Tag: BARC

  • Old controversy, new chaos: The TRP scam and all that jazz

    Old controversy, new chaos: The TRP scam and all that jazz

    NEW DELHI: The broadcasting industry had already been reeling under the impact of the Covid2019 pandemic when the Mumbai police came down on it, hard. On 8 October 2020, Mumbai police commissioner Param Bir Singh addressed a press conference about its investigation into an alleged scam involving the television audience measurement system.

    The matter had come to light when ratings agency Hansa Services Pvt Ltd, a contractor of Broadcast Audience Research Council (BARC), filed a complaint with the authorities, alleging that some TV channels had been manipulating their television rating points (TRPs). This had led to faulty calculations for advertisers and a major loss of revenue for stakeholders.

    Three channels were named in the complaint, namely Fakt Marathi, Box Cinema and Republic TV. According to police, the channels had allegedly bribed people who had bar-o-meters installed in their households. The owners of Fakt Marathi and Box Cinema were subsequently arrested and the directors, promoters of Republic TV were summoned for further questioning. Some of them were thrown in the cooler later.

    Three months down the line, the case has sent the entire industry into a conundrum of sorts. BARC has suspended the TV ratings for news channels till January. As many as 15 people, including several influential persons in the industry, have faced arrests, the latest being BARC’s former chief executive officer Partho Dasgupta. The media veteran was instrumental in setting up the BARC television ratings in 2015.

    Early stirrings of trouble

    It is not the first time a TRP measuring agency has found itself in a tight spot. The earliest instance of the tussle between broadcasters and data measuring agencies dates back to 2001. It began when then CEO of Zee Telefilms, Sandeep Goyal, openly declared his lack of faith in top rating agencies – ORG Marg's INTAM and AC Nielsen's TAM Research. Goyal wrote a letter to ORG Marg CEO Titoo Ahluwalia Goyal calling for an immediate suspension of TAM/INTAM ratings.

    “Zee has reasons to believe the data by the agency is ‘seriously influenced’,” he alleged. This was when Star India’s shows Kyunki Saas Bhi Kabhi Bahu Thi and Kahaani Ghar Ghar Ki had been topping the TRP charts consistently for weeks.

    CNBC carried out its own investigation and released a complete list of peoplemeters’ information which was supposed to be ‘strictly confidential’. The same year in October, a merger was announced between TAM and INTAM and they decided to provide combined TV rating services. But the controversy did not die.

    Doordarshan director-general SY Quraishi wrote a column for a leading English daily, wherein he recalled how he got a whiff of alleged manipulation of TRPs in 2002-03. “DD National’s prime time news share was 92 per cent. But, a private channel which described itself ‘sab se tez’ and had just four per cent share was declared as number one channel by TAM,” he wrote.

    Quraishi said he also got a peoplemeter installed in his office TV to see how it worked. And later found out “how people were being incentivised with pressure cookers and dining sets to get the meters installed and later bribed to keep certain channels running.”

    Shockwaves hit the Parliament 

    In 2008, the issue rocked the Parliament. The standing committee on information technology demanded legislation for an effective oversight or regulation on the TRP system to make it credible and accountable to the choice of viewers. It also cited the 1995 Supreme Court judgement, wherein the court pointed out “that airwaves are public property which needs to be controlled by a public authority.” The government was asked to “fructify a self-enabling, people-friendly and comprehensive legislation on broadcasting services without wasting further time.”

    Stand-off with NDTV

    In 2012, news channel NDTV sued TAM India’s parent companies Nielsen and Kantar Media for $810 million for fraud and $580 million for negligence in a New York court. It accused the companies of deliberately publishing corrupt and tainted data, favouring certain channels over others for kickbacks. The case was later dismissed on account of jurisdiction.

    Back home, NDTV decided to unsubscribe from TAM’s services, but ended up subscribing again, citing lack of alternate sources which provided such data. Not surprisingly, the incident left a bitter taste. 

    The rise of BARC

    TAM was already facing flak for inaccurate ratings. It also came under the direct scrutiny of the I&B ministry which stated that its sample size of around 7,200 peoplemeters is too small to represent a country with over 122 million TV households. The NDTV legal suit hastened its downfall and eventually TAM had to sell its TV measurement business to BARC, which was accredited by the Indian government to measure TV audiences.

