Tag: BBC

  • BBC & Discovery ink long-term Olympic partnership

    BBC & Discovery ink long-term Olympic partnership

    MUMBAI: The BBC and Discovery Communications have inked a long-term Olympic Games agreement in the UK, building on a 30-year partnership between the two global media organisations.

    The deal means that the BBC will sub-license (from Discovery) exclusive free-to-air audio-visual and non-exclusive radio rights to the 2022 and 2024 Olympic Games. In turn, Discovery will sub-license (from the BBC) exclusive pay-TV rights in the UK to the 2018 and 2020 Olympic Games.

    The London 2012 Olympic Games was watched on the BBC by more than 50 million people in the UK, seven million people in the UK accessed the BBC website every day, with 111 million requests for video throughout the Games, and over two million people downloaded the app. It was truly the first digital Olympic Games and the BBC raised the bar in its coverage.

    This announcement ensures that the BBC will continue to be the free-to-air home of the best action from the Olympic Games until 2024, bringing the moments that unite the nation on TV and radio. Additionally, the BBC’s package of rights is supplemented by digital rights to the content it broadcasts on TV.

    This agreement marks the first Olympic Games sub-licensing deal by Discovery and reinforces Eurosport as the home of the Olympic Games across Europe, ensuring that every event is available to fans across all screens. The news follows an agreement announced by Discovery Communications and the International Olympic Committee (IOC) last June, which includes exclusive multimedia rights for 50 countries and territories in Europe for the 2018 through the 2024 Olympic Games. The rights for the UK were included for only 2022 and 2024, as these rights had already been secured by the BBC in the UK.

    BBC director-general Tony Hall said, “The BBC prides itself on bringing the biggest sporting moments to the public. For many, the BBC has been their stadium for Olympic coverage. It is an event that unites the nation like no other. I’m delighted that through our new partnership with Discovery, the BBC will continue to carry the torch for great sporting coverage right through to the 2024 Games. While the BBC has had to take some tough financial decisions, this partnership underlines our commitment to making world-class sport available to all.”

    Discovery Communications president and CEO David Zaslav added, “Discovery is a passionate and committed partner of the Olympic Movement. Today’s agreement is a win for UK sports fans and marks an exciting new chapter in Discovery and the BBC’s partnership on major sporting events. For 30 years, our two organisations have chartered new frontiers with co-production partnerships in factual and natural history programming. Now we join together once again to bring the most compelling stories of human ambition, sacrifice and achievement to people across the UK.”

    IOC Television and Marketing Services MD Timo Lumme said, “We are delighted our partners Discovery / Eurosport and the BBC are collaborating on this long term agreement which is great news for viewers in the UK. By sharing the rights, viewers will benefit from the BBC’s rich Olympic heritage and Discovery’s innovative approach to storytelling. Together, they will make the Olympic Games as accessible and engaging as possible.”

    BBC Sport director Barbara Slater said, “We are very pleased that the BBC will continue to bring free-to-air Olympic Games coverage to audiences through to 2024, extending our relationship with the event which began in 1928 and reinforcing the BBC’s long-term commitment to major sporting events. The Olympic Games is one of the nation’s most treasured sporting events and this is an extensive package of rights that ensures we can offer ‘the best of the Games’, across TV, radio, online and digital, maximising the reach and impact of the BBC. This ground-breaking partnership also shows how the BBC can collaborate and work with others to continue to bring the very best in sport to licence fee payers.”

    Discovery Networks International president JB Perrette said, “Since the announcement of our partnership with the IOC, it has been Discovery’s goal to engage and entertain local audiences in Europe with the ultimate Olympic Games experience across all screens. To realise this ambition, we will leverage our portfolio of pay-TV, free-to-air and digital services, and collaborate with the very best partners who share this vision – the BBC partnership embodies this perfectly.”

