Tag: BARC

  • CNN-News18 launches print campaign to announce leadership on counting day

    CNN-News18 launches print campaign to announce leadership on counting day

    Mumbai: In a print campaign launched on the front page of the Economic Times newspaper, CNN-News18 has announced its leadership during the four state election results.

    The campaign will also go live on digital, social and trade platforms starting Wednesday.

    As per the ad released by the news channel, it has secured a remarkable 30.6 per cent market share on the counting day of assembly elections held across Rajasthan, Madhya Pradesh, Chhattisgarh, and Telangana on 3 December 2023.

    Positioning itself as the number one choice of viewers for comprehensive counting day coverage, CNN-News18 outperformed its competitors, with Republic TV securing the second position at 25.4 per cent market share, closely trailed by Times Now with 23.6 per cent India Today TV followed suit with a market share of 12.9 per cent. (Source: BARC | Metric: Market Share | TG: 15+AB | Period: 3 December (24 hrs) | Market: India)

    The resounding success of CNN-News18 on counting day can be attributed to its special election programming, delivering the quickest and most accurate results, coupled with anchors like Zakka Jacob, Anand Narasimhan, and Rahul Shivshankar. The channel’s extensive network of reporters across all four states, ensured fastest, comprehensive coverage.

    CNN-News18’s presentation with engaging graphics and insightful explainers, simplified complex trends and data, making it easily comprehensible for the audience.

    The channel has continued to outperform its competition in terms of viewership for more than a year now.

  • BARC Report: Aaj Tak becomes Most Watched News Channel

    BARC Report: Aaj Tak becomes Most Watched News Channel

    Mumbai: BARC (Broadcast Audience Research Council) is a broadcast research agency, responsible for assessing and disseminating television viewership data. The recently concluded state assembly elections in Chhattisgarh, Rajasthan, Madhya Pradesh, Telangana, and Mizoram have instilled fresh aspirations among news broadcasters. Notably, during election coverage, a significant portion of mainstream news channels garnered distinct audience attention. Against this electoral backdrop, Aaj Tak Hindi news channel has emerged as the top-ranking news channel in terms of viewership, according to BARC data.

    Based on three categories for BARC rating points,

    Source: BARC | HSM | 15+ | 03rd December 2023| 07:00 to 12:00 Hrs | Gross AMA’000s

    During the key vote-counting hours in 4 states, BARC highlighted the dominance of ‘Aaj Tak’ among news channels. On December 3, 2023, Aaj Tak news channel achieved the highest viewership and claimed the title of the Most Watched news channel. Aaj Tak secured a significant market share of 16.2%, surpassing competitors such as India TV with a 13.9% share and TV9 Bharatvarsh with a 12.5% share.

    During Counting Day –

    Source: BARC | HSM | 15+ | 3rd December, 2023 | 07:00 to 24:00 Hrs | Gross AMA’000s

    On the election counting day, spanning from early morning until midnight on December 3, 2023, BARC data reaffirmed Aaj Take leading position with a 15% market share. Following closely were TV9 Bharatvarsh with 13.7% and India TV with a 12.2% market share.

    During counting week –

    Source: BARC | HSM | 15+ | Wk 49’23 | 24 Hours | Gross AMA’000s

    Throughout the entire counting week (Week 49, 2023), Aaj Tak channel showcased its dominance with a 13.0% market share, closely trailed by TV9 Bharatvarsh and News18 India, each securing a 12.9% share. Week 49 began on the heels of the highly awaited results announcement for Madhya Pradesh, Rajasthan, Chhattisgarh, and Telangana. Aaj Tak capitalised on this surge in national interest, maintaining its top spot throughout the week. This was particularly evident during the crucial days of Exit Poll announcements (November 30) and actual results (December 3).

  • Breaking news: Shifting gears from short-term rivalries to long-term triumphs in the news sector

    Breaking news: Shifting gears from short-term rivalries to long-term triumphs in the news sector

    Mumbai: Renowned industry stalwart Shashi Sinha, currently serving as IPG Mediabrands India CEO, is a prominent and influential figure in the advertising sector. With a career marked by numerous triumphs, Sinha has garnered a string of accomplishments and accolades. The most recent honour to grace his illustrious career was AAAI’s prestigious Lifetime Achievement Award on 1 December 2023, in Mumbai.

