Tag: BARC

  • HUL top advertiser in BARC Week 50

    HUL top advertiser in BARC Week 50

    MUMBAI: The Broadcast Audience Research Council (BARC) India has released its data for top advertisers and brands for the period between 8 December 2018 and 14 December 2018

    The data is a reflection of top 10 advertiser and brands across genre on Indian television (U+R): 2+ Individuals demonstrating ads that were inserted the most in week 50 of 2018.

    Top Advertisers:

    Hindustan Unilever Ltd with 106157 ad insertions on television, remained the top advertiser in week 50 as well followed by Reckitt Benckiser Ltd, maker of Dettol, Veet, Durex condoms, Strepsils, Air Wick, Harpic, that had 58983 insertions.

    ITC Ltd as well maintained its position from the previous week and stands third with 53309 insertions.

    Procter & Gamble climbed up a rank from the last week and stands fourth with 34164 insertions. Pharmaceutical company SmithKline Beecham stands fifth with 28768 insertions.

    Top Brands:

    IBF became the top brand in week 50 of 2018 with 12436 insertions followed by Trivago with 12142 insertions. Mahindra SUV Range stands third with 11600 insertions.

    PhonePe, the Indian financial technology company, has entered the list at the third position, making 11529 insertions in week 50. Dettol Toilet Soaps came in fifth with 11425 insertions.

  • ABP News moved up the charts in BARC week 50

    ABP News moved up the charts in BARC week 50

    MUMBAI: ABP News moved up from fifth position to take the second position in the Hindi news urban genre in BARC week 50. ABP News also moved two places above and stood in the second position in the Hindi news (U+R) genre. The English business news genre saw no changes again this week.

    English News

    Republic TV maintained its lead in the first position in the English news genre with 1217 impressions ‘000. Times Now came in at second place with 1053 impressions ‘000. India Today Television moved a place above to the third position with 583 impressions ‘000 replacing CNN News18 which dropped to the fourth position with 543 impressions ‘000. NDTV 24X7 with 385 impressions ‘000 continued to stand at the fifth position.

    English business news

    The English business news genre yet again saw no changes this week. CNBC TV18 continued to stay in the first place with 491 impressions '000. ET Now and BTVI stood in their second and third positions with 145 impressions '000 and 62 impressions '000. CNBC TV18 Prime HD also held on to its fourth position with 47 impressions '000.

    Hindi News (U+R)

    Aaj Tak continued to stay on top of the Hindi news (U+R) genre with massive 232,664 impressions ‘000. ABP News moved two places above and stood on the second position with 196,823 impressions ‘000. News18 India dropped to the third position with 164,313 impressions ‘000. India TV moved to the fourth place with 147,558 impressions ‘000 as Zee News dropped two slots to the fifth place with 134,567 impressions ‘000.

    Hindi news rural

    Aaj Tak is positioned first in the Hindi news rural genre with 110,049 impressions ‘000. ABP News and News18 India are at second and third positions with 106,265 impressions ‘000 and 774,68 impressions ‘000, respectively. India TV moved a place above and took the fourth spot with 64,762 impressions’000. Zee News with 59,580 impressions ‘000 is placed at the fifth place.

    Hindi news urban

    Aaj Tak stood on top with 122,615 impressions ‘000 followed by ABP News with 90,558 impressions ‘000 which moved above from fifth position to take the second position. News18 India stood at the third place with 86,845 impressions ‘000. India TV is placed at the fourth positions with 82,796 impressions ‘000. Zee News dropped from the second position and took the fifth place with 74,987 impressions ‘000.

  • Sanjay Gupta on executing the new tariff regime, Star India’s strategy and channel pricing

    Sanjay Gupta on executing the new tariff regime, Star India’s strategy and channel pricing

    MUMBAI: Star India MD Sanjay Gupta is a veteran of many high-stake battles. The one he’s currently involved in could be long drawn, unpredictable, unlike anything he’s encountered before and potentially his toughest in a while. However, as India’s broadcast bosses put their heads down to implement TRAI’s new tariff regime, Gupta and Star seem to be first off the blocks. Over the weekend, the network unleashed a nation-wide, multi-media and multi-starrer campaign to educate the consumers across about the radical changes.

    While Star fought the TRAI order tooth and nail in India’s top court, Gupta and team deserve full marks for the sheer scale and speed at which they seem to have got things moving after an unfavourable ruling on 30 October. Gupta says his team at Star is ‘excited’ and sees the new tariff regime as an ‘opportunity’. More power in the hands of the consumer and transparency in the value are the two major highlights as India’s broadcast sector undergoes a facelift, he feels.