  • BBC & Discovery ink long-term Olympic partnership

    BBC & Discovery ink long-term Olympic partnership

    MUMBAI: The BBC and Discovery Communications have inked a long-term Olympic Games agreement in the UK, building on a 30-year partnership between the two global media organisations.

    The deal means that the BBC will sub-license (from Discovery) exclusive free-to-air audio-visual and non-exclusive radio rights to the 2022 and 2024 Olympic Games. In turn, Discovery will sub-license (from the BBC) exclusive pay-TV rights in the UK to the 2018 and 2020 Olympic Games.

    The London 2012 Olympic Games was watched on the BBC by more than 50 million people in the UK, seven million people in the UK accessed the BBC website every day, with 111 million requests for video throughout the Games, and over two million people downloaded the app. It was truly the first digital Olympic Games and the BBC raised the bar in its coverage.

    This announcement ensures that the BBC will continue to be the free-to-air home of the best action from the Olympic Games until 2024, bringing the moments that unite the nation on TV and radio. Additionally, the BBC’s package of rights is supplemented by digital rights to the content it broadcasts on TV.

    This agreement marks the first Olympic Games sub-licensing deal by Discovery and reinforces Eurosport as the home of the Olympic Games across Europe, ensuring that every event is available to fans across all screens. The news follows an agreement announced by Discovery Communications and the International Olympic Committee (IOC) last June, which includes exclusive multimedia rights for 50 countries and territories in Europe for the 2018 through the 2024 Olympic Games. The rights for the UK were included for only 2022 and 2024, as these rights had already been secured by the BBC in the UK.

    BBC director-general Tony Hall said, “The BBC prides itself on bringing the biggest sporting moments to the public. For many, the BBC has been their stadium for Olympic coverage. It is an event that unites the nation like no other. I’m delighted that through our new partnership with Discovery, the BBC will continue to carry the torch for great sporting coverage right through to the 2024 Games. While the BBC has had to take some tough financial decisions, this partnership underlines our commitment to making world-class sport available to all.”

    Discovery Communications president and CEO David Zaslav added, “Discovery is a passionate and committed partner of the Olympic Movement. Today’s agreement is a win for UK sports fans and marks an exciting new chapter in Discovery and the BBC’s partnership on major sporting events. For 30 years, our two organisations have chartered new frontiers with co-production partnerships in factual and natural history programming. Now we join together once again to bring the most compelling stories of human ambition, sacrifice and achievement to people across the UK.”

    IOC Television and Marketing Services MD Timo Lumme said, “We are delighted our partners Discovery / Eurosport and the BBC are collaborating on this long term agreement which is great news for viewers in the UK. By sharing the rights, viewers will benefit from the BBC’s rich Olympic heritage and Discovery’s innovative approach to storytelling. Together, they will make the Olympic Games as accessible and engaging as possible.”

    BBC Sport director Barbara Slater said, “We are very pleased that the BBC will continue to bring free-to-air Olympic Games coverage to audiences through to 2024, extending our relationship with the event which began in 1928 and reinforcing the BBC’s long-term commitment to major sporting events. The Olympic Games is one of the nation’s most treasured sporting events and this is an extensive package of rights that ensures we can offer ‘the best of the Games’, across TV, radio, online and digital, maximising the reach and impact of the BBC. This ground-breaking partnership also shows how the BBC can collaborate and work with others to continue to bring the very best in sport to licence fee payers.”

    Discovery Networks International president JB Perrette said, “Since the announcement of our partnership with the IOC, it has been Discovery’s goal to engage and entertain local audiences in Europe with the ultimate Olympic Games experience across all screens. To realise this ambition, we will leverage our portfolio of pay-TV, free-to-air and digital services, and collaborate with the very best partners who share this vision – the BBC partnership embodies this perfectly.”

  • BBC inks ?100m deal with BT for next-gen broadcast network

    BBC inks ?100m deal with BT for next-gen broadcast network

    MUMBAI: The BBC has inked a seven year deal worth over ?100m with BT to provide its broadcast network, delivering considerable savings and paving the way for future digital innovation. This enables the BBC to move to a new, state-of-the-art network based on internet technologies from April 2017.

