Tag: BBC

  • Ken Loach to receive Berlin Film Festivals lifetime achievement Golden Bear

    Ken Loach to receive Berlin Film Festivals lifetime achievement Golden Bear

    MUMBAI: The 64th Berlin Film Festival will pay tribute to British director Ken Loach with an honorary Golden Bear at a presentation ceremony that will feature a screening of his 1993 Cannes Jury Prize winner Raining Stones.

     

    One of Loach’s early successes, Cathy Come Home, aired on the BBC in 1966, drawing 12 million viewers. The docudrama about a young working-class family that slides into homelessness and is subsequently separated, received such an influx of support at the time that it crashed the BBC switchboard.

     

    Among other highlights of the director’s oeuvre are Land And Freedom (1995), My Name Is Joe (1998), Bread And Roses (2000), The Wind That Shakes The Barley (2006), Looking For Eric (2009) and 2012 comedy The Angel’s Share. He has appeared in Berlin several times, most recently with 2013’s The Spirit Of 45. The Berlinale will run a retrospective of 10 of Loach’s films to commemorate the award.

     

  • Sky adds 4oD catch-up service to NOW TV Box

    Sky adds 4oD catch-up service to NOW TV Box

    MUMBAI: Channel 4’s 4oD has become the latest terrestrial catch-up TV service to launch on Sky’s NOW TV Box, which already offers access to BBC iPlayer and Channel 5’s Demand 5.

    Shows such as Homeland, Marvel’s Agents of S.H.I.E.L.D. and Made in Chelsea as well as box sets from classic series such as Black Books, Father Ted and Peep Show are now available on demand for owners of the NOW TV Box. This adds more than 3,000 hours of content to the service for customers to enjoy at no extra cost. NOW TV also offers catch-up entertainment from Sky Atlantic, Fox, Discovery and Comedy Central.

    NOW TV director Gidon Katz commented in a report: “The NOW TV Box provides millions of people with the opportunity to transform their regular TV into a Smart TV for less than a tenner. There is now even more to watch. The launch of 4oD means the NOW TV Box delivers an even bigger choice of on-demand TV. It’s available alongside flexible pay-as-you-go access to must-see sport, the latest movies you missed at the cinema and the TV shows everyone’s talking about. Offering convenient, contract-free accesses to such outstanding content, no wonder that NOW TV Boxes have been flying off the shelves.”

    Channel 4 director of commercial and business development Laurence Dawkin-Jones added: “Bringing 4oD on the NOW TV Box represents the latest device launch in a busy year for Channel 4 that has seen us extend our content reach to many new platforms. We’re always looking for new places we can ensure our viewers can enjoy our popular on-demand service, and are delighted to add this to the portfolio.”

  • Stephen Fry to host BAFTA for the ninth time

    Stephen Fry to host BAFTA for the ninth time

    MUMBAI: Writer, broadcaster and comedian Stephen Fry is returning as the host of BAAFTA, 2014.

     

    “The awful truth is out — in 2014 l’ll be hosting the @BAFTA Film Awards for the 9th year,” Fry tweeted.

     

    The British Academy of Film and Television Arts (BAFTA) will dish out its movie honors on 16 February, 2014 at the Royal Opera House in London’s Covent Garden.
    Last year’s BBC One show enjoyed its highest ratings since 2004. The ceremony will be broadcast exclusively on BBC One in the U.K. and in all major territories around the world.

  • Fifty Shades of Grey release date postponed

    Fifty Shades of Grey release date postponed

    MUMBAI: The release of the highly anticipated film adaptation of Fifty Shades of Grey has been extended by six months. The film was originally intended to release on 1 August 2014, but now the film will hit theatres in February 2015 on the same weekend as Valentine’s Day.

     

    The delay has probably happened because after Charlie Hunnam dropped out of the male lead role, the shooting was put back.

     

    Now, Jamie Dornan will be portraying the role of Christian Grey, opposite Dakota Johnson.

     

    The British actor has earlier worked in BBC drama The Fall and US fantasy series Once Upon A Time.

     

    Published in 2011, Fifty Shades of Grey follows the sexually charged relationship between billionaire Grey and college student Anastasia Steele.

