Tag: BARC

  • Comedy Central topples Zee Cafe; Movies Now continues to dominate English movies space

    Comedy Central topples Zee Cafe; Movies Now continues to dominate English movies space

    News Flash: Sony ESPN and Sony ESPN MUMBAI: The English GEC genre saw Comedy Central emerging as the new leader, while Movies Now, though with a decline in its viewership, continued its league by being at the pole position. According to week 8 Broadcast Audience Research Council (BARC) All India data, the English GEC space has witnessed a decline in viewership.

    English GEC

    Comedy Central toppled Zee Cafe garnering the first spot with 190 (‘000s). Zee Cafe stood at the second place with 159 (‘000s) followed by AXN with 138 (‘000s). Star World with 108 (‘000s) and Colors Infinity SD with 59 (‘000s) grabbed the fourth and fifth position.

    English GEC

    Movies Now continued to lead the genre and bagged the first position with a decrease in the ratingsto 2767 (‘000s) as against 3083 (‘000s) in week 7. Star Movies garnered the second place with 2526 (‘000s) followed by HBO at number three with 1695 (‘000s). Zee Studio with 1529 (‘000s) stood at the fourth position followed by Sony Pix with 1364 (‘000s) at the fifth position.HD to live telecast UFC 196 in India

  • BARC week 8: Most regional channels successfully continue to retain their positions

    BARC week 8: Most regional channels successfully continue to retain their positions

    MUMBAI: Fakt Marathi climbed fourth position from fifth position pushing down Star Pravah in fifth position, even as the leaders of all regional channel continued dominate their respective positions with slight increase and fall in ratings, according to the Broadcast Audience Research Council (BARC).

    Bangla GEC

    Star Jalsha was in the numero uno position among Bangla general entertainment channels with 223650 (‘000s) as against 220355 (‘000s) in week Seven. Zee Bangla bagged the second berth with 142368 (‘000s) followed by Jalsha Movies in the third position with 69316 (‘000s).

    Though Zee Bangla Cinema saw a fall in ratings, it maintained the fourth position with 30816 (‘000s) as against 37709 (‘000s) in the previous week followed by Colors Bangla at the fifth slot with 30744 (‘000s).

    Bhojpuri GEC

    Big Magic Ganga saw a sharp rise and continued to maintain the top position with 20196 (‘000s) against 16346 (‘000s) in week Seven, followed by Bhojpuri Cinema at second position with 15728 (‘000s).  

    In comparison, Dabangg climbed up to third slot with 7489 (‘000s) and pushed Dangal TV to the fourth position with 7485 (‘000s) in week 8 while ETV Bihar Jharkhand with 3993 (‘000s) maintained its number five position.

    Kannada GECs

    Colors Kannada retained its top position with 239925 (‘000s) followed by Suvarna at number two position with 182363 (‘000s), while Zee Kannada retained third spot with 144678 (‘000s) followed by Udaya Movies at fourth berth with 135757 (‘000s) as against 130904 (‘000s) in the preceding week. Udaya TV stood at fifth spot with 132177 (‘000s) as against 119542 (‘000s) in the previous week .

    Malayalam GECs

    Asianet continued to hold the top slot with rise in ratings at 410813 (‘000s) showing a further rise compared to its figures of 340204 (‘000s) in the previous week. This was followed by Mazhavil Manorama with 91947 (‘000s) in the second berth. Flowers TV saw a dip in its rating but managed to retain the third spot with 72372 (‘000s) as against 88537 (‘000s) in week 7 .Asianet Movies with 60124(‘000s) stood at number four position followed by Surya TV at fifth berth with 53843(‘000s)

    Marathi GECs

    Zee Marathi also remained at the top with 133880 (‘000s) followed by Colors Marathi in second position with 103425 (‘000s) as against 95409 (‘000s) in previous week. While Zee Talkies retained third position with 65090 (‘000s) as against 89848 (‘000s) in week 7, Fakt Marathi climbed one step to fourth position with 51755 (‘000s) as against 24396 (‘000s) in the previous week, pushing down Star Pravah in fifth position with 42576 (‘000s) as against 46968 (‘000s) in week 7.