    That’s not all. Gupta also articulated his views on Star India’s strategy, channel pricing, disruption in the value chain, the SLP filed by the TRAI in the SC, its implications and more as he fielded wide-ranging questions on a balmy Monday morning on the 37thfloor of Star House.

    On the tariff order’s impact

    The biggest change the tariff order is making is bringing transparency into the whole system of how content gets created to how content gets bought. The biggest change you’re going to see is the transparency, which is existent in almost every industry. It is the biggest shift this industry could have asked for and is great value from a consumer point of view. 

    On preparedness of the system 

    I think people will learn. Over the next two-four weeks, it’ll be an intense learning experience. The good thing in this country is people learn very well quickly. The biggest change in this tariff order is the transparency and power to the consumer.

    On Star India’s strategy

    Our strategy has been in delivering great value to consumers. You know that we invest in making marquee content. Be it our channels in drama, movie, sports, National Geographic or any other content that we deal with. And the question that we ask ourselves is how do we ensure that we provide great value to our consumer through our pricing. We offer content in every geography – be the drama we create with Star Plus and Star Bharat in Hindi, Asianet in Malayalam, Star Vijay in Tamil, we add movies to it in each of the markets, National Geographic – which has some of the best infotainment content to consumers – and on top of it sports. What we are trying to do is make the price affordable to ensure that every consumer has access to this content. Not only do they have power but it is power at a great value from a Star bouquet point of view.

    On channel pricing

    The reason we started the communication early, at Star and IBF, is to let the consumers know that a change is happening. I think it requires a lot of education and communication for people to talk to. To my mind, it’s critical and important. And we wanted to begin early, as early as practically possible. Our price is not led by sports but it is also regionally decided. So, we have a different price in Tamil Nadu as compared to Bengal. Depending on what we think is the strength of our bouquet and the quality of content we are offering. So there is differential pricing like in any business that you decide it regionally and locally. We have a strong channel in Asianet, we have a much weaker channel in Vijay. So we are trying to ensure that consumers get dramatic value in each geography.

    For content with mass requirement, we have tried to make it as cheap as possible within the constraints of the investment we make in each of the businesses.

    On weaker channels

    As I said, the real big change is the power to consumers. They have a choice to decide. Less performing channels cannot come to consumers if they don’t like it. The business will be forced to perform better and better to meet consumer expectations.

    On viewership and ad revenue

    If the channels are powerful and the consumers want you, they will take that option. I think the real question is – Are the channels and content powerful enough? Great content will get viewership. It will force everyone to up their game in terms of the kind of content they offer.

    On TRAI’s SLP in SC

    It is up to the court to decide that. I think now as an SLP is in SC, whenever it gets picked up, the courts will decide. I don’t have a view beyond that. But at this moment, the current ruling is that there is no discount cap. It may change going forward depending on the SC ruling.

    In case the court has a new ruling that discounts have changed, pricing needs to change, both a-la-carte and bouquet pricing in that case, because the distance between them has to be only 15 per cent. I think we are still awaiting the court’s decision and if we need to adapt to it, then we’ll adapt to it. But there will be a shift again in pricing if that comes through.

    On whether distribution chain is ready

    I think we will know closer to time. It is possible that they are all not ready at one time and at that point in time TRAI will have to take a view whether they’ll give more time for people to transit. For now, 29 December is the deadline and we are following the TRAI deadline fully in our intent, in our communication and our effort on ground. In the last few months, we have invested aggressively both in putting together our communication, putting up our pricing on the website, training our teams internally because this is such a massive change. All our internal teams need to get prepared too because this has never been done before. It requires a complete re-understanding within the organisation and briefing our partners.

    On potential change in pricing

    Pricing once defined will remain the same. This is the pricing we have published. People can change their pricing but once consumers pick it up, it applies for the next one year. You can’t change it then. This will also bring about discipline in the industry.

    On the impact on advertisers

    I don’t have a firsthand view on it. But I think this will mean some challenges in implementation. A massive shift of this kind brings out a bit of chaos in the beginning. But I think when I look back – when we went from analogue to digital there were similar concerns, and personally, I carry that worry more than anyone else. But if you look back, it happened more smoothly than what all of us anticipated. Given the enterprise of our partners and consumers, we find solutions to difficult problems quickly. So I think this transition will be a little chaotic but hopefully, it will settle down in a few weeks.

