Tag: BARC

  • All news channels, except biz news, see viewership slump in BARC week 5

    All news channels, except biz news, see viewership slump in BARC week 5

    MUMBAI: Despite the biggest financial event in the country – Budget 2020, the viewership of news channels of across genre, except business news channels, slowed down in week 5 (1-7 February) as compared to week 4, according to the data released by Broadcasting Audience Research Council India.

    Week 4 (25-31 January) had seen many national importance events such as Republic Day, Delhi Assembly poll campaigns, pre-budget preparation, and Shaheen Bagh firing. The news channels across genre had buzzing news information almost every day during week 4 of BARC.

    Hindi News

    The TV Today Group’s Hindi news channel Aaj Tak, leading the race in the viewership in the Hindi category, has retained its position at the top among peers. However, the viewership of the channel has dropped by 12.3 per cent to 117478 weekly impressions in week 5 as against 133942 in week 4.

    In week 5, news channels had no major or national importance event except budget 2020. However, the Delhi poll campaign being one of the buzzing events was concluded by the evening of 6 February as per the model code of conduct of Election Commission of India.

    Not just Aaj Tak, in the Hindi news segment, all other channels featured in the list of the week 5 saw a slump in viewership pattern as against week 4’s viewership. Zee News maintaining its second spot in the list of week 5 fell by 8 per cent to 97652 weekly impressions as compared to 106097 impressions in week 4.

    Moreover, News18 India, which also retained its spot on the third position, saw a drop by 5.2 per cent to 95139 weekly impressions in week 5 versus 100395 impressions in week 4. Whereas India TV maintaining its fourth position but fell by 3.3 per cent to 88477 weekly impressions as compared to 91481 weekly impressions in week 4.

    Replacing Republic Bharat, ABP News has bagged the fifth spot in the list of week 5 with weekly impressions of 87015. However, Republic Bharat tried to clinch a fifth spot in the urban segment of Hindi news channel with 51613 weekly impressions in week 5.

    English News

    In the English news category, Republic TV has maintained its lead in week 5, however, it slumped by over 12.5 per cent to 654 weekly impressions as compared to 749 impressions in week 4. Despite out throwing DD India from second spot, Times Now has also dropped by 3.3 per cent to 515 weekly impressions in week 5 compared to 534 impressions in week 4.

    Meanwhile, India Today Television, taking Times Now last week’s spot, has dropped by 17.7 per cent to 303 weekly impressions in week 5 versus 368 impressions in week 4. Moreover, DD India falling to fourth position this week has substantially dropped by 74.6 per cent to 181 weekly impressions in week 5 as against 713 impressions in week 4.

    DD India, a government-owned news broadcaster, was able to gain exponential impressions in week 4 due to 71st Republic Day event, which was authorised to show the exclusive footage of the event and also share it with other news channels by giving give courtesy to DD India.

    Similarly, CNN News18 maintaining its position at the last spot but also fell substantially by over 30 per cent to 163 weekly impressions in week 5 as compared to 237 weekly impressions in week 4.

    Business News

    Budget being the most important event for the business news channels, Both CNBC TV18 of Network18 group and ET Now of Times News Network, in the English category, grew by over 100 per cent to 727 and 266 weekly impressions in week 5 respectively. CNBC TV18, leading between the two, had garnered 275 weekly impressions and ET had achieved 123 weekly impressions in week 4.

    Similarly, in the Hindi business news category, Both CNBC Awaaz and Zee Business grew by 21 per cent and 41 per cent respectively. The former garnered 2492 weekly impressions, whereas the latter settled at 2131 impressions in week 5 as compared to 1965 and 1249 impressions in week 4 respectively.

  • IPL & Rs 3,300 crore revenue: Thoughts to ponder

    IPL & Rs 3,300 crore revenue: Thoughts to ponder

    MUMBAI: Can an Indian broadcast TV network imagine that it could gross $600 million in revenue– that is about Rs 4,200 crore – in one day?

    That would indeed be the day.

    The fact is the Murdoch-owned and run Fox did earn that from 100 advertisers on Sunday 2 February 2020 when it aired the NFL’s SuperBowl match between the Kansas City Chiefs and San Francisco 49ers. It did attract an audience of 150 million, which watched the pre-game coverage, the game, the electrifying half time performances by Latino bombshells Shakira and Jennifer Lopez, the post game discussion in the studio, followed by the factual show The Masked Singer.

    Speaking at an investment analyst post earning conference call Fox executive chairman & CEO Lachlan Murdoch said: “We surrounded the Super Bowl with an immersive and innovative programming lineup from Miami across Fox Sports, Fox News, Fox Sports 1 and our local stations. And we use this enormous platform to launch Season 3 of the Masked Singer right after the game which became TV's highest rated reality telecast in eight years. We delivered extraordinary ratings for our advertising, distribution and NFL partners.”

