Tag: BBC TV

  • BBC TV undergoes reorganisation; Charlotte Moore made controller, TV channels & iPlayer

    BBC TV undergoes reorganisation; Charlotte Moore made controller, TV channels & iPlayer

    MUMBAI: As part of a reorganisation that will offer a simplified and more co-ordinated strategy across BBC Television’s channel portfolio, the BBC has appointed Charlotte Moore as controller, TV Channels and iPlayer.

     

    In the newly created role, Moore – currently Controller of BBC One – will become the creative, editorial and strategic lead for BBC One, BBC Two, BBC Four and BBC iPlayer, ensuring the channels work in a complementary way while enhancing their distinctive positioning.

     

    The reorganisation will support new, creative approaches to programming and scheduling that reflect changing audience behaviour and the growing role of BBC iPlayer, as well as encouraging greater collaboration and allowing simpler movement of ideas and talent across the portfolio. It will also create a more streamlined commissioning system, with a single point of contact and faster decision-making.

     

    Moore will report to BBC acting director of television Mark Linsey, and will continue to sit on the TV Board.

     

    Linsey says, “Charlotte is an outstanding leader and has done a brilliant job making BBC One both distinctive and popular. This role will allow her to take a view across channels to drive distinctiveness, quality and risk-taking even further, whilst offering a single point of contact for programme-makers and ensuring audiences get the best programmes, however and wherever they choose to watch.”

     

    Moore adds, “I’m honoured to lead the BBC’s channel portfolio into the future at such a significant time. The creative opportunities this new approach brings will ensure the BBC keeps pace with our rapidly changing media industry. It is more important than ever for audiences and programme-makers that we have a clearly defined sense of purpose for each channel, to ensure we deliver even higher quality and more distinctive content. A united vision across the portfolio will encourage greater ambition and diversity of output, more creative freedom and quicker decision-making. I’m passionate about the BBC and committed to making this a place where the best creatives want to work, and having the right teams working together is key.”

     

    The appointment follows an internal recruitment process, and continues the BBC’s progress in creating a simpler and more efficient structure.

     

    Moore will take up her new responsibilities on 25 January. She will continue to lead BBC One and, within the new structure, will manage the heads of iPlayer, Daytime and BBC Four, as well as the new role of editor, BBC Two.

     

    Following the internal recruitment process, Kim Shillinglaw has decided to leave the BBC and, as a result of the reorganisation, the post of Controller BBC Two and Four will be closed.

     

    BBC Two and Four channel executive Adam Barker will take up the post of BBC Two acting editor, while recruitment for the new role takes place.

     

    Linsey adds, “Kim has led BBC Two and Four with great creativity, bringing viewers an amazing range of programmes including edgy documentaries like Meet The Ukippers, innovative comedy in Boy Meets Girl, ambitious TV experiments like Are Our Kids Tough Enough? Chinese School and distinctive treats like The Dresser, as well as re-energising factual entertainment and drawing younger audiences with The Real Marigold Hotel, Phone Shop Idol, Hell Week and Let’s Play Darts. She has modernised BBC Two’s identity, winning awards for the channel’s use of social media and the revamp of on-air, and refreshed the schedule with Monday’s clever quiz hour, box-set factual and comedy double bills back at 9 pm, whilst creating new commercial funding models in factual entertainment and natural history. She has been an outstanding leader of BBC Two and Four and I will be very sorry to see her go, but am incredibly grateful for her contribution.”

     

    Shillinglaw says, “I wish the BBC, Mark and Charlotte every success with the many changes BBC TV needs to make. I’ve loved modernising BBC Two and Four over the last two years but when you don’t get the big job it’s time to move on. And I’m looking forward to another big challenge.”

     

    The reorganisation follows other recent moves to simplify structures at the BBC, such as the appointment of Matthew Postgate as chief technology officer, bringing together BBC Digital, Engineering and BBC Worldwide roles.

  • BBC TV undergoes reorganisation; Charlotte Moore made controller, TV channels & iPlayer

    BBC TV undergoes reorganisation; Charlotte Moore made controller, TV channels & iPlayer

    MUMBAI: As part of a reorganisation that will offer a simplified and more co-ordinated strategy across BBC Television’s channel portfolio, the BBC has appointed Charlotte Moore as controller, TV Channels and iPlayer.

     

    In the newly created role, Moore – currently Controller of BBC One – will become the creative, editorial and strategic lead for BBC One, BBC Two, BBC Four and BBC iPlayer, ensuring the channels work in a complementary way while enhancing their distinctive positioning.

     

    The reorganisation will support new, creative approaches to programming and scheduling that reflect changing audience behaviour and the growing role of BBC iPlayer, as well as encouraging greater collaboration and allowing simpler movement of ideas and talent across the portfolio. It will also create a more streamlined commissioning system, with a single point of contact and faster decision-making.

     

    Moore will report to BBC acting director of television Mark Linsey, and will continue to sit on the TV Board.

     

    Linsey says, “Charlotte is an outstanding leader and has done a brilliant job making BBC One both distinctive and popular. This role will allow her to take a view across channels to drive distinctiveness, quality and risk-taking even further, whilst offering a single point of contact for programme-makers and ensuring audiences get the best programmes, however and wherever they choose to watch.”