    On disruption in distribution chain

    Consumers are used to buying everything else on MRP and choosing. So, they are used to it across business and categories. It is a big shift for people who deliver content to them, i.e., all of us and distributors – both DTH and cable. I think I personally feel all of them have been working hard over the last few months to prepare.

    On readiness of DPOs

    I think DTH is ready in any case because they do this for a living. DTH covers around 60 million homes. They are fully ready. I think cable is ready from a technology point of view. I think from a people point of view they are getting ready. They have been working hard to get ready. I do hope that given the value this is going to unleash, given the power to consumer this is going to provide, our consumers will really come forward and adopt it and force the transition to happen quickly and smoothly.

    On nature of agreements with DPOs

    Now the nature of agreements is simple – there is no long term agreement. You offer your RIO, which is offered by all content owners on the website. People can download and sign it. Basis the number of consumers that you get every month and the price that you set, you get paid. So it’s a fully transparent way of working for everyone. There is nothing like a long-term agreement anymore.

    On how content will be offered to consumers 

    I think DPOs will decide that. But we are offering to every DPO a-la-carte content and bouquet content both. It’s the same price to DTH and cable. It’s a transparent price to all. They can now choose to make their own bouquets by using a-la-carte channels or they can combine bouquets of different broadcasters. I think that’s the strategy each distributor will define on its own. The interesting thing will be from a consumer point of view, you’ll know everything – what’s the a-la-carte price for a channel, what’s the DPO bouquet and what’s the content bouquet. This kind of transparency has never existed in content business ever before.

    On impact on content offering

    Low performing channels will be under pressure. It will put pressure on content to be better and better. Hence, everybody will have to invest in quality to ensure your channels become better. Content has to work well.

    On consumer awareness

    We have launched a big campaign across eight languages. We are doing a big digital push led by Hotstar and digital assets outside. We are trying to make a very simple communication, at both IBF and Star, to simply explain to consumers what is the change. I’m sure all DPOs and channels are investing equally. The amount of communication consumers will see on this front will be quite significant. So I think communication will be a big draw for both the distribution industry and the content industry in the next few weeks.

    On the relationship between broadcasters and distributors

    One big change that is happening is (and that is the power of the TRAI ruling) that pricing is the same for all distribution partners. There is no difference. It’s equitable and it’s transparent, which means more trust. I think this should help drive a much better and a deeper partnership with the distributors.

    On measuring viewership

    As consumers shift, each of them won’t behave the same way. Each distributor won’t behave the same way. Some of the challenges on measurement would be the sampling, which is an important backbone of any measurement, might go for a toss. Because there are 180 million homes measured through 40 thousand boxes. So if there is chaos in 10 thousand boxes, the ratings may not reflect. Hence the IBF made a request (to not release viewership data for two months) to BARC. Now the BARC board has to decide what the next step should be.

  • Kannada, Malayalam, Telugu markets stay constant in BARC data week 49

    Kannada, Malayalam, Telugu markets stay constant in BARC data week 49

    MUMBAI: In the Bengali space, Zee Bangla and Star Jalsha continued to be in first and second positions in BARC data week 49. News18 Bihar Jharkhand emerged as the new player in the market by securing fifth position in the Bhojpuri market. No changes were observed in Kannada, Malayalam and Telugu market. In the Marathi space, Zee Yuva entered the market standing at fifth position. Sun TV retained its leadership position in the Tamil segment.

    Bangla

    Zee Bangla and Star Jalsha continued to be in first and second positions with 379144 impressions '000s and 322158 impressions '000s respectively.  Jalsha Movies and Colors Bangla exchanged their third and fourth positions respectively with 66783 impressions '000s and 58588 impressions '000s. Aakash Aath retained its fifth position with 56201 impressions '000s.

    Bhojpuri

    Big Ganga, Bhojpuri Cinema, Bhojpuri Dhamaka Dishum and Housefull Action continued to be in first, second, third and fourth positions respectively with 42348 impressions '000s, 42178 impressions '000s, 13989 impressions '000s and 7094 impressions '000s. News18 Bihar Jharkhand emerged as the new player in the market by securing fifth position with 2903 impressions '000s.  

    Kannada

    No changes were observed in this segment. Colors Kannada, Zee Kannada, Udaya TV and Udaya Movies and Colors Super continued to be in first, second, third, fourth and fifth positions respectively with 428232, 414845 impressions '000s , 205625 impressions '000s , 193098 impressions '000s  and 147762 impressions '000s.

