Tag: BBC

  • BBC DG Mark Thompson stresses importance of funding for digital switchover

    BBC DG Mark Thompson stresses importance of funding for digital switchover

    MUMBAI: Realistic funding through a new, long term licence fee settlement is essential if the BBC is to fulfil the Government’s ambitious goal for digital switchover laid down in the new 10 year BBC Charter. This is the message that BBC DG Mark Thompson has sent out..

    “Few people outside the industry have registered the scale of task – or the scale of the money required. This is a project of great size and intricacy. The risks are formidable. If it is under resourced it will fail. It’s a simple as that – and the failure will impact on many millions of households,” Thompson said in a speech at the Smith Institute.

    “If all that was wanted in the new Charter was a steady-state BBC with the same line up of services and the same level of quality, we could deliver that well within our current resources. If you want a BBC which does no more than it is currently doing, then a budget that reduces in real terms – RPI-minus – is the right settlement.”

    Thmpson points out that a tough regime of productivity and cost reduction within the BBC over recent years will release an additional £355 million per year for new investment from 2008 – a total of £3bn over the next Charter. He adds that recent benchmarking and independent reports show the BBC is close to the ‘efficiency frontier’ and its proposals for continuous efficiency improvements should keep it there.

    However to deliver the full mission set out by the Government the BBC could only fund 70 per cent of the costs itself though savings and efficiencies. thompson notes that the BBC needs additional net investment to fund the rest of the plans that successive reports have shown the public understands and is willing to pay for.

    He said that the BBC’s current licence fee bid could reduce to around RPI +1.8% (from RPI +2.3%) if, among other factors, the broadcasting regulator Ofcom decided not to levy a spectrum tax on the BBC over the next licence settlement period.

    This would mean a licence fee of £149 in 2013/14 in today’s prices, well below the £162.66 that the recent Work Foundation report commissioned by the Government says that licence payers would be wiling to pay. This bid would still include the wider broadcasting industry costs of switchover and building the digital transmission network for both TV and radio as well as investment in planned new digital access services through on demand and mobile.

    The bid does not include the costs of targeted help for the most vulnerable which need to be ring-fenced but that the Government have said will be paid through the licence fee. He adds, “Historically the most powerful argument for a relatively long settlement has been a guarantor of the BBC’s independence. Digital switchover will take place over the next seven years. The BBC’s mission over the next seven years is crystal clear in the White Paper. There is a powerful case for settling the BBC’s funding for the same period.”

    Thompson stressed that, in the event of a low settlement, the new BBC Trust would have to make some difficult decisions about what not to do, in the interests of public value and the BBC’s current £1bn a year investment in the UK’s wider creative industries. “We can’t do everything. We can’t rob existing core services to pay for switchover.”

    He said that in the event of a low settlement, he would not be able to recommend to the Trust that the BBC should go ahead with the transformational plan for creativity and jobs in the North based around a new broadcast centre in Salford. “We would have to find other, more modest ways of increasing our investment in the North.”

    In terms of public value he said: “Benchmarked against most of the public sector, the BBC has demonstrated one of the strongest and most consistent records of delivery. “It is wrestling with many of the same issues as the rest of the public sector, how to reform and modernise; how to drive efficiencies and improve quality at the same time. But it’s still a success story in terms of delivery, public confidence and the ability to change and re-invent itself.”

  • BBC’s show ‘Robin Hood’ racks up interest around the world

    BBC’s show ‘Robin Hood’ racks up interest around the world

    MUMBAI: Following its successful launch on UK television this weekend, attracting over eight million viewers, BBC Worldwide announces that it has already racked up a string of international television sales for the show Robin Hood. It has managed to secure deals in major territories including the US, France, Australia, New Zealand, Denmark, Spain and Portugal. Further deals are being concluded in Cannes this week.