     

    Moore adds, “I’m honoured to lead the BBC’s channel portfolio into the future at such a significant time. The creative opportunities this new approach brings will ensure the BBC keeps pace with our rapidly changing media industry. It is more important than ever for audiences and programme-makers that we have a clearly defined sense of purpose for each channel, to ensure we deliver even higher quality and more distinctive content. A united vision across the portfolio will encourage greater ambition and diversity of output, more creative freedom and quicker decision-making. I’m passionate about the BBC and committed to making this a place where the best creatives want to work, and having the right teams working together is key.”

     

    The appointment follows an internal recruitment process, and continues the BBC’s progress in creating a simpler and more efficient structure.

     

    Moore will take up her new responsibilities on 25 January. She will continue to lead BBC One and, within the new structure, will manage the heads of iPlayer, Daytime and BBC Four, as well as the new role of editor, BBC Two.

     

    Following the internal recruitment process, Kim Shillinglaw has decided to leave the BBC and, as a result of the reorganisation, the post of Controller BBC Two and Four will be closed.

     

    BBC Two and Four channel executive Adam Barker will take up the post of BBC Two acting editor, while recruitment for the new role takes place.

     

    Linsey adds, “Kim has led BBC Two and Four with great creativity, bringing viewers an amazing range of programmes including edgy documentaries like Meet The Ukippers, innovative comedy in Boy Meets Girl, ambitious TV experiments like Are Our Kids Tough Enough? Chinese School and distinctive treats like The Dresser, as well as re-energising factual entertainment and drawing younger audiences with The Real Marigold Hotel, Phone Shop Idol, Hell Week and Let’s Play Darts. She has modernised BBC Two’s identity, winning awards for the channel’s use of social media and the revamp of on-air, and refreshed the schedule with Monday’s clever quiz hour, box-set factual and comedy double bills back at 9 pm, whilst creating new commercial funding models in factual entertainment and natural history. She has been an outstanding leader of BBC Two and Four and I will be very sorry to see her go, but am incredibly grateful for her contribution.”

     

    Shillinglaw says, “I wish the BBC, Mark and Charlotte every success with the many changes BBC TV needs to make. I’ve loved modernising BBC Two and Four over the last two years but when you don’t get the big job it’s time to move on. And I’m looking forward to another big challenge.”

     

    The reorganisation follows other recent moves to simplify structures at the BBC, such as the appointment of Matthew Postgate as chief technology officer, bringing together BBC Digital, Engineering and BBC Worldwide roles.

  • BBC TV Licensing unveils new communications campaign

    BBC TV Licensing unveils new communications campaign

    MUMBAI: UK pubcaster The BBC’s TV Licensing division has announced the launch of a new integrated communications campaign, Circuit City, which will be rolled out from next month.

    The campaign highlights the power of technology in making it easier for people to pay for their TV licence and harder for them to evade.

    The campaign will feature a new trademark and visual identity, incorporating the name “TV Licensing” and a new symbol.

    The new trademark and visual identity will appear from 1 April on the TV Licensing website and in direct mail.

    The communications campaign comprises BBC TV and radio trails, advertising on commercial television, online banners and posters. It replaces the Sofa campaign which has been running for two years.

    Online banners will run from 1 April, followed by TV from 14, radio from 19 and posters from 21 April.

    TV Licensing’s aims are to ensure that everyone who needs a licence buys one, and to reduce the cost of collection to put more money into BBC programmes and services. The effective use of computer technology is at the heart of both these aims.

    The creative approach for the Circuit City campaign brings to life how TV Licensing uses technology to make it easier for people to pay their licence online and how its database of more than 29 million addresses plays a key role in detecting licence fee evaders.

    The campaign was developed in partnership with AMV BBDO, PHD and Proximity London, with TV production by Red Bee.

    Circuit City will be the first campaign featuring the new TV Licensing trademark and visual identity.

    It is the first time the trademark has been revised since it was registered almost 20 years ago. The old trademark did not work well electronically (eg, online) and research showed that people did not regard it as reflecting a modern organisation.

    The new TV Licensing trademark is based on the power button design seen on many electrical devices. Many of these, such as laptop computers and mobile phones, are now able to receive TV signals and, therefore, their use may need to be covered by a TV licence.

    In the new trademark, the power button is combined with a tick to convey the positive connotations of being properly licensed.

    The new trademark and visual identity has been designed by The Partners.

    TV Licensing marketing manager Peter Kirkfor says, “TV Licensing has come a long way since 1990, when the old trademark was registered. We’ve more than halved the estimated evasion rate and significantly reduced collection costs.

    “In 1991, many people queued to pay their TV Licence in cash. You can now pay in many more ways, including setting up a direct debit online and receiving an e-licence.

    “TV Licensing is a modern, efficient organisation making effective use of technology. It’s now easier to pay than ever before and harder to hide if you are an evader. Our new campaign and trademark are important tools in conveying these messages.”