    BARC was founded in 2010 by the Indian Broadcasting Foundation (IBF), the Indian Society of Advertisers (ISA), and the Advertising Agencies Association of India (AAAI). In April 2015, it released its first set of data which was derived under the new consumer classification system (NCCS). It brought together the three key stakeholders in television audience measurement – broadcasters, advertisers, and advertising and media agencies. The new ratings included a sample size of 10,000 bar-o-meters, which has now been scaled up to at least 40,000 households.

    Five years since it started releasing data, there are still murmurs of discontent. The broadcasters are still not completely satisfied with the sample size, the division of audience set under the NCCS and the measurement points.

    The genesis of the 2020 controversy

    The current controversy erupted when the deputy general manager of Hansa Research Group Pvt Ltd, Nitin Deokar, made a police complaint stating that Vishal Bhandari, a relationship manager at the firm, had allegedly been manipulating the ratings. In his complaint, he mentioned how he found a bar-O-meter installed at the house of Bhandari’s parents. According to police, Bhandari has confessed that he paid people to watch certain channels on the directions of one Vinay Tripathi. He also identified five homeowners who were reached out by him, including his own parents, it said.

    What do the TV channels say?

    The incident has dealt a severe blow to the TV channels named in the case. Several top executives have been arrested and bailed out, including Republic TV’s editor-in-chief Arnab Goswami. However, the channel has maintained that the allegations are false and baseless, claiming that Republic TV is being targeted for its reporting against the Mumbai police and Maharashtra government in the suicide case of actor Sushant Singh Rajput.

    It is also not the first time that Goswami has gotten into loggerheads with the Mumbai police. In a virtual discussion with Indiantelevision.com’s founder, CEO and editor-in-chief Anil Wanwari in September, Goswami had questioned the police on several matters, including the attack on him in Mumbai when he was returning home from work late at night with his wife. In another incident, Goswami had alleged in a petition that Mumbai police’s investigation in his role in the Palghar lynching case was mala fide. 

    The controversy has also led to a war of words between rival channels. Republic TV alleged that India Today was initially named in the complaint as well as the BARC audit report, but the Mumbai police gave it a clean chit.

    The News Broadcasters Federation (NBF), too, has looked askance at the involvement of Mumbai police in the case, which according to it was “never a criminal offence.” It asserted that the case should have been looked into by either TRAI or the ministry of information and broadcasting instead of the Mumbai law enforcers.

    What’s ahead?

    BARC has stopped releasing TRPs for the news channels since 15 October to review its current process. The government has formed a committee headed by Prasar Bharati CEO Shashi Shekhar Vempati to assess the existing rating system for TV channels.

    The committee would conduct an appraisal of the current system, study the TRAI recommendations notified from time to time, take stock of the overall industry scenario and address the needs of the stakeholders. It will then make recommendations for a robust, transparent and accountable rating system through changes, if any, in the existing guidelines.

    The Mumbai police, on the other hand, is on the warpath. BARC’s former CEO Partho Dasgupta will remain in judicial custody till mid-January, his bail plea is slated for hearing on 1 January.

    In a recent press conference, following the arrest of Dasgupta, Mumbai police also charged that he was the ‘mastermind’ of the alleged multi-crore scam. He has allegedly conspired to boost the ratings of one news channel by reducing the viewership of rivals and taking lakhs of rupees from accused channels to rig the ratings of competitors.

    In its charge sheet filed in November, Mumbai police named 140 people as witnesses, which includes some BARC officials, forensic experts, forensic auditors, advertisers and bar-o-meter users.

    The investigations will continue. The faceoff between Arnab and the cops will not end until one waves a white flag and backs off from the other.

    For the industry, the key question is whether BARC in its current form will be able to withstand the intense scrutiny and glare of the spotlight? 

    Its current CEO Sunil Lulla is a professional with impeccable, unmatchable ethics and credibility, as well as great human management skills. 

    One of the suggestions given by an industry veteran is that the way BARC  is funded will have to change. Most of the funding for its monitoring operations comes from broadcasters which are its subscribers; the other two ecosystem players, advertisers and advertising and media agencies, contribute a minuscule amount to its annual revenues. And amongst the broadcasters, the top five or six national TV networks probably contribute a majority to BARC’s kitty annually.