    The Tiger Aspect show which has been co-produced with BBC America is available in full HD. BBC Worldwide’s brand team has worked in close partnership with Foz Allan and Dominic Minghella, the Tiger Aspect creators of the show, a collaboration which has made possible a 360 degree launch, with deals concluded for DVD, Children’s books, Audiobooks and Toys. DVDs and books deals were concluded in time for products to be on the shelves for Christmas. A soundtrack deal has also been concluded this week featuring music from Andy Price.

    BBC Worldwide’s independent unit director Helen Jackson, Director says: “Robin Hood might be an English legend, but Tiger Aspect’s fantastic contemporary production resonates with modern audiences across the world. The cross-platform deals we’ve done so far reflect this and we’re looking forward to encouraging further sales at Mipcom.”

    Robin Hood is one of BBC Worldwide’s key drama titles for the television trade event Mipcom in Cannes, France alongside ITV1’s £6 million new science fiction drama Primeval.

  • RJ Simran makes a comeback on Big Delhi 92.7 FM

    RJ Simran makes a comeback on Big Delhi 92.7 FM

    MUMBAI: The private FM player Big 92.7 FM has roped in Delhi’s own celebrated RJ, Simran Kohli, to host a flagship show Nau Baje Ki Setting. 

    Earlier this year Kholi had taken a break from RJ’ing to set up a Radio Management Academy. According to an official release, Kholi is here on Big 92.7 FM to give Delhi a taste of something nobody’s ever heard, felt or dealt with ever before, on any radio station.

    Nau Baje Ki Setting will broadcast everyday at 9:30 pm to 10:30 pm, which will see Kholi playing cupid to lovelorn listeners unable to profess their love, and bailing them out of their dilemma. 

    Kholi started her radio career way back in 1995 at AIR Delhi with the hugely popular Street Talk 10 show, which she did for nearly five years. In 2002, she had joined Radio Mirchi as the programming head in Delhi, and spent nearly three years in Mirchi.

    After her stint with Radio Mirchi, she joined Red FM as the creative head and the Breakfast Show jock, re-launching Red FM with a new attitude, character and tagline. She also worked as a freelance producer with the BBC, Hum FM Dubai and other Radio Stations across the world on various projects.

    She has also decided to pen down all her learning’s in a series of 10 books called Understanding Radio.

     

  • BBC searches for best young band in the world

    BBC searches for best young band in the world

    MUMBAI: BBC World Service has launched The Next Big Thing. This is a competition to find the best young group or solo artist on the planet. The contest is open to anyone as long as they are 18 or under, unsigned and performing original music.

    Music by the entrants will be played on World Service throughout the autumn and a winner will be chosen by listeners and music industry experts in December during a one-hour special broadcast.

    Producer Ben Williams says the aim of the competition is to give a helping hand to young artists who may not have access to the music industry. “There’s fantastic musical talent all over the world but many people struggle to get that first break, and that’s where we come in. We are looking for brilliant new music – the quality of the recording isn’t important.”

    The contest will be run with the help of the BBC’s language services, meaning the final shortlist of six acts could include songs in any language, giving it a truly global feel.

    Artists who are interested in entering the competition should send one track to the World Service by 3 November 2006. CDs and tapes should be sent to The Next Big Thing, Bush House, London. MP3s can be emailed to the BBC at thenextbigthing@bbc.co.uk.

    The contest is part of a special season of programmes from World Service Generation Next, which explores the world through the eyes of the next generation – their passions, concerns and interests.

  • BBC focusses on US mid terms elections with ‘USA Direct’

    BBC focusses on US mid terms elections with ‘USA Direct’

    MUMBAI: Next month in the lead-up to the mid-term elections in the US on 7 November, the BBC will have a USA Direct season.

    This will feature news coverage, interviews and documentaries looking at American society, culture, economics, and politics. In addition some of BBC World’s regular programmes such as flagship interview programme HARDtalk, technology weekly Click and the interactive multimedia discussion programme Have Your Say, will offer an assessment of ‘the state of the nation’, asking has the US reached its peak as the world’s only superpower?