    Malayalam

    Asianet, the Malayalam general entertainment channel from Star TV, retained its first position with 303195 impressions '000s. Flowers TV, Mazhavil Manorama, Surya TV and Asianet Movies also continued to be second, third, fourth and fifth positions with 107015 impressions '000s, 80247 impressions '000s, 79096 impressions '000s and 65505 impressions '000s respe1ctively.

    Marathi

    Zee Marathi, Colors Marathi, Star Pravah and Zee Talkies continued to be in first, second, third and fourth positions respectively with 361943 impressions '000s, 164949 impressions '000s, 142194 impressions '000s and 118705 impressions '000s. Zee Yuva entered the market standing at fifth position with 49838 impressions '000s.

    Tamil

    Sun TV retained its leadership position with 958692 impressions '000s. Star Vijay, Zee Tamil, KTV and Adithya TV stood at second, third, fourth and fifth positions respectively with 510328 impressions '000s, 504342 impressions '000s, 312675 impressions '000s and 102091 impressions '000s.  

    Telugu

    Star Maa retained its first position with 656656 impressions '000s. Zee Telugu, ETV Telugu, Gemini TV and Gemini Movies stood at subsequent positions with 520942 impressions '000s, 478254 impressions '000s, 417860 impressions '000s and 197338 impressions '000s respectively. 

  • HUL top advertiser in BARC week 49

    HUL top advertiser in BARC week 49

    MUMBAI: Revealing the top advertisers and brands of the week, Broadcast Audience Research Council (BARC) India has released its data for the period between 1 December 2018 and 7 December 2018.

    The data is a reflection of top 10 advertiser and brands across genre on Indian television (U+R): 2+ Individuals demonstrating ads that were inserted the most in week 49 of 2018.

    Top Advertisers:

    In week 49, Hindustan Lever Ltd maintained its position as the top advertiser with 100384 ad insertions on television. HUL's products include foods, beverages, cleaning agents, personal care products and water purifiers.

    Reckitt Benckiser Ltd, maker of Dettol, Veet, Durex condoms, Strepsils, Air Wick, Harpic came in second with 74282 ad insertions followed by ITC Ltd with 60008 insertions.

    Wipro Ltd came in fourth with 33694 ad-insertions and Procter & Gamble stood fifth with 27832 insertions on TV.

    Top Brands:

    Harpic leads the trail of the top brands in week 49 of 2018 with 17735 insertions. Santoor Sandal and Turmeric stood second with 13726 insertions.

    The top brand of the last week, Trivago slipped to the third position with 12325 insertions.

    Dr. Ortho Oil and Capsule came in fourth with 10196 insertions followed by Mortein 2 in 1 Insect Killer that had 9878 insertions.

  • Aaj Tak continues to lead amid elections in BARC week 49

    Aaj Tak continues to lead amid elections in BARC week 49

    MUMBAI: Aaj Tak yet again stood on top in all the three Hindi news genres in BARC week 49. Republic TV continued to dominate the English news genre. Zee News took the third position in Hindi News (U+R) after replacing ABP News which slipped down to the fourth place.

    English News

    Republic TV maintained its lead in the first position in the English news genre with 943 impressions ‘000. Times Now at second and CNN News18 at third hold onto their respective positions with 820 impressions ‘000 and 412 impressions ‘000. India Today Television stood at fourth position with 368 impressions ‘000. NDTV 24X7 with 286 impressions ‘000 continued to stand at the fifth position.

    English business news

    The English business news genre yet again saw no changes this week. CNBC TV18 continued to stay in the first place with 440 impressions '000. ET Now and BTVI stood in their second and third positions with 135 impressions '000 and 66 impressions '000. CNBC TV18 Prime HD also held on to its fourth position with 31 impressions '000.

    Hindi News (U+R)

    Aaj Tak once again topped the Hindi news (U+R) genre with 136450 impressions ‘000. News18 India took the second place with 113147 impressions ‘000. Zee News was at the third position with 110864 impressions ‘000 after changing its position with ABP News which was placed in fourth position with 106325 impressions ‘000. India TV was at fifth position with 102736 impressions ‘000.

    Hindi news rural

    Aaj Tak is positioned first in the Hindi news rural genre with 60849 impressions ‘000. ABP News, News18 India and Zee News are at second, third and fourth positions with 52104 impressions ‘000, 46660 impressions ‘000 and 46518 impressions ‘000, respectively. India TV with 42869 impressions ‘000 is placed at the fifth place.