    Oriya GECs

    Though Sarthak TV witnessed a slight fall in its ratings, it maintained its position on top with 88626 (‘000s) as against 92440 (‘000s) in week 7, followed by Tarang TV in second spot with 56638 (‘000s). Colors Oriya retained third berth with 20625 (‘000s) whereas Odisha TV was in fourth position with 17571 (‘000s) showing a slight increase in its ratings followed by Alankar with 9815 (‘000s) in fifth place as against 7187 (‘000s) in previous week.

    Tamil GECs

    Sun TV remained the leader in the Tamil space with a minor fall  in ratings at 938256 (‘000s) as against 953616 (‘000s) in week 7.KTV was at number two with fall in ratings at 234971 (‘000s) as against 264009 (‘000s) in the previous week whereas Star Vijay continued to hold its third position with 167514 (‘000s) followed by Polimer in fourth slot with 81404 (‘000s) and Zee Tamil on fifth slot with 79165 (‘000s) in week 8.

    Telugu GECs

    Though ETV Telugu saw a fall in ratings, it continued to lead the Telugu genre with 398781 (‘000s) as against 417220 (‘000s) the week, before followed by Zee Telugu on second position with 367722 (‘000s) and Maa TV on third spot with 365602 (‘000s). Gemini TV retained its place in the fourth rung with 281682 (‘000s) while Gemini Movies with 189472 (‘000s) stood in the fifth position.

  • BARC week 8: Most regional channels successfully continue to retain their positions

    BARC week 8: Most regional channels successfully continue to retain their positions

    MUMBAI: Fakt Marathi climbed fourth position from fifth position pushing down Star Pravah in fifth position, even as the leaders of all regional channel continued dominate their respective positions with slight increase and fall in ratings, according to the Broadcast Audience Research Council (BARC).

    Bangla GEC

    Star Jalsha was in the numero uno position among Bangla general entertainment channels with 223650 (‘000s) as against 220355 (‘000s) in week Seven. Zee Bangla bagged the second berth with 142368 (‘000s) followed by Jalsha Movies in the third position with 69316 (‘000s).

    Though Zee Bangla Cinema saw a fall in ratings, it maintained the fourth position with 30816 (‘000s) as against 37709 (‘000s) in the previous week followed by Colors Bangla at the fifth slot with 30744 (‘000s).

    Bhojpuri GEC

    Big Magic Ganga saw a sharp rise and continued to maintain the top position with 20196 (‘000s) against 16346 (‘000s) in week Seven, followed by Bhojpuri Cinema at second position with 15728 (‘000s).  

    In comparison, Dabangg climbed up to third slot with 7489 (‘000s) and pushed Dangal TV to the fourth position with 7485 (‘000s) in week 8 while ETV Bihar Jharkhand with 3993 (‘000s) maintained its number five position.

    Kannada GECs

    Colors Kannada retained its top position with 239925 (‘000s) followed by Suvarna at number two position with 182363 (‘000s), while Zee Kannada retained third spot with 144678 (‘000s) followed by Udaya Movies at fourth berth with 135757 (‘000s) as against 130904 (‘000s) in the preceding week. Udaya TV stood at fifth spot with 132177 (‘000s) as against 119542 (‘000s) in the previous week .

    Malayalam GECs

    Asianet continued to hold the top slot with rise in ratings at 410813 (‘000s) showing a further rise compared to its figures of 340204 (‘000s) in the previous week. This was followed by Mazhavil Manorama with 91947 (‘000s) in the second berth. Flowers TV saw a dip in its rating but managed to retain the third spot with 72372 (‘000s) as against 88537 (‘000s) in week 7 .Asianet Movies with 60124(‘000s) stood at number four position followed by Surya TV at fifth berth with 53843(‘000s)

    Marathi GECs

    Zee Marathi also remained at the top with 133880 (‘000s) followed by Colors Marathi in second position with 103425 (‘000s) as against 95409 (‘000s) in previous week. While Zee Talkies retained third position with 65090 (‘000s) as against 89848 (‘000s) in week 7, Fakt Marathi climbed one step to fourth position with 51755 (‘000s) as against 24396 (‘000s) in the previous week, pushing down Star Pravah in fifth position with 42576 (‘000s) as against 46968 (‘000s) in week 7.

