Tag: BARC

  • “If OTT players offer a unique proposition, all of them can co-exist:” Debashish Ghosh

    “If OTT players offer a unique proposition, all of them can co-exist:” Debashish Ghosh

    ditto TV – India’s first OTT venture owned by media mogul Subhash Chandra – is all set to thrust forward in the space with a strong focus on innovation and fresh content. The OTT player has launched its international operations and will soon have content from across the globe. 

     

    In conversation with Indiantelevision.com’s Anirban Roy Choudhury, ditto TV CEO Debashish Ghosh shares his vision and thoughts on the emerging OTT market in India. Prepared to take on international players entering the market, he says that Zee Entertainment Enterprises does not believe in loss making business propositions. Every business under the conglomerate is financially independent. The emerging market not only has the potential to grow rapidly but also offers ample scope for innovation.

     

    Excerpts:

     

     

    Is India ready for OTT platforms? How is the market shaping up?

     

    The Indian market is surely getting ready for OTT. The only challenge that Indian OTT players face is that of bandwidth. The cost of data be it mobile or cable is high. For an average Indian to shell out Rs 2000 individually to have internet on their mobile is still a challenge. Yes, things are improving and it’s but natural that penetration will increase. Statistically, we are going over the US when it comes to penetration of the Internet.

     

    We at ditto TV are cognizant of the bandwidth condition in the country from the very beginning. Hence, we are not a platform that only works on 3G or Wi-Fi. ditto TV also works on 2G, WAP as well as on feature phones. The OTT market in India is growing and has great growth opportunity. The infrastructure will get better and data will become cheaper as we go along. The growth of OTT will also be interconnected with the new set of consumers that are coming in. Anybody born post 1990s and is above 25 years old doesn’t really watch TV today. They watch all their content on the digital platform.

     

    Which revenue model will sustain in the long run for OTT players in India and which model will ditto TV follow?

     

    I don’t believe any one model will work. It has to be a hybrid scenario. Advertising revenue for at least next three – five years is not the proposition that will be sufficient to offset the cost, so if the business strategy is to incur huge losses then going with the advertising platform is okay. We don’t believe in such loss making propositions. We believe in that whatever business we do, must pay for itself and that’s the reason why we follow the subscription model. I think we are one of the two players, who follow a subscription revenue model. World over the subscription based revenue model is something that’s proven to be sustainable and I don’t see that changing in India.

     

    What kind of advertising can OTT platforms offer? What is the advertiser’s overview on the platform?

     

    If today India is paying for TV that means they are paying for content. The way digital platforms have progressed in this country, creates a challenge. So far the advertising model was working but we all know that it’s stagnating now. Display advertising by its own nature isn’t attractive anymore on digital for brands. As digital is a measurable medium, people over the platform want to target a specific audience and hence the funda of mass roll-out does not work here. That’s why a proposition like native advertising is coming in and innovations like brand solutions, integrated marketing and most importantly proposition like highly targeted advertising will work. Now when a brand wants to advertise, they won’t say “I want ‘X’ GRP” or “‘X’ circulation of a medium,” but will instead say “I want to target 1 million Male, who are aged between 24-32 and are interested in sports.”

     

    BARC is scheduled to release data for all screens which will also include screens that OTT caters to. Do you feel we have enough data to provide brands with a platform for targeted advertising?

     

    Even if BARC provides data for all screens, it will still remain a sample based proposition.

     

    On the other hand, publishers today have the capacity to roll out empirical data. We can give empirical data of the number of people watching our content, how they are watching it, how much time they are spending and how many of them are coming back. Based on this data, we can target specifically. That infrastructure is a function of technology and technology exists today. There are many data management companies like Lotame and Bluberry, which are in play today. So it is possible to fulfil advertisers’ demand and those who can fulfil this will remain in play or get premium CPM for their inventory. The growth will come from targeted advertising. But I believe that India is a market where if the content is original, attractive and effective, people will pay for it.

     

    What’s your take on the current content on OTT platforms? What will be ditto TV’s content strategy and what kind of content is likely to work?

     

    Largely, OTT players today are going for pre-produced TV content, which is easily available. At the same time, brands, freelancers and MCNs are also creating a lot of original content. ditto TV has also invested in creating original content. We launched a music show, which is exclusively for digital and then we are also moving towards producing a whole lot of original shows in different genres like humor, horror, short series and short movies etc. This is sharable content that resonates with consumers, which is not necessarily long. 