    In India, the big events that aggregate audiences are the IPL and any cricket match that the Indian team is involved in. IPL 2019 delivered 462 million viewers on the Star network channels between 23 March and 12 May, according to BARC data.

    So, the NFL had a 150 million strong audience, generating $600 million in rvenue for Fox. That's a realisation of $4 or around Rs 300 –  per viewer. Ad spots on the NFL SuperBowl cost about $175,000 per second, with a 30-second spot costing as high as $5 million plus. According to measurement company SpotTV,  the cost per lead (CPL) for the NFL SuperBowl 2018 was between $27 and $100 on game day. Seems high, but advertisers obviously think its worth as this is the day America worships.

    The IPL, according to media reports, generated around Rs 2,200 crore for Star India in 2019, with a cumulative TV audience of 460 million. Now let’s apply the $4 average realisation in revenue per viewer that the NFL managed to get from advertisers and other partners to this audience. It works out to a whopping $1.8 billion or Rs 12,300 crore.

    But you might say we are being silly, that we are extrapolating a highly developed US ad and TV market to an emerging market like India. Right. Let’s shave that to a $1.50 per viewer, which is what we think it should be, it still works out to a jawdropping $690 million or Rs 4,918-odd crore. You might again say we are bonkers once again. Let’s bring it further down $1 per viewer – it tots up to $460 million or Rs 3,300-odd crore. Currently, the IPL is generating around 60 odd cents per viewer.

    Can that be pushed up to $1 per viewer? That's something Disney and Star India head honchos Uday Shankar and K Madhavan are betting on. So far, advertisers and agencies have not been valuing the IPL and its audiences enough. Remember, the IPL was valued at around $6.8 billion last year. Its valuation will go up undoubtedly this year. Currently, advertisers are paying between Rs 10-15 lakh per 10-second spot (barely $13,000 to $20,000 as compared to the $175,000 per second for the NFL SuperBowl) during the IPL.

    Star India paid $2.55 billion to acquire the rights to the IPL in 2017 for five years.  At that time, it spent around Rs 54.5 crore per match. Add production and promotional costs, it would have to recover anywhere between Rs 60-75 crore per match.

    Something has to change on ad spends in India. The thinking amongst brand and marketing managers, media buyers and planners needs to undergo a revision, a refresh. Going for the lowest price, slashing media rates, need not get you the best results. As the saying goes: you pay peanuts, you get monkeys. Some media planners and brand managers say they buy clever and they buy cheap and they get their return on investment.

    Sure. But premium content costs. The IPL set back Star India by some Rs 16,347 odd crore for five years. That means it has to recover around Rs 3,500 odd crore from advertising and subscription revenues each year. So far, it has had a gap in the first three years. But that has not deterred it from taking the television component of the IPL up a notch each year.

    Star India’s Uday Shankar is focusing on consumer experience and delight. The network has invested in raising the standard of the quality of production, providing more language feeds. Thankfully that has been accompanied by drastic improvements in the quality of play in the various matches, as well as the competition becoming interesting.

    But all this has to be monetised, right? The economic slowdown has led to cuts in ad spends. And when advertising is down, the visibiliy of those who dare to advertise goes up. And they end up capturing consumer mind space.

    This year, the IPL presents advertisers with a great opportunity. Indian cricket has been shining over the past few months, snatching impressive victories. And cricketers like Rohit Sharma, Virat Kohli, Shreyas Iyer, and KL, Rahul, Jaspreet Bumrah, Mohammed Shami, Ravinder Jadeja have been in top form. They will be playing for various teams in the IPL. They have taken the fight to the enemy camp and won handsomely in some matches. Expect them to continue in the same vein in the IPL as well.

    We keep talking about how India is set to emerge as one of the world’s leading economies. Yes, it has its own peculiar way of conducting business, which is so very Indian. But slashing costs, taking ARPUs down and playing the mass game is not the only mentality that should come in play. Opening one’s wallet and investing for the now and the future would definitely make sports TV broadcast rights more viable. 

  • Colors continues as most watched pay TV Hindi GEC across genres

    Colors continues as most watched pay TV Hindi GEC across genres

    BENGALURU: Network18/Viacom18’s flagship Hindi GEC Colors had climbed up to rank 3 in Broadcast Audience Research Council of India (BARC) weekly list of Top 10 Channels Across Genres on All Platforms in week 3 of 2020 (previous week or period). Colors is a pay TV channel. Enterr10 Television’s free-to-air (FTA) Hindi GEC Dangal had regained top spot after a short hiatus of one week from the Sun Tv Network’s flagship Tamil GEC Sun TV in the previous week.The same ranking status continued on in week 4 of 2020 (Saturday, 25 January 2020 to Friday, 31January 2020, week or period under review). Hence Colors was the most watched pay TV Hindi GEC in week 4 of 2020 for the second week in a row.