  • BBC’s TV distribution event kicks off in Brighton

    BBC’s TV distribution event kicks off in Brighton

    MUMBAI: TV stars from some of BBC Worldwide’s top-selling series are out in force in Brighton to support this year’s BBC Showcase, the world’s largest trade event hosted by a single television distributor.

    The BBC Worldwide event sees a week of international premieres as over 550 buyers from TV networks in 100 countries jet into the UK to buy the best of British programmes.

    Joining them are the stars from series like Mistresses, Ashes to Ashes, Oliver Twist and Cranford who will attend special gala events held to help launch key BBC Worldwide titles.

    Already on the guest list are actors Sarah Parish, Shelley Conn, Sharon Small, Orla Brady, Patrick Baladi, Raza Jaffrey, Max Brown and Adam Rayner from contemporary BBC drama series Mistresses – they will be helping to kick off the four-day TV industry event at a special opening dinner held in the programme’s honour.

    Primeval’s James Murray will also attend, following the series’ huge international sales success.

    In addition, Imelda Staunton and Timothy Spall will also be there, representing the BBC’s success in period drama for Cranford and Oliver Twist, respectively.

    BBC Worldwide is the UK’s largest television exporter, generating £216 million from programme sales last year. Over 1,000 hours of new British programming are available to view at BBC Showcase 2008. The average buyer sits at their viewing booth for 10 hours a day, for four days, to preview as much British programming as possible. Over 100 producers and scriptwriters descend on Brighton to help BBC Worldwide pitch to TV networks from across the globe

    Over 550 buyers will attend the annual event, where they will view around 1,000 hours of the latest, leading television output from Britain.

    Daily screening sessions are held across all genres, as sales teams and leading producers pitch directly to network buyers from around the world. Buyers will be presented with co-production propositions, formats and finished programming.

    Set in a world where friends have become the new family, Mistresses follows the lives and loves of a group of 30-something girlfriends who met at university. But their lives have taken very different turns.

    Cranford stars Oscar-winner Judi Dench and follows the small absurdities and major tragedies in the lives of the people of Cranford, as they are besieged by forces that they cannot withstand.

  • Nimbus’ channel named Neo Sports; Scott Ferguson to head international operations

    Nimbus’ channel named Neo Sports; Scott Ferguson to head international operations

    MUMBAI: Harish Thawani’s Nimbus Communications Limited appears to be on track as regards its stated aim to launch three sports channels between October 2006 and September 2007.

    Nimbus today announced the name of its main channel as Neo Sports and that the sports broadcasting business’ India operations have been spun off into a new wholly owned subsidiary called Nimbus Sports Broadcast Limited. The statement issued by Nimbus, however, made no mention of who would be heading channel operations in India. That announcement is expected next week.

    Nimbus’ international sports broadcast operations will meanwhile, be managed by Nimbus Media Private Limited based out of Singapore. Appointed as head of Nimbus Media is Scott Ferguson who takes charge as COO heading Asiawide sports broadcast operations.

    Scott, who has been heading sports broadcasting at Orbit in the Middle East, has over 20 years of experience and has had earlier stints at BBC TV, ITV, Sky and NTL.

    Nimbus is pumping over Rs 3 billion (approximately $ 67 million) into Phase 1 of the sports broadcasting business and will invest a further Rs 1.5 billion ($ 33 million) in Phase 2. As has already been reported, over the last one year Nimbus has secured over $ 75 million (Rs 3.4 billion) of fresh financing from 3i & Deutsche Bank.

    Meanwhile, Nimbus has commissioned Singapore based broadcast design company Brandspeed to do the channel branding and design.

  • Buena Vista Intl TV EMEA appoints Taylor as VP legal & business affairs

    Buena Vista Intl TV EMEA appoints Taylor as VP legal & business affairs

    MUMBAI: Buena Vista International Television (BVITV) EMEA has appointed Simon Taylor as vice president legal and business affairs. This was announced by BVITV EMEA executive vice president and managing director Tom Toumazis and Disney senior vice president and European general counsel Peter Wiley.

    In this London-based role, Taylor will be responsible for managing all legal and business affairs for BVITV’s television and new media distribution business. Within this, he will work closely with both Toumazis and Wiley, and will manage a BVITV legal and business affairs team of 11 based in London and Paris. He will also become a member of BVITV’s executive team.

    Taylor will join BVITV next month from his role as business consultant to a range of clients in the entertainment broadcasting, production and distribution sectors. Prior to this, he was HIT Entertainment’s legal and business affairs director from 2000 to 2002. Before that he was at BBC TV Programme Acquisition as head of business and legal affairs from 1994 to 2000.

    Toumazis said, “I’m delighted that someone with Simon’s experience and knowledge of the industry will help us manage the number of business opportunities and legal issues we face in the industry, including emerging new technology platforms and assisting with our continued efforts against piracy.”

    Wiley added, “Simon’s extensive track record of in-house legal experience in the international media industry will prove invaluable for our whole company.”

    “I’m excited to be joining such a dynamic business and looking forward to working with the team to further success, working with the great content BVITV has, and helping take advantage of the opportunities that the market has to offer,” said Taylor.