    Indiantelevision.com in a freewheeling candid chat with Sinha, delved into various facets of his life, career, and vision, Sinha candidly addresses a spectrum of challenges with his trademark rapid and concise speaking style. From the intricate task of retaining talent in the advertising realm to navigating controversies surrounding news ratings, he reflects on the evolution of media buying and planning functions. Sinha also shares insights on digital ratings and contemplates the future trajectory of the advertising industry.

    Edited excerpts

    On media & Advertising evolving over the years

    In the early days of my career, the media played a relatively minor role in the creative process, with print reigning supreme and television just starting to make its mark. Today, the significant evolution lies in the vast array of media options that were unimaginable back then. India’s advertising landscape appears underprivileged due to its low value in terms of GDP and a relatively small percentage compared to the global scale. However, in terms of volume, it is one of the largest markets globally, offering diverse options and varying budgets.

    Despite the rewarding nature of the industry, the unique challenges arise from the substantial difference in the strength of searches in businesses. Indian professionals exhibit considerable competence compared to their global counterparts. The downside, however, is the high effort required for outputting work due to the low value. While many claim a lack of profitability or margins, the workforce is abundant. This abundance leads to a significant volume of transactions, impacting work-life balance across creative and media spheres, and sparking ongoing debate.

    The current scenario sees a disparity in value, attributed to market fragmentation, intense competition, and numerous options. The global competition landscape is unparalleled, contributing to suppressed prices. Additionally, the exchange rate of the rupee to the dollar further suppresses the apparent value. When viewed from an international perspective, the value seems low due to these factors, particularly when measured in dollars.

    In a recent conversation with my international boss, who questioned the high number of professionals, I explained that looking solely at dollars can be misleading. The low value is a result of both intense competition and a suppressed exchange rate. However, I emphasized that our team is an asset, and with continued automation and improvements, the system is poised to get better. I predicted a jumpstart in strength and value in the coming years, bringing about positive change in the industry.

    On linear TV still being relevant

    There’s a recurring observation that certain structural issues need addressing in the industry. Currently, our focus on measuring TV is limited to certain elements, particularly content. This measurement approach views TV as a mass medium and lacks segmentation, which excludes individuals like you and me—the key lies in the will to change, not a lack of capability.

    Segmentation is crucial, and once implemented, it can lead to tailored content creation. Presently, most OTT players struggle to turn a profit, while TV players generally do well financially. This discrepancy arises from the fact that OTT is often funded by global money, whereas TV content is primarily supported by broadcasters.

    From my perspective, advocating for industry enablement is not just a measurement company’s standpoint but extends to a broader perspective within IPG. While change won’t occur overnight, enabling this shift over a 2-3 year period could yield significant results. The fundamental belief is that TV is a lasting presence, and overlooking linear TV does it a disservice. There’s a genuine conviction that sports will continue to drive linear TV forward.

    On Indian TV ratings and measurement issues

    I don’t hold any grievances against the news channels, but there are a few aspects of the current structure that need consideration. Firstly, it’s crucial to grasp the overall context. In India, there is a multitude of options, and while everyone desires regulation, the reality is that there isn’t much. Anyone can launch a channel, resulting in a situation where approximately 10 to 12 per cent of the TRP ratings are distributed among a vast number of news channels. While my figures may have a slight margin of error, the general point holds that a significant portion of ratings is shared among numerous news outlets.

    The issue arises when they seek revenue based on their numbers, without necessarily considering the individual strength and endurance of each channel. When comparing shares, there’s a tendency to downplay smaller percentages, saying, for instance, that a 0.1 per cent share is insignificant. However, this approach ignores the potential for significant errors within such small percentages, particularly in a diverse and fragmented market like India, where each state differs significantly.

    Moving on to distribution issues and data infiltration (part two), when news channels were initially established, there were defined error levels. However, these levels have become irrelevant due to a lack of measurement capability and disruptions in the industry. Furthermore, certain markets, such as those mentioned on the record, have experienced infiltration, complicating the overall landscape.

    In my perspective, the key point I emphasised is that BARC needs to be proactive in addressing the concerns of its stakeholders. One such stakeholder group that perceives the issues is the users, and their feedback holds significance. When stakeholders raise concerns, it becomes the team’s responsibility to channel energy into managing the future.

    To illustrate, consider the current situation where meters are placed in households, requiring individuals to press buttons for data collection. This method might not be remembered by everyone, especially in upscale homes where there may be a reluctance to engage in button pressing. The categorization of audiences into NCCS or ABC groups might not accurately represent the diverse viewership. The challenge lies in the broad definition, and ownership is not as comprehensive as it seems.