    As a matter of fact, the first seven ranks during the period under review in BARC’s top 10 channels across genres on all platforms weekly list were the same in rank and file as in the previous week. Sony Pictures Network India (SPN) pay TV flagship Hindi GEC Sony Entertainment Television (SET) pushed up one place to eighth rank in week 4 of 2020 from week 3, while Zee Entertainment Enterprises Limited (Zeel) flagship Kannada GEC Zee Kannada dropped a place to ninth rank. Viacom18’s kids channel Nick exited BARC’s weekly across genres on all platforms list in week 4 of 2020 and was replaced by Zeel’s Hindi Movies channel Zee cinema.

    Six Hindi GECs’ and one channel each from the Hindi Movies, Kannada, Tamil and Telugu genres made up BARC’s Top 10 Channels Across Genres on All Platforms in week 4 of 2020. There were three channels from Zeel, two channels each from SPN and Star India and one channel each from Enterr 10 Television, Sun Tv Network and Viacom18/Network18 in the list in week 4 of 2020. Nine of the channels were on the pay platform and one channel was FTA.
    The combined ratings of the Top 10 Channels Across Genres on All Platforms in week 4 of 2020 were lower than those of the previous week.

    Please refer to the figure below:

    Top 10 Pay Channels Across Genres in week 4 of 2020

    Sun TV continued its run as the most watched pay channel in week 4 of 2020. It topped BARC’s weekly list of Top 10 Pay Channels Across Genres in week 4 of 2020. The first six ranks in week 4 of 2020 were the same as in week 3. SET climbed to eighth rank, while Zee Kannada dropped to ninth rank in week 4 of 2020 as compared to the previous period. Viacom18’s Nick was replaced at tenth rank by Zee Cinema during the period under review.

    Five Hindi GECs’, two Telugu GECs’ and one channel each from the Hindi Movies, Kannada and Tamil genres comprised BARC’s weekly list of Top 10 Pay Channels Across Genres in week 4 of 2020. There were three channels from Zeel, two channels each from SPN, Star India and Network18/Viacom18 and one channel from the Sun Tv Network in BARC’s weeklylist of Top 10 Pay Channels Across Genres in week 4 of 2020. The combined ratings of the Top 10 Pay Channels Across Genres in week 4 of 2020 were lower than those of the previous week.

    Top 10 Free Channels Across Genres in week 4 of 2020

    The first 4 channels in BARC’s weekly list of Top 10 Free Channels Across Genres in week 4 of 2020 were the same as in the previous week. Enterr10 TV’s Bhojpuri channel Bhojpuri Cinema jumped up three places to fifth rank during the week under review from its previous week’s eighth position. Zeel’s Music channel Zing entered the list at ninth rank, while pubcasterDoordarshan’s Sports channel DD Sports exited BARC weekly list of Top 10 Free Channels Across Genres in week 4 of 2020. 

    Four Bhojpuri channels, two channels each from the Hindi GEC and Hindi Movies genres and one channel each from the Marathi and Music genres made up BARC’s weekly list of Top 10 Free Channels Across Genres in week 4 of 2020. From the network’s perspective, there were four channels each from Enterr10 Television and Zeel and two channels from B4U network in the list in week 4 of 2020. Top 10 Free Channels Across Genres in week 4 of 2020.

    Of note was Zeel’snew Bhojpuri channel Zee Biskope – the channel retained its place and rank in its second week since coming under BARC’s ambit.

    Please refer to the chart below:


     

  • THE PASSION AND POWER OF THE IPL

    THE PASSION AND POWER OF THE IPL

    MUMBAI: No other sport generates as much excitement in India as does cricket. No other sport unites a nation of 1.3 billion more than cricket.

    The world’s most popular T20 cricket league – the IPL – also does the same trick, but it takes it to a different level. It splits the nation into several large tribes or cohorts who vociferously root for their individual teams in the hope their support will help their favourite lift the trophy and the prize money after two months of competition. 

    Stadiums wherever the matches are held fill up and an IPL ticket is a much sought after item as fans congregate wearing their team colours, waving pennants, donning wigs and sporting tattoos on their cheeks and foreheads. The roar that fills the air whenever the bowler runs up to deliver a ball is deafening. And it gets even louder when the batsman lofts it out of the ground. Or the leather hits the stumps. The stadium simply explodes.   

    They have a common cause. A common passion:  their love of cricket.

    When it comes to the IPL, age, gender, and time of day don’t matter. Men, women, the old and the young, children stay glued to their television sets. The IPL is the big glue. There were some interesting insights on how more youth are watching IPL during the IPL season than non-cricket content. Friends come together and raise a toast to their respective teams, shouting themselves hoarse either in pubs or restaurants or in the comfort of their homes. Much similarly, families come together and it becomes a part of their day where they huddle together and spend quality time.

