ITV

Tag: BBC

  • ETV Bangla’s new game reaches every ‘para’ and ‘bouthan’

    ETV Bangla’s new game reaches every ‘para’ and ‘bouthan’

    KOLKATA: Regional general entertainment channel (GEC) ETV Bangla has just launched a unique game show called Parar Shera Bouthan which claims to reach every para (locality) and give every bouthan (sister-in-law) an opportunity to participate in it.

     

    FishEye Productions principle owner Nilanjan Banerjee who is also the producer of the game show said, “We have shot more than 12-13 episodes, which will be on air for two weeks. After the telecast of the first episode itself, we have officially registered 150 calls from viewers.”

     

    FishEye Productions plans to produce the game show for a year initially, after which, the contract will be renewed depending on the viewers’ response.

     

    Parar Shera Bouthan unfolds over five rounds with an elimination in each of the first three rounds and attractive prizes to be won at the end. Every round is unique and involves games testing mental and physical abilities of the women as also the chemistry they share with their better halves.

     

    ETV Bangla has even created an afternoon slot called Duronto Dupur and is looking at airing Parar Shera Bouthan to keep viewers hooked onto the channel as well as carve a niche for itself in the regional entertainment space.

     

    “The programme Parar Shera Bouthan aims at creating a niche for itself in the Bengali market, which has had several progressive shows,” said Banerjee.

     

    “We go with the set to different localities in Kolkata and that is the USP of it. In the next two to three months, we plan to cover suburbs like Barasat and Sonarpur among others. We will also visit the different districts of West Bengal in the long run,” he added.  

     

    Banerjee informed that they have a research team of four to five people who continually visit different localities. 

     

    While Zee Bangla already airs a similar game show called Didi No 1, Parar Sherar Bouthan, according to experts, is very different from other shows. They further said that to shoot such a game show, the channel would easily spend between Rs 2 lakh and Rs 2.25 lakh, including the fees of anchor, Aneek Dhar.

     

    FishEye Productions has previously produced content for broadcasters the likes of Star Jhalsa, ETV Bangla, Zee Bangla, ABP TV, BBC and Miditech among others.

     

  • Global bbc.com figures and Twitter shares hit record high

    Global bbc.com figures and Twitter shares hit record high

    MUMBAI: The BBC today announced that bbc.com reached a record 96 million unique users and generated an all-time high of 1.3 billion page views in March 2014. BBC World News welcomed its five millionth Facebook fan and new figures also reveal that the BBC is by far the most-shared news brand on Twitter (source: Newswhip), with its stories shared a record 2.71 million times across the month – almost 50% more than any other publisher.  The driving factors were its coverage of major global news stories including the crisis in Ukraine and the disappearance of Malaysia Airlines Flight MH370 and the increased popularity of bbc.com’s feature sections including BBC Future, BBC Travel and BBC Culture.

     

    The site, which offers up-to-the minute international and local  news and in-depth analysis, saw unique user figures up 26% on the monthly average of 76 million, whilst page views rocketed by 35%.  Over 34 million video views were seen during the month, with a record-breaking 11 million viewed via the bbc.com apps.

     

    James Montgomery, Director of Digital and Technology for bbc.com, said, “As the leader in global breaking news, our users rely on the BBC to provide impartial and accurate news on developing stories and significant global events, whatever their nature or location. We are incredibly proud that so many people chose us as their trusted source for news on the major stories that captivated the world last month.”

     

    March also marked a record month for traffic across the five feature sections of bbc.com – BBC Travel, BBC Future, BBC Autos, BBC Capital and BBC Culture which together attracted 7 million visitors and 63 million page views; resulting in a month-on-month increase of 42% and year-on-year growth of 106%.  Popular articles included: BBC Future’s  ‘The Future of Safe Sex’ which received over 269,000 page views, BBC Culture’s ‘Beyond Jodorowsky’s Dune: 10 Greatest Movies Never Made’ attracted  almost 3.2 million views across the month and BBC Travel’s game ‘Geoguesser’ ‘How Well Do You Know The World’ drew an impressive 270,000 unique users.

     

    Jonathan Fildes, Managing Editor, Features, BBC.com added,  “The feature sections offer users of the site an alternative and in-depth take on a variety of current and unusual topics complementing bbc.com’s news output.  We are delighted that these sections are growing in popularity and drawing record figures from fans of bbc.com.”

