Tag: BARC

  • HUL leads advertiser’s tally in week 37: Barc

    HUL leads advertiser’s tally in week 37: Barc

    Mumbai: FMCG major Hindustan Lever Ltd (HUL) led the top-ten advertisers list in Barc week 37 (11 – 17 September) with total ad volumes of 4718.72. Reckitt Benckiser (India) Ltd was a close second at 4028.89 (‘000s). Cadbury India stood third at 944.54.

    Brooke Bond Lipton India, ITC Ltd, Godrej Consumer Products, Colgate Palmolive India, Amazon Online India, Procter and Gamble, and GCMMF followed at the remaining seven positions in that order.

    Among the brands Dettol Toilet Soap led the tally with ad volumes of 542.01.

    Video streaming platform Disney+ Hotstar stood out in the FMCG-dominated list at the sixth spot with 349.3 (‘000s). Amazon India (329.66) and Reliance Digital (304.61) broke the monotony at the eighth and tenth positions respectively.

    Rest of the list was populated by FMCG brands including Lizol, Harpic Power Plus 10X Max Clean, Dettol, Dettol Antiseptic Liquid, and Harpic Bathroom Cleaner.

  • HUL is top advertiser in week 36: BARC

    HUL is top advertiser in week 36: BARC

    Mumbai: Broadcast Audience Research Council (BARC) India’s top-ten advertiser (across genres) list for week 36 was led by Hindustan Lever Ltd (HUL) with total ad volumes of 4750.01. Reckitt Benckiser (RB) India Ltd has secured the second position at 3620.24 ad volumes.

    Cadbury India was a distant third with ad volumes of 970.6. Brooke Bond Lipton India finished fourth. Godrej Consumer Products, which was not on last week’s top advertisers list, made its way to the fifth spot this time. Procter & Gamble, ITC Ltd, Colgate Palmolive India Ltd, and Asian Paints India Ltd grabbed the sixth to ninth positions. Coca-Cola India finished last with ad volumes of 392.47 (‘000s).

    Among the brands, RB’s Dettol Toilet Soap dominated the list, recording ad volumes of 574.55. Horlicks stood second at 497.96. Lizol, Dettol, Harpic Bathroom Cleaner, Dettol Antiseptic Liquid, Harpic Power Plus 10X Max Clean, Airtel Black, Lux Cozi, and Myntra followed, in that order.

  • Star Maa topples Sun TV in week 36: BARC

    Star Maa topples Sun TV in week 36: BARC

    Mumbai: Star Maa, the Telugu GEC from Star Network has toppled Tamil GEC Sun TV to emerge as the top channel in the Broadcast Audience Research Council (BARC) India list for week 36 (4-10 September).

    The channel recorded weekly AMAs of 2838.83 as against 2494.98 AMAs in week 35 when it was at the third spot. Hindi GEC Star Plus found itself at the second position with 2817.67 (‘000s) AMA, followed by Sun TV which finished third with 2789.9 AMA.

    The last few weeks have witnessed a tough competition between Sun TV and Star Plus, slugging it out for the top spot in the BARC list of most-viewed channels. Colors, Star Vijay, Star Utsav, Sony SAB, Zee Telugu, Sony Pal, and Zee Kannada grabbed the remaining positions.

    However, in the megacities, Sun TV was able to retain its top position with 510.04 AMA. Star Plus, Colors, Star Vijay, and Sony SAB followed in that order.

    The South market maintained last week’s status with Sun TV leading at 2784.92 AMA. It was followed by Star Maa, Star Vijay, Zee Telugu, and Zee Kannada.

    In Maharashtra/Goa, audiences showed a clear preference for Star Pravah as the channel registered weekly AMAs of 1434.7 (‘000s). With 1068.12 AMA, Star Jalsha led the Bengal market. Tarang, at 417.1 AMA was the most viewed channel in Odisha, Zee Kannada (1470.42) in Karnataka, Star Utsav (256.75) in Rajasthan, and Zee Anmol (361.09) in UP/Uttarakhand.

  • NBF demands BARC to urgently release news genre ratings

    NBF demands BARC to urgently release news genre ratings

    Mumbai: The News Broadcasters Federation (NBF) has demanded BARC to resume the release of audience measurement data for the news genre which has been unilaterally withheld for almost a year.

    While registering its demand in a letter addressed to BARC CEO Nakul Chopra, the NBF said, “As the only industry body the representing the business interest and editorial freedom of news TV channels, NBF strongly iterate to be included and consulted on all issues surrounding the release of TRP data for news genre.”