    To address this, a re-evaluation of instances where industry bodies like MRSI and LSA play a role is crucial. Progress is hindered by the slow response to industry challenges. A more elegant solution involves looking at upscale homes differently. Instead of relying solely on individual data, household data can be leveraged and later converted to individual data through analysis spanning 15 years.

    An ongoing effort, spanning a few months, involves working on something that can be scaled up. For example, deploying meters in premium homes, such as those with Tata Sky, can offer nationwide coverage, providing valuable data. This approach minimizes manipulation and allows for more accurate targeting of audiences.

    The collaboration of stakeholders is essential to comprehend the benefits and overcome challenges collectively. By addressing concerns and making informed decisions, the industry can progress. The installation of new technology might take time, but it is a necessary step to answer crucial questions and improve rankings. The fundamental issue remains striving to be number one, requiring a concerted effort and understanding among stakeholders.

    The industry currently lacks sufficient data, with BARC conducting a baseline every one to two years. The last data release was incomplete due to recalibration efforts in one or two markets. Some auditors argue that cord-cutting in India is minimal, as many people own both traditional TVs and streaming devices. Theoretically, TV measurements can be done more frequently, even on a yearly or two-year basis. Connected TV measurements can be conducted easily by watermarking the credit feed. The challenge lies in accessing homes not covered by the current panel, especially in upscale markets.

    The global trend indicates a rising interest in sports, regardless of the platform – whether on TV or Connected TV. The connection with Direct TV seems like a means to an end. The focus should be on representing the top 10 per cent of homes in the country, which constitute premium audiences. This approach could address various issues and contribute to the growth of the industry.

    Quarterly battles for supremacy among industry giants may be consuming, but the real challenge lies in looking beyond immediate concerns. The key players in the industry, the leaders driving growth, need to shift their focus from immediate competition to long-term strategies for business expansion. This shift requires more than just financial investment; it demands a mindset change.

    Fortunately, the TV side of the industry doesn’t face a technological problem but rather a mindset challenge. The emphasis should be on long-term planning, not just five years ahead but beyond. It’s crucial for stakeholders, especially in the news sector, to shift their perspective from short-term rivalries to long-term growth. This shift requires concerted efforts and a commitment to investing in the future.

    On digital measurement in the advertising industry

    Ensuring stakeholder alignment is crucial, and the Industry Stakeholders’ Association (ISA) hasn’t exerted enough pressure in this regard. Various methods exist to apply pressure, with third-party measurement emerging as a critical aspect. While our capabilities are in place, some fine-tuning is necessary, addressing concerns about small inputs.

    Digital measurement isn’t a one-size-fits-all solution, but rather a combination of concurrent and cross-media measurements. This requires a shared panel, and BARC has maintained a common panel for digital measurement over the past five to six years, incurring an annual cost of 12 to 15 crores. Despite my suggestion to close it down due to perceived inefficiency, it continues, with limited public awareness.

    Our capability extends to CTV measurement, but the accuracy hinges on reaching upscale homes. While we can measure CTV, it might not align precisely with what others are working on.

    The crux of the matter is stakeholder agreement. Currently, there are three essential decision-makers, and their alignment is critical. Communicating this alignment to the public is equally crucial. Despite public reports from stakeholders, there is a noticeable absence of measurement and financial commitment. Notably, substantial funds are being invested in digital platforms.

    For a successful transition, stakeholders need to be in agreement, but it’s uncertain whether this alignment has been achieved or if it will take the anticipated six to eight months or longer. The challenge lies in fostering consensus among stakeholders.

    On the performance of industry, as there were many big-ticket properties like the ICC World Cup, Asian Games, Asia Cup, the festive season and now the Pro Kabaddi League and the first quarter of 2024

    Although there is growth, it hasn’t been as rapid as anticipated. The overall space, particularly the start-up sector, faced challenges, and CPD volumes may have increased to extract value. The issue this year lies on the supply side, with many companies facing supply chain disruptions. It has indeed been a tough year, but fortunately, events like the World Cup provide an additional boost. Looking ahead, elections and increased spending on the ground and digital platforms indicate a focus on value over volume. Despite the challenges, the government is expected to implement various measures to maintain a robust economy, attracting advertisers. In India, the share of voice game prevails – when one advertiser spends, others tend to follow suit. This trend was evident during the World Cup, where one company’s advertisement prompted 4-5 others to follow suit, reflecting the nature of the market.While the instinctive answer suggests a positive quarter, accurately predicting how well it will fare remains a tough task. People are cautious, and although the World Cup yielded good returns, the absence of a significant property in the first quarter adds an element of uncertainty.