     

    Bbc.com has seen a rise in mobile usage of 88% year on year to 24 million browsers per month, whilst figures for desktop have remained stable at 56 million.

  • Endemol acquires International Drama producer Artists Studio

    Endemol acquires International Drama producer Artists Studio

    MUMBAI: Endemol, a world leader in multiplatform entertainment, today announced it has acquired international drama production company Artists Studio.

     

    Artists Studio produces critically acclaimed hits such as The Fall, starring Gillian Anderson (‘The X-Files’, ‘The Last King of Scotland’) and Jamie Dornan (‘Fifty Shades of Grey’, ‘Once Upon a Time’). Created and written by Alan Cubitt, this remains BBC Two’s most successful drama to date, averaging more than 4 million viewers per episode across its first season in 2013.  

     

    Previous Artists Studio credits include Combat Hospital for ABC and Thorne for Sky UK. 

     

    Endemol will globally distribute Artists Studio productions including the second season of The Fall, which has been commissioned for production in 2014 (6 x 1 hours for BBC Two); as well as numerous projects commissioned and in development for UK and US broadcasters. Further announcements will be made in due course. 

     

    Emmy award-winning producer, Gub Neal (‘Prime Suspect’; ‘Cracker’; ‘Queer as Folk’) co-founded Artists Studio in February 2009, alongside Justin Thomson-Glover and Patrick Irwin, all three of whom formerly ran drama producer Box TV. 

     

    Based in South Wales and with offices in London, Artists Studio also incorporates sister company  Far Moor Media, which provides executive production services including pre-sales, deal structuring, rights management and casting, for an extensive portfolio of international drama producers. Far Moor’s most recent project is Jonathan Strange & Mr Norrell (BBC1, BBC America, Space), currently filming for delivery in late 2014. 

     

    Artists Studio becomes part of Endemol UK, which has drama credits including Peaky Blinders (Tiger Aspect and Caryn Mandabach for BBC Two), Ripper Street (Tiger Aspect for BBC One and Amazon Studios), Black Mirror (Zeppotron for Channel 4), Prisoners’ Wives (Tiger Aspect for BBC One) and The Mill (DSP for Channel 4). 

     

    Lucas Church, CEO of Endemol UK comments: “Artists Studio is led by outstanding talent and has a slate that includes one of the BBC’s biggest ever dramas and a world-class line up of new series for the international market.  This acquisition underpins Endemol UK’s position as a company with some of the most successful drama in the business.” 

     

    Cathy Payne CEO of Endemol Worldwide Distribution adds: “Artists Studio is one of the most exciting producers of quality drama in the marketplace today. Their productions combine exceptional writing and performances with gripping storytelling that can captivate audiences all over the world. Having them in the Endemol family will be a further boost to the Group’s global scripted output and to our worldwide distribution business. “ 

     

    Gub Neal, Creative Director of Artists Studio comments: “Artists Studio’s international activity has grown rapidly over the last 12 months, creating huge opportunities, which is why it now makes total sense to join forces with a truly global player.  Endemol have the status, scale and reach to help us grow the business outside the UK, but equally the creative hubris and sensitivity to allow us to continue our work with UK talent in the bespoke manner that defines our brand.” 

     

    Joint Managing Director of Far Moor Media, Justin Thomson-Glover adds: “We are delighted that Endemol understand the unique potential of Far Moor’s services.  As consultant executive producers we will continue to offer production companies and talent, significant added value in the sphere of bespoke co-production deals and pre-sales for event television in the international market.” 

     

    Endemol’s scripted programming business has grown internationally by 75% in the last five years and today represents a quarter of the company’s worldwide business. 

     

    Other Endemol drama productions around the world include Hell on Wheels, which is now in its fourth season on AMC in the USA; as well as major forthcoming series such as Gallipoli (Endemol Australia for Nine Network and TV3 New Zealand) and Fortitude (Tiger Aspect/Fifty Fathoms for Sky Atlantic), starring Michael Gambon, Stanley Tucci, Christopher Eccleston and Sofie Grabol. 

     

    Endemol also globally distributes a growing portfolio of more than 10,000 hours of scripted programming.  This includes major series such as The Crimson Field (BBC Drama for BBC One), Death Comes to Pemberley (Origin Pictures for BBC One, produced in association with Far Moor), The Thirteenth Tale (HeyDay Films for BBC One), Hot in Cleveland (TV Land USA), and Jonathan Strange and Mr Norrell (Cuba Pictures /Feel Films / Far Moor for BBC One).