    Oriya GECs

    Though Sarthak TV witnessed a slight fall in its ratings, it maintained its position on top with 88626 (‘000s) as against 92440 (‘000s) in week 7, followed by Tarang TV in second spot with 56638 (‘000s). Colors Oriya retained third berth with 20625 (‘000s) whereas Odisha TV was in fourth position with 17571 (‘000s) showing a slight increase in its ratings followed by Alankar with 9815 (‘000s) in fifth place as against 7187 (‘000s) in previous week.

    Tamil GECs

    Sun TV remained the leader in the Tamil space with a minor fall  in ratings at 938256 (‘000s) as against 953616 (‘000s) in week 7.KTV was at number two with fall in ratings at 234971 (‘000s) as against 264009 (‘000s) in the previous week whereas Star Vijay continued to hold its third position with 167514 (‘000s) followed by Polimer in fourth slot with 81404 (‘000s) and Zee Tamil on fifth slot with 79165 (‘000s) in week 8.

    Telugu GECs

    Though ETV Telugu saw a fall in ratings, it continued to lead the Telugu genre with 398781 (‘000s) as against 417220 (‘000s) the week, before followed by Zee Telugu on second position with 367722 (‘000s) and Maa TV on third spot with 365602 (‘000s). Gemini TV retained its place in the fourth rung with 281682 (‘000s) while Gemini Movies with 189472 (‘000s) stood in the fifth position.

  • Star Plus topples Colors to claim pole position in BARC week 8

    Star Plus topples Colors to claim pole position in BARC week 8

    MUMBAI: The fight for the pole position in Hindi general entertainment channel continues between Colors and Star Plus in week 8 of Broadcast Audience Research Council (BARC) all India data. As per the latest data from BARC, Star Plus secured the leadership slot while Colors stood at number two even after an increase in ratings.

    Star Plus grabbed the lead position in the Hindi GEC genre with 768495 (‘000s) and bagged the second place with 725868 (‘000s) against 692564 (‘000s) in week 7.  

    Zee Network’s Hindi entertainment channel Zee TV secured the third berth with a decline in ratings to 645473 (‘000s) against  666691 (‘000s) in the previous week. Its free to air channel Zee Anmol too witnessed a fall in ratings with 625553 (‘000s) viewership against 656412 (‘000s) in last week, but maintained its the fourth spot.

    Star Ustav climbed up to number five with 492907(‘000s), followed by Sony Pal with 477372 (‘000s) on sixth spot and Life OK with 437776 (‘000s) stood at number seven. 

    With no change in last three positions in the ranking list, Rishtey stood at number eight with 372527(‘000s). Sab TV and Sony Entertainment Television continued at ninth and tenth slot with 363158 (‘000s) and 311654 (‘000s) respectively. 

  • Star Plus topples Colors to claim pole position in BARC week 8

    Star Plus topples Colors to claim pole position in BARC week 8

    MUMBAI: The fight for the pole position in Hindi general entertainment channel continues between Colors and Star Plus in week 8 of Broadcast Audience Research Council (BARC) all India data. As per the latest data from BARC, Star Plus secured the leadership slot while Colors stood at number two even after an increase in ratings.

    Star Plus grabbed the lead position in the Hindi GEC genre with 768495 (‘000s) and bagged the second place with 725868 (‘000s) against 692564 (‘000s) in week 7.  

    Zee Network’s Hindi entertainment channel Zee TV secured the third berth with a decline in ratings to 645473 (‘000s) against  666691 (‘000s) in the previous week. Its free to air channel Zee Anmol too witnessed a fall in ratings with 625553 (‘000s) viewership against 656412 (‘000s) in last week, but maintained its the fourth spot.

    Star Ustav climbed up to number five with 492907(‘000s), followed by Sony Pal with 477372 (‘000s) on sixth spot and Life OK with 437776 (‘000s) stood at number seven. 

    With no change in last three positions in the ranking list, Rishtey stood at number eight with 372527(‘000s). Sab TV and Sony Entertainment Television continued at ninth and tenth slot with 363158 (‘000s) and 311654 (‘000s) respectively. 