    In such a scenario, can one truly and honestly, with a hand over one’s heart, affirm that subtly or otherwise no outside influence will come into play? Will advertisers and agencies also start subscribing in large enough numbers so that BARC has the money to expand its peoplemeter sample to iron out any tomfoolery that anyone might attempt in future, especially in the case of channels with smaller and niche audiences? 

    Sure, Shashi Shekhar Vempati and his committee may come up with some improvements and recommendations. Will they be radically different? Maybe. Maybe not. Because the BARC tech committee had got everyone’s buy-in when it went about setting up its monitoring system around six or seven years ago. And that took some doing as the intention was to set up a fool-proof operation by all the partners. It had to represent what India watches; hence the sample had to be statistically sound with all the diverse viewing individuals adequately represented. Yet in time, it too flopped, having similar systemic failures as its predecessor. Some say it was on account of the way it gets its funds. 

    Many may not like what indiantelevision.com is stating here. It is quite likely that after this clean-up, the industry may settle down with the new improved BARC system when it starts chugging out the ratings.  However, it could only be for a while. Will it be not too long before it unwarily strays into another controversy? Will history not repeat itself?

    (With inputs from Srishti Choudhary)

  • TRP scam: Mumbai police extends custody of Partho Dasgupta

    TRP scam: Mumbai police extends custody of Partho Dasgupta

    MUMBAI: Clearly, the Mumbai police believe they have got their man and have managed to extend Partho Dasgupta’s custody till 30 December. The police has alleged that Dasgupta – a former BARC CEO was the mastermind of the TRP scam – connived with his then COO Romil Ramgarhia and Republic founder and promoter Arnab Goswami to depress the ratings of the older English news channel and pump up the ratings of the news anchor’s channel Republic TV.

    A Time of India report said that the police have stated  that Partho (as he is known in the fraternity)  got lakhs of rupees for his legerdemain of boosting Republic TV viewership. The Mumbai police's Crime Branch, in its remand note submitted before a magistrate's court here, sought further custody of Dasgupta, claiming he was the "mastermind" of the alleged TRP scam.

    The remand note further states that Partho “misused his official position and manipulated TRP of specific news channels broadcast by ARG Outlier Media Pvt Ltd such as Republic Bharat Hindi and Republic TV English," the police alleged in its remand note. "Dasgupta, while serving as CEO got involved in the conspiracy along with Arnab Goswami and others for manipulation of TRP.”

    Even as his incarceration continues, one can’t forget that  the advertising fraternity, only recently elected Dasgupta as president of the Advertising Club, Mumbai.

  • 2020: The year of the government intervention

    2020: The year of the government intervention

    KOLKATA: 2020 was the year when the government – both the Centre and states – pushed back against the media. Strongly. Whether it was mainline television or print or digital or social media, authorities showed that they could deal a heavy hand against the fourth estate and digital platforms. Everyone would have to comply or get caned.

    The year ended with the government bringing digital media under the ministry of information and broadcasting and imposing foreign equity restrictions in such ventures. 26 per cent is the overseas investment limit, the department of promotion of industry & internal trade under the ministry of commerce & industry stated in a clarification in October 2020. Ventures involved in aggregating, writing, distribution, streaming of news or current affairs on websites, apps or other platforms will have to bring down the foreign investment to 26 per cent and get government approvals for the same by October 2021, have an Indian CEO, a majority of Indians on their boards, security clearances for foreign personnel employed or contracted for more than 60 days.

    The big news for the year was the ban on all things Chinese following the muscle flexing and murder of Indian armed forces by China on its border at Ladakh with India. More than 267 Chinese apps were shown the door over six months. The biggest of these was the user generated content platform TikTok which had more than 200 – million users in India. PUBG, La – a game which has more than a few million followers amongst India’s uh-uh gamers, was also blocked overnight.

    But the natives were not to be denied their favourite entertainment: under the government’s make in India initiative: a slew of local apps were spawned TakaTak, Roposo, Bolo Indya, Chingari. While not many could better the TikTok algorithm, they quickly signed on millions of subscribers hungry for a platform to show case their short form video talent. And at the time of writing FAU-G was slated to be released in India.