  • Preet Dhupar to quit BBC Global News

    Preet Dhupar to quit BBC Global News

    MUMBAI: With elections just around the corner and one of the world’s renowned news channels BBC Global News promising to provide in depth news regarding India during the elections, comes a news that BBC Global News chief operating officer for India Preet Dhupar has decided to quit the organisation.

     

    Confirming the news to indiantelevision.com, Dhupar says, “Yes I have decided to leave but I’m around in BBC for some time.”

     

    BBC too has confirmed the news and revealed that the management is currently looking for a suitable replacement for Dhupar.

     

    Dhupar has been associated with BBC for 14 years. She joined the channel in 2000 as director of finance and operations and was elevated to COO in 2013.

  • Now BBC trains its lens on Indian elections

    Now BBC trains its lens on Indian elections

    MUMBAI: Not only political parties but news channels of every hue are gearing up for what is being billed as the mother of all general elections witnessed by this country.

     

    The latest to hit the 2014 election trail is BBC World News, a broadcasting network that needs no prior introduction. For the first time, BBC will be broadcasting live from India with three of its best-known anchors flown into the country to present their shows from the subcontinent – Jon Sopel with Global, Mishal Hussain with Impact, and Babita Sharma with Newsday.

     

    A week of special programming will lead into the main programming starting on the first day of polling on 7 April. This will continue for a week with the three anchors, along with special editions of India Business Report and Talking Business with Linda Yueh. Thereafter, it will rely on the expertise and knowledge of BBC teams in Delhi and Mumbai and the BBC Hindi service.

     

    Alongside the television programming, an Indian version of the bbc.com mobile site will be created for users to land directly on the India page upon clicking the main url. The online content will be trilingual, with predominantly English content along with some in Hindi and Tamil. Among others, the shows will explore angles such as what the election means for India’s neighbours like Pakistan and China and what it means for the rupee.

     

    “India is a massive market. The mobile penetration here is close to 200 million users. Our mobile traffic is up by 350 per cent in three years and there are profound changes going on here. The new India mobile edition will provide a tailored experience, including top India news stories along with global news headlines, video, business, sport and the best from our features content,” says BBC Global News CEO Jim Egan. “It’s a very big editorial undertaking for us. We haven’t taken the channel on the road like this. Topics that interest world audiences such as politics, economy, defence and culture, will be covered. We won’t do it superficially or trivially but bearing in mind that a majority of our viewers are outside India, we won’t do in-depth analysis like local channels.”

     

    BBC correspondent-anchor Sopel is excited to be covering elections live in India. “Election in India is important because India is important. We have a polling day and you have a polling month! That’s because your total electorate is 840 million and the UK just has 48 million,” he says.

     

    While adding a local flavour to its programming, the global broadcaster will ensure it serves BBC values such as impartiality, fairness and balance. “No other international channel has the network of specialist language correspondents that we have,” says Sopel.

     

    On the cards is a marketing campaign in major metros like Delhi, Mumbai, Bangalore and Chennai to let audiences know about BBC’s election coverage both on- and off- air. As of now though, BBC is busy figuring out whether to place the satellite dish in Mumbai or the national capital, depending on costs and feasibility.

  • AXN eyeing July premiere for Steven Spielberg’s Extant

    AXN eyeing July premiere for Steven Spielberg’s Extant

    MUMBAI: Launched in 1998 as the first 24×7 cable and satellite television channel in Asia dedicated to action and adventure programming, AXN continues to stand by its promise of delivering intelligent, edgy and high-energy content for an unparalleled entertainment experience

     

    With programming encompassing the latest in action blockbusters, international hit series, reality and lifestyle sports programs and AXN originals, the channel enjoys a high viewership not just in metros but also tier II and tier III cities across the country.

     

    AXN business head Sunil Punjabi spoke to Aashay Dalvi of indiantelevision.com about the channel’s programming line-up this year, its digital strategy and so on. Excerpts…

     

    Q: How has the audience response been ever since the CBS acquisition deal?

     

    At a macro level, the audience response has been very good. Take for instance, the two shows with which we launched the CBS catalogue i.e. Elementary and Beauty & the Beast. We have seen a fairly growing traction for Elementary while Beauty & the Beast has its own loyal audience. The first season of both the shows premiered sometime ago, with Indian audiences being exposed to Elementary for the first time. Initially, there were comparisons between BBC’s Sherlock and Elementary and people were vehemently opposed to having a female Dr Watson; something we expected.

