Tag: BARC

  • Times Now – Republic TV slugfest continues as ratings gap narrows

    BENGALURU: The on-air spat about numerouno status continued between the two biggest players in the English News genre. The slugfest commenced with the launch of Republic TV in week 19 of 2017 on Saturday May 6 2017 with the new channel breaking Times Now’s firm hold on the pole position in the genre and how! Republic TV opened at the top of the English News genre with a stupendous 2.117 million weekly impressions, followed far behind with the usurped leader Times Now with 1.148 million weekly impressions in week 19 of 2017.

    Twelve weeks later, in week 30 (Saturday 22 July 2017 to Friday 28 July 2017), Republic TV still continues to rule the genre. Broadcast Audience Research Council of India (BARC) data for week 30 must of the top 5 English News  must be a jolt for the newcomer with Times Now two narrowing the margin to just 2,000 weekly impressions. Republic TV scored 1.074 million weekly impressions and Times Now 1.072 million impressions! Earlier, the closest the two channels ratings had come was in week 24 of 2017 when Republic TV garnered 0.963 million weekly impressions to Times Now’s 0.935million weekly impressions.

    Trailing far behind at third place in week 30 was India Today Television with 0.375 million weekly impressions as per BARC data for the top 5 English News channels – All India (U+R): NCCS AB: Males 22+ Individuals. NDTV 24×7 was fourth with 0.360 million weekly impressions followed close behindby CNN News 18 with 0.354 million weekly impresssions.

    As reported earlier post week 19, theArnabGoswami led new entrant raised the hackles of the existing players- accusations of theft, of rigging the ratings, running a ratings battle on Republic TV and its competition. It was suddenly an all-out war – multiple Goliaths had got together to demolish the fledgling David. The older channels ganged up together to stifle the new channel that the industry says followed practises that were of a doubtful nature. Ultimatums were given to the official ratings agency – BARC, it either stopped publishing Republic TV viewership data or the other Indian English News channels represented by the News Broadcasting Association (NBA) would withdraw their watermarks and hence disable BARC from publishing a fair picture of ratings lists. The NBA backed channels returned to the BARC fold in week 22.

    However, just post 1100 hours on Thursday 3 August 2017, both the channels claimed leadership in the genre by slicing and dicing BARC data to the component that was most favourable to each. Times Now quoted relative share numbers and claimed first place, while Republic TV harped on its leadership position during the primetime debate hours of 900 pm to 1100 pm. Republic TV now turned around and without naming the channel, accused it of using money muscle and unfair trade practises.

    Over the past twelve weeks- eleven weeks actually if one were to eliminate the neglect the ratings for week 21 of 2017, Republic TV’s overall combined ratings are about a third more at 13.368 million impressions than Times Now’s 10.068 million impressions. Please refer to the figure below for weekly impressions by the two channels between weeks 19 and 30 of 2017 excluding week 21.

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  • PKL 5 aids Star Sports First top chart in maiden week

    MUMBAI: It is a coup of sorts. Star India’s channel which recently became free to air with sports content has not only come up trumps in the Top 5 sports channels’ list but is leading the pack.

    Star Sports First has managed to pocket as much as 148506 Impressions (000s) sum in BARC India week 30 beating the second best channel by around 14000 Impressions.

    Star Sports First in its first week has gathered the viewership from Pro Kabaddi League (PKL) season 5 which has helped it to reach to numero uno position in sports genre.  

    The opening day of Season 5 of the tournament has registered a cumulative reach of over 50 million registering a jump of over 59 per cent over the inaugural day of Season 4 of the tournament.

    This has been a season of many firsts for Vivo PKL- four new franchises joining the existing eight this season, the geographical representation of the league has garnered reach across 11 states. More than 130+ matches spread across 13 weeks, strengthens Vivo PKL’s status as India’s biggest non-cricketing sports league.

    With the introduction of Star Sports First, India’s first free-to-air (FTA) private sports channel, and SS1 Tamil, a first of its kind dedicated regional sports channel in India,Star Sports has allowed for India’s own sport to reach out to the growing number of Kabaddi enthusiasts across the nation.