    The Central government and the industry regulator Telecom Regulatory Authority of India ( TRAI) intervened in the case of the industry monitoring agency Broadcast Audience Research Council (BARC) as well. At the beginning of the lockdown, TRAI issued a consultation paper suggesting an overhaul of the measurement body saying there were concerns over the neutrality and reliability of the existing system. It recommended various measures like equal representation from broadcasters, brands, agencies, increased sample size, independent members on board including technological experts.

    Later in the year, as the credibility of the rating agency had come under greater question with the TRP scam unfolding, the ministry of information and broadcasting notified a committee to be headed by Prasar Bharati CEO Shashi Shekhar Vempati to assess  the existing rating system for TV channels. The government emphasised there is need to have a fresh look at the guidelines particularly keeping in view the latest TRAI recommendations.

    Along with linear TV, the new age streaming platforms also came under the government's watchful eagle eye. Throughout the year, a number of PILs have been filed against a number of online premium shows for allegedly hurting “Indian sensibilities”. Several conservative groups have carried out social media campaigns with #boycott or #censor trends. Amid increasing pressure, OTT platforms were already pushed to form self-regulation codes. But self-censorship did not save the day as the government rejected the code asking to restructure  Igniting the censorship fear further, the government notified to bring all online content under MIB.

     The latest notification stated that films and audio-visual programmes made available by online content providers, news and current affairs content on online platforms will come under MIB’s purview. Just a few days post announcement, media reports floated that is it preparing to file a petition seeking the transfer of all court cases in India against OTT platforms to the supreme court. The ministry notified the Punjab and Haryana High Court about its move to approach the apex court.

    At the same time, social media giant Facebook also faced regulatory pushback this year. After a report on the Wall Street Journal that claimed the platform did not comply with hate speech rules properly, it came under tremendous political scrutiny. While some officials were blamed for having a ruling party bias, union law minister Ravi Shankar Prasad alleged that Facebook employees had abused top ministers on record and their certain ideologies led to an inherent bias.

    Facebook India vice president and managing director Ajit Mohan was summoned by a Delhi Assembly panel which was examining Facebook’s role to curb hate speech in connection with the Delhi riots of February 2020. Later, the platform moved to the court to challenge the summons issued by the Delhi government. The parliamentary standing committee on information technology, headed by senior Congress leader Shashi Tharoor also called Facebook officials multiple times to examine if there was any political bias.

    At the state level too, governments bared their fangs. While Delhi government got into a tussle with Facebook, the conflict between Maharashtra government and Republic TV editor-in-chief Arnab Goswami also deepened. Goswami was arrested in the Anvay Naik suicide case by Mumbai Police which was widely seen as a politically motivated move. He also moved to Bombay High Court questioning the police’s decision to re-investigate the case. Finally, Goswami was granted bail by  the apex court.  Even, many other state governments were also criticised for arresting dissent journalists during the pandemic.

    Despite numerous protests by certain ecosystem players, the government stayed put on rolling back or making any changes to the NTO 2.0, to which many had complained.

  • Audit report confirms TRP manipulation by former BARC executives: Mumbai Police

    Audit report confirms TRP manipulation by former BARC executives: Mumbai Police

    NEW DELHI: Two months after the alleged TRP scam was busted by the Mumbai police, the department, in yet another sensational conference on Friday, claimed that a third party-conducted, Broadcast Audience Research Council (BARC)-commissioned audit report of the ratings agency has confirmed that TRPs were manipulated under the previous management. 

    The report which was received by BARC in July was handed over to the Mumbai police last week, as stated by joint commissioner of police (crime) Milind Bharambe. The report, from May 2017  to November 2019, shows that TRPs of English and Telugu news channels had been tampered with.

    The forensic audit was commissioned after new management took over at BARC in January this year and received whistle blower complaints, he added. 

    “BARC had received the report in July this year. The report said from a period of mid- 2017 to -November 2019 TRPs of English and Telugu news channels td. It showed that TRPs of channels like Times Now had been reduced so that Republic would appear to be no. 1 by analysing selectively,” Bharambe highlighted.

    The report, he added, says that ratings appeared to have been pre-decided and accordingly data was manipulated using three methodologies: the  outlier method, meta rule and  channel audience control. It further revealed incriminating chats and emails between senior BARC officials the police said.  Times Now which was on number 1 and was shown to be at No 2, and Republic as No1.