     

    The new network will be more efficient, flexible, and better able to support BBC innovation. For example, extra services and capacity can be added for major events, such as a general election or the Olympics, more easily and at a lower cost than with the current system. It will also make it easier for the BBC to work with and explore emerging, data-hungry formats – like Ultra HD (4K), 360-degree content, and others yet to be invented.

     

    The contract with BT is for seven years, with an option for the BBC to extend for a further three. It will save the BBC tens of millions of pounds, making a significant contribution to the BBC’s savings targets, as it capitalises on advances in technology and a competitive procurement to reduce the overall cost.

     

    BBC chief technology officer Matthew Postgate said, “This is an important step towards building an internet-fit BBC and will allow us to provide more interactive and personalised content in the future. At a time when the BBC faces serious financial challenges, it will also save us tens of millions of pounds so we can focus more of our money on the programmes and services for licence fee payers.”

     

    The new network will link all BBC UK sites, including 21 broadcasting centres and local radio stations, as well as connecting to the main overseas bureaux and partners for playout of the BBC’s TV channels. It will carry all video, audio and data traffic, as well as fixed line telephony, ISDN and broadband services.

     

    It will be operated by BT’s global media services operation, BT Media and Broadcast. The selection of BT follows a public procurement under the BBC’s Aurora Programme, which is re-sourcing all of the BBC’s core technology services as the current contract expires in April 2017.

     

    BT Media and Broadcast global vice president Mark Wilson-Dunn added, “We are delighted by the BBC’s decision to choose us as their next generation broadcast network partner. Both of our organisations have a vital part to play in making the best use of advanced technology to support and enable the ever-accelerating evolution of broadcast media.”

     

    The current broadcast network is provided by Vodafone UK through the BBC’s principal technology services provider, Atos. In future, Vodafone will continue to have an important strategic relationship with the BBC, providing a key data centre, telephony services and additional connectivity in London.

     

    Over the coming year, the BBC will be working with both Vodafone and BT to ensure a smooth transition to the new network.

  • BBC inks ?100m deal with BT for next-gen broadcast network

    BBC inks ?100m deal with BT for next-gen broadcast network

    MUMBAI: The BBC has inked a seven year deal worth over ?100m with BT to provide its broadcast network, delivering considerable savings and paving the way for future digital innovation. This enables the BBC to move to a new, state-of-the-art network based on internet technologies from April 2017.

     

    The new network will be more efficient, flexible, and better able to support BBC innovation. For example, extra services and capacity can be added for major events, such as a general election or the Olympics, more easily and at a lower cost than with the current system. It will also make it easier for the BBC to work with and explore emerging, data-hungry formats – like Ultra HD (4K), 360-degree content, and others yet to be invented.

     

    The contract with BT is for seven years, with an option for the BBC to extend for a further three. It will save the BBC tens of millions of pounds, making a significant contribution to the BBC’s savings targets, as it capitalises on advances in technology and a competitive procurement to reduce the overall cost.

     

    BBC chief technology officer Matthew Postgate said, “This is an important step towards building an internet-fit BBC and will allow us to provide more interactive and personalised content in the future. At a time when the BBC faces serious financial challenges, it will also save us tens of millions of pounds so we can focus more of our money on the programmes and services for licence fee payers.”

     

    The new network will link all BBC UK sites, including 21 broadcasting centres and local radio stations, as well as connecting to the main overseas bureaux and partners for playout of the BBC’s TV channels. It will carry all video, audio and data traffic, as well as fixed line telephony, ISDN and broadband services.

     

    It will be operated by BT’s global media services operation, BT Media and Broadcast. The selection of BT follows a public procurement under the BBC’s Aurora Programme, which is re-sourcing all of the BBC’s core technology services as the current contract expires in April 2017.