    Hindi news urban

    Aaj Tak stood on top with 75601 impressions ‘000 followed by News18 India with 66486 impressions ‘000. Zee News and India TV were placed at third and fourth positions with 64346 impressions ‘000 and 59866 impressions ‘000. ABP News took the fifth place with 54221 impressions ‘000.

  • Aaj Tak HD hits airwaves, available on Tata Sky

    Aaj Tak HD hits airwaves, available on Tata Sky

    MUMBAI: India’s leading news broadcaster Aaj Tak has announced the launch of country’s first Hindi HD news channel – Aaj Tak HD. The HD avatar of the channel will be powered by rich exclusives, superior picture, and audio quality and lesser ad breaks.

    India Today Group chairman and editor in chief Aroon Purie speaking on the launch said, “Time and Information are the real currencies of this digital age. We have created Aaj Tak HD to give the viewer the best value on both these counts.  Aaj Tak HD has been designed in a way that there will be smaller ad breaks and much more news content than you will find anywhere else.  Let me assure you that Aaj Tak HD is not just about High Definition audio-video. This is about High Definition content and more of it.  As a market leader with Aaj Tak, we have always been Sabse Tez, and now with Aaj Tak HD we won’t be just Sabse Tez but also Sabse Zyada.”

    Aaj Tak has had many firsts to its name like experimenting with 3D augmented reality graphics during UP elections, using a drone camera and launching election express – the only live and on the move newsroom. The launch of the HD channel is expected to strengthen the company's competitive positioning and boost its leadership in the Hindi speaking belt.

    The media group plans to launch the new channel with special features on Business, Bollywood and International News.  On the occasion of the launch, the channel is also releasing the “Sabse Tez, Sabse Zyada” campaign across multiple platforms – outdoor, TV, digital and massive airport presence.

    Aaj Tak HD will be offered exclusively on Tata Sky (Channel Number 508) in India initially, and eventually will become available on other platforms.

    Welcoming the viewers to the next level of television news viewing India Today Group vice chairperson Kalli Purie said, “Your trust in Aaj Tak has grown year over year. It is our responsibility, therefore, to always be Sabse Tez… And also to always keep you ahead. Aaj Tak HD will keep you ahead on the technology curve and will serve the entire spectrum of your interests including special features on International Content, Business, and Bollywood. We hope you like our new offering, Sabse Tez Sabse Zyada.”

    Aaj Tak is the leading channel in both urban and rural Hindi Speaking Markets not only as per BARC but also as per IRS data.  With HD variant, Aaj Tak will also go on to attract the best and affluent Hindi viewer profile.

  • 4 Star and 3 Zeel channels most watched across genres

    4 Star and 3 Zeel channels most watched across genres

    BENGALURU: Four channels from the Star India network, three channels from Zee Entertainment Enterprises Ltd (Zeel) and one channel each from Sony Pictures Network India (SPN), the Sun TV Network, and Viacom 18 comprised the list of the top 10 channels across genres for week 49 of 2018 (Saturday, 1 December to Friday, 7 December 2018, week under review). From the genres perspective, Broadcast Audience Research Council of India (BARC) weekly list of top 10 channels across genres (across genres list) had seven Hindi GECs two Telugu GECs and one Tamil GEC.

    At its normal first rank in week 49 of 2018 was Sun TV with 1,027.961 million weekly impressions as compared to 995.022 weekly impressions in week 48 of 2018. Sun TV also led BARC’s weekly list of top 5 Tamil channels in the Tamil Nadu and Puducherry market and four programmes in BARC’s list of top 5 Tamil programmes during primetime in these markets based on average rating across all airings (original and repeat) in the week under review were aired on Sun TV.

    Continuing on at its previous week’s second rank in week 49 of 2018 was Zeel’s free to air (FTA) Hindi GEC Zee Anmol with 849.099 million weekly impressions as compared to 874.788 million weekly impressions in week 48. Zee Anmol was also ranked first in BARC’s weekly list of top 10 Hindi GECs in the combined urban and rural Hindi speaking markets or HSM (U+R) and HSM (R) and was ranked eighth in HSM (U). The Balaji Telefilms produced soap Kumkum Bhagya was ranked first in BARC’s list of top 5 Hindi GEC programmes during primetime based on average rating across all airings (original and repeat) in the week in HSM (U+R) and HSM (R). Another two programmes aired on the channel – Mahek and Ek Main aur Ek Tu were ranked second and fourth respectively in HSM (R).

