets are being closed down for publishing information, or what their critics call ‘fake news.’ As part of our Beyond Fake News season, Fergal Keane reports on the fallout.

    BBC World Service Radio, BBC World News, BBC World Service TV, BBC.com, UK networks

    BBC Africa Eye – new investigation, 13th November

    BBC Africa Eye will broadcast its latest investigation.

    On BBC Africa TV, BBC.com

    Russia/Europe

    Debunking Russia’s ‘information noise’ operations, 12th November

    A lab in Tbilisi has been using untested lethal drugs to experiment on Georgian citizens, the Russian Defence Ministry announced last month. But the claims were false – aimed at distracting attention away from Moscow's involvement in the Skripal poisoning and embarrassing revelations about a failed Russian cyber-attack on the global chemical weapons watchdog (OPCW) in the Hague. Steve Rosenberg visits the lab for our Beyond Fake News season, and looks at how Russia uses fake news to spread disinformation.

    BBC World News, BBC World Service Radio, BBC.com & domestic BBC outlets

    Middle East

    How a fake news law is being used to crack down on dissent in Egypt, 14th November

    Five months ago, Egyptian actress Amal Fathy logged on to Facebook and posted a video alleging that she had been assaulted by Cairo police officers. Two days later she was in jail, accused of “spreading false news”. Fathy, who was later sentenced to two years in prison, is the latest in a growing list of Egyptian dissidents prosecuted under the government’s new fake news laws. Sally Nabil looks at the effect of the crackdown and how US rhetoric around fake news is being abused as a powerful tool of repression abroad.

    BBC World News, BBC.com

    USA/Americas

    Mexico lynchings report, 12th November

    Two innocent men are pulled from a jail house by a mob and burned in the street after WhatsApp rumours warning of child abductors – a report on how fake news can grip a small town where violent crime goes unpunished.

    BBC World News, BBC World Service Radio, BBC Mundo, BBC.com

    Also showing as part of the season:

    “Operation Infektion”, 11th November

    Operation Infektion, by the New York Times, is an enthralling history of fake news, or what the KGB used to call, “active measures.” With testimony from former Russian spies and US officials, the film deconstructs some of the most successful “fake news” operations of recent times, from the 1980s lie that Aids was created by the CIA, to the so called pizzagate conspiracy during the last Presidential election. This is disinformation warfare laid bare.

    BBC World News

    From Our Own Correspondent, 12th November

    From Our Own Correspondent will be bringing its mix of stories, insight and analysis to Delhi for a special edition of the programme presented by Anu Anand. Reporters in the region will reflect on what’s real and what’s not.  

    BBC World Service Radio

    BBC World Questions: Delhi, 14th November

    BBC World Questions will host a debate in Delhi allowing the public audience the chance to put their questions directly to a panel of politicians and opinion formers. With support from the British Council, the programme visits a different city around the world each month, and provides a public forum for open debate and an opportunity to explore claim and counter claim in front of an audience.  

    BBC World Service Radio

    Why Factor:  The Fact Checkers, 12th November

    Sandra Kanthal will speak with fact checkers from Turkey, the Philippines and Brazil to find out what motivates them to combat fake news, especially in countries where speaking truth to power comes with considerable risk.   How do they do this difficult job, and why are they so determined to improve the skills all of us can use to call out false claims? 

    BBC World Service Radio

  • Infotainment genre’s steady shift towards localisation

    Infotainment genre’s steady shift towards localisation

    MUMBAI: It’s home! That’s the cry that almost every broadcaster is uttering today when it comes to wooing viewers with content. Even as kids’, lifestyle and GECs are witnessing an uptake in local content, the infotainment genre isn’t going to be left behind.

    Earlier, there were only syndicated shows dubbed in Hindi that aired on TV and yet it worked well with the audiences in India. Later, broadcasters felt the need to evolve as per the taste buds of the Indian viewers and that’s when regional feeds came into the picture. Syndicated content was definitely cheaper than self-production.

    Discovery, History TV18, National Geographic, Nat Geo Wild, Epic TV and Sony BBC Earth are the players in the market competing against each other for eyeballs. Broadcasters found Tamil and Telugu as viable regional languages to start with. Discovery and National Geographic channels are the only exceptions having Bengali language in their kitty. Epic TV is the only one with Hindi language.  It is also the only channel that has all India-centric while the rest of the players have a mix of syndicated content and home-grown shows.

    According to the BARC data week 37, Epic TV bagged fourth position with 1962 impressions sum. Back in 2014, Epic TV called itself a GEC channel and three years later, the channel felt the need to switch to the infotainment genre. Its move proved to be a success as the channel’s market share scaled up from 3 to 15 per cent market share.

    Talking about Sony BBC Earth, it leapfrogged Discovery that was ruling the infotainment genre for almost for a decade, within a year of its launch.  The channel increased its market share from 22 per cent to 26 per cent in the six metro cities. In an earlier interview, Sony Pictures Network English cluster business head Tushar Shah told Indiantelevision.com that the category which is supposed to be informative along with entertainment in it is missing the first half. Brushing aside the claims of the challenges in the infotainment genre, Discovery claimed to enjoy a 23 per cent market share in the All India Urban (2+) area. It also claimed that when its Tamil channel is factored into the number games, the channel's share of the pie grew by four per cent.

    Similarly, History TV18 also has plans to woo audiences with more local content. History TV18 EVP Arun Thappar said in an interaction that that channel is not just looking at notching up the number of hours of local content but is creating content that is relatable to its audience. Also, in a media report, A+E Networks TV18 VP and marketing head Sangeetha Aiyer said, “I think that localisation is the next logical progression in the evolution of any global product. This is more so in a country like India, which is very inward-looking and has potential for great content. The infotainment genre occupies only about one per cent of total TV consumption. So, if a channel has to expand, it has to look beyond global content. All our local productions have universal themes but with a local lens.”

    Considering all the above factors, it clearly means that the infotainment genre isn’t saturated now as it used to be earlier. The genre is growing breaking the cliché from just syndicated content to Indian home-grown content.

    As per the BARC data from week 41, Sony BBC Earth continued to lead the genre with 4131 impressions (000s) sum, followed by Discovery Channel, History TV18 and National Geographic Channel retaining its second, third and fourth positions respectively as compared to the previous week (40) with 3995 impressions (000s) sum, 3723 impressions (000s) sum and 2699 impressions (000s) sum. Animal Planet emerged as the new player in the market by replacing Nat Geo Wild, on the fifth position with 2523 impressions (000s) sum.

    How the genre manages to grow the appetite of the people for local content remains to be seen.