    Last year, a leading publication also showcased an interesting infographic that clearly showed viewership of the league amongst women is on the rise, based on Broadcast Audience Research Council (BARC) data.  It reached 85 million women during prime time as compared to 48 million who watch GECs in the same time slot.  They also accounted for 47 per cent of the tournament’s audience, which is sizable though lower than males who make up 53 per cent. A recent study also showed that cricket is the biggest aggregator of women as audience and it has almost 300 million plus reach. This opens doors to various brands and companies who are looking for the right platform for their target groups. 

    The IPL draws in sponsors and advertisers year on year for obviously its large reach.  BARC data reveals that the IPL 2019 season attracted an audience of 462 million on TV with reach going up by 12 per cent. Total viewing was a mind-boggling 338 billion minutes and the OTT platform too attracted 300 million viewers with a peak concurrency of 18.6 million for the final. 

    It’s these reasons why the IPL with its fan craze and passion has proved to be one of the country’s largest marketing platforms. Heads of companies see it as an opportunity to showcase some out-of-the-box advertising, be creative in designing their brand associations and gain all the reach and eyeballs the league delivers. It’s this passion that marketers can capitalise on to make sports fans – and they number hundreds of millions – their brand fans. It makes eminent sense for savvy marketers to use the IPL to launch new brands or extensions, build product categories, as well as roll out salience and sustenance campaigns. 

    The league offers creative and innovative solutions that bring visibility to a brand. One of the better examples of the execution of this is what it did with the RP- Sanjiv Goenka group’s Too Yumm baked snacks campaign during IPL 2018 and IPL 2019. Says Too Yumm chief marketing officer Anupam Bokey : ”Unlike other media, IPL is a very well measured and researched event, which gives the brand great confidence to invest in it,” he reveals. “The league helps the brand to get an accurate ROI, as well as higher recall, compared to other genres”. (for more read: How Too Yumm Hit a Six with the IPL)

    Consider Byju’s. It generates 63 per cent of its ad GRPs from cricket, according to BARC data. The education app came on board as an associate sponsor of IPL 2019. 

    What sense does it make for an education app to partner with a sport? 

    You don’t have to dig too deep to look for the reasons. India and Indians have always had this romance and passion for education.  Both have only intensified recently. In a country that is undergoing drastic changes in terms of a shift towards a modern lifestyle with all the trappings thereof, families view education as a ticket to a high paying job that will help fulfill and achieve those aspirations. Ditto with cricket; it’s a game and a discipline that has captured India’s imagination. 

    Additionally, the blazing competitive nature of cricket requires cricketers to study opponents, improvise and learn new skills all the time, if they want to stay on top of their game. Byju’s aids families to educate their school-going children, helps them learn beyond school and even tool themselves with other skill sets. Hence, an association could only help Byju's. 

    The results showed:  its average daily downloads shot up 90 per cent plus after its IPL association. Research has shown that 95 per cent of those surveyed associate Byju’s with the IPL. 

    Auto industry newcomer MG Motor too successfully used IPL 2019 as a launchpad for the entry of its connected car into India in the competitive luxury sports utility segment. BARC data reveals that it banked heavily on news as a genre from February to the end of March 2019 to generate 50 per cent and 49 per cent of its 212 and 810 ad GRPs. Google Trends reveals that Its search index on the engine was hovering around 10-15 per cent during this period. 

    It shifted its spends almost entirely to sports from 30 March and continued doing so in April, May, June, and July 2019. And of course, a large part of it was on the IPL, followed by the cricket world cup.  It generated ad GRPs of 888, 417, 719 and 514 for those months respectively. But it's Google search index went up nine times over a 30-day average, peaking on 12 May at the time of the IPL final. 

    The impact was felt on MG Motor’s order books too, which jumped up to 20,000 bookings at a time when other brands were witnessing much less. Finally, awareness of the brand rose: it was 3.5 times higher amongst those who associate it with the IPL, leading to an overall improvement in its imagery parameters, according to Kantar Research. 

    Said MG Motor India president & managing director Rajeev Chaba at the time of the launch: “The MG Hector, as India's first internet car, has been built with a high level of localisation and comes power-packed with features, inside-out. As MG's first offering in India, the Hector demonstrates our commitment to provide the best cars to Indian customers, that they love and appreciate.”

    Even simple spot buy associations can work well. Online grocery delivery service Grofers took up this option during the last edition of the IPL.  The net result: it doubled its Google search activity; notched up a 4x increase in app downloads even as daily usage went up 22 per cent, according to data available with indiantelevision.com.  

    “We were normally advertising on Hindi GECs but then we thought that the response on Hindi GEC could have gone down during IPL. So we experimented with IPL with a small burst of advertising. We did get a bump up during that time,” Grofers co-founder AlbinderDhindsa had expressed to a publication sometime back. 