     

    The difference between the two is that Elementary has more investigation while Sherlock has more drama. This has led to a lot of people slowly getting accustomed to Elementary. So after the initial backlash, we have now seen tremendous growth in audiences, which has been very encouraging for us. We have season 2 airing right now and season 3 will air in September, very close to the US telecast.

     

    The other good news is Hawaii Five-O will have a special episode featuring Mallika Sherawat, and you will soon see it in India. Blue Bloods, the fourth series that we’d taken up is also expected to do well since it is a very strong series. In the US, the show has done phenomenally well. We have also acquired Sex & the City, which we plan to air soon at 11pm. We’re giving it some rest now but once it begins, episodes will air back to back.

     

    Q: Currently, you are airing Beauty & the Beast and Elementary five days a week. Will you be moving to airing them weekly to be closer to the US telecast?

     

    We had two options, the first of which was to run the series close to the US telecast, but for viewers who are not familiar with the older season, that tactic wouldn’t have worked. So, we decided to go with option 2 entailing stripping the first two seasons and allowing viewers to binge-watch them one after the other. This would build enough anticipation by September when season three premieres.

     

    Q: There has been no official statement from either CBS or The CW on subsequent seasons of Elementary and Beauty & the Beast. Can your earlier statement regarding the airing of season three of both series be considered official?

     

    As far as we know, both Elementary and Beauty & the Beast have been renewed for sure. However, from the public’s perspective, you will have to wait and hear from CBS and The CW since I cannot speak for them.

     

    Q: Programming-wise, what are your plans for the new fiscal year?

     

    The acquired properties we would like to talk about are some of the big ones like 24: Live Another Day. On Thursday, Variety Magazine reported that the second most expensive ad in the US is benchmarked on 24, with half a million dollars for just a 30-second slot. The entire prospect of 24 has blown out of proportion and this season is set in the UK. Content wise, it is shaping up really well. We believe that it is going to be one very large tent-pole property for us.

     

    After 24, the second large tent-pole property for us is Top Gear, with the new season returning in the month of July, which is where we have seen some tremendous amount of traction. We just had season 21 premiere in January and presently, only the core Top Gear audience is watching it though we want to get a much larger audience. Anybody who currently owns a car should be watching Top Gear, which is a fairly large population of the country by itself.

     

    Also in July, we are trying to get another big property, Extant, produced by Steven Spielberg, which marks the TV debut of Halle Berry. We have the second season of The Hero and we plan to air all episodes of 24: Live Another Day at a stretch. While getting so much new content, the old content tends to get lost. So, while I want new content, the problem lies in scheduling and timing.

     

    Q: AXN programming was earlier known for its male skew but over the past few years, it has been increasingly targeting the female audience. Was that deliberate?

     

    There are two main changes that we’ve seen; one, there has been a systematic change in female consumption, and two, the female audience too wants the thrill factor while watching TV. Shows like Orphan Black, with a female protagonist, have helped us get more female viewership.

     

    But whether we have become a female-skewed channel, we will never be that; we will remain a predominantly male-skewed channel. But, we have seen a lot women come and consume our content. The male vs. female audience ratio earlier was 70:30, but is now 60:40.

     

    Q: Which programmes get more advertisers? Are there any emerging large spenders?

     

    Fast moving consumer goods (FMCG) and telecom services form a significant share of the advertising spends. One very large advertiser that we’ve constantly been adding is automobiles, having already increased its share because of Top Gear. We believe it will be much bigger, going forward and it won’t be just auto but also auto accessories.

     

    Q: What’s in it for these advertisers?

     

    As an advertiser, the two main things you look for are a premium audience and a large brand fix, and we offer both.

     

    Q: How do you plan to engage digital media to increase viewership of your channel?

     

    We’ve now reached a stable point in the digital media initiative that we started a year and a half back. We had a couple of things to consider; the first being a consumer survey of social media and the second, connect, which has almost become equivalent to word-of-mouth. There is pre-launch and post-launch chatter that takes place. That is where we have been pushing ourselves on the digital front; what are people saying before the show is launched, and what are they saying after seeing the show. Engagement at the pre- and post- level helps us get loyalty for the channel.