    Listing major concerns on the issue, it stated that there was no legitimate reason or rationale for a pause in ratings for one specific genre. “If the process of BARC is faulty and is being reworked, the entertainment and other genres which contribute 88 per cent continue to get the rating data. However, the news genre which constitutes only 12 per cent has been victimised; though the metering boxes and data collection is common for all genres,” the federation said.

    The NBF also alleged that vested corporate interests are overshadowing industry welfare, and this has caused a loss of credibility and revenue to the news genre. In addition, news broadcasters are losing the trust of the viewers and the advertisers are increasingly suspicious about the genuine performance of the channels.

  • Sun TV tops the charts in week 35: BARC

    Sun TV tops the charts in week 35: BARC

    Mumbai: Tamil GEC Sun TV continues to dominat the list of top ten most viewed channels in week 35 with 2785.23 AMA, according to the Broadcast Audience Research Council (BARC) India. Gaining hold on the second and third positions were Star Plus and Star Maa (Telugu) with weekly AMAs of 2708.94 and 2494.98 respectively, between 28 August and 3 September.

    Sony SAB, Colors, Star Vijay (Tamil), Star Utsav, Zee Telugu, Zee TV, and Zee Kannada followed in that order.

    In the mega cities, Sun TV dominated the charts again, recording a weekly AMA of 472.08 (000s). Star Plus, Colors, Star Vijay, and Sony SAB grabbed the remaining four spots.

    The South market too was led by Sun TV at 2779.3 AMA. It was followed by Star Maa, Star Vijay, Zee Telugu, and Zee Kannada.

    Star Pravah led the Maharashtra/Goa market with 1457.01AMA. At 1156.05, Star Jalsha was the most viewed channel in West Bengal, Tarang in Odisha (452.8), Zee Kannada in Karnataka (1495.16), Star Utsav in Rajasthan (231.84), and Zee Anmol (330.45) in Uttar Pradesh/Uttarakhand.

  • HUL becomes top advertiser in BARC week 35

    HUL becomes top advertiser in BARC week 35

    Mumbai: The top ten advertiser list for week 35 was led by FMCG giant Hindustan Lever Ltd (HUL) with an ad volume of 5072.06 (‘000 secs), as per the Broadcast Audience Research Council (BARC) India. Securing the second position was Reckitt Benckiser (RB) India which registered a total ad volume of 3217.63.

    Brooke Bond Lipton India was at the third spot, though at 959.09 (‘000 secs) its ad volume was significantly lower than that of RB India. Cadbury’s India, Procter and Gamble, Amazon Online India, Colgate Palmolive India, Ponds India, Asian Paints India, and ITC Ltd grabbed the remaining spots, in that order.

    Among the brands, RB’s Dettol toilet soaps topped the list at 523.17 (‘000 secs). HUL’s Horlicks followed at the second spot with 516.97. Airtel Black – the mobile, DTH, the fiber in one plan from Airtel – made its way to the third position recording weekly AMAs of 381.35 (‘000s).   

    The remaining spots were occupied by Dettol Antiseptic Liquid, Lizol, Dettol, Vanish Oxi Action, Amazon.in, Clinic Plus Shampoo, and Harpic Bathroom Cleaner.

  • CTV behind the growing dissatisfaction with Nielsen’s audience measurement system

    CTV behind the growing dissatisfaction with Nielsen’s audience measurement system

    Mumbai: Nielsen is in the eye of the storm once again following the suspension of accreditation for National and Local TV Ratings service in the US by the Media Ratings Council, effective mid-September. The TV measurement company had long been facing criticism from the Video Advertising Bureau (the trade organisation representing the advertising sales departments of networks and distributors) over the accuracy of its ratings. The months-long feud culminated in the VAB formally petitioning MRC to strip Nielsen’s accreditation citing undercounting TV viewing during the pandemic, and the exclusion to-date of broadband-only homes as primary reasons.

    Submitting an in-depth 10-page document to the MRC, the VAB detailed the five specific violations of minimum standards committed by Nielsen starting March 2020. “Although Nielsen has taken steps to rectify the issues with its sample, our current analysis proves the issue persists.  With nearly 18 per cent of respondents still missing, the sample still does not accurately represent the TV viewing population, particularly diverse and younger homes,” it stated.

    While Nielsen cited Covid-related disruptions as an explanation for undercounting during the pandemic, the growing dissatisfaction with its panel-based measurement system stems from the more fundamental problem around both the underrepresentation as well as the misrepresentation of the large universe of the audience that has either completely cut the cord or is consuming both linear and CTV across devices and platforms. The numbers which were already on the rise witnessed unprecedented growth in the past 18-20 months in the US.