    A number of On-Ground activations have enabled the sport to achieve a deeper penetration even in the remote pockets of the country; contributing to a spike in the number of users consuming Kabaddi. Witnessing impressive growth over the last 4 seasons, Vivo PKL has emerged as a significant benchmark for sports leagues in India.

    Star India MD Sanjay Gupta said, “I believe this is the first big year for sports beyond cricket. The spectacular growth in viewership for Kabaddi is testament to this journey. It is heartening to see the response Vivo PKL has evoked from millions of fans across the country, cutting across geographies and demographics and I am overwhelmed by its success and rapid rise.”

    The state of Karnataka has contributed significantly with a viewership growth of 137 per cent for Season 5 as compared to Season 4. The average rating for day 1 showed an increase in other key markets as well with Andhra Pradesh and Maharashtra registering a growth of 48 per cent and 22 per cent respectively.

    In addition, Star Sports First, accounted for 23 per cent of the total viewership generated on the inaugural day of the season.

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  • BARC to host digital measurement roadshows in Delhi, Mumbai & Bengaluru

    MUMBAI: After setting up a robust TV viewership measurement system, BARC India is gearing for a successful launch of EKAM, its digital viewership measurement venture. In keeping with its policy of transparency and inclusivity, BARC India, is hosting a series of multi-city roadshows for members of the digital ecosystem. This is part of the planned rollout of its digital measurement products under the EKAM brand.

    BARC India in the past had conducted four roadshows at several stages before launching its TV viewership measurement service. The aim behind these roadshows is to constantly engage with the stakeholders and understand their needs.

    Themed “EKAM: Unifying Measurement”, this is the first digital roadshow which has been planned to familiarize the industry with EKAM digital measurement products. These roadshows will also provide a platform for exchange of views on industry expectations and how the EKAM suite of products will meet those goals.

    The EKAM roadshows will be held in Delhi, Mumbai and Bengaluru between 31 July and 2 August.

    “We are aware that industry has expectations as well as several questions with regard to digital measurement. Through our direct engagement programs, we will hear them and also use the opportunity to familiarise them with our plans,” said Romil Ramgarhia, CBO, BARC India.

    “Currently, different platforms use different metrics to measure digital viewership. BARC India, being a third-party digital measurement body will bring in uniformity. The roadshows reinforce BARC India’s philosophy of transparency and inclusivity,” added Jamie Kenney, Business Head- Digital, BARC India.

  • 9XO’s D’souza says: We invest zero amount in marketing

    MUMBAI: International music brands had been ruling the English music channel space in India until 9XO emerged five years ago. Today, it authoritatively announces itself as an English music influencer and it’s leaving no stone unturned under the guidance of channel head Clyde D’souza.

    The former MTV associate director joined 9XO at inception. He does all that it takes to stay updated, to keep the channel well-run, and stay close to the audience. This is also one of the reasons for the innovative ideas that the channel has churned in these years.

    In an exclusive interview, D’souza shares 9XO’s journey, innovations, constant race to match up and times when they managed to overtake the digital world and more. Excerpts.

    In these five years, 9XO hasn’t deviated from its core purpose, being a pure play music channel.

    We started with a simple focus to help people discover music. So, we decluttered 9XO from all the other channels that play reality and lifestyle. We don’t do any of that. We stick to top 40 English songs. When a viewer comes to 9XO he gets 15 songs in an hour posed to another channel that might give 7-8 songs per hour. The other channels also have lot more breaks. We have lesser breaks.

    Does 9XO believe in 360-degree marketing campaigns?

    We invest zero amount in marketing. Our marketing guys do a great job by tying up with the biggest events in India be it Sunburn or EVC. We give more banks for their buck. There are also other channels but we give them more coverage.

    How is the channel doing on the BARC charts?

    We have been kicking a** as far as BARC is concerned. For the last eight weeks, we have been number one. Our competitors are an international brand. They have been in the space for 10 years now, we are five years younger company and we are still holding our own. We have created our channel from scratch, but we are doing well on social, GRPs and people love the channel. So, that’s a great story.

    9XO has constantly been innovative in building connect with its audience. Has it helped build the viewership?