    Moving up a place to third rank in week 49 of 2018 was Star India’s flagship Hindi GEC Star Plus with 785.322 million impressions in week 48 of 2018 as compared to 772.967 million weekly impressions in week 48. Star Plus was ranked second in BARC’s weekly lists of top 10 Hindi GECs in HSM (U+R) and was ranked first in HSM (U) and eighth in HSM (R). The 4 Lion Films soap Kulfi Kumar Bajewala aired on Star Plus was present in BARC’s weekly list of top 5 Hindi GEC programmes in HSM (U) at third rank during primetime  based on average rating across all airings (original and repeat).

    Zeel’s flagship Hindi GEC Zee TV moved down a place to fourth rank in week 49 of 2018. Zee TV garnered 780.033 million weekly impressions during the week under review as compared to 804.282 million weekly impressions in week 48. Zee TV was ranked fourth in BARC’s weekly list of top 10 Hindi GECs in HSM (U+R) and second in HSM (U), and was ranked sixth in HSM (R). Two programmes that were aired on Zee TV- Kumkum Bhagya, and its spinoff Kundali Bhagya were at fifth and second ranks respectively in BARC’s list of top 5 Hindi GEC programmes during primetime based on average rating across all airings (original and repeat) in the week in HSM (U+R) and fourth and first respectively in HSM (U).

    Star India’s second pay-TV Hindi GEC Star Bharat retained its previous week’s rank of 5 with million 750.394 weekly impressions in week 49 of 2018 as compared to 742.567 million weekly impressions in week 48. Star Bharat was ranked third in BARC’s weekly list of top 10 Hindi GECs in HSM (U+R), fourth in HSM (R) and was ranked fifth in HSM (U). The Hindi mythology Radhakrishn on the channel was ranked fourth and fifth in BARC’s weekly list of top 5 Hindi GECs programmes during primetime based on average rating across all airings (original and repeat) in the week in HSM (U+R) and HSM (U) respectively.

    Star India’s flagship Telugu GEC Star Maa also retained sixth rank in week 49 of 2018 with 702.918 million weekly impressions as compared with 677.237 million weekly impressions in week 48. Star Maa was ranked first in BARC’s weekly list of top 5 Telugu channels in the Andhra Pradesh and Telangana market. Five programmes that were aired on Star Maa were present in BARC’s weekly list of top 5 Telugu programmes during primetime based on average rating across all airings (original and repeat) in the week in the same market.

    Star India’s FTA Hindi GEC Star Utsav also maintained the previous week’s  seventh place in week 49 of 2018 with 641.354 million weekly impressions as compared to 627.637 weekly impressions in week 47. Star Utsav was ranked fifth in BARC’s list of top 10 Hindi GECs in HSM (U+R) and HSM (U) and was ranked fourth in HSM (R).

    Viacom18’s flagship Hindi GEC Colors re-entered BARC’s across genres list in week 49 of 2018 with 575.390 million weekly impressions at eighth rank. Colors was ranked sixth in in BARC’s weekly list of top 10 Hindi GECs in HSM (U+R) and HSM (U) and was ranked tenth in HSM (R). The third season of the Balaji Telefilms produced supernatural drama Naagin 3 was ranked third and second in BARC’s weekly list of top 5 Hindi GECs programmes during primetime based on average rating across all airings (original and repeat) in the week in HSM (U+R) and HSM (U) respectively.

    Zeel’s flagship Telugu GEC Zee Telugu also retained its previous week’s ninth rank in week 49 of 2018 with 545.402 million weekly impressions as compared to 599.109 million weekly impressions in week 48. The channel was ranked second in BARC’s weekly list of top 5 Telugu channels in the Andhra Pradesh and Telangana market.

    Dropping two places to tenth place in week 49 of 2018 was SPN’s women focused Hindi GEC Sony Pal with 545.020 million weekly impressions as compared to 626.473 million weekly impressions in week 48. Sony Pal was ranked seventh in BARC’s weekly list of top 10 Hindi GECs’ in HSM (U+R), third in HSM (R) and was ranked ninth in HSM (U). The sitcom Tarak Mehta ka Ooltah Chashmah on Sony Pal was ranked fifth in BARC’s weekly list of top 5 Hindi GEC programmes during primetime based on average rating across all airings (original and repeat) in the week in HSM (R).