    World Business Report will be reporting on the topical issue of immigration and the role of immigrants in the work force. A special It’s My Country Too airs on 21 October at 7:40 pm. It’s five years since 9/11, and the US is a changed country, especially for Muslims. Islam is one of the fastest-growing religions in the US, yet one in four Americans regard Muslims living among them with suspicion. As part of the USA Direct season, It’s My Country Too follows Salman Ahmed, the founding member of successful rock band Junoon, as he explores what it means to be an American Muslim. Salman talks to taxi drivers, students and law reform campaigners, including a mother whose desperate search for her Muslim son after 9/11 turned her into a political activist.

    The World Debate Advancing Sands: Deserts and Migration airs on 14 October at 5:40 pm. A dust bowl the size of the US threatens our world. The UN says that desertification is forcing 100 million people to leave their homes. Marking the UN Year Of Deserts and Desertification, The World Debate comes from the headquarters of the World Conservation Union in Switzerland. Six experts will take questions from viewers on the Internet on why so little has been done to halt the degradation of fertile lands and what can now be done to ensure that tens of millions more are not forced to leave their villages.

    Is A Free Media Essential For Development? airs on 28 October at 5:40 pm. ‘Communications for Development’ is a new and expanding field, which places the media at the heart of international development efforts. At its basic level it’s about using the media, for instance, to encourage people to wash their hands before eating or to use condoms – simple, non-controversial campaigns that can potentially save millions of lives. However increasingly the media’s role in promoting good governance is being recognised by donor countries, and not always welcomed by the governments of some developing countries. Many place restrictions on their domestic media, with actual or self-censorship rife.

  • BBC, Microsoft in content alliance

    BBC, Microsoft in content alliance

    MUMBAI: UK pubcaster The BBC and software major Microsoft have signed a nonexclusive memorandum of understanding (MoU).

    This will define the framework within which the companies can explore opportunities for the delivery and consumption of BBC content and the evolution of next-generation broadcasting.

    BBC DG Mark Thompson and BBC director of new media and technology Ashley Highfield met Microsoft Chairman Bill Gates to officially sign the memorandum of understanding and discuss the BBC’s digital strategy. This includes plans for its online archive, for a radically re-invented Web site in the Web 2.0 world — a second generation of Internet-based services — and for ways to share its online content in the future.

    Thompson said, “We are currently witnessing unprecedented rates of change in technology and audience expectations. To ensure that the BBC is able to embrace the creative challenges of the digital future, we need to forge strategic partnerships with technology companies and distributors for the benefit of licence payers.”

    Gates says, “Microsoft’s strength is in driving digital innovation, and our vision is to open up rich, new consumer experiences that allow people to enjoy digital content anytime, anywhere and on any device.”

    “This vision fits squarely with the BBC’s charter to lead the industry in delivering content that is compelling and accessible. I’m delighted that we’re taking this important step, and I look forward to working together to develop new models for content delivery and consumption.”

    Highfield said, “Microsoft is not just a key supplier to the BBC, it is also a key gateway to audiences that the BBC needs to reach through Web services it runs like MSN and Windows Live(TM) Messenger, and hardware such as Xbox and the Windows Media Center. The BBC needs to work with all players in this space to make sure our programmes and content are enjoyed by the widest possible audience, without always having to come to bbc.co.uk to find it. The learnings from our US visit will very much inform our thinking on the BBC’s creative future.”

    The MoU aims to identify areas of common interest between the BBC and Microsoft on which a strategic alliance could be developed. Areas of potential investigation and collaboration include search and navigation, distribution, and content enablement. Any actual procurements of new technology, or launch of new services by the BBC, would be subject to appropriate regulatory approval.