    Nuvoco Vistas Corp’s Duraguard (part of the Karsanbhai Patel-promoted Nirma Ltd) got onto the sponsorship bandwagon. However, it chose to associate as a features partner sponsoring spontaneous pushbacks and Super Sixes. The Super Sixes partnership was the more exciting one as it highlighted batsmen belting the ball out of the ground, no matter how well it was bowled to him. It is craftsmanship from the batsman at its best. The victory of bat over ball. And it’s a piece of content which is always something viewers want to watch. 

    The company has three principal cement brands—Duraguard, Duraguard Microfiber and Concrete. The objective of the IPL association was to raise awareness and recognition for the cement brands it acquired after its purchase of the erstwhile Lafarge India’s assets in 2016.

    And it worked extremely well. Search on Google for Duraguard went up by 30 per cent, and total awareness for it went up 3.4 times in research conducted in an exposed versus a controlled group. 

    The IPL is a big celebration because it demands the attention of this diverse nation. For its viewers, it's the perfect marketing platform and an opportunity for brands to connect with these audiences and convert them into brand fans. Various kinds of brands from FMCG to automobiles and fashion to electronics, everyone is a fan of this cricketing bonanza; and with the growing viewership in men, women, youth and the elderly – the league is only getting bigger. The passion for the sport and the brands, is what the power of IPL is all about!

    With the countdown to this year’s edition commencing, almost everyone is looking forward to another winning inning for the league once again

  • Lux Toilet Soap becomes top brand in BARC Week 3 ratings

    Lux Toilet Soap becomes top brand in BARC Week 3 ratings

    MUMBAI: The Broadcast Audience Research Council (BARC) of India has released its data for top advertisers and brands for the period between 18 January and 24 January, 2020 respectively.

    The data reflects the top 10 advertisers and brands across genres on Indian television, including OOH screen, (U+R): 2+, Individuals NCCS All, demonstrating ads that were inserted the most in week 3 of 2020.

    Top Advertisers:

    Minor changes were noticed in the BARC week 3 rankings of top advertisers. The top 5 advertisers remained the same with Hindustan Unilever Ltd leading the roost. It had made 191992 ad insertions on TV. Following it was Reckitt Benckiser (India) Ltd with 99417 insertions.

    ITC Ltd ranked third by making 42133 insertions. Fourth and fifth spot were acquired by Brooke Bond Lipton India Ltd and Cadburys India Ltd with 36598 and 33308 insertions, respectively.

    Other top brands in pecking order were as follows:Wipro Ltd, Ponds India, Amazon Online India Pvt Ltd, Smithkline Beecham, and Godrej Consumer Products Ltd, respectively.

    Rank

    Advertiser

    Insertions

     

     

    Week 3

     

    1

    HINDUSTAN LEVER LTD

    191992

     

    2

    RECKITT BENCKISER (INDIA) LTD

    99417

     

    3

    ITC LTD

    42133

     

    4

    BROOKE BOND LIPTON INDIA LTD

    36598

     

    5

    CADBURYS INDIA LTD

    33308

     

    6

    WIPRO LTD

    29014

     

    7

    PONDS INDIA

    26370

     

    8

    AMAZON ONLINE INDIA PVT LTD

    24912

     

    9

    SMITHKLINE BEECHAM

    24096

     

    10

    GODREJ CONSUMER PRODUCTS LTD

    20722

     

    TOP 10 Advertiser *Across Genre : All India (U+R) : 2+ Individuals.

    Top Brands:

    Several changes were noticed in the top brands rankings released by BARC in week 3 of 2020. Lux Toilet Soap climbed up a spot to rank first, with 16867 insertions. With its Republic Day sale going on, Amazon.in re-entered the list on second spot after a few weeks. It had made 15832 ad insertions.

    Dettol Toilet Soaps maintained its third rank by making 15216 insertions. Last week’s top brand Trivago slipped down three spots to rank fourth with 13765 insertions. Lifebuoy Toilet Soap climbed up three spots to rank fifth with 11955 ad insertions.

    The subsequent pecking order was as follows: Surf Excel Easy Wash, Dettol Antiseptic Liquid, Almond Board of California, Honda SP 125, and Moov Advance Diclofenac Gel, respectively.