     

    BT Media and Broadcast global vice president Mark Wilson-Dunn added, “We are delighted by the BBC’s decision to choose us as their next generation broadcast network partner. Both of our organisations have a vital part to play in making the best use of advanced technology to support and enable the ever-accelerating evolution of broadcast media.”

     

    The current broadcast network is provided by Vodafone UK through the BBC’s principal technology services provider, Atos. In future, Vodafone will continue to have an important strategic relationship with the BBC, providing a key data centre, telephony services and additional connectivity in London.

     

    Over the coming year, the BBC will be working with both Vodafone and BT to ensure a smooth transition to the new network.

  • BBC’s ‘Doctor Who’ writer Steven Moffat replaced by Chris Chibnall

    BBC’s ‘Doctor Who’ writer Steven Moffat replaced by Chris Chibnall

    MUMBAI: After six series at the helm, the multi-award-winning Steven Moffat has decided to step down as the lead writer and executive producer of Doctor Who.

     

    Moffat took over the reins on Series 5 in 2010 and during his tenure the show has become a truly global success. He has been responsible for introducing the eleventh and the twelfth doctors in Matt Smith and Peter Capaldi; as well as two companions Amy Pond (Karen Gillan) and Clara Oswald (Jenna Coleman) and iconic characters and monsters including River Song (Alex Kingston), Missy (Michelle Gomez), Rory Pond (Arthur Darvill) and the terrifying Weeping Angels.

     

    Additionally, the hit 50th Anniversary special in 2013, which saw fans around the world celebrate the world’s longest-running sci-fi series with the Doctors Matt Smith, David Tennant and John Hurt battling the deadly Daleks in a feature-length episode. Steven’s final series will air on BBC One in spring 2017 and there will be a Christmas Special in 2016.

     

    Moffat says, “Feels odd to be talking about leaving when I’m just starting work on the scripts for season 10, but the fact is my timey-wimey is running out. While Chris is doing his last run of Broadchurch, I’ll be finishing up on the best job in the universe and keeping the TARDIS warm for him. It took a lot of gin and tonic to talk him into this, but I am beyond delighted that one of the true stars of British Television drama will be taking the Time Lord even further into the future. At the start of season 11, Chris Chibnall will become the new showrunner of Doctor Who. And I will be thrown in a skip.”

     

    Like Moffat, Chibnall is also a lifelong Doctor Who fan and a multi-award-winning writer and executive producer. He has most recently achieved success with the triple-BAFTA-winning hit ITV seriesBroadchurch. His other credits include The Great Train Robbery, United, Law & Order: UK, Life On Mars and Torchwood. Chibnall’s debut series will launch in 2018.

     

    Chibnall says, “Doctor Who is the ultimate BBC programme: bold, unique, vastly entertaining, and adored all around the world. So it’s a privilege and a joy to be the next curator of this funny, scary and emotional family drama. I’ve loved Doctor Who since I was four years old, and I’m relishing the thought of working with the exceptional team at BBC Wales to create new characters, creatures and worlds for the Doctor to explore. Steven’s achieved the impossible by continually expanding Doctor Who’s creative ambition, while growing its global popularity. He’s been a dazzling and daring showrunner, and hearing his plans and stories for 2017, it’s clear he’ll be going out with a bang. Just to make my life difficult.”

     

    BBC One controller Charlotte Moore adds, “I want to thank Steven Moffat for everything he has givenDoctor Who – I’ve loved working with him, he is an absolute genius and has brought fans all over the world such joy. I will be very sad to see him leave the show, but I can’t wait to see what he will deliver in his last ever series next year with a brand new companion. I have decided to schedule Steven’s big finale series in spring 2017 to bring the nation together for what will be a huge event on the channel. 2016 is spoilt with national moments including the Euros and Olympics and I want to hold something big back for 2017 – I promise it will be worth the wait! I would also like to take this opportunity to welcome Chris Chibnall, a wonderfully talented writer who I know will bring something very special to the hit series.”