  • BBC celebrates 10th anniversary of Teletubbies with a new JV

    BBC celebrates 10th anniversary of Teletubbies with a new JV

    MUMBAI: This year UK pubcaster BBC’s children’s show Teletubbies celebrates 10 years. On this occasion the broadcaster has formed a joint venture with UK family and children’s entertainment firm Ragdoll.

    The new entity Ragdoll Worldwide will look to manage and exploit the Ragdoll catalogue including Teletubbies, In The Night Garden, Brum and Boohbah.

    Ragdoll Worldwide will secure the creativity of Ragdoll as it moves into the next stage of its commercial life alongside its long term and most successful commercial partner, BBC Worldwide.

    As well as exploiting the current catalogue of Ragdoll programming, the joint venture will launch two new properties, In the Night Garden and Tronji, which Ragdoll are now in the final stages of completing. In the Night Garden, a pre-school property, will be launched at the television trade event Mipcom in Cannes next month, and the CG/live-action programme Tronji is scheduled to air on BBC next year.

    BBC Worldwide will manage the international broadcast sales and the UK and international licensing of all Ragdoll properties including: Blips, Boohbah, Brum, Tots TV, Rosie and Jim and the Open a Door series on behalf of the new joint venture.

    Ragdoll retains all UK broadcast rights and Ragdoll USA part of the new joint venture, will manage the Ragdoll portfolio in the US.

    Ragdoll commercial director Mark Hollingsworth says, “Ragdoll is pleased to further strengthen its unique relationship with BBC Worldwide. Creating a vehicle that is equally owned by, and managed with BBC Worldwide allows both organisations to collaborate and capitalise on our respective strengths around the world. I am certain that the creation of Ragdoll Worldwide will result in additional exposure and awareness of the Ragdoll brand globally”.

    BBC Worldwide MD children’s and global TV sales, Mark Young says, “This is an important development for BBC Worldwide as it secures one of our most important relationships in the Children’s business in advance of the launch of their new slate of fantastic properties. Ragdoll and BBC Worldwide have had a long and successful partnership going back over a decade.”

    Ragdoll which was formed in 1984 has produced more than 1,400 programmes aimed at the youngest viewers. Ragdoll-produced series can be seen in more than 120 countries and territories around the world, and in the UK are screened by the BBC, ITV and Five.

  • BBC launches online Hindi magazine, Dev Anand is the guest editor

    BBC launches online Hindi magazine, Dev Anand is the guest editor

    MUMBAI: BBC World’s hindi website, bbchindi.com has launched its first internet magazine, BBC Patrika, with actor and film maker Dev Anand as their special guest editor. Incorporating all the regular features that used to be part of the website’s Entertainment index, BBC Patrika will also carry a range of original material, including stories, poetry and interviews.

    Editor of bbchindi.com Salma Zaidi explains, “We want to attract new users to our online site, and with BBC Patrika, we can widen scope to include features and thought-provoking articles which, we hope, will engage users looking for something more than just Bollywood and fashion.”

    “bbchindi.com will invite well-known names to write for BBC Patrika, and to ensure it constantly feels fresh and lively, we will have a new guest editor every three months,” adds Zaidi.

    Commenting on Dev Anand addition to magazine as the special guest editor, Salma Zaidi says,”Dev Anand is a perfect example. He is an acclaimed living legend with decades of expertise entertaining and informing the public. He also has a keen eye for the issues concerning Hindi-speakers across the world.”

    Taking on his new role, a elated Dev Anand says, “My association with the BBC goes a long way. I was first interviewed by the BBC in the fifties. When bbchindi.com approached me to be a guest editor for BBC Patrika, I was pleasantly surprised.”

    “I have played innumerable roles in my lifetime, but never that of an Editor. There is something that is common between BBC and myself. I have never copied anyone and in that regard I am ‘exclusive’. And so is the BBC. Apart from this, I have always accepted challenges and I feel BBC Hindi Online has also been doing this all the time,” added Anand.