    On being an industry veteran and what is the forecast for 2024

    The expected growth will be moderate and not exuberant. Anticipating decent but not extraordinary progress, it’s advisable to approach with caution and be prepared for various outcomes. Revenue numbers tend to be overly optimistic and can create unwarranted excitement. Learning from past experiences, such as the chaos witnessed during course corrections this year, it’s prudent to be careful and adopt a moderate stance.

  • Star Sports witnesses a 38 per cent surge in ratings for the first four matches of Pro Kabaddi League Season 10

    Star Sports witnesses a 38 per cent surge in ratings for the first four matches of Pro Kabaddi League Season 10

    Mumbai: Star Sports, the official broadcaster of the Pro Kabaddi League, has notched up strong viewership figures for the opening weekend of the milestone 10th season. According to BARC, 80.1 million viewers tuned in to Star Sports for the first four matches, amassing 2.7 billion minutes of watch time. This underscores the immense popularity of the tournament among passionate fans of the second-biggest sport in the country. Additionally, the broadcaster has witnessed a remarkable growth of 38 per cent in ratings for the opening weekend compared to the last edition, showcasing the enduring appeal of Pro Kabaddi.

    Pro Kabaddi League’s return to its traditional caravan-style format has contributed to its resurgence in popularity and viewership. The tournament has witnessed spectacular performances, with Bengal Warriors commanding an unbeaten run, Gujarat Giants showcasing young raiders who are making their mark, and the return of high-flyer Pawan Sehrawat. Stalwarts like Pardeep Narwal, Maninder Singh, and Siddharth Desai have also left their mark on the league, creating a riveting narrative for fans. During the opening weekend, Gujarat Giants, led by Sultan Fazel Atrachali, won both their games at home against Telugu Titans and Bengaluru Bulls.

    A Star Sports Spokesperson said, “Pro Kabaddi League reflects the rich culture and heritage that flows through this sport in India. Our various regional feeds are customized to their respective states imbibing the values and local hero-building to capture the interest of the fans. We are glad to witness the surge in viewership for the fast-paced game and will continue to drive fandom for the rest of the season. The league generates new stars every season and has garnered support from some of the biggest celebrities, highlighting the promising trajectory of its progress through the years.”

    The marketing campaign, #IndiaKiHarSaansMeinKabaddi, featuring some of the biggest stars from the country including Tiger Shroff, Ballaya, and Sudeep Kichha ignited fervent support from fans, embodying the true essence and warrior spirit of the Pro Kabaddi League. Star Sports also collaborated with superstars across the country, who passionately supported their favorite Kabaddi teams and players. The entertainment quotient was elevated with the involvement of top-notch celebrities such as Hrithik Roshan, Manoj Bajpayee, Vicky Kaushal, Tara Sutaria, Nani, and Shiva Rajkumar as well as top Hollywood Superstar Jason Momoa of Aquaman fame. Star Sports also activated canters in five markets to spark enthusiasm among kids and kabaddi players at local clubs. The season began in grand style with an all-captains press conference on the Akshar River cruise at Ahmedabad.

    Reach and Watch-time Data for 2+U+R (TV + OOH)
    Ratings on India Urban M15+ AB

  • BARC Ratings: CNN-News18 stays ahead of competition on Counting Day

    BARC Ratings: CNN-News18 stays ahead of competition on Counting Day

    Mumbai: As per the data released by the Broadcast Audience Research Council (BARC), CNN-News18 has reaffirmed its stronghold in the English News segment, securing a remarkable 30.6% market share on the Counting Day of assembly elections held across Rajasthan, Madhya Pradesh, Chhattisgarh, and Telangana on December 3, 2023.

    Positioning itself as the number one choice of viewers for comprehensive Counting Day coverage, CNN-News18 outperformed its competitors in the genre. (Source: BARC | Metric: Market Share | TG: 15+AB | Period: 3rd December (24 hrs) | Market: India)

    The resounding success of CNN-News18 on Counting Day can be attributed to its special election programming, delivering the quickest and most accurate results, coupled with top-tier anchors like Zakka Jacob, Anand Narasimhan, and Rahul Shivshankar. The channel’s extensive network of reporters across all four states, ensured fastest and most accurate coverage. CNN-News18’s presentation with engaging graphics and insightful explainers, simplified complex trends and data, making it easily comprehensible for the audience.