    We have been innovating for our young viewers. So, the first year we had Tweet Down. It was our Twitter-based countdown show, where we would put 20 songs on Twitter and ask them to tweet their favourite songs. We would then play those songs along with their tweets. The third year we launched Hook –an app that matches you with someone who likes the same songs. We call it match over music. They are connected via music and 9XO shows those hooks on the channel. This year we have launched Insta Top 10. It’s our new countdown via Instagram. You comment on the song you like and we will show that song on-air along with the Instagram profile.

    A few years ago we had Snapstars.  Here we asked the viewers to take selfies using one of snapchat filters. Every week we would ask them to face swap with their favourite artist. Then we would put it on-air. Thos are the kind of innovations that we continuously keep doing at 9XO, which we think the viewers like and they keep coming back to us.

    Read the full story here:

    We have to find ways in which we can differentiate ourselves: 9XO channel head Clyde D’souza

     

  • Zee TV makes it to second place across genres

    BENGALURU: For the second time in 2017, the Zee Entertainment Enterprises Limited (Zeel) network flagship Hindi GEC Zee TV found itself as the second most watched channel across genres, pushing down Star India’s flagship Hindi GEC Star Plus to third place. The first place across genres, of course, is the sole domain of The Sun TV Network’s flagship Tamil GEC Sun TV, except during the IPL that is. Over the past few weeks, the Hindi GEC and the Hindi GEC (Urban or U) markets have promoted two Zee TV programmes – a reality talent show – Sa Re Ga Ma Pa Little Champs and a Balaji Telefilms family soap Kumkum Bhagya to the top of the weekly top five Hindi GEC programmes list. – NCCS All : Prime Time (1800 – 2330 hrs) : 2+ Individuals.

    One Tamil GEC channel and One Hindi Movies channel, two Telugu GEC channels and six Hindi GEC channels made it to the weekly top 10 channels list across genres of Broadcast Audience Research Council of India (BARC) for week 27 of 2017 (Saturday, 1 July 2017 to Friday, 7 July 2017). Or, putting it across differently, two channels each from the Sun TV, Zeel, Star India, Network 18 and Sony Pictures Network India (SPN) networks made up the weekly top 10 channels across genres list for week 27 of 2017.

    Sun TV occupied its usual unassailable position as leader of the Top 10 channels across genre pack with 1,112.035 million weekly impressions in week 27 – the channel improved its impressions by 2.87 percent over week 26. Zee TV gained a rank to second place with a massive 15.65 percent gain in weekly impressions over week 26 with 686.643 million weekly impressions, followed by Star Plus at third place with 650.601 million weekly impressions (a gain of 0.91 percent over the previous week).

    Network 18’s FTA Hindi GEC Rishtey gained 4.20 percent in ratings and a rank to fourth place with 611.891 million weekly impressions in week 27 as compared to week 26. Zeel’s FTA Hindi GEC lost a rank and 4.79 percent in ratings to come fifth in week 2017 with 564.640 million weekly impressions as compared to the previous week.

    Network 18’s flagship Hindi GEC Colors retained its sixth place in week 27, but lost 4.53 percent ratings as compared to the previous week. The channel garnered 557.186 million weekly impressions. SPN’s Hindi GEC Sony Pal gained a rank to seventh place and 2.81 percent in ratings in week 27 as compared to week 26. Sony Pal scored 549.929 million impressions. SPN’s Hindi Movies channels lost a rank to eighth place and 1.04 percent in ratings with 544.322 million weekly impressions.

    The Sun TV Network’s flagship Telugu GEC Gemini came ninth in week 27, the same rank as week 26, but lost 2.03 percent in ratings with a score of 495.036 million weekly impressions. Star India’s Telugu GEC Star Maa entered the list with 477.390 million weekly impressions to tenth place, while Network 18’s Telugu GEC ETV Telugu exited the top 10 across genres list in week 27 of 2017.

  • Ditto TV has the largest paid OTT subscriber base in India, says Zeel’s Z5 head Archana Anand

    MUMBAI: Even as Zee Entertainment Enterprises Ltd has got it right on the television front, questions have time and again been raised that it has not got its act together on digital. However, ever since the digital business was handed over to Essel Group chairman Subhash Chandra’s younger son Amit Goenka, the company has been working on redoing its roadmap for VoD and streaming. 