    BBC Hindi programmes are produced from studios in London and New Delhi and are set in a rolling format, with news, current affairs and features.

    The interactive morning and evening programmes, Aaj Ke Din and Aaj Kal bring the BBC Hindi listeners news, analysis and interviews on a range of issues, from current affairs and careers to showbiz and sports.

    BBC Hindi is available on short-wave and medium-wave radio transmitters and via cable television. Hindi-speakers across the world can access BBC Hindi programmes in text and in audio at the 24/7 site bbchindi.com

  • BBC expands ‘Strictly Come Dancing’ show

    BBC expands ‘Strictly Come Dancing’ show

    MUMBAI: UK pubcaster BBC will expand its dance based reality show Strictly Come Dancing. The new season of the show kicks off on BBC One next month. Two extra weeks have been added to the show along with two more celebrities than last year. 14 stars will be paired with internationally renowned professional dancers in what is termed as the hottest competition of 2006. In India Sony airs a local version of the show.

    The participants will include former Spice Girl Emma Bunton who is now a solo singer, actress Georgina Bouzova and cricketer Mark Ramprakash. Bunton will be dancing with Darren Bennett.

    Bruce Forsyth and his co-host Tess Daly will once again return to present the show. Len Goodman, Craig Revel Horwood, Arlene Phillips and Bruno Tonioli also return to judge the competitors’ performances.

    Forsyth said, “The whole nation seems to have taken Strictly Come Dancing to its heart in a way that we could never have believed it would happen. I can’t wait to get back on screen with this wonderful show. Here’s to a great fourth series!”

    “With a line-up like this, the new series is set to be bigger and better than ever before. Where else could you see a Spice Girl dancing alongside Jimmy Tarbuck?” adds Daly.

    In a change to last year’s format, week one will witness boys dancing to stay in the competition whilst the girls entertain with a group Mambo. In the second week, the female celebrities will fight to stay in the competition, whilst the men kick back with a group West Coast Swing. From week three all couples will compete against each other performing either jive or tango.

    The couples will be judged on the basis of public as well as studio voting, with the lowest-scoring couple leaving the competition.

    As in previous series, all the proceeds from viewer voting will go towards BBC Children in Need which last year raised over £1.5 million.

    Also returning is the daily sister show Strictly Come Dancing – It Takes Two with Claudia Winkleman on BBC Two. It features footage from rehearsals and training as well as interviews with the judges and the contestants. All the latest news and gossips on the training and the show can be found on the website, bbc.co.uk/strictlycomedancing.

  • BBC to launch interactive social reality court show ‘The Verdict’ next year

    BBC to launch interactive social reality court show ‘The Verdict’ next year

    MUMBAI: BBC will launch an interactive reality court show, The Verdict next year. The show will be a cross-platform event that will witness 12 carefully selected celebrities sit through the judgement on a complete trial just like a real jury.

    Commissioned from RDF Television, The Verdict will focus on a highly contemporary and controversial case, based on evidence and examples from real life, improvised by top actors and contested by real barristers and a real judge.

    The celebrity jury, will include celebrities with different backgrounds. The first celebrity juror, who has agreed to serve on The Verdict’s jury is former UK Conservative Cabinet Minister Michael Portillo. Viewers will actually be able to see how a jury reaches its conclusions.

    The series goes into production soon and will air next year. It will show the highlights from the trial, building from the prosecution case to the moment when the jury will have to retire and reach their judgement.

    The jury will be sequestered together in a hotel and a switch-over programme will show how the jury have reacted to the day’s proceedings in court. An interactive service will ensure that viewers can fully engage with The Verdict, taking part in discussions on the messageboard, finding out background information, registering for email and SMS updates and registering their own verdict on the trial.

    The Verdict has been funded by the Think Big Fund, which has been set up by BBC director of television Jana Benett. The aim is to support big ideas across platforms and channels to ensure they have maximum impact.