     

    I believe that the debate between long and short show is a wrong one. Content is what is important. If the content has quality, short will also work. We can take example from Sujoy Ghosh’s Ahalya, which got more than two million views in three days. So if the content has quality, it will fly. We make so many long movies but how many do we actually remember at the end of the day?

     

    Do you think an ‘only original’ content strategy is monetarily sustainable at this stage?

     

    Creating content cannot be the only strategy. Producing content is also a strategy. One must have all sorts of content including original content. You cannot drive something only on the basis of original content. Let’s face the reality, TV content is still attractive and liked by the mass so there is no point in saying that we will only create original content and dump TV.

     

    Also if you create content, you have to find different ways of monetizing it and that’s where syndication comes in. If you are stuck to a particular model, it’s highly unlikely that you will recover money. Also, the more the content is watched, the more relevant it becomes. House of Cards, Game of Thrones and Orange Is The New Black are examples that we already seen.

     

    Do you feel post the 4G launch, there will be more mobile consumption?

     

    I am keenly waiting for 4G to roll out. But I believe that content will be consumed on both mobile as well as broadband devices. Expecting someone to watch content full day standing on one leg is a little too much as entertainment is not only about content quality but also experience. So group viewing will continue but at the same time when someone is travelling, instead of missing the content because they are in transit, they will watch it on mobile devices, which they wouldn’t be able to do if OTT wasn’t present. In my opinionm consumption is never a ‘or’ but is always an ‘and’ proposition.

     

    Do you feel that the launch of global OTT players Netflix and HOOQ can pose a threat to existing Indian OOT platforms?

     

    India is a very big market and there is scope for everybody to play, provided you are unique. Whether you are ditto TV, HOOQ, Netflix or Hotstar, your USP should be clear to the consumers. The consumer is fickle, so if these players bring in a unique proposition in terms of content and entertainment, all of them will reside simultaneously.

     

    However, in the long run, there will be players who will survive and those who will perish. The platform offering the best holistic experience will survive and hence OTT players will have to keep innovating and setting benchmarks.

     

    Was ditto TV’s new TVC with the tagline ‘Who watches TV alone?’ launched with the aim of taking a dig at Hotstar’s ‘Go Solo’ campaign?

     

    If you don’t go only by the last line, with this campaign what we are actually trying to convey is that television viewing is a collective experience. Initially when TV came to India, it used to be a community viewing. We all used to go to the neighbour’s place and watch Mahabharat. I believe that has not changed significantly because it’s entertainment at the end of the day.

     

    Entertainment is consumed with people one cares for and that’s what we wanted to communicate. In today’s world, where cultures are shifting, people are moving out of their families, nuclear families are mushrooming but relationships do not change. So if people have separated due to circumstances, they don’t need to change their habit of watching TV together. That’s why we showcased mother – daughter, fiancé, brother and sister as well as friends in our campaign. This campaign was executed after research and has nothing to do with Hotstar or its campaign.

     

    With the campaign, was the aim to reach a particular milestone in terms of downloads? What is ditto TV’s subscriber base at this stage?

     

    Downloads mean nothing to us. Ideally, download should mean nothing to everybody. It is just an eyewash. Being a subscription based platform, we analyse ourselves on the basis of the number of active subscribers we have and our target is always to enhance the subscriber base, not the downloads.

     

    We have 1.5 million monthly paid subscriber base out of which most of them are based in India. We have just launched our international operations and have around 20,000 international subscribers. We believe that international operations will play a big role in our growth in terms of monetisation. 

     

    What is the roadmap ahead for ditto TV?

     

    Our goal is to have a worldwide presence with a versatile range of content, which includes both regional as well as international content. We will keep innovating and offering people an exquisite experience. We will make subscription easy and have a wide range of packs, which will make people pay for what they want.

     

    A Bengali has no necessity of a South Indian pack and vice versa, so we will make sure that channels are not forced on to consumers. We allow users to download shows and watch them at their leisure. So overall, we will keep innovating and I believe that’s something that the OTT sector also needs to do non–stop.

     

  • Pro Kabaddi League season 2 garners 45% growth in viewership

    Pro Kabaddi League season 2 garners 45% growth in viewership

    MUMBAI: Star Sports Pro Kabaddi League season 2 witnessed a stunning opening with a 45 per cent viewership increase as compared to its inaugural season last year.

     

    The opening game on 18 July between defending champions Jaipur Pink Panthers and last year’s finalists U Mumba, rated 7.2 TVM (BARC panel CS4+), which is 45 per cent higher than the opening game of last season (TAM Panel CS4+).