    According to database company, Statista’s research titled ‘Connected TV advertising in the US – statistics & facts’ published this June, the number of CTV users in the US reached an impressive 203 million in 2020. CTV ad spend at $13.41bn amounted to 4.7 per cent share in total ad spend, with the most common share of ad budget dedicated to CTV being 10-20 per cent. CTV ad household reach stood at 78 per cent. Stating targeting and efficiency as the top reasons, 42 per cent of advertisers were planning to increase spend on OTT/CTV.

    On 1 September, Nielsen CEO David Kenny had also, in a letter addressed to clients, said, “Broadband-only homes are an important audience now representing nearly 30 per cent of TV households in some local markets. We believe it is critical to include them in local measurement as soon as possible, but we agree that we need to move to an explicit universe estimate. Their exclusion to-date means a gap and bias in measurement and we have been and continue to commit to integrating them in a responsible way.”

    Last month, the firm had announced its intention to add Broadband-Only (BBO) homes to its panels in October, but that did not deter MRC from revoking Nielsen’s accreditation. The Council had expressed reservation about the effectiveness of the plan, given the need for fundamental changes in the current measurement system which oversimplifies viewing across CTV by extending linear TV measurement standards to it and/or combining two viewing data sets that do not have common metrics.

    For this very reason, the clamour for evolving a unified identifier has only grown since the groundbreaking innovation began redefining broadcast in the US close to a decade ago; however, the complexity and fragmentation of the ecosystem have kept the industry from arriving at it so far.

    The pandemic and other recent developments seem to have put the exercise on fast forward.

    Matters were further compounded by NBCUniversal launching a measurement RFP in August, calling for “measurement independence”.

    Hopes are now pinned on Nielsen ONE, the single cross-media product which will provide reach and frequency metrics by delivering a holistic, de-duplicated view of both content and ad performance regardless of screen, device or platform. The new flagship currency expected to launch in 2022 aims to address the pressing concern of duplication in CTV measurement, at the same time bringing linear TV measurement on par with digital viewing.

    Noteworthy here is the fact that Nielsen has been on an extended hiatus for its digital ad ratings (DAR) service since October last year. In January, it entered another six-month hiatus for its local TV ratings service, which was also extended through the end of 2021. On August 11, Nielsen had further initiated the accreditation hiatus process for its National TV ratings service with the MRC; all in an attempt to concentrate its audit-related efforts on continuing to address panel concerns alongside the transformation of the National TV product and development of Nielsen ONE.

    In fact, going beyond the unifier currency, Nielsen has been heading in his direction for quite some time now.  The big highlights were its decision to measure CTV campaigns on YouTube and YouTube TV for the first time (announced October 2020) and the Roku-Nielsen strategic alliance in March 2021.

    YouTube, vice-president – global solutions, Debbie Weinstein had said, “Over 100 million people in the US watch YouTube and YouTube TV on their connected TVs every month. Advertisers are asking for third-party measurement partners like Nielsen to provide a complete view of YouTube and YouTube TV audiences, so they can understand the scale of the audience they’re able to reach through CTV campaigns.”

    In March, Roku entered into an agreement to acquire Nielsen’s Advanced Video Advertising (AVA) business which includes Nielsen’s video automatic content recognition (ACR) and dynamic ad insertion (DAI) technologies. The objective of the acquisition was to accelerate Roku’s launch of an end-to-end DAI solution with TV programmers. Additionally, Nielsen and Roku forged a strategic partnership to integrate complementary Nielsen ad and content measurement products into the Roku platform and further advance Nielsen ONE. Roku is a leading American manufacturer of digital media players. The Company also operates the No. 1 TV streaming platform in the US as measured by hours streamed (Kantar 2020).

    Given that tech-led innovation has a history of effecting the worldwide industry overhauls in a not-so-organic manner, these developments, though specific to the US, are being carefully studied in India. While the connected TV/OTT ecosystem in the country is not as well developed and deeply entrenched yet, it is relevant here to recall Barc India’s intent to initiate ‘one video view’ measurement, announced last September by former CEO Sunil Lulla. The much-awaited and much-touted Nielsen ONE may well serve as a template or the indicator of the nearness of an inevitable change, if not a universal go-ahead for players globally.

  • BARC Week 33 : Regional GECs Sun TV and Star Maa topple Star Plus

    BARC Week 33 : Regional GECs Sun TV and Star Maa topple Star Plus

    Mumbai: Regional GECs Sun TV (Tamil) and Star Maa (Telugu) have toppled long-time leader Star Plus to lead the tally for Barc Week 33 (14 August to 20 August) at the first and second positions. While Sun TV bagged 2651.23 AMA (2710.62 in Week 32), Star Maa’s weekly AMA stood at 2625.34 (2701.4 in Week 32) according to Broadcast Audience Research Council (Barc).