  • News should be a paid asset

    News should be a paid asset

    BENGALURU: Whether it’s the political battle that’s unraveling in the country, or it’s a terrorist attack, news always interests people. But is news as interesting as a gossip piece about a celebrity? This and a lot of other points were raised at the first day of the FICCI MEBC (Media and Entertainment Business Conclave) that saw a session that discussed the news genre. The discussion brought up several points including viewership data, content that is being broadcast and the current situation of the genre as a whole.

     

    The panellists included BBC World News India COO Preet Dhupar, Udayvani group editor Ravi Hegde, Suvarna News editor Anantha Chinivar, Former CNN IBN journalist Veeraraghav, columnist Aakar Patel, NDTV resident editor Maya Sharma and IIM Bangalore dean Dr S Raghunath. The session was moderated by journalist Prakash Belawadi.

     

    After the entire discussion, the panelists concluded that the genre relies heavily on advertising, thus restricting the kind of content that can be produced. At the same time, viewership data such as TAM (Television Audience Measurement) is needed because advertisers depend on such data to pool their money where they want to. “Producing news is expensive and that is why all channels have panel discussions in their primetime slot. It is cheaper than sending an OB van to some far off place and spend huge amount,” said Sharma.

     

    Another point brought up during the discussion was about “sensationalising news”. The reason why many times news is sensationalised is because entertainment is more prominent than news. So, news journalists need to adapt to the entertainment form of style in order to grab eyeballs. But at the same time just getting viewers will not help because everyone is also looking for credibility of news, including the people watching it and the ones dispersing the news. Channels keep a close watch on other channels to know what they are reporting.

     

    However, Hegde differed as he remarked that “media was not entertainment but a serious job”. Hegde, who comes from a print background, said that it’s a newspaper’s job to clear the confusion that channels have created the previous night for the viewers.

     

    Talking about the revenue generated through advertising, Hegde said that most of the advertisements to newspapers come for the editions in the metros, making it difficult to distribute papers in the rural areas.

     

    To this, Chinivar pointed that in order to beat entertainment news, the need to sensationalise news comes up.

     

    Columnist Patel thinks that the standard of journalism in India is poor because of lack of good training and low salaries.

     

    Veeraghav brought to fore the speculative nature of the Indian viewers that the channels have to continuously face. He remarked how many people question news channels’ nature to delve into the future, but they always want to know the future not what has happened. “If I tell a viewer that elections are going to happen, the first thing he will ask me is can you tell me who is going to win?” he said.

     

    Although many channels have taken a strong stand against the TAM accusing it of fudging data to benefit advertisers, all the panellists agreed that there needs to be some kind of tracking to know the viewership for channels and newspapers because it is ultimately a business.

     

    The fact that news is free is what makes it so volatile. “When you have to pay for your news, it will be taken seriously and that’s when the kind of news you get will also become better,” said Sharma. With digitisation coming in, they hope that some system will come in to place to help them get more revenues. News will become a paid asset in the future. “As long as news is free you cannot live without TAM or IRS,” Veerraghav ended.

  • Interbrand appoints global CMO & North American CMO

    MUMBAI: Interbrand, a brand consultancy, has named Graham Hales as its global chief marketing officer and Andrea Sullivan will be the new chief marketing officer of Interbrand North America.

    Hales most recently served as chief executive officer of Interbrand London, while Sullivan served as executive director of client services and was responsible for client services and marketing for Interbrand North America. In their new roles, Hales and Sullivan will work closely to integrate marketing and business development initiatives to drive growth across Interbrand’s global network. Hales and Sullivan will work with regional managing directors to engage new clients while deepening relationships with existing clients, ensuring they continue to benefit from the firm’s strategic and creative offerings and services. 

    As CEO of Interbrand London for the past four years, Hales led key brand engagements with some of the firm’s most high-profile clients, including the BBC, British Airways and Samsung. Under his leadership, Marketing Magazine named Interbrand’s London office Agency of Year in 2011. Hales brings extensive global experience to his new role as Interbrand’s global chief marketing officer. He has helped to oversee the firm’s offices in Amsterdam and Mumbai and has also driven regional business development activity in the Middle East, Turkey and Scandinavia. Prior to serving as Interbrand London’s CEO, Hales was Interbrand’s global chief communications officer. While in that role, he was instrumental in helping to create original content around the firm’s annual ‘Best Global Brands’ report.