    Hence, last year, it took a major punt by relaunching its platform Ditto TV as a live television platform. The sticker price was Rs 20 a month. And, the water cooler talk is that Goenka and team Z5 have got   a handle on the direction they would like to steer Ditto TV. More action and announcements are slated to follow.

    Goenka’s point professional is Archana Anand who serves as Z5 Business EVP and  head of digital. It is Anand who is executing strategy on the ground. And, she believes that the Rs 20 decision has proved to be a wise one, as it  has helped it reach newer audience who are not watching TV.

    Anand was one of the speakers at indiantelevision.com’s second edition of Vidnet2017. She had a one-on-one conversation with Indiantelevision.com consulting editor Anjan Mitra.  Excerpts from the conversation:

    What are your views on the OTT landscape in India?

    I think we are going through the best time possibly can have for the industry. Jio has played an immense part in easing out the the ecosystem and making it much more viable for people to consume OTT.

    More importantly we have had some international players coming in and setting up  shop here, Netflix and Amazon, I think that’s wonderful in the sense as the category has got evangelised so that people who will be coming later will don’t have go to explain what it is.

     With Jio and all the international players coming in it’s a fantastic time for somebody to do interesting things in this space. 

    Would you like to share some insights from your work with Ditto?

    People have been questioning whether going the SVoD way in a market like India where consumers are still hesitant to pay and that mindset is that content should come to us for free. If not, we are okay to get it from pirated sites. At  DittoTV, we were pioneers when we launched in 2012 for quite some reasons we couldn’t make the impact which we wanted to.

    Last year, we re-launched with a very gutsy call. We re-launched Ditto at a very radical price of Rs 20 and our catch phrase was ‘BeesKa TV’ and industry asked how we would make a profit out of it  – at so low a price.

    I am delighted to say this was the most successful thing we ever thought through.

    The concept was to democratize television. With this Rs 20 price point, our thought process was we will actually create penetration and get television to be used by all of those little markets and people who couldn’t afford.

    Our campaign was pretty thought thourgh that I didn’t believe I was reaching out to the urban audience. I was very clear that I am reaching out the audience for whom digital is fuzzy word.

    More importantly with the 20 bucks price point what I got to do we were able to get it from telco’s mobile wallet which is the most ubiquitous in this country and that helped to partner with telcos and get immediate distribution. So today i have tied up with all the four telcos of this country. Subscription base comes (read: is growing month to month) because of the promotions done by the telcos. The highest cost is cost for acquisition and I don’t have any acquisition cost  – the telcos are giving it free to the consumer and paying.

    It was our good fortune that Reliance launched their Jio Play with live television and suddenly the other telcos needed Ditto. My guess is we would be highest or the biggest paid subscriber OTT in this country.

    Despite that,  as an ordinary consumer I am confused about your brand. Why so many brands in a space which is already littered with other brands?

    For starters, I understand it’s a bit confusing. In a short time, people will see our thought process and strategy for OTT very differently. We are going to get these multiple brands under a single umbrella and we will do a exciting launch in the near future.

    What will be your go-to market strategy then? 

    One should not view this market (in India) purely as AVoD or SVoD or TVoD. All of those models will still be exist because we are seeing the potential.  

    BARC recently put out some numbers saying there are some 103 million home who still don’t have access to television. So, what happened to those homes do they leapfrog to digital for they have already done so?

    Going by our Ditto expereince, I do believe we have reached out to a far greater audience than currently being targeted by BARC. Once EKAM (BARC’digital video measurement service) comes in, I hope you will realize that the last mile has expanded a little more because of the option of being able to watch live television on digital.

    Will OTT and traditional linear television both survive or cannibalise?

    Look at the consumer eyeballs around you and you resist all you want but the fact is this little device becomes the single point for us for most of our  content. Huge brands across the globe are now revisiting the way they are spending advertising money saying they wanted a particular urban audience or millennial audience. For the youth, they are possible smarter to put it on OTT.