    CNN-News18 is poised to further solidify its position as the unrivalled leader in viewership and comprehensive coverage. With an unparalleled line-up of Prime Time shows and top-notch anchors, the News18 Network delivers programs that offer unique perspectives backed by authentic news. The network’s expansive regional portfolio stands as the country’s largest, commanding leadership across diverse regions in India.

     

  • Disney Star delivers the biggest ICC Men’s World Cup ever

    Disney Star delivers the biggest ICC Men’s World Cup ever

    Mumbai: In a historic triumph for sports broadcasting, Disney Star, the official broadcaster of the ICC Men’s Cricket World Cup, has set new benchmarks for viewership, redefining the cricketing landscape. The highly anticipated final clash between cricket powerhouses India and Australia has not only etched itself into the chronicles of sporting history but has also become the most-watched event ever on both linear TV and digital streaming. With an astounding reach of 30 Crore for the live broadcast on TV, Star Sports Network ensured that cricket enthusiasts across India were glued to their television screens, making it the most watchedTelevision event ever. The magnitude of the final was further highlighted by a peak concurrency of 13 Crore viewers on TV and 5.9 crore peak concurrency on Disney+ Hotstar (Digital).

    As per BARC, the tournament crossed a viewership of half a billion viewers for the first time as 518 million (51.8 Crore) TV viewers tuned in for the live broadcast of the marquee tournament being played in India after 12 years. The live TV broadcast for the tournament garnered 422 billion minutes of TV watch time making it the most watched ICC Men’s World Cup in the history of the event. The final between India Vs Australia delivered a peak concurrency of 13 crore which surpassed the previous highest peak concurrency in the tournament with India Vs Pakistan at 7.5 crore and India Vs New Zealand at 8 crore. Disney Star left no stone unturned in bringing the grandeur of the World Cup to fans in India and across the globe, showcasing its unwavering dedication to delivering unparalleled sporting content.

    The streaming arm of Disney Star broke its own record five times through the tournament to witness a peak concurrency of 5.9 crores for the final, solidifying its position as the go-to destination for cricket enthusiasts seeking a seamless and immersive viewing experience. The platform surpassed global streaming records across all formats of cricket at the beginning of the tournament with the peak concurrency of 3.5 crore viewers during the India Vs Pakistan match. This was followed by a streak of record-breaking numbers – 4.3 crore peak concurrent viewers during the India Vs New Zealand match, 4.4 crore peak concurrent viewers during the India Vs South Africa match and most recently, 5.3 crore peak concurrent viewers during the thrilling semifinals between India and New Zealand match.  

    Speaking about the recent success of the ICC Men’s Cricket World Cup 2023, Disney Star country manager & president K Madhavan said, “We extend our heartfelt gratitude to the International Cricket Council (ICC) and the Board of Control for Cricket in India (BCCI), for their invaluable support, making this tournament an overwhelming success. We would also like to thank the fans, who showered their support throughout the tournamentand with their unwavering passion making this historic achievement possible. Disney Star is dedicated to paving the road for sports broadcast in India and it has been extremely encouraging to see growth across both, the linear and digital mediums, thereby increasing the fan base of cricket. This is testament to the uniqueness of the India market where linear and digital continue to grow alongside each other.This successful tournament has set the stage for a promising future in our association with the ICC.”

    Disney Star, in its pioneering approach to sports broadcasting, redefined and reimagined how fans consume cricket. In a groundbreaking collaboration with the International Cricket Council (ICC), Disney+ Hotstar introduced MaxView-a technological innovation that allowed cricket enthusiasts to experience the game in vertical mode (9X14 portrait view) for the first time in the history of streaming cricket.

    Disney Star also provided an extensive 11 feeds for ICC Men’s CWC 2023, including coverage in 9 different languages (English, Hindi, Marathi, Gujarati, Bengali, Tamil, Telugu, Kannada, & Malayalam), ensuring that cricket enthusiasts across diverse linguistic landscapes could savor the thrilling moments of this historic World Cup.

    As the curtain falls on this historic event, Disney Star takes pride in having orchestrated a cricketing spectacle that captivated the hearts and minds of millions, reaffirming its commitment to pushing the boundaries of sports entertainment.