    While serving as executive director of client services, Sullivan led the client services and marketing team and co-founded Interbrand’s global corporate citizenship practice. Additionally, she played a pivotal role in developing and promoting Interbrand’s thought leadership on a global scale, having delivered interactive experiences with partners such as the ANA, Cannes, Deloitte, Guggenheim, Harvard, Lyons, MoMA, NYSE, United Nations, World Business Forum and Yale. Sullivan was a founding member of G23, a landmark consultancy comprising top female leadership from within the Omnicom network. G23 was designed to lead Omnicom clients in activating the global female economy.

    “It is a very exciting time in the history of Interbrand,” said Interbrand’s global chief executive officer Jez Frampton. “The promotion of both Graham and Andrea marks the first time that the firm has had two leaders in place to strategically foster and activate a global vision of marketing, communication, and business development. Graham and Andrea have been proven leaders of the business for many years and I congratulate them both on the next chapter of their careers at Interbrand.”

  • Interbrand appoints global CMO & North American CMO

    Interbrand appoints global CMO & North American CMO

    MUMBAI: Interbrand, a brand consultancy, has named Graham Hales as its global chief marketing officer and Andrea Sullivan will be the new chief marketing officer of Interbrand North America.

     

    Hales most recently served as chief executive officer of Interbrand London, while Sullivan served as executive director of client services and was responsible for client services and marketing for Interbrand North America. In their new roles, Hales and Sullivan will work closely to integrate marketing and business development initiatives to drive growth across Interbrand’s global network. Hales and Sullivan will work with regional managing directors to engage new clients while deepening relationships with existing clients, ensuring they continue to benefit from the firm’s strategic and creative offerings and services.

     

    As CEO of Interbrand London for the past four years, Hales led key brand engagements with some of the firm’s most high-profile clients, including the BBC, British Airways and Samsung. Under his leadership, Marketing Magazine named Interbrand’s London office Agency of Year in 2011. Hales brings extensive global experience to his new role as Interbrand’s global chief marketing officer. He has helped to oversee the firm’s offices in Amsterdam and Mumbai and has also driven regional business development activity in the Middle East, Turkey and Scandinavia. Prior to serving as Interbrand London’s CEO, Hales was Interbrand’s global chief communications officer. While in that role, he was instrumental in helping to create original content around the firm’s annual ‘Best Global Brands’ report.

     

    While serving as executive director of client services, Sullivan led the client services and marketing team and co-founded Interbrand’s global corporate citizenship practice. Additionally, she played a pivotal role in developing and promoting Interbrand’s thought leadership on a global scale, having delivered interactive experiences with partners such as the ANA, Cannes, Deloitte, Guggenheim, Harvard, Lyons, MoMA, NYSE, United Nations, World Business Forum and Yale. Sullivan was a founding member of G23, a landmark consultancy comprising top female leadership from within the Omnicom network. G23 was designed to lead Omnicom clients in activating the global female economy.

     

    “It is a very exciting time in the history of Interbrand,” said Interbrand’s global chief executive officer Jez Frampton. “The promotion of both Graham and Andrea marks the first time that the firm has had two leaders in place to strategically foster and activate a global vision of marketing, communication, and business development. Graham and Andrea have been proven leaders of the business for many years and I congratulate them both on the next chapter of their careers at Interbrand.”

  • Al Jazeera begins its inroad into India

    Al Jazeera begins its inroad into India

    MUMBAI: Lately if you’ve come across one too many hoardings saying: “We put human beings at the centre of our stories”, it’s only because Al Jazeera, the Doha-based English news channel, has kicked-off its first campaign to make its presence felt across the country.

     

    Al Jazeera forayed into the Indian market way back in 2006, but had to wait four long years before being granted a downlink license for airing. Thereafter, the channel slowly went about expanding its reach into more and more Indian households to get a toehold alongside existing competitors i.e. BBC and CNN. Three years down the line however, the channel felt the time was ripe, especially with the festive season already here, to announce its presence nation-wide, especially in major metros like Delhi, Mumbai, Kolkata, Chennai and Bangalore as well other towns.