    Having said that, while one is not making big prophecies about the death of television but you are going to see a trend. We have over 30 OTT players today. It doesn’t make any sense, it’s a loss pool today, and more and more people are jumping in. But, everybody is making a punt for the future.

    Zee Group, the parent company, completely got out of owning sports content. Aren’t you losing on a huge chunk of young audience who are digitally literate and could be your subscribers.

    It might be true but there are choices you make. You can’t do everything and so, I think, the concept was very clear if you couldn’t be the leader or number two in that space we rather move on and use the investment in the other areas.

  • Republic TV to launch in Middle East and Singapore

    NEW DELHI: The unstoppable TV journalist Arnab Goswami keeps marching: Republic TV, which has already announced going digital with an app, is now going overseas. While Republic TV will launch in the middle east next week, it is going to launch in Singapore next month on the Star hub.  

    Launched in May 2017, Republic TV has been leading the English News genre ratings. The channel opened its launch week, week with a bang, displacing Times Now as the genre leader, with a massive 21,18,000 weekly impressions.

    As reported by Indiantelevision.com earlier, the launch of Republic TV gave rise to an ugly war between the existing Indian English News channels and the new entrant.

    For one week, week 21 of 2017, ratings of the top Indian English news channels were not published as they had stripped their new feeds of the BARC audio watermark. The NBA-backed channels returned to the BARC fold in week 22.

    Also read

    Republic TV retains lead as Times Now narrows gap

  • VIDNET 2017: MINING THE BURGEONING OTT/VOD SECTOR

    MUMBAI: Leaders of India’s OTT, live streaming and video on demand ecosystem will be congregating at the Hotel Westin in Mumbai’s Goregaon suburb to participate in the second edition of indiantelevision.com’s industry confab VIDNET 2017- Content on the Go.

    Heads of Hotstar, DittoTV, Voot, SonyLiv, YuppTV and Viu, BARC’s planned digital measurement offering and the entertainment and media partnership heads of YouTube India and Facebook India will be highlighting the progress that their platforms have made and the way forward for video on demand and streaming services which are in their relative infancy but have seen tremendous traction over the past year or so..

    “2016-17 has been a year of an explosion in video consumption for the plethora of VOD and streaming service providers who have popped up in India,” says Indiantelevision.com group founder, CEO & editor-in-chief Anil Wanvari. “This is thanks to dropping bandwidth prices, the Reliance Jio effect of free data. Humungous investments are being poured into original content by Netflix, and Amazon, even as others are either investing in movies, sports, or kids content. This at a time when they are grappling with the business model: go pay or free or a mix of both. Our estimate is that around Rs 1,500-1,700 crore has already been invested by the various players. Thus, VIDNET 2017 is happening at an apt time. It will help foster discussions, relationships, deals between the various players and possibly allow for new ideas to flow in. A stellar lineup of speakers makes VIDNET, the industry’s leading VOD thought gathering.”

    VIDNET 2017 is slated to feature panel discussions on whether OTT/VOD/digital video is a sound investment proposition, its attractiveness to advertisers, the need for deeper distribution for the platforms, and who should be commissioned to produce the content, Bollywood biggies or smaller independents.

    Among the speakers who will be sharing their views at VIDNET include:

    Arre co-founder & CEO Ajay Chacko,

    Hotstar CEO Ajit Mohan,

    Still and Still Media collective founder

    Amritpal Singh Bindra,

    Indiantelevision.com group founder, CEO & editor in chief Anil Wanvari,

    Pocket Aces founder Anirudh Pandita,

    Z5 Business EVP & head of digital India Archana Anand,

    Republic TV founder Arnab Goswami,

    VideoTap founder & CEO Dilip Venkatraman,

    Viacom18 digital ventures Voot COO Gaurav Gandhi,

    VideoconD2h COO Himanshu Patil,

    Shemaroo Entertainment Ltd director Jai Maroo,

    BARC India digital business head Jamie Kenney,

    Aisa TV Forum and Market Reed Exhibitions executive producer & editorial director Lunita S V Mendoza,

    Asia TV Forum & Market – Reed Exhibitions business development manager Meen Yi Phua,