     

    BBC Drama Commissioning controller Polly Hill says, “Like Charlotte, I would like to thank Steven for his brilliance, which has made Doctor Who a global hit under his tenure. Chris Chibnall is the perfect successor to take over the reins of this incredible show, so I am delighted that his love for Doctor Who has made it impossible for him to resist! Chris is an incredible writer and his vision and passion for Doctor Who gives it an exciting future and promises to be a real treat for Doctor Who fans across the world.”

  • BBC’s ‘Doctor Who’ writer Steven Moffat replaced by Chris Chibnall

    BBC’s ‘Doctor Who’ writer Steven Moffat replaced by Chris Chibnall

    MUMBAI: After six series at the helm, the multi-award-winning Steven Moffat has decided to step down as the lead writer and executive producer of Doctor Who.

     

    Moffat took over the reins on Series 5 in 2010 and during his tenure the show has become a truly global success. He has been responsible for introducing the eleventh and the twelfth doctors in Matt Smith and Peter Capaldi; as well as two companions Amy Pond (Karen Gillan) and Clara Oswald (Jenna Coleman) and iconic characters and monsters including River Song (Alex Kingston), Missy (Michelle Gomez), Rory Pond (Arthur Darvill) and the terrifying Weeping Angels.

     

    Additionally, the hit 50th Anniversary special in 2013, which saw fans around the world celebrate the world’s longest-running sci-fi series with the Doctors Matt Smith, David Tennant and John Hurt battling the deadly Daleks in a feature-length episode. Steven’s final series will air on BBC One in spring 2017 and there will be a Christmas Special in 2016.

     

    Moffat says, “Feels odd to be talking about leaving when I’m just starting work on the scripts for season 10, but the fact is my timey-wimey is running out. While Chris is doing his last run of Broadchurch, I’ll be finishing up on the best job in the universe and keeping the TARDIS warm for him. It took a lot of gin and tonic to talk him into this, but I am beyond delighted that one of the true stars of British Television drama will be taking the Time Lord even further into the future. At the start of season 11, Chris Chibnall will become the new showrunner of Doctor Who. And I will be thrown in a skip.”

     

    Like Moffat, Chibnall is also a lifelong Doctor Who fan and a multi-award-winning writer and executive producer. He has most recently achieved success with the triple-BAFTA-winning hit ITV seriesBroadchurch. His other credits include The Great Train Robbery, United, Law & Order: UK, Life On Mars and Torchwood. Chibnall’s debut series will launch in 2018.

     

    Chibnall says, “Doctor Who is the ultimate BBC programme: bold, unique, vastly entertaining, and adored all around the world. So it’s a privilege and a joy to be the next curator of this funny, scary and emotional family drama. I’ve loved Doctor Who since I was four years old, and I’m relishing the thought of working with the exceptional team at BBC Wales to create new characters, creatures and worlds for the Doctor to explore. Steven’s achieved the impossible by continually expanding Doctor Who’s creative ambition, while growing its global popularity. He’s been a dazzling and daring showrunner, and hearing his plans and stories for 2017, it’s clear he’ll be going out with a bang. Just to make my life difficult.”

     

    BBC One controller Charlotte Moore adds, “I want to thank Steven Moffat for everything he has givenDoctor Who – I’ve loved working with him, he is an absolute genius and has brought fans all over the world such joy. I will be very sad to see him leave the show, but I can’t wait to see what he will deliver in his last ever series next year with a brand new companion. I have decided to schedule Steven’s big finale series in spring 2017 to bring the nation together for what will be a huge event on the channel. 2016 is spoilt with national moments including the Euros and Olympics and I want to hold something big back for 2017 – I promise it will be worth the wait! I would also like to take this opportunity to welcome Chris Chibnall, a wonderfully talented writer who I know will bring something very special to the hit series.”