  • Star Plus replaces Colors on second slot; Sony Max enters top ten list

    Star Plus replaces Colors on second slot; Sony Max enters top ten list

    MUMBAI: In week 8, Sun TV continued to lead across genres while  Star Plus grabbed the second slot and pushed down Colors to number three, according to Broadcast Audience Research Council (BARC) all India data.

    On the other hand, Star India’s movie channel Star Gold exited the top ten list this week while Sony networks’ Sony Max entered the list.

    Sun TV maintained its lead with 1005250 (‘000s), whereas Star Plus in the second place with an increase in ratings acquired 835910 (‘000s) and pushed Colors down to number three with 767772 (‘000s).

    Zee TV maintained its fourth spot in week 8 with 703634 (‘000s), while Zee Anmol secured the fifth slot with 626831 (‘000s).

    Star India’s FTA channel Star Utsav climbed up to number six from the  eightth slot in week 7 with 495096(‘000s) followed by Sony Pal with 481529 (‘000s) at number seven while Life OK with 456706 (‘000s) stood at number eight.

    Sony Max entered the top ten channel’s list in week 8 and grabbed ninth slot with 449308 (‘000s) while ETV Telugu maintained its tenth slot in the chart with 418704 (‘000s). 

  • Star Plus replaces Colors on second slot; Sony Max enters top ten list

    Star Plus replaces Colors on second slot; Sony Max enters top ten list

    MUMBAI: In week 8, Sun TV continued to lead across genres while  Star Plus grabbed the second slot and pushed down Colors to number three, according to Broadcast Audience Research Council (BARC) all India data.

    On the other hand, Star India’s movie channel Star Gold exited the top ten list this week while Sony networks’ Sony Max entered the list.

    Sun TV maintained its lead with 1005250 (‘000s), whereas Star Plus in the second place with an increase in ratings acquired 835910 (‘000s) and pushed Colors down to number three with 767772 (‘000s).

    Zee TV maintained its fourth spot in week 8 with 703634 (‘000s), while Zee Anmol secured the fifth slot with 626831 (‘000s).

    Star India’s FTA channel Star Utsav climbed up to number six from the  eightth slot in week 7 with 495096(‘000s) followed by Sony Pal with 481529 (‘000s) at number seven while Life OK with 456706 (‘000s) stood at number eight.

    Sony Max entered the top ten channel’s list in week 8 and grabbed ninth slot with 449308 (‘000s) while ETV Telugu maintained its tenth slot in the chart with 418704 (‘000s). 

  • ‘Not taking anything for granted is our guiding philosophy’: Maxus MD Kartik Sharma

    ‘Not taking anything for granted is our guiding philosophy’: Maxus MD Kartik Sharma

    ‘No room for complacency’ is a motto Maxus South Asia managing director Kartik Sharma as well as his team follow strongly when it comes to upholding the philosophy of not taking their position in the market for granted. In a market where traditional media practices are being challenged every now and then by a new start up or biz solutions provider, Maxus isn’t too worked up, says Sharma, but is definitely not taking it easy.

    With client retention being top priority, the media agency has heavily invested in new and innovative services in the last few years… while some have worked, others have taught team Maxus what to work on next… the next innovation.

    In an interview with Indiantelevision.com’s Papri Das, Sharma speaks on the company’s future initiatives that not only prepares Maxus as an agency of tomorrow but also forms yardsticks for the dynamic current media ecosystem.

    Excerpts:

    How was 2015 for Maxus in terms of new businesses and mandates?

    2015 was a challenging as well as gratifying year. We have been successful in achieving our business goals. We have picked up a fair amount of new businesses as well. But that is part and parcel of our business. We did some landmark work in the area of sports where we helped our client Paytm bag the BCCI home series sponsorship rights of 84 matches. We also set up a new marketing command centre called Mesh that reads signals from social media and other data platforms to help brands to come up with real time interventions and help campaigns.

    What were the challenges that you faced in 2015?

    The first quarter was a bit slow and I think this was uniform across all agencies last year. Therefore business was slow but it picked up in the latter half of the year. There was also this sentiment about the new government and what it can do, which drove a lot of the business decisions as well. We had mixed feelings through the year regarding how our clients will end up spending and whether they would be making cuts, because that directly impacts our business. Having said that, things were looking better by the end of the year.