    Rank

    Brands

    Insertions

     

     

    Week 3

       

    1

    LUX TOILET SOAP

    16867

       

    2

    AMAZON.IN

    15832

       

    3

    DETTOL TOILET SOAPS

    15216

       

    4

    TRIVAGO

    13765

       

    5

    LIFEBUOY TOILET SOAP

    11955

       

    6

    SURF EXCEL EASY WASH

    11302

       

    7

    DETTOL ANTISEPTIC LIQUID

    10962

       

    8

    ALMOND BOARD OF CALIFORNIA

    9994

       

    9

    HONDA SP 125

    9645

       

    10

    MOOV ADVANCE DICLOFENAC GEL

    9177

       

    TOP 10 Brands *Across Genre : All India (U+R) : 2+ Individuals

  • English News viewership decline continues in week 3 of 2020

    English News viewership decline continues in week 3 of 2020

    BENGALURU: Viewership of English News channels continued a downward spiral in in week 3 of 2020 (Saturday, 18 January 2020 to Friday, 24 January 2020, week under review). Analysis of Broadcast Audience Research Council of India (BARC) data of 44 weeks between week 13 of 2019 and week 3 of 2020 reveals that the four week combined average viewership of the top 5 English News channels declined 23 percent for week 53 of 2019 and week 3 of 2020  (4 week period under review) to 1.724 million weekly impressions as compared to the average combined viewership of the 44 week period of 2.235 million weekly impressions. Viewership during the period under review declined 15.1 percent from 2.032 million weekly impressions calculated for the immediate trailing 4 week period (week 49 to week 52 of 2019).

    The last few weeks have been reasonably eventful. Among the newsworthy happenings include the fact that the fall out of the Citizenship Amendment Act is still unfolding, not only in India but in other geographies as well. Further, assembly elections for the state of Delhi have been announced, the lawyers of the condemned Nirbhaya rapists managed to delay their executions to the first of February. Please refer to the figure below for the four week average of combined ratings of top 5 English News channels between weeks 13 of 2019 and 3 of 2020.

    It must be noted that BARC had stopped publishing data in the public domain between weeks 6 and 12 of 2019 to allow for ratings to stabilize after the implementation of Telecom Regulatory Authority of India (TRAI) New Tariff Order (NTO), hence data between weeks 13 of 2019 and 3 of 2020 has been considered in this paper. Though the combined ratings of the top 5 English News channels in week 3 of 2020 were slightly higher than those of the immediate trailing week (week 2 of 2020), they were 24 percent lower than the 44 week average.

    The figure below shows that combined ratings of the top 5 English News channels between week 13 of 2019 and week 3 of 2020.

    Week 3 of 2020

    Ranks 1, 2  and were held by the same channels in week 3 of 2020 as in the previous week – Republic TV, Times Now and India Today TV retained places 1, 2 and 3 respectively. DD India pushed its way to fourth rank from fifth rank in week 3 of 2020,  while CNN News18 dropped to fifth place from fourth. Please refer to the figure below: 

    Two channels lost viewership in week 3 of 2020 – CNN News18 and Republic TV as compared to the previous week, while the other 3 made slight gains. Arnab Goswami’sfirst placed Republic TV saw viewership decline by 5 percent to 0.568 million weekly impressions from 0.598 million. At rank two, Times Now saw viewership climb 11 percent to 0.472 million weekly impressions from 0.425 million weekly impressions. Third ranked India Today Television saw  viewership increase 4.3 percent to 0.265 million weekly impressions in week 3 of 2020 from 0.254 million weekly impressions in week 2. At rank 4, DD India saw viewership rise 7.3 percent to 0.207 million weekly impressions in week 3 of 2020 from 0.193 million weekly impressions in the previous week. CNN News18 saw ratings decline 12.3 percent to 0.186 million weekly impressions  in week 3 of 2020 from 0.212 million weekly impressions in week 2.

    Please refer to the figure below:


     

  • Sun TV regains most watched channel across genres top spot

    Sun TV regains most watched channel across genres top spot

    BENGALURU: The Sun TV Network’s flagship Tamil GEC Sun TV was ranked first in Broadcast Audience Research Council of India (BARC) weekly list of Top 10 Channels Across Genres on All Platforms in week 2 of 2020 (Saturday, 11 January 2020 to Friday, 17January 2020, week or period under consideration). This was the first time in 2020 and the first time since week 36 of 2019 that the channel regained what was its regular top spot during earlier periods before the implementation of Telephone Regulatory Authority of India (TRAI) New Tariff Order (NTO).

    Five Hindi GECs’, two Telugu GECs, and one channel each from the Kannada, Kids and Tamil genres made up BARCs’ weekly list of Top Channels Across Genres on All Platforms in week 2 of 2020. From the network’s perspective there were three channels from Star India, two channels each fromViacom18/Network18 and Zee Entertainment Enterprises Limited (Zeel) and one channel each from Enterr 10 Television, Sony Pictures Network India (SPN) and the Sun Tv Network. Nine of the channels were pay TV and one channel, ranked second – Dangal, was free to air (FTA).

    Dangal, which was ranked first since week 37 of 2019 and even earlier, dropped a place to second rank during the week under review.