     

    Q: Which platforms is AXN making its presence felt in terms of social media? Do you plan to add more social platforms?

     

    Facebook and Twitter have been our primary digital platforms. We have received more traction on Twitter than on Facebook. We have got a good response to a lot of good shows on Twitter in the last four to five months. We have trended many a times on Twitter; not just on the days of our premieres but even regular days.

     

    As for the second part of your question, we don’t want to be jumping too many trains. We started with Facebook and Twitter a year and a half ago and we want that to mature before getting onto a new train. The amount of people engaging with us on these platforms is growing almost daily. We want to grow our hold on Facebook and Twitter for the next six to eight months, and we hope other things will follow.

     

    Q: Do you have specific digital marketing strategies to bring out that extra special something?

     

    We have MSE, which handles social media for us. Gone are the days where you used to pay for posts. Now, people are getting more agnostic towards such posts. So, last year, we had a Supernatural Thrillathon and a six city on-ground activation along with it. We did that again at the time of Sherlock to know what people thought of the content. We have seen the community of Supernatural grow nearly 50 per cent in the last year. We are not driving it; we have been only the facilitator in the process. So, the viewers are driving it themselves…

  • IBF panel hopes to standardise TV ratings system

    IBF panel hopes to standardise TV ratings system

    The Indian Broadcasting Federation (IBF), which has representation from all major channels, is setting up a committee to review the television rating systems in India.

    Presently, there are no uniform guidelines wherein agencies can rate programmes on various channels.

     

    “The IBF is putting together a technical committee to prescribe the technical specifications for a rating system which would be valid for India,” the Financial Express quoted Bhuvan Lall, executive director, IBF, as saying.

     

    The IBF has 29 members, including representatives of Doordarshan, Star, Zee, Sony, Discovery, TV Today, Sahara, ESPN, BBC, UTV, Enadu, Sabe and Sun TV, among others.

     

    The review committee, which is expected to present a final report in the next three to four months will have representatives from all major broadcasters/TV channels, Lall said.

     

    After the committee finalises its report, independent rating agencies that broadcasters subscribe to will have to conform to the guidelines in the report, according to Lall. The IBF expects the initiative to be the first step in offering a fair rating system for TV programmes.

     

    Rating of TV programmes is a major issue in the industry, and the IBF is determined to address all issues that impact the industry as a whole, Lall said.

  • India-A hotbed for news channels

    India-A hotbed for news channels

    “To improve is to change, to be perfect is to change often.” This quote from Winston Churchill is in my opinion the best way to describe 2013 for the Indian television market scenario and BBC Global News, the parent company of BBC World News and bbc.com.

    Let’s first take a broad look at the changes in the Indian market.  While regulation forced the industry to adopt digitisation, it is commendable that the industry responded and today MSOs have had around 70 to 80 per cent success in seeding STBs in phase I and phase II. Digitisation has happened and is progressing – but at the moment that is only the technical side. Addressability remains a concern. But large changes such as this in markets as humongous and diverse as India are bound to take time. Our outlook is positive and we are hoping that once business models start to take shape, this change will be positive for all stakeholders. But there is no doubt that traditional models are being disrupted. The cable industry will have to look at differentiation, quality of service and value added services to drive revenue growth. The capacity constraint that drove carriage revenues is likely to moderate with digitization. There is demand for niche content. New launches are happening in the super-niche format. The demand for Pay-TV is growing with increase in the availability of premium content. Consumers are willing to pay for HD content. Cable operators have also started offering HD-enabled STBs.

    The other major change is the pattern of consumption of content. Viewing has become personal with the consumer demanding and expecting flexibility in terms of timing, volume of content consumed and place of consumption. Increasing mobile & broadband penetrations and affordability of smarter devices are offering alternative digital distribution platforms. Consumption of live TV on-the-go and catch up TV is on the rise.  All these are very positive changes that signal well for the robust growth of the industry.

    It has also been a year of evolution for BBC Global News. We moved into state of the art brand new studios in the heart of Central London in what is easily the world’s largest and most advanced newsroom. Both in anticipation and in response to audience trends, we have successfully converged our news operations to deliver the best multimedia, multi platform international news. Our improved look on TV, our website, our apps – all these make for a greatly enhanced experience for the consumer. Our new brand campaign ‘Live the Story’ is not just an advertising tool, it is an ethos for the way we approach content and we want to reinforce that message in the market. It is in recognition of this ethos that World News America received an Emmy award for “Best continuing coverage of a news story” for Ian Pannell and Paul Wood’s reports from Syria. And among our many editorial highlights was the 100 women season with Mishal Husain’s exclusive interview with Malala featuring not just on BBC World News but across all BBC platforms domestic and international. Indeed one of the catalysts for 100 Women was the Delhi gang rape attack in December last year.