    How useful has Mesh proved for you and your clients?

    We launched Mesh around April – May last year with two centres in Mumbai and Delhi, and very soon we will set up one in Bangalore as well. The idea was to set it up internally and have a culture change within Maxus. Parallelly, we also got multiple projects at the back of Mesh. A lot of clients are already using Mesh in various ways, be it ad-hoc or continual projects.

    It actually started much earlier in a different avatar when we deployed a similar service with Nestle as a client. We did some interesting work with L’oreal on the same principles where we continued to monitor all the social media pages and activities on the brand, understand the top influences and the kind of content that was working for the brand. The engagement analysis told us which part of India was giving us response on a particular product. It was immensely helpful in understanding what consumers feel about various brands.

    With the technology evolving and the ecosystem becoming more dynamic, do you think advertisers’ dependency on media agencies has increased?

    More than dependency, I think we work with clients as partners so it’s all about being equal in that. We have been able to demonstrate the real value of what we call the command centre. It’s about telling really powerful and relevant stories, which you can actually take back as an impact on your business.

    We must also take into consideration the number of new pitches that happened globally. Last year, around 20 million plus pitches took place globally. Fortunately for us, we weren’t part of it as you can never really predict how these additions will work out. As an agency, I would rather focus on current clients doing a great job than pitching. I think that having a few new strategic pitches are fine as long as it doesn’t effect your loyalty to your current clients.

    Don’t you think Maxus as a group has the capability to take on new clients without disappointing the existing ones?

    I have mentioned this again and I will repeat it yet again, Maxus as a group never takes its position in the market for granted. We have to earn what we are standing on and demonstrate every single day to all our stakeholders. That is critical to Maxus’ functioning. Not taking anything for granted is our guiding philosophy. It is also about the changing environment and Maxus needs to be forward facing to some extent. Mesh is a project keeping that in mind. If we don’t invest in Mesh and prepare ourselves for the future, then we can’t make that transition.

    Do you sense competition from all the ‘marketing solutions’ providers that have mushroomed in the industry recently? Some of them claim to provide similar services that Maxus has.

    Competition is always welcome. It builds a certain degree of positive energy for everyone to do better. Having said this, we have our own vision. It is a very inspiring vision that leans in to change. If you look at how we work, the entrepreneurial streak is very strong within Maxus. The DNA of Maxus is all about innovation, doing new things and evolving. So I am not overtly worried about the competition, yet we will keep a watch. We will not become complacent for sure.

    We see several big agencies collaborating with start-up agencies for specific skill sets. Do you think it reflects the lack of certain skills within the big media agencies to take on the changing market dynamics?

    Firstly, the skill set factor is not affecting just the agencies, I think it is across the board. As the market landscape changes, there are two ways to deal with it – either incorporate and evolve all the skill sets internally, which requires its own time and effort, or partner with someone who has these skill sets in a focused area still relevant to you. It is always going to be hybrid between building yourself and partnering with others.

    Can it be considered a shortcut way out?

    I don’t think it’s a shortcut. Once a client comes on board an agency, we want to give them the best possible solution. Clients don’t really worry too much on where that solution is coming from. There will always be something like a super specialisation, which an agency might not require for all its clients. Therefore it is better to partner, for a particular client or for a brief period of time.

    We too work with multiple partners. For example, we introduced a tool called Synapse last year, which marries television ratings with social buzz. We work with our partner Frrole to develop that. Frrole has certain proprietary technology for which it makes immense sense for us to partner with them.

    Within the WPP ecosystem we work with the research agency Kantar because it gives us certain specialisations. Rather than replicating the same skills within the agencies, it’s better to work with the experts.

    How do you ensure client’s faith in television, especially for advertisers who are heavily dependent on the television medium when there is all this talk about television losing importance in the advertising space?

    Firstly, we will continue to use the industry endorsed television rating system, which is currently Broadcast Audience Research Council (BARC) India. Secondly, as I mentioned earlier, we have the tool Synapse that helps marry television ratings with the social buzz. For particularly niche brands, which have a well defined target group, sometimes only TV ratings may not work. It may be that a certain type of channel, say a niche channel with a very targeted audience will work for them. We can identify them by listening to the social buzz. So in many ways, we are supporting the need for television through these new initiatives.