     

    BBC Drama Commissioning controller Polly Hill says, “Like Charlotte, I would like to thank Steven for his brilliance, which has made Doctor Who a global hit under his tenure. Chris Chibnall is the perfect successor to take over the reins of this incredible show, so I am delighted that his love for Doctor Who has made it impossible for him to resist! Chris is an incredible writer and his vision and passion for Doctor Who gives it an exciting future and promises to be a real treat for Doctor Who fans across the world.”

  • BBC controller seasons & special projects Janice Hadlow quits

    BBC controller seasons & special projects Janice Hadlow quits

    MUMBAI: BBC controller seasons & special projects Janice Hadlow has put in her paper at the company.

     

    BBC Television acting director Mark Linsey said, “I would like to thank Janice for her work in developing Civilisations and for her wider contribution to the BBC. Janice has worked for the BBC in a range of roles, including controller of BBC Four – where she grew the channel’s reach, share and reputation – and BBC Two – where she oversaw a resurgence in specialist factual, comedy and drama. She leaves with our best wishes.”

     

    Hadlow added, “I have had a wonderful career at the BBC, where I have been lucky enough to work with very talented people on a host of exciting programmes. I was pleased to be able to see my final project, Civilisations, through a period of development to the point where it is about to begin filming. It is always hard to say goodbye, but this feels the right moment for me to take my leave. I wish it, and all the colleagues with whom I have so enjoyed working, the very best of luck for the future.”

     

    With Hadlow’s departure, the post of controller seasons and special projects will be closed.

  • BBC controller seasons & special projects Janice Hadlow quits

    BBC controller seasons & special projects Janice Hadlow quits

    MUMBAI: BBC controller seasons & special projects Janice Hadlow has put in her paper at the company.

     

    BBC Television acting director Mark Linsey said, “I would like to thank Janice for her work in developing Civilisations and for her wider contribution to the BBC. Janice has worked for the BBC in a range of roles, including controller of BBC Four – where she grew the channel’s reach, share and reputation – and BBC Two – where she oversaw a resurgence in specialist factual, comedy and drama. She leaves with our best wishes.”

     

    Hadlow added, “I have had a wonderful career at the BBC, where I have been lucky enough to work with very talented people on a host of exciting programmes. I was pleased to be able to see my final project, Civilisations, through a period of development to the point where it is about to begin filming. It is always hard to say goodbye, but this feels the right moment for me to take my leave. I wish it, and all the colleagues with whom I have so enjoyed working, the very best of luck for the future.”

     

    With Hadlow’s departure, the post of controller seasons and special projects will be closed.

  • BBC & Pact outline policy framework for BBC Studios

    BBC & Pact outline policy framework for BBC Studios

    MUMBAI: The BBC has entered into an agreement with the British trade association Pact regarding the BBC Studios proposal.

     

    The proposed policy framework will “strengthen the UK production sector and bring substantial benefits in terms of opening up new commissioning opportunities to competition.”

     

    BBC director of strategy and digital James Purnell says, “We welcome the agreement reached with Pact. Creative competition is in the best interest of audiences and BBC Studios is an essential part of the BBC’s future.”

     

    Pact CEO John McVay adds, “Pact is pleased that we have been able to negotiate a progressive agreement with the BBC that will result in even more competition at the BBC for the best programmes regardless of who makes them. This will build on the success of the WOCC and ensure BBC licence fee payers continue to enjoy the best of British.”

     

    The new charter and agreement will set out a policy framework for the relationship between BBC Public Service, BBC Studios and BBC Worldwide.  The proposal is that the agreement should include a set of guiding principles for how BBC Studios, as a commercial entity, should operate, and its relationship with the BBC Public Service. Additionally, there should be no cross-subsidy from BBC Public Service to BBC Studios; a separation between the finances and operations of BBC Public Service and BBC Studios; and fair transfer pricing.