    Bharambe says that tbe BARC audit vindicates what the police has been claiming all along about Republic being involved in fixing the ratings.

    Republic TV has once again rebutted the claims and called the press conference “bogus” and their claims “laughable.”

    In related news, BARC former CEO Partha Dasgupta was arrested by Mumbai Police and was sent to custody till 28 December. Before Dasgupta, former BARC COO Romil Ramgarhia and Republic Media Network CEO Vikas Khanchandan were also arrested in the case. While Ramgarhia was released on Thursday, Khanchandani was granted bail on 16 December. 

  • TRP scam: Former BARC COO Romil Ramgarhia arrested

    TRP scam: Former BARC COO Romil Ramgarhia arrested

    NEW DELHI: Mumbai police has taken in custody former Broadcast Audience Research Council (BARC) COO Romil Ramgarhia, marking the 14th arrest in the TRP manipulation case. He has been remanded in police custody till 19 Dec. 

    The development comes a day after Republic TV CEO Vikas Khanchandani was granted bail in the same case. 

    Ramgarhia had left BARC in July this year after a six-year-long stint with the council. 

    The alleged scam was busted in October this year when Mumbai police commissioner Param Bir Singh held a press conference stating that three channels – Republic TV, Box Cinema, Fakt Marathi – were rigging ratings by paying people to keep the channels on even when they were not watching them. The TRP contracts were given to a company named Hansa Research Group Pvt Ltd. During the investigation, it was found that the ex-employees of Hansa were sharing the TRP data with the channels.

    Following this scandal coming to light, BARC suspended ratings of news channels for three months to "review its already stringent protocols and further augment them."

    Mumbai police has been hot on the heels of Republic TV’s top executives, while the channel and its editor-in-chief Arnab Goswami claim the case to be vindictive action against it.

    Earlier this month, Republic's chief operating officer Priya Mukherjee got anticipatory bail in connection with the TRP gaming case. On 5 December, the sessions court had granted bail to Republic TV's assistant vice president, Ghanshyam Singh, who was arrested in the same case on 10 November.

  • Sony Pix establishes itself as the undisputed leader in the English movie category

    Sony Pix establishes itself as the undisputed leader in the English movie category

    MUMBAI: 2020 was a year of many firsts and Sony Pix took this opportunity to continue to innovate and grow backed by many programming and marketing initiatives. From premiering the biggest movies and introducing new programming IPs to being the first in the category to launch an AR filter game and an e-sports gaming event, Sony Pix has truly gone beyond the extraordinary this year and emerged as the most watched channel in India over the last quarter.

    This remarkable growth is reflective of the staggering viewership rise in the English movie category by 24 per cent, this year. Riding on its cluster of offerings, Sony Pix pushed the envelope further in audience engagement and scaled up to number one position in both SD and HD feed with 23 per cent and 29 per cent share in viewership, respectively, over the last 13 weeks average* along with being number one consistently for the last five weeks with 25 per cent share. Not just the leader, Sony Pix is also the fastest growing English movie channel in the category both in terms of viewership and reach in CY 2020 YTD, as compared to CY 2019. It has registered a 1.7x growth in viewership and 1.2x growth in reach for SD and a 2.4x growth in viewership and 1.5x growth in reach for HD. Sony PIX HD has also ensured the maximum reach in the English movie category, not just for the last 13 weeks but also for entire CY 2020 YTD.

    Sony PIX’s constant endeavor to put the consumer first coupled with a strong distribution network, strategic content line-up and robust marketing innovations has resulted in Sony Pix’s unparalleled performance and the perfect victory run to end 2020 on a sweet note.