    Agencies are increasingly facing the ‘4 second challenge’ digital platforms with this current ADHD generation. How can the industry deal with this?

    First and foremost, one needs to take a hard look at the communication created for television and have an open conversation with the client and the creative agency on whether the same communication will hold true in a digital environment.

    The second thing is about doing a lot of experiment and a bit of trial and error at low cost to see what works and then tweaking it accordingly. Keeping an eye on what’s happening globally and learning from best practices or successful examples there and contextualising in the Indian market is also necessary.

    Any new services or products that are in the pipeline from Maxus?

    There are at least four or five big initiatives that we have in mind but it’s a little premature to talk about it now. By end March or early April we will be able to give a proper communication on the same.

    We keep innovating on our product front and learn from the previous launches. If certain things haven’t worked, we go back to the black board and think on what needs to change. At this point in time, I can say that we will soon be introducing an improved version of our T2D tool that was launched last year targeting the eCommerce community. We have received good feedback on it and will build on it to develop it into a more powerful tool.

  • ‘Not taking anything for granted is our guiding philosophy’: Maxus MD Kartik Sharma

    ‘Not taking anything for granted is our guiding philosophy’: Maxus MD Kartik Sharma

    ‘No room for complacency’ is a motto Maxus South Asia managing director Kartik Sharma as well as his team follow strongly when it comes to upholding the philosophy of not taking their position in the market for granted. In a market where traditional media practices are being challenged every now and then by a new start up or biz solutions provider, Maxus isn’t too worked up, says Sharma, but is definitely not taking it easy.

    With client retention being top priority, the media agency has heavily invested in new and innovative services in the last few years… while some have worked, others have taught team Maxus what to work on next… the next innovation.

    In an interview with Indiantelevision.com’s Papri Das, Sharma speaks on the company’s future initiatives that not only prepares Maxus as an agency of tomorrow but also forms yardsticks for the dynamic current media ecosystem.

    Excerpts:

    How was 2015 for Maxus in terms of new businesses and mandates?

    2015 was a challenging as well as gratifying year. We have been successful in achieving our business goals. We have picked up a fair amount of new businesses as well. But that is part and parcel of our business. We did some landmark work in the area of sports where we helped our client Paytm bag the BCCI home series sponsorship rights of 84 matches. We also set up a new marketing command centre called Mesh that reads signals from social media and other data platforms to help brands to come up with real time interventions and help campaigns.

    What were the challenges that you faced in 2015?

    The first quarter was a bit slow and I think this was uniform across all agencies last year. Therefore business was slow but it picked up in the latter half of the year. There was also this sentiment about the new government and what it can do, which drove a lot of the business decisions as well. We had mixed feelings through the year regarding how our clients will end up spending and whether they would be making cuts, because that directly impacts our business. Having said that, things were looking better by the end of the year.

    How useful has Mesh proved for you and your clients?

    We launched Mesh around April – May last year with two centres in Mumbai and Delhi, and very soon we will set up one in Bangalore as well. The idea was to set it up internally and have a culture change within Maxus. Parallelly, we also got multiple projects at the back of Mesh. A lot of clients are already using Mesh in various ways, be it ad-hoc or continual projects.

    It actually started much earlier in a different avatar when we deployed a similar service with Nestle as a client. We did some interesting work with L’oreal on the same principles where we continued to monitor all the social media pages and activities on the brand, understand the top influences and the kind of content that was working for the brand. The engagement analysis told us which part of India was giving us response on a particular product. It was immensely helpful in understanding what consumers feel about various brands.

    With the technology evolving and the ecosystem becoming more dynamic, do you think advertisers’ dependency on media agencies has increased?

    More than dependency, I think we work with clients as partners so it’s all about being equal in that. We have been able to demonstrate the real value of what we call the command centre. It’s about telling really powerful and relevant stories, which you can actually take back as an impact on your business.

    We must also take into consideration the number of new pitches that happened globally. Last year, around 20 million plus pitches took place globally. Fortunately for us, we weren’t part of it as you can never really predict how these additions will work out. As an agency, I would rather focus on current clients doing a great job than pitching. I think that having a few new strategic pitches are fine as long as it doesn’t effect your loyalty to your current clients.