    Media Partners Asia vice president Mihir Shah,

    Viacom18 Digital Ventures content head Monika Shergill,

    Cheetah Mobile India director of brand solutions Neel Sapre,

    Principal Provocateur Advisory Paritosh Joshi,

    Monozygotic co-founder & chief creative officer Raghu Ram,

    WATConsult founder & CEO Rajiv Dingra,

    Prime Focus technologies founder & CEO Ramki Sankaranarayanan,

    Balaji Telefilms group CEO Sameer Nair,

    Akamai Technologies country sales manager, media Sandeep Reddy,

    Youtube entertainment partnership head Satya Raghavan,

    Facebook India media partnership head Saurabh Doshi,

    Swastik Productions, One Life studios founder & creative director Siddharth Kumar Tewary,

    Viu India marketing head Shantanu Gangane,

    Producer Siddharth Jain,

    Den Networks Ltd CEO S N Sharma,

    Amagi Media labs co – founder Srinivasan KA,

    Sourabh Pant,

    Perform group director content sales India Subhayu Roy,

    RBNL CEO TaruN Katial,

    Yupp TV founder & CEO Uday Reddy,

    SonyLIV EVP & digital head Uday Sodhi,

    Viu country head India Vishal Kumar Maheshwari,

    Emerald Media executive director & investment head Vivek Raicha

    Castle Media Pvt Ltd executive director Vynsley Fernandes.

    An initiative by Indiantelevision.com, Vident 2017 is powered by Viu. The summit partners for the event are Hotstar and Voot. Prime Focus Technologies, Sony Liv and Perform group is associate partners. Akamai is OTT partner. Animationxpress.com, Tellychakkar.com and Radioandmusic.com are online partners. The event is executed by ITV 2.0 productions.

    VIDNET 2017 will also be honoring key pioneers and movers and shakers of the industry with a plaque for their contribution to rapidly emerging digital video ecosystem.

  • Movies continue to dominate TV viewership, ads skewed towards male audience, observes BARC

    NEW DELHI / MUMBAI: Although the saas-bahu trend appeared to be taking over the Indian television about two decades ago, viewers have ultimately come back to the medium they love the most – cinema with song, dance and thrills.

    It is therefore no surprise that feature films aired on television contribute over 28 per cent to the total television viewership. The appeal of Movies is amplified by the fact that the varying content within films ensure that there is something for everyone – right from animations for kids to youth stories and mythological.

    Interestingly, though the movie channels have the largest viewership, general entertainment channels hold 17 per cent of feature film content. However, content availability on GEC channels is mainly driven by regional channels, according to a newsletter by the Broadcast Audience Research Council on ‘Decoding movies on television’.

    Feature films

    Feature Films are aired on nine channel genres. The genre which contributes the maximum content for Feature films is, as expected, Movie channels.  This is followed by GEC channels.

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    The content availability on GEC channels is mainly driven by regional channels. The scenario is similar in the case of Music genre, where the content availability is driven by regional channels.

    On the other hand, regional channels do not have any feature films content on youth and Infotainment. Conversely, HSM channels do not air any feature films on Kids and devotional channels.

    GEC channels dominated by movies

    After movie the channel genre, GEC channels have the maximum share of feature film content, as a composition on terms of channel language shows.

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    If one examines the language split within GEC channels, it is clear that the southern region channels drive the content availability. Even within these, Tamil and Telugu language channels have a substantial lead over the others.

    Interestingly, the south market is less fragmented that HSM. Over 90 per cent of the viewership is concentrated in only three genres – Movies, GEC and Kids.

    The differing viewership in HSM and South can also be explained by content availability.

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    Regional channels have higher content available on GEC and music channels. Additionally, unlike HSM which has no content in the kids genre, regional channels havefeature film content on kids genre.

    This also reflects in the viewership data, where the South has a higher share for GEC, Kids and music genre as compared to HSM. On a zonal level, eastern and western states see a higher preference for viewership of dubbed content.

    Audiences for movies in southern market are spread across movies, GEC and kids genre channels. However, in HSM it is heavily skewed towards movies.

    Feature films aimed at the young

    As compared to total TV viewership, audience for the feature films is skewed towards young (15 to 30 years) male audiences, especially from lower social grades(NCCS CDE), the BARC study shows.