     

    This kick-start to the second season validates that viewers have moved beyond the initial curiosity of season one to a deeper level of affinity and engagement with this aspirational Indian sport.

     

    The appeal of Star Sports Pro Kabaddi League has cut across demographics with the core, urban, youth audiences passionately following the game while women and children continued to contribute about 50 per cent of viewership showing the universal appeal of the sport. The metro contribution was 64 per cent to overall television viewership demonstrating that the urban, millennialist audiences have a strong affinity for the sport. The League scored big on the digital front too. Hotstar, the online broadcaster of Star Sports Pro Kabaddi League, witnessed a massive interest from metros and large cities.

     

    Star India CEO Uday Shankar said, “We are overwhelmed and delighted to see the Indian fan’s rediscovery and passionate following of the uber-cool, Indian sport of Kabaddi. Star Sports Pro Kabaddi League has grown from strength to strength and while season 1 was about re-discovering the game, season 2 has seen a deepening of engagement and appreciation for the sport and its heroes. We would like to thank our partners International Kabaddi Federation (IKF), Amateur Kabaddi Federation of India (AKFI), Mashal Sports and our sponsors for their tireless commitment towards realizing this great vision.”

     

    Star Sports Pro Kabaddi League has become one of the most talked-about events on social media. The opening day of the tournament saw #ProKabaddi trending across India, as fans from Jaipur and Mumbai resumed their rivalry in a replay of last year’s final. To date, the Star Sports Pro Kabaddi League season 2 has seen over 230,000 conversations on social platforms driving five billion potential impressions. This is approximately three times greater than last year.

     

    Additionally, Hotstar launched a series of unique content with shows like Jabaddi where Bollywood veteran Jaaved Jaaferi narrates and reacts to the most entertaining moments of the game on a weekly basis and Ultimate Panga hosted by Rannvijay Singha, who puts Kabaddi’s superheroes through a series of tasks to test their skill and strength.

     

    Hotstar also associated with VJ Jose to create Tickle Bomb, which are short and funny clips that builds the ‘Kabaddi is fun’ quotient.

  • Colors Infinity poised to redefine English Entertainment; test runs on Tata Sky

    Colors Infinity poised to redefine English Entertainment; test runs on Tata Sky

    MUMBAI: With an aim to redefine the English Entertainment genre in India, Viacom 18’s Colors Infinity has already begun its test run exclusively on Tata Sky so as to give viewers a chance to sample the content.

     

    What’s more, eyeing a larger share of viewership, Colors Infinity has taken the route of premiere marketing to create substantial awareness amongst viewers. 

     

    It may be recalled that the announcement stage of the channel was led by its co-curators Karan Johar and Alia Bhatt, who have played an integral role in curating the line-up and the scheduling innovation.  

     

    On 27 July, the paid channel began running its test signals on Tata Sky. With its official launch slated for 31 July, the four days test runs of the Standard Definition (SD) and High Definition (HD) versions of the channel ensured that viewers could sample one episode of each of the eight shows that would be a part of the initial launch. 

     

    The idea was to add to the conversations and intrigue around the channel. Speaking exclusively to Indiantelevision.com Viacom 18 English Entertainment head and EVP Ferzad Palia says, “The response for the same has been completely overwhelming with people writing in about Colors Infinity being their favorite channel.”

     

    Palia further adds, “The ethos of the campaign is built around the promise of redefining English entertainment in India and taking it toward a new horizon. All our communication as well as the much appreciated TVC stems out of this idea.”

     

    After the Broadcast Audience Research Council (BARC), India rollout and following the phase one and two of digitization, the English Entertainment channels genre is expected to enhance its market share and go beyond the conventional eight metros. Keeping this in mind, Viacom 18 is planning to run a marketing campaign in 25 cities across the length and breadth of the country.

     

    Buoyed by the response the network garnered from the marketing initiatives, Palia says, “We have received a fantastic and encouraging response on the launch and the surround sound from all over. Digital that gives instantaneous feedback has been buzzing. Our social and digital media assets have been highly active with the Colors Infinity hashtag regularly trending across platforms like Twitter.”

     

    According to Palia, the channel has garnered positive response from tier II cities as well. “This clearly goes on to show the willingness and interest that people have in consuming English entertainment content. It reinforces our endeavour of ensuring that Colors Infinity is an inclusive brand that reaches audiences across India,” he opines.