  • Zeel channels most watched Hindi channels across genres

    Zeel channels most watched Hindi channels across genres

    BENGALURU: Two Hindi GECs from the Zee Entertainment Enterprises Ltd (Zeel) stable – free-to-air or FTA Zee Anmol and flagship pay TV channel Zee TV were once again the second and third most watched channels across genres in 2018 in week 48 (Saturday, 24 November 2018 to Friday, 30 November 2018). Broadcast Audience Research Council of India (BARC) data for the week shows that the Sun TV Network’s flagship Tamil GEC Sun TV was the most watched channel across genres during the week under review. This makes Zee Anmol and Zee TV the most watched Hindi channels during the week – be they GEC or Hindi movies genres.

    According to BARC data for week 48 of 2018, four Star India channels, three channels from Zeel, two channels from Sony Pictures Network India (SPN) and one channel from the Sun TV Network made up the list of top 10 channels across genres. There were seven Hindi GECs, two Telugu GECs and one Tamil GEC in the list of top 10 channels across genres.

    At its normal first rank in week 48 of 2018 was Sun TV with 995.022 million weekly impressions as compared to 990.104 weekly impressions in week 47 of 2018. Sun TV also led BARC’s weekly list of top 5 Tamil channels in the Tamil Nadu and Puducherry market and four programmes in BARC’s list of top 5 Tamil programmes during primetime in these markets based on average rating across all airings (original and repeat) in the week under review were aired on Sun TV.

    Also at its previous week’s second rank in week 48 of 2018 was Zeel’s free to air (FTA) Hindi GEC Zee Anmol with 874.788 million weekly impressions as compared to 842.236 million weekly impressions in week 47. Zee Anmol was also ranked first in BARC’s weekly list of top 10 Hindi GECs in the combined urban and rural Hindi speaking markets or HSM (U+R) and HSM (R) and was ranked ninth in HSM (U). The Balaji Telefilms-produced soap Kumkum Bhagya was ranked first in BARC’s list of top 5 Hindi GEC programmes during primetime based on average rating across all airings (original and repeat) in the week in HSM (U+R) and HSM (R). Another two programmes aired on the channel – Mahek and Ek Main aur Ek Tu were ranked second and fifth respectively in HSM (R).

    Climbing up two ranks from the previous week to third place was Zee TV, as mentioned above. Zee TV garnered 804.282 million weekly impressions in week 48 of 2018 as compared to 728.191 million weekly impressions in week 47. Zee TV was ranked second in BARC’s weekly list of top 10 Hindi GECs in HSM (U+R) and HSM (U), and was ranked fifth in HSM (R) during the week under review. Two programmes that were aired on Zee TV- Kumkum Bhagya, and its spinoff Kundali Bhagya were at third and second ranks respectively in BARC’s list of top 5 Hindi GEC programmes during primetime based on average rating across all airings (original and repeat) in the week in HSM (U+R) and fourth and second respectively in HSM (U).

    Retaining its previous week’s fourth rank was Star India’s flagship Hindi GEC Star Plus with 772.967 million impressions in week 48 of 2018 as compared to 748.250 million weekly impressions in week 47. Star Plus was ranked fourth in BARC’s weekly lists of top 10 Hindi GECs in HSM (U+R) and was ranked first in HSM (U) and ninth in HSM (R). The 4 Lion Films soap Kulfi Kumar Bajewala aired on Star Plus was present in BARC’s weekly list of top 5 Hindi GEC programmes in HSM (U) at fourth rank during primetime based on average rating across all airings (original and repeat).

    Another Star India pay-TV Hindi GEC Star Bharat dropped two ranks to fifth place in week 48 of 2018 with 742.567 million weekly impressions as compared to 765.704 million weekly impressions in week 47. Star Bharat was ranked third in BARC’s weekly list of top 10 Hindi GECs in HSM (U+R), fourth in HSM (R) and was ranked fifth in HSM (U). The Hindi mythology Radhakrishn on the channel was ranked fifth in BARC’s weekly list of top 5 Hindi GECs programmes during primetime based on average rating across all airings (original and repeat) in the week in HSM (U+R).

    Star India’s flagship Telugu GEC Star Maa climbed up a rank to sixth place in week 48 of 2018 with 677.237 million weekly impressions as compared with 676.362 million weekly impressions in week 47. Star Maa was ranked first in BARC’s weekly list of top 5 Telugu channels in the Andhra Pradesh and Telangana market. Five programmes that were aired on Star Maa were present in BARC’s weekly list of top 5 Telugu programmes during primetime based on average rating across all airings (original and repeat) in the week in the same market.