    Don’t you think Maxus as a group has the capability to take on new clients without disappointing the existing ones?

    I have mentioned this again and I will repeat it yet again, Maxus as a group never takes its position in the market for granted. We have to earn what we are standing on and demonstrate every single day to all our stakeholders. That is critical to Maxus’ functioning. Not taking anything for granted is our guiding philosophy. It is also about the changing environment and Maxus needs to be forward facing to some extent. Mesh is a project keeping that in mind. If we don’t invest in Mesh and prepare ourselves for the future, then we can’t make that transition.

    Do you sense competition from all the ‘marketing solutions’ providers that have mushroomed in the industry recently? Some of them claim to provide similar services that Maxus has.

    Competition is always welcome. It builds a certain degree of positive energy for everyone to do better. Having said this, we have our own vision. It is a very inspiring vision that leans in to change. If you look at how we work, the entrepreneurial streak is very strong within Maxus. The DNA of Maxus is all about innovation, doing new things and evolving. So I am not overtly worried about the competition, yet we will keep a watch. We will not become complacent for sure.

    We see several big agencies collaborating with start-up agencies for specific skill sets. Do you think it reflects the lack of certain skills within the big media agencies to take on the changing market dynamics?

    Firstly, the skill set factor is not affecting just the agencies, I think it is across the board. As the market landscape changes, there are two ways to deal with it – either incorporate and evolve all the skill sets internally, which requires its own time and effort, or partner with someone who has these skill sets in a focused area still relevant to you. It is always going to be hybrid between building yourself and partnering with others.

    Can it be considered a shortcut way out?

    I don’t think it’s a shortcut. Once a client comes on board an agency, we want to give them the best possible solution. Clients don’t really worry too much on where that solution is coming from. There will always be something like a super specialisation, which an agency might not require for all its clients. Therefore it is better to partner, for a particular client or for a brief period of time.

    We too work with multiple partners. For example, we introduced a tool called Synapse last year, which marries television ratings with social buzz. We work with our partner Frrole to develop that. Frrole has certain proprietary technology for which it makes immense sense for us to partner with them.

    Within the WPP ecosystem we work with the research agency Kantar because it gives us certain specialisations. Rather than replicating the same skills within the agencies, it’s better to work with the experts.

    How do you ensure client’s faith in television, especially for advertisers who are heavily dependent on the television medium when there is all this talk about television losing importance in the advertising space?

    Firstly, we will continue to use the industry endorsed television rating system, which is currently Broadcast Audience Research Council (BARC) India. Secondly, as I mentioned earlier, we have the tool Synapse that helps marry television ratings with the social buzz. For particularly niche brands, which have a well defined target group, sometimes only TV ratings may not work. It may be that a certain type of channel, say a niche channel with a very targeted audience will work for them. We can identify them by listening to the social buzz. So in many ways, we are supporting the need for television through these new initiatives.

    Agencies are increasingly facing the ‘4 second challenge’ digital platforms with this current ADHD generation. How can the industry deal with this?

    First and foremost, one needs to take a hard look at the communication created for television and have an open conversation with the client and the creative agency on whether the same communication will hold true in a digital environment.

    The second thing is about doing a lot of experiment and a bit of trial and error at low cost to see what works and then tweaking it accordingly. Keeping an eye on what’s happening globally and learning from best practices or successful examples there and contextualising in the Indian market is also necessary.

    Any new services or products that are in the pipeline from Maxus?

    There are at least four or five big initiatives that we have in mind but it’s a little premature to talk about it now. By end March or early April we will be able to give a proper communication on the same.

    We keep innovating on our product front and learn from the previous launches. If certain things haven’t worked, we go back to the black board and think on what needs to change. At this point in time, I can say that we will soon be introducing an improved version of our T2D tool that was launched last year targeting the eCommerce community. We have received good feedback on it and will build on it to develop it into a more powerful tool.