    *Source: BARC, TG: 15-40 AB, Market: 10L+, Period: WK 36-48’20, Average Weekly AMA, English Movie Channels SD

    *Source: BARC, TG: 15-40 AB, Market: 10L+, Period: WK 36-48’20, Average Weekly AMA, English Movie Channels HD

    *Source: BARC, TG: 15-40 AB, Market: 10L+, Period: WK 44-48’20, Average Weekly AMA, English Movie Channels SD

    *Source: BARC, TG: 15-40 AB, Market: 10L+, Period: WK 1’19-48’20, Average Weekly AMA & Average Weekly Cumulative Reach, English Movie Channels SD

    *Source: BARC, TG: 15-40 AB, Market: 10L+, Period: WK 1’19-48’20, Average Weekly AMA & Average Weekly Cumulative Reach, English Movie Channels HD

    Sony Pictures Networks India English cluster business head Tushar Shah said “We thank the fans for showing their love for Sony PIX and making it the most watched English movie channel in the category. We are glad that Sony PIX provided some great entertainment to our fans during a challenging year like 2020 and look forward to providing more amazement in the new year”.

  • NBF seeks clarity from BARC in TRP manipulation case

    NBF seeks clarity from BARC in TRP manipulation case

    NEW DELHI: In a fresh turn of events in the TRP manipulation scam, News Broadcasters Federation (NBF) has sought clarification from the Broadcast Audience Research Council (BARC) over the way the matter is being handled by the Mumbai police. 

    Last evening, NBF vice-president and Prag News CEO Sanjive Narain questioned the regulator on-air while speaking to Republic TV CEO and editor-in-chief Arnab Goswami on his show. He said, “The country deserves to know the structure of BARC and people who are running it. They are answerable not just to Republic TV but also 70-80 other news channels that they are monitoring. They have to come out with an open statement regarding the case.”

    Further, he lambasted the Maharashtra government and the Mumbai police for their investigation in the case. He also raised questions on the legal stance on the dual-frequency issue as well. 

    “Running on dual-frequency was never a criminal offence and it still is not. No one can run their channels directly. They have to pay the carriage fee to the MSO. The MSO is the decision-maker. In case, if there was a TRAI regulation regarding this, you must be questioning the MSOs.”

    He added that it seemed like the actions of the law enforcement authorities is a clear case of vendetta against the promoters of  Republic Media. 

    Additionally, Twenty Four chief editor Sreekandan Nair pointed out that the matter of rigging ratings must be handled by either TRAI or BARC, and not by the Mumbai police. 

    The Republic has been caught in the eye of a storm after the Mumbai police publicly claimed to have unearthed a TRP manipulation racket in the city back in October. Since then, the channel's employees and members of the core management have been called in for questioning. 12 arrests have been made in the case, the latest being that of Republic CEO Vikas Khanchandani. The NBF had issued a statement calling Khanchandani's arrest and two-day remand in police custody "highly disturbing."

  • Guest column: Why influencer marketing is a key communication strategy for brands

    Guest column: Why influencer marketing is a key communication strategy for brands

    NEW DELHI: In the times of social distancing and digital evolution, when millennials are spending a substantial amount of their time on the internet, brands are roping in influencer marketing strategies to communicate with their audience. With an evolved ROI, cost per view and demographic of an influencer, this space is maturing with the changing times. Brands have extended their influencer marketing work with chefs, designers, comedians and other content-creators besides Bollywood A-listers.

    A range of new social media influencers including nano-influencers have also been appointed to scale up engagement. The impact of these influencers has been witnessed during recent festive season – where digital marketing experts estimate a 20 per cent jump in influencer marketing campaigns. Though the influencer marketing is on rise currently, it isn’t a new concept. Since the beginning of the early 20th century, we have been seeing Bollywood celebrities and other well-known individuals endorsing products and services. Brands are also tapping into these people as part of their marketing campaigns. 

    Why influencer marketing is driving communication strategy for brands

    When content is shared by someone, who is a friend or colleague or somebody who is not from the world of glamour, on social media, it creates an impact on the audience's mind. The trust level for that message is said to be a whopping 83 percent. This percentage is quite high as compared to other forms of marketing. This is also one of the prime reasons behind companies making their resources move toward marketing programs that focus on influential people with social media followings – instead of simply just traditional media. These influencers, too, work really hard to create content, which is authentic and relatable, and are focused on building their audience.

    Earlier, an influencer or blogger’s world was confined to industries like fashion and lifestyle but as the reach of digital penetration increased, influencer marketing took a leap and started influencing a wide variety of customer base. This is why a brand should look at influencer marketing more seriously as it offers more profound engagement and organic growth.