     

    Kick-started beginning October, Al Jazeera’s first campaign is here to stay till end November, after which an assessment will be done to evaluate viewership changes that may have taken place since the onset of the campaign. Approximately Rs 2- 2.5 crores have been spent on the nationwide campaign. Three creative ideas are trying to spread Al Jazeera’s message by displaying three issues- profits, earthquakes and global warming.

     

    The focus of the campaign, whose creative has been designed by Ogilvy & Mather, is OOH (hoardings and buses), print and radio, with the talking point being how the channel always gives a human picture to issues. “People are the centre of the story is what Al Jazeera stands for and what we are trying to highlight through the campaign,” says Al Jazeera India bureau chief Anmol Saxena.

     

    “The first phase was to let the people sample the channel and now, it is time to create awareness regarding Al Jazeera through this campaign,” says Saxena.
    Anmol Saxena says that Al Jazeera puts people at the front of issues

     

    Meanwhile, the second phase of the awareness campaign will begin in January 2014. Recently, the channel also launched a dedicated page for India, which according to Saxena will stay for a while. “There are always spotlight countries and currently the spotlight is on India,” he says.

     

    “The campaign will definitely help lift the profile of Al-Jazeera and result in generating pull amongst Indian TV viewers,” says a media observer. “It’s a high decible one definitely and good money is being spent on it. But the Al-Jazeera team will have to simultaneously ramp up local coverage as well as distribution for the full benefits to accrue. Distribution in India is not that easy.”

     

    Another media expert states that there is a perception failure about the channel amongst Indians. “They think it is an Arabic perspective on world developments and that it is not as democratic as CNN or BBC. It is a long and winding road to correct this perception.”

     

    Currently, the Delhi bureau is the only office which covers the whole of India, with seven employees that would increase to about 10 in the next few months. The channel has had Sohail Rehman and Divya Gopalan as dedicated India correspondents since a few years and many freelancers who contribute to the channel and the website.

     

    As of now, Al Jazeera is an FTA channel available on both DTH and cable TV (digital plus analog) while plans are afoot to acquire on the digital and DTH fronts. Presently, the channel is available on Tata Sky, Dish TV, InCable, Hathway and DEN.

  • Have talent, will become animation hub

    Have talent, will become animation hub

    MUMBAI: The state-wide agitation over Telangana notwithstanding, the Andhra Pradesh government is pulling out all stops to make Hyderabad a media, animation and gaming hub.

    And not without reason, for, of the approximately $70 billion worth global animation industry, India’s contribution is around $ 900 million, with Hyderabad alone accounting for nearly $ 550 million.

    The Rs 350-crore GAME City project is in the last leg of finalising tenders, informs Madani

    So, after sponsoring the participation of Hyderabad-based animation companies at the recently concluded MIPCOM 2013, Information Technology and Communications Department deputy director (promotion) Syed Shawket Hussain Madani also made a pitch about how Hyderabad has a large talent pool that just needs the right push.

    Enlisting the challenges facing the animation industry, Madani said: “Infrastructure, which is dedicated to the media pool, is one challenge. The second important thing is to nurture the talent pool that specialises in 2D and 3D. The third challenge is to make gaming a part of the curriculum while the fourth is the policies relating to the animation industry,” and added that the AP government is coming up with a Gaming Animation Media Entertainment (GAME) City to tackle these obstacles.

    About the Rs 350-crore GAME City project funded by the state government, Madani informed: “We are in fact in the last leg of finalising tenders, which will be out by this month end.”

    Spanning more than 38 acre, GAME City will have an incubation space constructed over 8 lakh sq ft and various other facilities including a sound and acoustic studio, auditorium and shade studio. “We will give free bandwidth to the occupants for the first three years. Also considering that the software required for making animation series is expensive, the government has decided to buy the software and load it on the common server, which can be used by various companies located within GAME City,” said Madani.

    With plans to complete the 27,000 square feet incubation centre in the next two months, “Tenders for this are already out,” said Madani. The AP government is looking at big names to be part of the GAME City project. “Though Electronic Arts and Walt Disney already have their presence in Hyderabad, we want more such names to be part of this GAME city,” he said.

     

    As part of the larger project, a delegation was recently formed, comprising members from the AP government, industry and associations as well as architects and teachers from various institutes. “The team went to Dubai, Manchester, Amsterdam and South Korea to understand the needs of the animation industry and ensure that GAME City is well equipped,” said Madani.