    Star India’s FTA Hindi GEC dropped a rank to seventh place in week 48 of 2018 with 627.637 million weekly impressions as compared to 719.252 weekly impressions in week 47. Star Utsav was ranked sixth in BARC’s list of top 10 Hindi GECs in HSM (U+R), third in HSM (R) and was ranked seventh in HSM (U).

    Climbing up two ranks to eighth place in week 48 of 2018 was SPN’s women focused Hindi GEC Sony Pal with 626.473 million weekly impressions as compared to 617.770 million weekly impressions. Sony Pal was ranked fifth in BARC’s weekly list of top 10 Hindi GECs in HSM (U+R), second in HSM (R) and was ranked eighth in HSM (U). The sitcom Tarak Mehta ka Ooltah Chashmah on Sony Pal was ranked fifth in BARC’s weekly list of top 5 Hindi GEC programmes during primetime based on average rating across all airings (original and repeat) in the week in HSM (R).

    Zeel’s flagship Telugu GEC Zee Telugu re-entered BARC’s weekly list of top 10 channels across genres after a long hiatus with 599.109 million weekly impressions in week 48 of 2018 at ninth rank. The channel was ranked second in BARC’s weekly list of top 5 Telugu channels in the Andhra Pradesh and Telangana market.

    Dropping a rank to tenth palace was SPN’s flagship Hindi GEC Sony Entertainment Television or SET in week 48 of 2018 with 597.242 million weekly impressions as compared to 627.218 million weekly impressions in week 47. SET was ranked seventh in BARC’s weekly list of top 10 Hindi GECs in HSM (U+R) and was ranked third in HSM (U). The reality show Indian Idol was ranked third in HSM (U)in in BARC’s weekly list of top 5 Hindi GEC programmes during primetime based on average rating across all airings (original and repeat) in the week in HSM (R).

  • How Hindi news channels perform on counting day

    How Hindi news channels perform on counting day

    MUMBAI: News viewership is event-driven – either scheduled or unscheduled. Elections are certainly the most important of all special or scheduled events. Being scheduled additionally helps news channels plan better. Discussions, flashes, events – before, during, and after the polls and election results day – drive the news genre’s viewership through the roof. Some of the channels even have a countdown clock to the D-Day to heighten the anxiety and interest among viewer about who will come to occupy 7, Lok Kalyan Marg.

    According to BARC, it is the Elections Results day which draws the largest spike in ratings, followed by Election Day, followed by pre-election days.

    As per BARC, on an election result day, the break duration on the channels goes down, with programming increasing. This is due to channels covering the results from multiple perspectives and angles to keep the viewers hooked, and taking lesser breaks.

    Election programming plays a key role in helping channels garner big viewership numbers and attracting advertisers. The race for reporting numbers as they trickle in is fierce as viewers switch channels in their hunger for the fastest updates.

    Some of the biggest brands in the country also get into the heightened frenzy and spend top dollars on leading Hindi news channels during election season. That’s because sponsorship and native advertising rates are jacked up, keeping in mind the hordes of viewers who will lead to the spurt in ratings.

    Across years and markets, we can see a visible drop in some ad insertions on Hindi news on Election Day, as channels take lesser breaks and focus more on the live coverage to increase viewership. Hence, the brands that chose to put their money during this busy time end up paying a premium for the ad inventory. 

    Election coverage leadership

    Nothing gets the Indian public going like the rough and tumble of Indian politics. More so when election season well and truly kicks off with high-voltage campaigns and rallies by political stalwarts in the run up to polling and eventually counting of votes. The political drama that plays out in all the news studios makes for engagement almost equal to what can be seen on TV soaps and dramas on general entertainment channels.

    Hindi news channels put their best foot forward to capture the public mood to not just drive up ratings but also their revenues. In a bid to do so, most channels spruce up their programming with leading experts and political watchers.

    Below are the reach numbers achieved by the Hindi News genre leader AajTak in the recent elections.

    Below is the stack-up of weekly impressions of the recent elections. The genre leader AajTak emerges as the clear leader here as well. It leads second placed India TV by a goodly measure of about 24 per cent. The second, third and fourth slots are hotly contested with the second, third and fourth placed news channels is around five per cent. 

    Below is the stack-up of Election Day impressions of the recent elections.  

    The below table shows Hindi News Group and leader AajTak have clocked increased impressions on election result days.