  • BARC week 7: Fakt Marathi makes maiden entry in Top 5 Marathi channels list

    BARC week 7: Fakt Marathi makes maiden entry in Top 5 Marathi channels list

    MUMBAI: As per the Broadcast Audience Research Council (BARC) India’s week 7 ratings, the leaders of all the regional channels including Bangla, Bhojpuri, Kannada, Marathi, Telugu, Oriya, Tamil and Malayalam genres continued to have a stranglehold on their respective genres. 

    After marking its presence on the DD Free Dish DTH platform, Marathi channel Fakt Marathi made its maiden entry in the top five channels list in the genre.

    Bangla GECs

    Though Star Jalsha witnessed a fall in ratings, the channel maintained its number one position in the Bangla general entertainment channel (GECs) space with 220355 (‘000s) as against 247291 (‘000s) in week 6. 

    Zee Bangla bagged the second berth with 147283 (‘000s) followed by Jalsa Movies on the third spot with 66704 (‘000s) and Zee Bangla Cinema with 37709 (‘000s) stood at number four pushing down Colors Bangla to number five with 31284 (‘000s). 

    Bhojpuri GECs

    Big Ganga retained its numero uno position with an increase in its rating with 16346 (‘000s) as against 14575 (‘000s) in week 6, followed by Bhojpuri Cinema at second position with 16300 (‘000s) and Dangal TV with 7456 (‘000s) stood at number three.

    Dabangg bagged the fourth berth with 7206 (‘000s) and ETV Bihar Jharkhand with 3193 (‘000s) stood at number five in week 7.  

    Kannada GECs

    Colors Kannada saw dip in its rating compared to previous week but managed to retain the first berth with 217260 (‘000s) as against 254250 (‘000s) in week 6. Suvarna climbed up to second position from last week’s fifth spot with 170074 (‘000s) and pushed Zee Kannada down to the third place with 145912 (‘000s). Udaya Movies bagged the fourth position with 130904 (‘000s), while Udaya TV stood in the fifth spot with 119542 (‘000s).

    Malayalam GECs

    Asianet continued to hold the top slot with a rise in ratings with 340204 (‘000s) as against 333827 (‘000s) in week 6, followed by Mazhavil Manorama with 99654 (‘000s) in the second place as against 103484 (‘000s) in previous week. Flowers TV maintained its place at number three with 88537 (‘000s) with a slight dip in its rating from the previous week. Asianet Movies with 62851 (‘000s) stood at number four and Surya TV with 49259 (‘000s) was at number five.

    Marathi GEC

    Zee Marathi retained its numero uno position with 139810 (‘000s) with a slight rise in rating as compared to the previous week. It was followed by Colors Marathi with 95409 (‘000s), whereas Zee Talkies maintained its third position with 89848 (‘000s) and also saw an increase in rating as against 668724 (‘000s) in week 6. 

    Star Pravah retained the fourth berth with 46968 (‘000s) with a slight dip in rating as compared to the previous week. The Marathi genre witnessed a new entrant Fakt Marathi in the fifth slot with 24396 (‘000s) while Maobili made an exit this week. 

    Oriya GEC

    Sarthak TV maintained its position on top with 92440 (‘000s) as against 109559 (‘000s) in week 6 followed by Tarang TV with 56243 (‘000s) in the second slot. Colors Oriya retained its third berth with 20538 (‘000s) with a slight dip in rating whereas Odisha TV retained its fourth position with 17000 (‘000s) as against 20103 (‘000s) in the previous week followed by Alankar with 7187 (‘000s) in the fifth place.

    Tamil GECs

    Sun TV remained the leader in the Tamil space with a minor spike in ratings at 953616 (‘000s) as against 962984 (‘000s) in week 6. KTV was at number two with 264009 (‘000s) whereas Star Vijay continued to hold its third spot with 177117 (‘000s).  

    Polimer climbed up to fourth slot with 77343 (‘000s) and pushed down Zee Tamil to the fifth place with 75617 (‘000s) in week 7. 

    Telugu GECs

    ETV Telugu continued to lead the Telugu genre with 417220 (‘000s) followed by Zee Telugu in the second position with 382931 (‘000s) and Maa TV in the third spot with 350918 (‘000s). 

    Gemini TV retained its place in the fourth rung with 286818 (‘000s), while Gemini Movies with 182659 (‘000s) stood in the fifth position.