  • Star Sports flagship show ‘Cricket Live’ garners immense popularity amongst viewers of ICC Men’s Cricket World Cup 2023

    Star Sports flagship show ‘Cricket Live’ garners immense popularity amongst viewers of ICC Men’s Cricket World Cup 2023

    Mumbai: Cricket Live, the exclusive in-depth analysis show on Star Sports, has redefined storytelling during the ICC World Cup 2023, presenting compelling narratives of Indian and foreign players. From Bumrah’s much-anticipated return to Shami’s stellar performances, Virat’s pursuit of glory, and Rohit’s captaincy, the coverage resonated with fans worldwide. The stories extended beyond borders, highlighting Rachin’s journey, Pakistan’s cricketing odyssey, and exclusive confessions from Australian players about their rivals. Adding a personal touch, Cricket Live celebrated the birthdays of stars like Hardik Pandya and Virat Kohli, fostering a deeper connection with fans. Not limiting the narrative to players, an anthem titled ‘Tum ho apne saath mein’ was curated for Team India, aiming to galvanize fans in unwavering support of the entire squad. The most watched Cricket show has collaborated with influencers and content creators from across the country to build the fandom for Team India. Fans have also been able to ask compelling questions to the StarCast and get featured on the broadcast via #AskStar.

    As per BARC, till Match 34 of the tournament, Cricket Live has captivated a staggering 273 million viewers, with an impressive watch time of 19 billion minutes, a growth of 6 per cent compared to the 2019 edition. Additionally, the show witnessed an uptick of 10 per cent in average time spent by viewers, compared to the 2019 edition. In the pre-show, the first half-hour has experienced the most significant surge, with consumption levels up by 27 per cent, and average time spent per viewer up by 18 per cent. The post-shows have also flourished, boasting an incredible 117 per cent higher consumption and an impressive 38 per cent higher reach compared to the previous edition. Cricket Live on regional feeds (Tamil, Telugu, and Kannada) has grown in consumption by 122 per cent (3.4 billion minutes), compared to the last edition and its viewership has increased by 46 per cent (62.2 Mn), compared to 2019.

    In its commitment to delivering an all-encompassing cricketing experience, Cricket Live on Star Sports has gone above and beyond with exclusive interviews featuring Team India heroes. A special content campaign, “We for Virat,” celebrated Kohli’s historic feats, offering a comprehensive glimpse into various facets of his life, personality, and illustrious career. The coverage extended to behind-the-scenes moments, backstories of players from the ICC World Cup 2023, and engaging debates pitting experts against each other on burning topics and contextual big stories of the day. Special segments like “What’s Trending,” “Unboxing,” “Wow Factor,” “Versus,” and “Cheeky Singles” capture all aspects of the World Cup, ensuring a diverse and engaging viewing experience.

    Cricket Live on Star Sports is also at the forefront of technological innovation. Utilizing a decibel meter for real-time crowd noise data, holographic teleportation to virtually transport commentators, and 3D-rendered graphics placing players next to iconic monuments like the Gateway of India, have made Cricket Live a visually dynamic experience. The usage of augmented reality (AR) graphics to display stats seamlessly on the pitch, and Quad replay technology to enhance the replay experience for a comprehensive view of key moments have made the cricket viewing and analysing experience more immersive for fans globally.

    With a remarkable line-up of former players who have graced the Cricket World Cup since its inception in 1975, the StarCast for Cricket Live served as a treasure trove of in-depth analysis, insights, and expertise. The iconic World Cup winners, including legends like Sunil Gavaskar, Ravi Shastri, K Srikanth, Gautam Gambhir, Irfan Pathan, Harbhajan Singh, Piyush Chawla, and S Sreesanth, graced the panel, bringing their invaluable experience and championship wisdom to the audience. The panel further boasted multiple Former Indian chairmen of Selectors, such as MSK Prasad, Sandeep Patil, and Sunil Joshi, along with the esteemed former India batting coach, Sanjay Bangar.

    Adding to the international flavor were former cricket legends and World Cup winners Shane Watson, Aaron Finch, Matthew Hayden, Dale Steyn, Faf Du Plesis, Imran Tahir, Shane Bond, and Paul Collingwood. Their presence amplified the depth of analysis and championship-winning insights, creating a dynamic and insightful panel for Cricket Live viewers.