    With 2595.11 (000s) AMA, Star Plus was at the third spot. It was the most viewed channel registering 2747.77 (000s) AMA last week. Clearly, the overall average minute audience saw a sharp dip in week 33.

    Colors, Star Utsav, Sony SAB, Star Vijay, ZEE Kannada, and ZEE Telugu followed in that order. Colors Rishtey replaced ZEE Anmol at the tenth position.

    Colors dominated the Mega Cities with 442.37 (000s) AMA. Sun TV, Star Plus, Sony SAB and Star Vijay grabbed the remaining four spots.

    Sun TV (2644.04 AMA), Star Maa, and Star Vijay were the top three players in the South market, followed by ZEE Kannada and ZEE Telugu.

    Star Pravah led the Maharashtra/Goa market with 1478.59 AMA. At 1068.4, Star Jalsha was the most viewed channel in West Bengal, Tarang in Odisha (422.6), ZEE Kannada in Karnataka (1595.46), Star Utsav in Rajasthan (255.75) and ZEE Anmol (348.98) in UP/Uttarakhand.

  • BARC ex-CEO Sunil Lulla announces new venture ‘The Linus Adventures’

    BARC ex-CEO Sunil Lulla announces new venture ‘The Linus Adventures’

    Mumbai: Sunil Lulla, the ex-CEO of Broadcast Audience Research Council (BARC) who recently stepped down from his position at the TV measurement company to pursue entrepreneurial ambitions, has announced his new venture ‘The Linus Adverntures’, along with a gamut of other career and personal interests that he will be undertaking.  

    The Linus Adventures will assist promoters and CXOs scale their business and become leader brands. Additionally, Lulla will be starting a new chapter as a co-founder of a UAE-based edtech start-up focussed on India and MENA region, the purpose of which will be to nurture the next generations by providing them holistic development opportunities from an early stage in life.

    Besides, Lulla will continue to remain an active angel investor in early-stage start-ups across multiple domains. 

    On a more personal front, going forward, he will vigorously support Children’s Movement for Civic Awareness (CMCA) which transforms the attitudes and behaviour of children to ensure a sustainable future. Also interested in learning a new way of running known as Maximum Aerobic Function/Low Heart Rate which helps to breathe smarter, Lulla hopes to ‘Run-Jog-Sprint-Recover’ to successfully complete many marathons and stay more refreshed. 

    “After four decades of a fulfilling and an exciting ‘employee life’, I now embark on a ‘portfolio career’; an entrepreneurial journey which not only brings to the fore my diverse experiences but also creates meaningful opportunities to make a difference to those around me,” said Sunil Lulla. “I am grateful for the privilege of working with some of the finest people and professionals without whom none of the successes would have been possible. My roller-coaster ride will continue with the good wishes and affection of my family, friends, and well-wishers. I celebrate my new beginning on a new stage with a new play.”

    A media industry veteran, Lulla began his career with HMV/Sa Re Ga Ma and worked with leading brands including Grey Group, Times Television Network, SET, MTV, J Walter Thompson, and most recently BARC, India. 

    Lulla had taken over the reins as the CEO of BARC, India from Partho Dasgupta in 2019. He is succeeded by Nakul Chopra.

  • BARC Week 33 : HUL remains top advertiser

    BARC Week 33 : HUL remains top advertiser

    Mumbai: The top-ten advertiser list for Barc Week 33 was led by FMCG giant Hindustan Unilever with ad volumes of 4393.11 (‘000 secs). The second position was secured by Reckitt Benckiser India which registered total ad volume of 4143.51.

    Cadburys India was at the third spot, though at 838.96 (‘000 secs) its ad volumes were significantly lower than that of RB. Godrej Consumer Products, and Brooke Bond Lipton India stood fourth and fifth respectively. UNSP-GEN-PERSONAL Greetings/Announcement was the new entrant at number six. It was followed by Procter & Gamble, Asian Paints (I), Colgate Palmolive India and ITC.

    Among the brands, RB’s Brand Dettol dominated with four products including Dettol Toilet Soap at the first position (643.18), Dettol at the second, Dettol Antisepctic Liquid at fourth and Dettol Liquid Soap at the sixth spot. Independence Day Greetings and Asian Paints Royale Glitz broke the monotony of the FMCG dominated list at number three and seven, respectively.

    Horlicks, Lizol, Harpic Power Plus 10X Max Clean and Clinic Plus Shampoo were also among the top-ten most advertised brands.