    Please refer to the figure below: 

    Top 10 Pay Channels Across Genres in week 2 of 2020

    As has become a norm, the top two pay channels in week 2 of 2020 were not Hindi GECs, they were a Tamil GEC and a Telugu GEC at ranks one and two respectively. Star India’s flagship Telugu GEC Star Maa replaced its network sibling Hindi GEC Star Plus at rank 2 in BARC’s weekly list of Top 10 Pay Channels Across Genres in week 2 of 2020. 

    Five Hindi GECs’, two Telugu channels and one channel each from the Kannada, Kids and Tamil genres were present in BARC’s weekly list of Top 10 Pay Channels Across Genres in week 2 of 2020. There were three channels from Star India, two channels each from SPN, Viacom18 and Zeel and one channel from the Sun Tv Network in the top 10 list during the period under consideration.

    Please refer to the list below:

    Top 10 Free to Air Channels Across Genres in week 2 of 2020

    Three channels from the Hindi Movies genre, two channels each from the Bhojpuri and Hindi GEC genres and one channel each from the Marathi, Music and Sports genres made BARC’s weekly list of Top 10 Free to Air Channels Across Genres in week 2 of 2020.  The nail biting India-Australia T20 cricket series has helped increase viewership of DD Sports, bringinr it into the fold of top 10 FTA channels across genres list during the past few weeks. Four of the channels were  from Enterr 10 Television network, three channels from Zeel, two channels from B4U and channel from pubcaster network Doordarshan in BARC’s weekly list of Top 10 Free to Air Channels Across Genres in week 2 of 2020. Please refer to the figure below:


     

  • Santoor is top brand in 2020’s first week of BARC rankings

    Santoor is top brand in 2020’s first week of BARC rankings

    MUMBAI: The Broadcast Audience Research Council (BARC) of India has released its data for top advertisers and brands for the period between 4 January and 10 January, 2020 respectively.

    The data reflects the top 10 advertisers and brands across genre on Indian television, including OOH screen, (U+R): 2+, Individuals NCCS All, demonstrating ads that were inserted the most in week 1 of 2020.

    Top Advertisers:

    Hindustan Unilever Ltd remained the top advertiser in the first week of 2020 as well. It made 163472 ad insertions on TV during the period. Reckitt Benckiser (India) Ltd took a splendid jump from ninth rank of last week to sit on second spot, with 67485 insertions.

    Third in the list was last week’s sixth ranker Cadburys India Ltd. It recorded 38596 insertions. Following it was Procter & Gamble, which was on fifth spot last week, with 37318 insertions. Wipro Ltd also climbed up two spots, ranking fifth with 36481 insertions.

    Other top brands in pecking order were as follows: Brooke Bond Lipton India Ltd, ITC Ltd, Ponds India, Godrej Consumer Products Ltd, and Colgate Palmolive India Ltd.

    Rank

    Advertiser

    Insertions

     

     

     

    Week 1

       

    1

    HINDUSTAN LEVER LTD

    163472

       

    2

    RECKITT BENCKISER (INDIA) LTD

    67485

       

    3

    CADBURYS INDIA LTD

    38596

       

    4

    PROCTER & GAMBLE

    37318

       

    5

    WIPRO LTD

    36481

       

    6

    BROOKE BOND LIPTON INDIA LTD

    34459

       

    7

    ITC LTD

    33585

       

    8

    PONDS INDIA

    32737

       

    9

    GODREJ CONSUMER PRODUCTS LTD

    24255

       

    10

    COLGATE PALMOLIVE INDIA LTD

    18784

       

    TOP 10 Advertiser *Across Genre : All India (U+R) : 2+ Individuals.

     

     

    Top Brands:

     

    Santoor Sandal and Turmeric, which was absent in the top brands list in the final week of 2019, made a refreshing comeback on top spot this week with 13980 ad insertions. Trivago slipped a spot to rank second with 13424 insertions.

     

    Almond Board of California stayed on third spot, making 11385 insertions. Surf Excel Easy Wash also maintained its past weeks ranking on number fourth. It made 11019 insertions during the period. Santoor Beauty Soaps climbed up three spots to rank fifth with 10936 insertions.

    The subsequent pecking order was as follows: Lizol, Lux Toilet Soap, Lifebuoy Toilet Soap, Policybazaar.com. and Attica Gold Company respectively.   

    Rank

    Brands

    Insertions

     

     

     

    Week 1

       

    1

    SANTOOR SANDAL AND TURMERIC

    13980

       

    2

    TRIVAGO

    13424

       

    3

    ALMOND BOARD OF CALIFORNIA

    11385

       

    4

    SURF EXCEL EASY WASH

    11019

       

    5

    SANTOOR BEAUTY SOAPS

    10936

       

    6

    LIZOL

    10717

       

    7

    LUX TOILET SOAP

    10657

       

    8

    LIFEBUOY TOILET SOAP

    10217

       

    9

    POLICYBAZAAR.COM

    9432

       

    10

    ATTICA GOLD COMPANY

    8842

       

    TOP 10 Brands *Across Genre : All India (U+R) : 2+ Individuals.