    In a celebration of India’s linguistic diversity and cricketing fervour, Star Sports provided an immersive experience for fans with exclusive broadcasts in various regional languages. The Tamil feed featured former World Cup winners K Srikanth and S Sreesanth, complemented by insights from players S Ramesh and Russel Arnold. The Telugu feed was enriched by former India Chief Selector MSK Prasad, seasoned campaigner, and former Indian women’s captain Mithali Raj, and experienced cricketer Venugopal Rao. The Kannada feed showcased the esteemed presence of former Indian legend Gundappa Viswanath and former India cricketers Vijay Bharadwaj, Vinay Kumar, and Sunil Joshi, alongside local cricketing talents. This diverse and talented roster ensured that Cricket Live not only entertained but also educated cricket enthusiasts with unparalleled insights and perspectives.

    Adding a touch of glamour and excitement, Cricket Live has welcomed a plethora of celebrities, including Bollywood Superstars Salman Khan, Vicky Kaushal, Akshay Kumar, Tiger Shroff, Kriti Sanon and the entire cast of ‘The Archies’. South superstars like Shiva Rajkumar, Upendra, Venkatesh Raghupathi, Ravi Teja and more also graced the regional shows. All these celebrities shared their love for Team India, adding a captivating dimension to the cricket-watching experience.

    As the World Cup enters its knockout stages, Star Sports is committed to redefine the boundaries of delivering a compelling viewing experience. Upcoming appearances from global pop sensation Dua Lipa, and Bollywood and South stars Ranbir Kapoor, Rashmika Mandanna, and Naga Chaitanya promises an unforgettable spectacle for viewers and fans alike. Cricket Live’s coverage is set to expand with extended 2-hour pre-shows starting from 12 PM across five languages – English, Hindi, Tamil, Telugu, and Kannada throughout the knockout stages.

    Cricket Live on Star Sports continues to be the ultimate destination for cricket enthusiasts, offering unparalleled insights, entertainment, and star-studded appearances, making it an integral part of the ICC World Cup 2023 experience. 

  • ICC Men’s Cricket World Cup marches towards 450 million; registers 18% growth in  engagement till match 34

    ICC Men’s Cricket World Cup marches towards 450 million; registers 18% growth in engagement till match 34

    Mumbai: The live broadcast of the ongoing ICC Men’s Cricket World Cup 2023, has been watched by nearly 430 million* viewers till the 34th match. According to BARC, the total watch time (consumption) on television for the live broadcast of the marquee tournament has witnessed a 10%* increase compared to the 2019 edition. This growth reflects the unwavering passion and enthusiasm of cricket fans, and the impact of Team India’s strong run through the tournament.

    Notably, all India matches have registered peak live concurrency** of more 50 million* viewers with the highest peak concurrency being 80 million* viewers for the India vs New Zealand match. Furthermore, the Average Time Spent (ATS) per viewer for the tournament has witnessed a significant growth of 18%*, emphasizing the keen interest in the competition and the deeply engaging coverage of the tournament by Disney Star.

    As India, South Africa, and Australia confirm their place in the semi-finals of this edition, the battle for the coveted fourth spot intensifies, with Pakistan and New Zealand locked in fierce competition for their spot in the semi-finals. Fans are ready to witness more memorable moments and enthralling performances as the top 4 teams will battle it out for the elusive trophy.

    *All BARC Data for 2+U+R (including DD)

    ** Peak concurrency is the highest number of viewers during a live match

     

  • Industry celebrates Punit Goenka’s achievements over the years

    Industry celebrates Punit Goenka’s achievements over the years

    Mumbai: Punit Goenka has held the position of MD & CEO at ZEE Entertainment Enterprises Ltd. since 2010 and has achieved numerous notable successes during his tenure. His extensive experience, deep industry knowledge, and exceptional leadership skills have set him apart as a prominent figure in the media and entertainment sector. He is widely recognized for his pivotal role in establishing ZEE as a global entertainment brand, reaching audiences not only in India but also in 190 countries worldwide. With the support and confidence of India Inc., shareholders, employees, advertisers, and content creators, Goenka, at the age of just 48, possesses the necessary business acumen to guide the envisioned merger of ZEE and Sony towards a promising future.

    Goenka, boasts more than two decades of experience in the media and entertainment industry, stands as one of the most accomplished business leaders in the sector, characterized by his acute business acumen. Over a span of three decades, he has steered ZEE successfully, identifying trends and transforming it into a media and entertainment powerhouse.

    Distinguished as one of the youngest and most prolific leaders, he has an impressive list of achievements to his credit. His profound understanding of audience preferences has been instrumental in driving ZEE’s expansion into regional markets, revitalizing the studio business, launching India’s second-largest music label, and more.