    Additionally, the government is in the process of holding meetings with BBC and Al Jazeera among a host of other channels to set up businesses in Hyderabad. “We are negotiating with the University of Manchester for its specific programme that promotes animation in 2D and 3D. We have already signed a memorandum of understanding with Netherlands to set up an educational joint venture for making available its educational content to universities in Hyderabad,” informed Madani.

    Not only Hyderabad’s animation industry but also the work force stands to gain from these measures, which are expected to generate jobs for nearly 40,000 people. “This GAME city will complement the existing media and entertainment industry of Hyderabad,” concluded Madani.

    This is all very well but naysayers peg the fortunes (or otherwise) of the project on the upcoming elections. “The project sounds interesting and will be helpful to us. But, everything depends on the upcoming elections. If there is change in power, I am unsure if the project will see the light of the day,” said a Hyderabad-based CEO of an animation company who did not wish to be named.

  • IRF 2013: James Cridland: Indians love their radio

    IRF 2013: James Cridland: Indians love their radio

    James Cridland is a radio futurologist and managing director of Media UK and Radio DnS. He was the Digital Media Director for Virgin Radio in London in 2001; in 2007 he joined the BBC to work on the BBC iPlayer for Radio; he also worked at PURE, Audioboo, UK Radioplayer. He is a trustee of the Radio Academy, and sits on the International Radio Festival Advisory Board.

    At the recently concluded International Radio Forum (IRF 2013) at Zurich, Cridland had a session on “How People Are Listening to Radio in Today’s Multiplatform World – and what your station needs to do about it.” This is part I of a two part summary of Cridland’s session by The Indian Television Dot Com Pvt. Ltd. group South India Head Tarachand Wanvari. Excerpts:
    New Broadcast Format

    Cridland began by saying,”Let us talk about how people are tuning into radio in today’s world. There is the internet, FM and AM, there is a new broadcast format – DAB+ or HD radio and then radio broadcast through the TV that is strongly visible in a many of countries. The UK is one of the countries that broadcast radio in all the four formats like most European countries. In terms of popularity, FM is first; internet is the third most popular in terms of number of people tuning into live radio, but it’s alongside TV as well.”

    Cridland revealed that based on the latest figures, for the first time ever in the UK’s radio history internet streaming of radio stands way above radio over TV. “This counts anything and everything that anybody classifies as being a radio station. This is from a pretty robust census survey. We have noticed something interesting here, FM radio is broadcast radio, TV is broadcast, DAB is broadcast, as is HD and there is a real story here in terms of the continuing strength of broadcast.”

    However, Cridland admitted that both AM and FM have seen slow decline over the last five years while DAB in the UK has had a slow increase as have TV and internet radio, but the last two were still very small.

    “There is an awful lot of talk about how internet radio is the future of radio. The reality right now is that internet is a quite small part of radio consumption at present. But no predication can be made for next 5-10 years. Right now broadcast is preeminent in terms of radio consumption,” said Cridland.

    “In the UK, only 20 per cent of radio listening is in car, DAB is pre-installed in 33 per cent of all new cars. In the UK we have no pure play radio stations that are internet only. One of the reasons is a very strong public service broadcaster (BBC), and also the music rights in the UK are expensive”, said Cridland.

    “The US is quite different, where comparatively, 50 per cent of all radio listening is in cars. Pandora is preinstalled in a third of all new cars, and if it were a radio station. It would have a seven percent of the market share in the US. Over fifty percent of Pandora’s consumption is on mobile. HD radio is preinstalled in thirty percent of all new cars and Sirius XM is pre-installed in a number of new cars, but a majority of people actually don’t buy the service once the free period lapses”, further revealed Cridland.

    Comparing the various landscapes

    “Actually when you start looking at the US for radio consumption, then it is very different, because the US has a very different media landscape. HD radio works brilliantly in the US. It should work brilliantly in Canada and in Mexico as well,” said Cridland.

    “In the UK, the owners of the radio ratings service are all radio stations. The same happens in Belgium in France and across most of Scandinavia. The US is a very competitive radio market and all the players don’t work together. That’s why, HD, a good protective technology works brilliantly for the US and fits in with the differences in media consumption there. “

    “In Europe it is a different story and in India too it’s even more different. In India, they love their radio. Radio has a future there because 94 per cent of the listeners in Mumbai tune into radio on mobile phone, only 16 per cent on radio receiver. So radio consumption is very different, depending on where you go across the world,” said Cridland.