    It is great to see the audience responding to us. In India, BBC World News has maintained its status as the leading international English news channel among the country’s affluent, influential opinion leaders, business decision makers and frequent international travellers, according to the latest Ipsos PAX survey. BBC World News also beats India’s domestic news channels to take the number one spot amongst the highly desirable, upscale audience.  BBC Global News, including BBC World News and bbc.com is the only news brand across TV, online and mobile to show quarter on quarter growth. Social media is equally important for us to improve our engagement and we continue to achieve important audience milestones on Twitter. @bbcworld now has more than 5 million followers and @bbcbreaking has passed the 8 million follower mark.

    As economics and politics in India become even more interesting with the country entering election mode, we have just announced a season of programmes focusing on India to air in February 2014. India Direct will delve behind the headlines to bring audiences insight on our country as we strive to be significant player on the global stage. The India Direct season will give BBC audiences around the world the opportunity to see everyday life in India. Through programmes like Fast Track, One Square Mile and Working Lives, the BBC’s unrivalled network of journalists explore the issues faced by people here – from the economic opportunities and challenges to living life at every level of society; from its traditions and history to future plans and innovations.  We are looking forward to what promises to be a really insightful coverage of India. We also hope to bring an international perspective to the coverage of the elections. As the world focuses on India, our journalists will also showcase India to the rest of the world with our global coverage.

    The world of media and journalism is very dynamic and India is a vibrant market. We believe that the changes in the media landscape are all positive; we ourselves are steadily progressing in tandem with global trends and certainly have a very positive outlook for India. We believe that the market respects and appreciates our content and that our ability to provide superior international news content on multiple platforms will differentiate us and keep us growing.

    (Preet Dhupar is BBC Global News COO for India. The views expressed in the above article are the author’s personal views)

  • BBC Worldwide sells Dancing with the Stars to Cambodian Broadcasting Service

    BBC Worldwide sells Dancing with the Stars to Cambodian Broadcasting Service

    MUMBAI: BBC Worldwide has announced that hit entertainment TV format Dancing with the Stars has been licensed to Cambodian Broadcasting Service (CBS). The series will air on CTN, Cambodia’s most watched terrestrial channel.

     

    The announcement marks the debut of Dancing with the Stars in Cambodia. It is also BBC Worldwide’s first format sale in the country.

     

    One of BBC Worldwide’s most popular global brands, Dancing with the Stars has been licensed in 49 countries, and a version of the show has been seen in over 75 countries, with over 220 series to date. Local versions of Dancing with the Stars air in countries as diverse as Lebanon, India and Russia.

     

    The brand has also extended into live events, gaming and digital properties. In Asia, the format has been sold in Thailand, Vietnam, Japan, China, South Korea and two versions in India. In India, the sixth and latest season of the Hindi version, Jhalak Dikhhla Jaa has achieved its best audience figures to date for Colors. The grand finale pushed the show to the top of weekend programming nearly doubling the ratings from 2012.

     

    The company thinks that Cambodia is an important market to grow in terms of business in Asia and thus it is looking at expanding there. Earlier, BBC World News, BBC Lifestyle and BBC Knowledge were launched in the country.

     

    The series is set to premiere in mid 2014.

  • Milk to create VFX for next ‘Doctor Who’ series

    Milk to create VFX for next ‘Doctor Who’ series

    The company behind the VFX for the BBCs popular show Doctor Who 50th anniversary special, Day of the Doctor – Milk Visual Effects – has been commissioned by the broadcaster to work on the eighth instalment of the series, starring new Doctor Peter Capaldi.

     

    The company is currently working with BBC to create the VFX for the one-hour Doctor Who Christmas special, The Time of the Doctor, in which Matt Smiths Doctor will regenerate into Capaldis incoming thirteenth Doctor.

     

    The 50th anniversary broke records on 23 November when it drew an average audience of 10.2 million in the UK and was simulcast in 94 countries and in more than 1500 cinemas across the world.