    His active involvement in shaping the future of the entertainment landscape spans diverse capacities. Currently, he serves as a board director for the Indian Broadcasting & Digital Foundation (IBDF). In the past, he held the position of Chairman of the TV measurement body BARC India, playing a crucial role in its founding team. He has also served as Chairman of IBDF, leading important discussions with policymakers. Additionally, as the President of the International Advertising Association’s (IAA) India Chapter, he addressed crucial industry-level interests and introduced several intellectual properties tailored to the advertising and marketing community. In many of these roles, he was re-elected for a second term by unanimous member consensus.

    Goenka’s success in elevating ZEE’s performance over the years stems from his ability to identify opportune moments for scaling and constructing a diversified portfolio. His forward-looking vision has propelled the company to global recognition, with ZEE establishing an international presence in over 190 countries and reaching more than 1.3 billion viewers. In his capacity as the leader of India’s largest publicly-listed Media and Entertainment Company, Goenka demonstrates a profound understanding of the overall legal and regulatory environment. He remains unwavering in his commitment to creating value for all the company’s shareholders.

    Leading an impressive portfolio that encompasses 50 domestic channels, 36 international channels, an OTT platform, a movie studio, and a music label, his experience in consistently managing profitability and surpassing industry margins quarter after quarter positions him well to replicate the success of ZEE within the anticipated merged entity, which is poised to become a formidable force in the Media and Entertainment (M&E) sector.

    Goenka’s unwavering and optimistic approach equips him to navigate challenging circumstances, as exemplified when TRAI introduced the New Tariff Order, creating uncertainty for businesses. In response, he actively engaged with partners and key stakeholders to facilitate solutions that fostered the growth of the pay-tv ecosystem. His profound understanding of both technology and content, two crucial elements in today’s evolving entertainment landscape, underscores his competence. Notably, Goenka enjoys robust support from ZEE’s shareholders and investors, and he has cultivated substantial industry relationships. His ability to prioritize the interests of all stakeholders in his decision-making process is a hallmark of his leadership.

    Hailing from an entrepreneurial background, he has instilled strong values and an entrepreneurial spirit within ZEE, fostering an environment where talent can flourish under his guidance. ZEE is recognized today as an Academy of Talent, nurturing numerous industry luminaries to their pinnacle of success.

    Continuing to attract top-tier talent to the company, not only from the M&E industry but also from sectors such as FMCG and Banking, is a testament to Goenka’s ability. In an M&E industry facing a shortage of high-quality talent, particularly for an organization of ZEE’s scale, his talent acquisition strategy is pivotal for ensuring stability and growth. He has demonstrated his readiness to make tough decisions when they are necessary for the company’s profitability and the collective interests of all stakeholders. This includes the strategic exit from sports broadcasting when it wasn’t financially prudent, followed by a robust re-entry into the sports business, capitalizing on improved monetization opportunities in the segment.

     

     

     

     

  • Zee Media Corporation Ltd re-engages with BARC to strengthen data transparency

    Zee Media Corporation Ltd re-engages with BARC to strengthen data transparency

    Mumbai: Zee Media Corporation Ltd (ZMCL) is pleased to announce its  decision to re-register for the Television Audience Measurement System with the Broadcast Audience Research Council (BARC). This move comes after constructive discussions with BARC, resulting in an  agreement to share raw data on a timely basis. It reflects ZMCL’s steadfast commitment to  transparency and a mutually beneficial partnership.

    ZMCL’s renewed alliance with BARC reaffirms the media industry’s collective commitment to  transparent and credible audience measurement. It has consistently advocated for corrective actions  and is firmly rooted in its commitment to upholding data accuracy and transparency standards in the  media industry.

    Emphasising the significance of this collaboration, Zee Media Corporation Ltd CEO Abhay Ojha said, “We, at ZMCL, have always valued the integrity and transparency of data. Our decision  to rejoin forces with BARC reflects our firm belief in BARC’s commitment towards robust data  mechanisms and our anticipation of a productive partnership ahead. We remain committed to  delivering trustworthy news and content to our viewers and advertisers.”

    Zee Media Corporation Ltd perceives this as a pivotal stride toward achieving greater  transparency and data-driven decision-making within the media sector. This development also aligns  with the Ministry of Information and Broadcasting’s recent approval of BARC’s proposal to share  respondent-level data (RLD) on a four-week rolling basis with broadcasters.

    Zee Media Corporation Ltd, one of India’s leading media companies, has a strong presence in the  news and regional genres, with 16 news channels in seven different languages, reaching more than  528+ million viewers through its linear and digital properties.