    New broadcast platform

    Cridland said, “New broadcast platforms create choice. You can see that if you are a program maker, all of a sudden there is a bunch of additional choices that you can actually have. Loads of additional choice is great news if you are making content because it means that there are more places that want to buy and air your content that enables you to be heard by more people”
    “You can see that all of a sudden we have radio stations for specific niches. Planet Rock is one good classic example of a Rock station that never gets onto FM. Then a religious radio, Premiere Christian Radio and the United Christian Broadcasters; we have got additional music choice from services such as Absolute Radio which is actually growing their business and additional the public service broadcasters business as well.”

    Taking a quick look at broadcast versus internet, Cridland said, “I believe podcasting and on-demand content is where radio has headed. On-demand is a great way of getting more people tuning in, but we can only forget about the power of live radio at our peril.”

    Countries exploring new broadcast platform

    “There are a number of examples where internet and broadcast are working together. For example, Kronehit -a CHR station in Austria. They have a bunch of additional services online-from Kronehit Love which plays love songs to Kronehit Balkan Bees, because they have a lot of people from the Balkans who’ve moved over into Austria so they have produced a radio station especially for them. They can’t do this on FM because they can’t get additional licenses, but they can do it on things like DAB+ and on the internet world, and they also have their own personalised music,” informed Cridland.

    “Similarly if we go to Australia, Southern Cross Austereo- one of the largest radio groups in the world broadcast has a bunch of radio stations across Australia in FM, AM and DAB+. They also have Songl which is their equivalent of Spotify,” added Cridland.

    “In Turkey – Spectrum Medya runs a bunch of radio stations. You have to register if you wish to listen to those radio stations online. Once you have registered then the ad-breaks online contain specific advertising for your type of demographics. It is a great way of making additional revenue, but only possible on the internet,” opined Cridland.

    “In the US there’s a company called Entercom that runs a bunch of radio stations. They work with a company that helps them sell advertising online for which you don’t need to register. All you have to do is to visit their websites and listen. They have teamed up with a company that knows the websites that you have been to. So,if a person has booked a flight to New York, they’ll give him an ad for hotels in New York. It is a great way of earning more cash from your advertiser,” felt Cridland.

    “The cost of broadcasting on the internet to a larger audience is significantly more than broadcasting over FM or HD or DAB+. There is a pretty low threshold where the internet suddenly becomes quite expensive. I am not saying that internet is a bad thing. In fact, internet and broadcast do work together really well, but it is going to be a long time before internet gets even to twenty percent of the listeners” revealed Cridland.

    Elaborating further on the way radio and internet work together, Cridland said, “The States have really cracked this. There’s Nextradio, it uses FM to get the audio from an FM station with a ludicrous name of Hack FM and it is using the internet to get additional information on a mobile device. One can click to play this song and click to get more information and more actions such as sharing and liking. All of this is available through HD radio.”

    “Analogue FM will never die out. It’s a noble aim for any country to try and phase out FM, I can’t see it happen. If I was a pirate radio broadcaster, I’d be rubbing my hands in glee at that prospect. FM does a great job if you can get an FM license.”

    Radio receivers

    “The problem is that radios are rubbish. In a typical radio, when you turn it on, it asks you if you want FM radio or DAB+ or do you want internet radio. It is almost as if it is a set of different radios in one unit sharing one speaker and they all work differently which is bizarre. The TV industry has completely got the user experience sorted out.”

    Speaking on standards on radio receivers, Cridland said that there were no standards. If someone was to buy an FM radio in the US and brought it to Europe, it wouldn’t pick up half the radio stations and the ones that it did pick up would sound rubbish. In Japan, European FM radio would probably pick up half the radio stations there, they used a different waveband. Cridland said that AM works differently in the US as compared to Europe. There were no worldwide standards. “We need to have a continental standard, and the continental standard for Europe is DAB+, and a DAB radio stations is also available on a DAB+ receiver.”

    (Part II, about how people are listening to radio on the mobile, will be published soon…)