    People are spending more time digitally these days as compared to the real world. In the times of remote working, Indians have spent roughly 3 hours and 22 minutes on their smartphones per day, which increased to 3 hours 54 minutes in phase two of the lockdown, states the findings of a July report by television viewership monitoring agency BARC, and a Nielsen report that tracked TV viewership and smartphone usage during the various phases of India’s lockdown.

    Brands are making use of this window in the best possible way because an increased screen time has made them recruit content creators and influencers. Through their posts, they created audience’s engagement on platforms such as Facebook, Instagram and YouTube in the space of recipes, gaming and do-it-yourself (DIY) arts and crafts. Even influencers have become opinion makers, who can slip a brand into a consumer’s consideration set.

    There are many situations where a brand can benefit from influencer marketing:

    • To get the maximum result for a new product launch 
    • Leveraging influencers to share already-created content or having them create their own content for marketing campaigns
    • Influencers also do a great job of reporting and extending the life and impact of brand events
    • In a crisis, they can also be invaluable by providing another channel to reach audiences 

    However, one should not completely depend upon influencer marketing as it’s not a guaranteed success. Successful influencer marketing requires time, dedication and research. A well-thought-out influencer program should be incorporated as part of a much broader marketing strategy.

    (The writer is the director of Bonn Group of Industries. Indiantelevision.com may not subscribe to his views.)
     

  • BARC week 48: Colors regains second spot on pay platform

    BARC week 48: Colors regains second spot on pay platform

    MUMBAI: Sony Sab has slipped down to third spot on pay platform in week 48 (Saturday 28 November 2020 to Friday 4 November 2020) of Broadcast Audience Research Council of India (BARC) data. Colors has secured second position on both pay platform and urban market. Dangal has climbed up to the eight spot on pay platform. 

    Pay Platform


     
    In week 48 of BARC India ratings, the top ten channels on pay platform were Star Plus, Colors,Sony Sab,  Zee TV, Sony Entertainment Television, Star Utsav, Sony Pal, Dangal, Star Bharat, and ColorsRishtey.

    Urban Market


     
    In the urban market, the top ten channels were Star Plus,Colors,Sony Sab, Star Utsav, Sony Entertainment Television, Zee TV,  Sony Pal,  ColorsRistey, Dangal and Star Bharat in week 48 of BARC India ratings.

    Rural Market


     
    Star Utsav, Zee Anmol, Sony Pal, ColorsRishtey, Dangal, Star Plus, Zee TV, Sony Sab, Colors and Big Magic were the top ten channels in the rural market in week 48 of BARC India ratings.

    Free Platform


     
    On the free platform, Star Utsav, Zee Anmol,Sony Pal, ColorsRishtey, Dangal, Big Magic, Shemaroo TV, DD National, DD Retro and DD Uttar Pradesh were the top ten channels in week 48 of BARC India ratings.
     

  • #Throwback2020: The year of reruns

    #Throwback2020: The year of reruns

    MUMBAI: Covid2019 was undoubtedly the biggest story of 2020, but it also gave new life to several well-loved stories of the past – more precisely, vintage TV shows. As productions came to a halt with the announcement of lockdowns, television broadcasters had to quickly come up with ways to fill up their time slots. As well as find ways to keep those at home engaged enough so as to not step out and possibly expose themselves to the novel Coronavirus.

    With no fresh episodes being churned out, successful TV shows went off air. TV programming executives started going through their back catalogue deciding what series and programmes to put on air once again. Doordarshan boss Shashi Shekhar Vempati took the high ground and made some audacious bets. He brought back the classics of the eighties – Ramanand Sagar's Ramayan and BR Chopra's Mahabharat.  The difference: unlike in the past when the episodes aired on Sunday mornings, Vempati put the two mythologicals on air every evening and in the afternoons. His decision worked like a charm.

    The Indian public, fearful of the havoc that Covid was wreaking on all and sundry, found solace in the two shows. The viewers swelled into millions and it seemed like all of India had connected with the story of a king and his exile and the victory of good over evil, and that of five brothers who fight adversity from their own family, go into exile only to come back and regain their rightful kingdom.

    Doordarshan regained its lost glory;  after nearly three decades of ceding ground to cable TV, it became India's most-watched channel again.