    At an All India level, movie audiences are skewed towards males, the age group of 15 to 30 years and for NCCS C, D/E, as compared to Total TV viewership.

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    Viewership of feature films is skewed to female only in case of two genres – GEC and devotional.

    Thus movie channels have the maximum contribution to viewership of feature films, followed by GEC channels. It is interesting to note that the pattern across genres is in linewith the content availability shown previously, the study says.

    The only exceptions are kids genre and youth genre, where the performance is better vis-à-vis the content availability. This could be the result of these being targeted atspecific age-groups among which they have extremely high viewership.

    Feature films on kids channels have substantial co-viewership driven by parents (22 to 40 years). Movie themed content is more effective on youth genre channels thanany other genre in attracting audiences from all social grades.

    Viewership across genres is in line with content availability across genres.

    Holidays lead to greater viewership of movies

    Extended weekends with public holidays/festivals generate better viewership than mid-week holidays.

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    All the spikes (high viewership points) in 2016 have occurred due to some public holiday.

    The biggest peak in the year occurred on Independence Day (15-August) followed by Dussehra (11-October), Ganesh Chaturthi (5-September) and Pongal/Sankranti (15-January).

    With the exception of Dussehra, all the other top holidays were either on a Monday or a Friday. This shows that while public holidays lead to a spike in viewership, the ones that fall on a long weekend show a bigger spike.

    These spikes are further compounded due to special programming – the airing of a world television premiere or popular movies.

    Advertising skewed towards male audience

    Though Movies are skew towards male audience, advertising categories such as Food & Beverages, Personal care/Hygiene perform much better than Durables, Telecom products, etc.

    This indicates the perception of male consumers increasing for female oriented advertising categories, the study shows.

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  • Sports channels ratings dive in week 26

    BENGALURU: After the culmination of the recent ICC Cricket Champions Trophy 2017 in the UK, the ratings of the sports genre has taken a huge hit, going by Broadcast Audience Research Council of India (BARC) weekly data for Top 5 Sports channels and Top 5 Sports programmes (All India (U+R) : NCCS All : 2+ Individuals).

    Until mid-year (week 26 of 2017: Saturday, 24 June 2017 to Friday, 30 June 2017), the top combined weekly impressions (CWI) of the top 5 sports channels peaked in week 23 (Saturday, 3 June 2017 to Friday, 9 June 2017) during which the sum of the weekly impressions of all the five channels was 1,450.328 million impressions. Weeks 24 and 25 saw a progressive decline in the CWI and week 26 has seen the combined ratings of the Sports genre plummet to a little more than a fourth (fall by 3.71 times) of week 23 ratings. Weeks 24 and 25 of 2017 saw the top 5 channels of the sports genre with 1,294.254 million impressions and 813.826 million impressions respectively.

    Going by BARC data, international limited overs matches- one day matches as well as T20 matched have been the highest number of Indian audienceeyeballs. Please refer to the figure below for combined weekly impressions of Top 5 channels of the Sports genre during the first 26 weeks of 2017.

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    Week 1 of 2017 saw the lowest CWI during the year until week 26 of 2017 with the top 5 sports channels registering a figure of just 171.251 million. Week 3 of 2017 during which the first and the second ODIs’ were played between India and England in India witnessed the genre garnering the highest CWI for the top 5 channels until week 23 at 811.22 million impressions. CWI of 750.335 was registered in week 5 when T20 matches were played between India and England in India. The CWI of the top 5 Sports channels then petered down until week 10 when the top 5 channels registered a total of 555.647 million impressions. This was during the India Australia second Test Match held in India.  Among the private broadcasters in India, it was Star India’s Sports channels that telecast the India England, the India Australia matches and the Champions Trophy 2017.

    Week 14 of 2017 saw the kick-off of the tenth season of the T20 cricket Indian Premier League (IPL 10 or IPL 2017). The IPL ran until week 21 of 2017. Week 15 of 2017 saw the top 5 channels of the Sports genre registering a total of 691.605 million impressions – the highest combined ratings for the Sports genre during IPL weeks. IPL was aired on Sony Pictures Network (SPN) channels.