     

    Since a vast majority of the English content consumers are widely present across digital platforms, the medium plays a vital role in creating word of mouth and generating awareness. “Digital is a very integral part of our media mix and has been an imperative part of our communications plan in all its phases of announcement, pre-launch as well as launch. It is hence that we launched our campaign on digital itself. We have already reached out to about five million people only through the Facebook page since it has become active. The TVC with Karan and Alia has been at the center of conversations garnering around one million views,” informs Palia

     

    The channel created city specific campaigns, giving different weightage to different mediums. So while in certain cities outdoor emerged as the lead medium, in others print took the lead with digital and radio cutting across all markets. “For instance, Mumbai will see extensive outdoor while in Delhi the focus will be on print. We have many innovations that will come alive across multiple audience touch points like malls, cinema halls and through BTL consumer initiatives,” informs Palia.

     

    The special marketing innovations include:

     

    * A toll free number has been activated where viewers in trouble Better Call Saul on 1800 4195 500 for tongue-in-cheek legal solutions to life’s problems from Saul Goodman, the protagonist of the multiple Emmy nominated show. 

     

    * Godrej Nature’s Basket will be seen promoting My Kitchen Rules with interesting recipes, integrated store and home delivery branding and product hampers in 22 outlets.

     

    * To further build “Infinity” the channel has planned a Colors Infinity Food Festival with unlimited offers at 22 premium establishments across India like Hard Rock Café, Shiro’s, California Pizza Kitchen, The Big Kahuna and more.

     

    All the marketing alliances and partnerships have been facilitated by the internal team of Colors. While the on-air campaign was done by the internal team, the off-air campaign communication was curated by Colors’ creative agency Scarecrow. 

     

    “The entire team has delivered a mesmeric campaign that has brand resonance and recall,” concludes Palia.

  • BARC week 28: Ten Cricket leads sports, Times Now tops English news genre

    BARC week 28: Ten Cricket leads sports, Times Now tops English news genre

    MUMBAI: Ten Cricket took the pole position in the list of top sports channels in week 28 of BARC ratings courtesy the India VS Zimbabwe cricket series. The channel garnered 58830 (000s sum).

     

    Ten Cricket was followed by Ten Sports with 35156 (000s sum). On the other hand, Sony Six bagged the third berth with 11160 (000s sum). The second ODI of Prayag India VS Zimbabwe series was the most watched program in sports sector with 1288 (000s sum). Other than the cricket series, WWE Raw and WWE Smackdown were the programmes that featured in the list of most watched sports programs.

     

    In the GEC sector, Star Plus continued its dominance with 380392 (000s sum) and stood tall on the top berth, followed by Colors with 315462 (000s sum). Zee TV with 255005 (000s sum) booked the third spot where as Life Ok with 230762 (000s sum) grabbed fourth place. Sony, after observing an ascend following the premiere of PK, has again dropped to the fifth slot.

     

    Zee TV’s Kumkum Bhagya topped the list of top programs in the GEC category with 5643 (000s sum) followed by Saath Nibhaana Saathiya of Star Plus with 5601 (000s sum). Colors’ Sasural Simar Ka bagged third berth with 4184 (000s sum).

     

    Times Now continued its undisputed run in English News genre as it secured 374 (000s sum) to stay on top. India Today Television with 145 (000s sum) bagged the second slot while CNN–IBN, with 143 (000s sum), featured in the third slot.

     

    The Kids genre saw Nick leading the lot with 44818 (000s) followed by Pogo TV with 36210 (000s sum). Cartoon Network with 31586 (000s sum) took the third spot in the list.

  • BARC India floats initiatives to add new industry subscribers

    BARC India floats initiatives to add new industry subscribers

    MUMBAI: BARC India is looking at adding more broadcasters and agencies from the industry as subscribers by offering them various sops. 

    BARC India currently has more than 370 channels and agencies on board as subscribers, which comprise approximately 94 per cent of the total viewership of channels in India, whereas the agencies control about 95 per cent of the ad spends on television. 

     

    Now with its larger objective of inclusiveness, BARC India has decided to help all the other broadcasters and agencies to use its data and insights.

    The television ratings monitoring agency has launched special initiatives together with the Indian Broadcasting Foundation (IBF) and Advertising Agencies Association of India (AAAI) to motivate broadcasters and agencies who are yet to invest and subscribe for BARC India’s commercial services.