    In its heyday, the streets would be empty during showtime, and people formed queues outside shops to watch their favourite show on the pubcaster. Some people would even garland their TV sets in awe. In fact, the actors playing Ram and Sita would often be treated like  gods in public. The tables turned with the launch of satellite television in the mid-90s, and the explosive growth of private channels that followed.

    But bringing back Ramayan and other old favourites like Shaktiman and Buniyaad – created when DD monopolised TV broadcasting – forged an inexplicable and instantaneous connection with audiences. BARC has attributed the telecast of Ramayan and Mahabharat as the reason for DD’s climb to the top of the ratings chart. 

    Not only did Doordarshan succeed in chalking up record viewership, but it also generated online chatter – from memes to nostalgia posts from viewers. For many, it was a trip down memory lane.

    During an interaction, BARC India CEO Sunil Lulla remarked, “[Repeat telecasts of] Ramayan and Mahabharat, in my view, is a stellar move. It’s a nostalgia moment for people who are born in the 80’s. Because the entire family is sitting together with elders at home, it was the best thing to watch on TV. But shockingly, younger audiences were also watching the show. More of the urban audience, rather than rural, tuned in.”

    The buzz around these shows has led to an increased brand recall for Doordarshan. India’s iconic dairy brand Amul also went retro and re-released its old advertisements on the channel. 

    According to SEMrush (an online visibility management platform), ‘Ramayan’ became India's most searched term in the entertainment category in April 2020.

    Nielsen and BARC had reported that in the initial weeks of reruns, Ramayan episodes got 42.6 million tune-ins and garnered 6.9 billion viewing minutes on average.

    On 17 April, Prasar Bharati (the parent body of DD and All India Radio) announced in a tweet that Ramayan was the highest-watched entertainment programme globally, recording a viewership of 77 million. Even though the show attracted many advertisers, it irked viewers who wanted uninterrupted content. Some, bizarrely, even accused Doordarshan of streaming the show from a Moser Baer DVD.

     

     

    Certain sections of the public appealed to the government to curb the TV spots. In response, Vempati in a tweet said, "Would request everyone's patience with the advertisements. Brands reaching out to a large audience spurs consumption and economic activity at this critical juncture. Also, every rupee of commercial revenue to DD is a rupee of taxpayer money saved."  

     

     

    When I&B minister Prakash Javadekar posted a photo of himself watching Ramayan reruns during the lockdown, he was immediately panned for his “let them eat cake” moment while millions were struggling to make ends meet.

    But in the weeks that followed, public sentiment changed. Following the runaway success of the two shows, the state broadcaster went beyond mythological shows and tapped into its programming archive.  Buniyaad, Byomkesh Bakshi, Gora, Circus (starring a baby-faced Shah Rukh Khan), Shrikant (starring the late actor Irrfan Khan), Shaktimaan, Dekh Bhai Dekh, Shrimaan Shrimati, The Jungle Book, and more were back on telly – and viewers were hooked.

    Other broadcast networks followed suit. Viacom18-owned Hindi GEC Colors brought back shows such as Balika Vadhu, Jai Shri Krishna, Mahakali, Ram Siya Ke Luv Kush, Dance Deewane, Bigg Boss, Comedy Nights with Kapil, Sidharth Shukla-Rashami Desai-starrer love story Dil Se Dil Tak and comedy series Belan Wali Bahu.

    Zee TV played reruns of Jamai Raja, Pavitra Rishta, Jodha Akbar, Sa Re Ga Ma Pa Li’l Champs 2017 and Hum Paanch, Kumkum Bhagya, Kundali Bhagya, Ram Kapoor's Kasam Se, and Brahmarakshas.

    The classic sitcom Office Office was being broadcast on Sony SAB and Star Plus’ Mahabharat and Siya Ke Ram were back on TV too.

    Star Sports started showing historic cricket matches like India’s 2011 World Cup win, India vs Pakistan series, previous editions of the IPL, Formula 1 races, football and kabbadi.

    The audience's retro romance continued for three months. Almost every channel saw spikes in viewership; sadly, advertisers stayed away as overall economic and consumer sentiment had sunk to a new low.

    Came end July and governments gave the go-ahead to productions to start again under strict operating procedures. Shoots commenced and viewers rejoiced that fresh programming was back. However, none regretted the joy that reruns gave them for the three months of the initial period of the lockdown.