     

    The proposal also states that there should be an “arms’ length commissioning, with commissions offered to BBC Studios subject to the same range of published tariffs and terms as are available to external producers.”

     

    BBC Studios will receive new commissions, creatively tendered established/returning series and the opportunities afforded by de-commissions, following fair and transparent competition with third party producers.

     

    The BBC Board would set out methodologies and processes for meeting the above principles prior to BBC Studios being launched as a commercial entity. Additionally, BBC Studios will be set up and operated to ensure compliance with State Aid requirements.

     

    As was previously set out, the BBC Studios proposal will exclude Network TV commissioned content for children’s, current affairs and sport. For current affairs, the BBC proposes to reduce the current in-house guarantee on eligible hours from 50 per cent to 40 per cent and extend the independent guarantee from 25 per cent to 40 per cent, creating a 25 per cent swing when these two changes are added together. For children’s, the BBC proposes to reduce the in-house guarantee on eligible hours from 50 per cent to 40 per cent and extend the independent guarantee from 25 per cent to 40 per cent. The BBC proposes that these changes are phased-in over a two year period from the new charter. For sport, the current in-house and independent guarantees would remain unchanged. Content made by BBC Studios, as a commercial entity, would not count as “in-house” and therefore would not count as part of in-house quota.

  • Adele impersonator clip smashes BBC YouTube record

    Adele impersonator clip smashes BBC YouTube record

    MUMBAI: Another day, yet another record broken for Adele… a sketch from BBC One’s Adele at the BBC special has been viewed more than 37 million times in just two weeks, making it the most-watched video ever on the BBC YouTube channel.

     

    The comedy sketch, ‘When Adele wasn’t Adele… but was Jenny!’ has broken the previous record of 36.9 million views. It became an instant global hit on the BBC YouTube channel after being featured in the programme, a one-off special broadcast on 20 November on BBC One. The television show has now been watched by 5.8 million people and an extended version featuring previously unseen footage will be shown on BBC One on 1 January.

     

    The five-and-a-half minute clip, which was released straight after the programme aired – features the singer going undercover, complete with prosthetic nose and chin and long gloves to cover her tattoos, to participate in a fake audition to find the best Adele impersonator. Telling the others taking part that her name is Jenny, she says she is a full-time nanny and part-time impersonator and quips it’s been ‘a bit slow recently’ due to ‘not much demand’. Due on last, the other singers comfort ‘Jenny’ backstage when she tells them she feels sick ahead of her performance – but when she breaks into her hit Make You Feel My Love, we see the heart-warming reactions of the impersonators as they realise one by one that ‘Jenny’ is actually the real Adele.

     

     

    One of the lookalikes who took part in the sketch, Talullah Windmill, says, “I am amazed the sketch has been so popular. Even though the day was one I’ll never forget, I never thought it would be watched by so many and be this well received. All the comments left are so lovely, it is truly overwhelming.”

     

    The previous Number 1 clip features Will Smith on The Graham Norton Show performing a song medley, including the theme to 90s sitcom Fresh Prince of Bel Air, with his son Jaden Smith, Alfonso Ribero, who played Carlton in the series, and DJ Jazzy Jeff. It has been on the BBC YouTube Channel for over two years and has now been knocked down to second place.

     

    BBC Music director Bob Shennan says, “I’m delighted to see such a phenomenal response to the show in the UK, and to see the magical sketch gain a huge global audience who are enjoying and sharing the BBC’s content.”

     

    Guy Freeman, executive producer of Adele at the BBC adds, “Adele was very keen to do the sketch and worked closely with my team to make this comedy-gold moment such a roaring success. She shows not only what a great sport she is, but also what a great comedy actor she is too.”

     

    Marking her return to the music scene with this world exclusive one hour special – her first television performance since she performed Skyfall at the Oscars in 2013 – this sketch featured alongside performances of her much-loved classics and new material from her recently released album, plus an interview with Graham Norton about her life and career.