  • ABP News stands at first position during Shikhar Sammelan

    ABP News stands at first position during Shikhar Sammelan

    MUMBAI: ABP News, India’s most trusted Hindi news channel, acquired the first position on 02 January 2020 between 15:00 and 22:00 hrs in TG ABC 15+ at HSM level owing to its flagship show Shikhar Sammelan in Delhi.

    The renowned show was attended by the honourable home minister Amit Shah, who gave his first interview of 2020 on ABP News. Shah kept the viewers on their toes as he deliberated on critical issues such as CAA, NRC, and NPR as well as events in Maharashtra, Haryana and Jharkhand.

    Furthermore, considering the time band of between 8 and 9 PM, ABP News also witnessed 80 per cent more viewership than the nearest competitor.

    To make the summit highly informative, Shikhar Sammelan also hosted dignitaries such as BJP national spokesperson Sambit Patra, Congress spokesperson Abhay Dubey, union minister of minority affairs Mukhtar Abbas Naqvi, Uttar Pradesh deputy chief minister Keshav Prasad Maurya, BJP national spokesperson Sudhanshu Trivedi, Congress national spokesperson Gaurav Vallabh, journalist and author Tarek Fatah, former union minister of information and broadcasting Manish Tewari and union law minister Ravi Shankar Prasad.

    Keeping the viewers apprised about the latest happenings, the knowledge-sharing platform highlighted various views and discourses on the government, the upcoming Delhi elections, and other national imperatives such as CAA (Citizenship Amendment Act), NRC (National Register of Citizens), NPR (National Population Register) and the happenings in J&K.

    With the on-going political upheaval in the country, the channel has been able to successfully encapsulate the views of the masses by providing minute-to-minute updates of the key developments.

    ABP News Network chief executive officer Avinash Pandey said, “We are absolutely delighted to mark the beginning of 2020 with this eminent touchstone. As per BARC data, ABP News acquired the highest market share of 18 per cent during Shikhar Sammelan in Delhi on 02 Jan 2020. This statistic has re-established our venerable position in the industry as the leader of the Hindi news genre. Shikhar Sammelan has always been a noteworthy show in our portfolio with an overarching intention of keeping the viewers aware of the intricacies of the nation’s pressing issues. Here onwards, our goal is to keep the momentum going through such special programming initiatives and empower our viewers through dedicated content. ”

  • South Indian films dominate airtime on TV

    South Indian films dominate airtime on TV

    MUMBAI: With larger-than-life and good stories, the southern movies industry has been spurting to a new high as around 860 hours of the run time of movies have been consumed by the audience on the small screen in the last one year period from November 2018 to October 2019.

    The report released by THiNK in association with BARC focuses on the movies released from four southern states of India – Andhra Pradesh/Telangana (Tollywood), Tamil Nadu/Pondicherry (Kollywood), Karnataka (Sandalwood) and Kerala (Mollywood).

    The report said that around 43 per cent of movies belonged to the south – Telugu (11 per cent), Tamil (9 per cent), Kannada (6.1 per cent) and Malayalam (5.6 per cent), whereas the dubbed Hindi movies contributed to at least 11 per cent.

    Meanwhile, the report also mentioned that the movies originating from south clocked at least 135 billion hours of viewing minutes annually, which is 2.6 billion hours per week on average. And, 26000 unique movies were broadcasted over 279 channels across 16 languages last year, the report added.

    The report quotes that the overall movies clocked 17 per cent of airtime out of 4.9 millions of programming hours on television annually, in which the south languages have taken the larger share from the overall air time in terms of movie that contributed 23 per cent.

    Contribution of movies to total viewership on television is around 30 per cent from 17 per cent of airtime, and alone south languages movies contribute to 42 per cent viewership from 23 per cent airtime, also added the report.

    With one third viewership of movies, it is a winning content on television as it is positively indexed over airtime and this index is higher for some languages vis-à-vis others given the differing nature of television viewing and content preference across audiences and geographies.

    Meanwhile, the report also suggests the reasons how viewership is southern India is different from others. It said: “Average daily tune-ins in each of the southern states are higher than the national average; number of channels showing movies are higher than in other regional languages.”

    Similarly, “Regional language viewership share is highest in the southern states; and almost half of total unique titles (12429 out of 26143) aired are from the four south languages,” the report also said.

    Apparently, out of the total 193 channels that telecast movies on television, more than half (104) belong to the four South languages; the major share came from Tamil and Telugu movies.

    When comparing the per capita movie consumption across movies of different languages, southern languages topped the list with each of the four clocking more than 200 hours per capita per annum (PCPA). In which, Telugu was highest at 415 hours, which roughly translated into 2- 3 movies weekly per person in the universe, on an average, followed by Tamil at 293 hours.