     

    The highlights of the offerings for broadcasters are as follows:

    • ‘Special Limited Period Offer’ with lease, rental and buy-back option
    • Limited period offer, closes on 15 August, 2015
    • Installation, testing, commissioning and maintenance for entire contract period would be taken care by Cineom, the authorised resellers of watermarking equipment of Civolution. 
    • Post placing the order with Cineom, broadcasters can subscribe to BARC India’s commercial services

    Highlights of the offerings for agencies are as follows:

    • Special Prime and Supreme packages have been designed for small and medium sized ad agencies
    • A special discount is especially being offered for AAAI member agencies

      

    Star India CEO and IBF president Uday Shankar says, “As a joint industry body – BARC India has always kept the interest of industry stakeholders at the forefront. I look forward to newer broadcasters joining this special initiative designed to facilitate and ease the financial burden. This will help the broadcast ecosystem in India.”

     

    AAAI president M G Parameswaran adds, “I am happy that BARC India has extended a special offer to small and medium sized ad agency members of AAAI, our largest constituency. I am hopeful that many of them will avail of this special offer, join the movement and benefit from the state-of-art rating systems offered by BARC India.”

  • Kids television viewership descends as summer vacation ends

    Kids television viewership descends as summer vacation ends

    MUMBAI: Summer holidays have come to an end and kids with their bags and water bottles have stomped back to school. While kids may be grumpy to wake up early and get back to the rigmarole of studies, another party that needs to wake up and take notice is the kids channels.

     

    With schools reopening, consumption of kid’s content on Indian television has seen a substantial dip according to an analysis by Broadcast Audience Research Council (BARC) India.

     

    The decline is very much evident across all age groups. While the 4-8 years category registered ratings of 142043 in week 21, it saw an ascend in week 22 where it garnered viewership of 144519. However, in the current week (week 23) after the re-opening of schools, it went down to 126079.

     

    On the other hand, the 9-14 years category also witnessed similar statistics where it fetched viewership of 114754 in week 21 and witnessed a substantial growth with 118091 in week 22. However, not surprisingly, in week 23 it dropped to 106168.

     

    As per the analysis, the Southern and Western part of the country, where most schools have restarted, has witnessed a major decline in viewership. On the other hand, in North India where schools are yet to open, retains similar viewership. This goes to prove that the reopening of schools is the critical reason behind the decline in viewership.

     

     

    Another key depiction that emerges from BARC India’s analysis is that even though Northern India contributes more in kids viewership, at a macro level Sothern India is the biggest market for kids in India.

     

     

    With kids going back to school, looks like kids channels’ executives will also need to take home some learnings. It now remains to be seen the bunnies that the likes of Cartoon Network, Pogo, Nickelodeon et al pull out of their hats in the light of BARC India’s latest analysis. One thing is for sure, kids content producers will have to do what it takes to stop viewership from declining any further.

  • “Under Arnab’s guidance, ET Now will innovate & redefine biz news genre:” MK Anand

    “Under Arnab’s guidance, ET Now will innovate & redefine biz news genre:” MK Anand

    Launched on 17 June, 2009 Times Group’s business news channel ET Now, has now completed six years in the Indian television industry. ET Now is the youngest player in the English business news space and faces firm competition from CNBC TV 18, NDTV Profit and UTV Bloomberg.

    On numerous occasions the channel has grabbed the pole position in terms of viewership. What’s more, as per the recent Broadcast Audience Research Council (BARC) India ratings it is placed in second place with 136 (000s) sum, while CNBC TV 18 holds the pole position with 154 (000s) sum.

    Times Network has been strongly promoting the business venture and in order to strengthen it further, the network has now given Arnab Goswami the additional responsibility of being its editor-in-chief. Speaking to Indiantelevision.com’s Anirban Roy Choudhury, Times Network CEO and managing director MK Anand shares the network’s plans and proposals for the future.

    Excerpts:

    How has ET Now’s journey been so far?

    It has been a splendid journey. In just three and a half years, ET Now had established itself as the No.1 business news channel of India, beating a global giant competitor and creating history of sorts. Recently, the BARC measurement system has re-validated our position as India’s Number 1 business news channel. ET Now was launched on 17 June, 2009 in a challenging economic environment, and practically rewrote the script for the genre.

    Over the years, the channel has not just gained its viewers’ trust but has also gone on to become the preferred choice of India Inc. and policy makers alike.

    What’s your take on the business news market? Do you see it growing?

    The business news market, like the Indian media market in general, is most definitely poised for strong growth. Despite recent volatility, we are in the middle of a structural bull run that could see a whole new set of viewers tuning into business channels like ET Now, for unbiased news coverage and analysis. We believe in re-imagining and creating new value with our products. If last year is any indication, our bet on the English audience and more specifically on the English news category will pay us handsomely. We see geometric growth in the medium term.

    What will be your strategy to stay ahead of competitors?

    ET Now has built its leadership on three key pillars – speed, integrity and expertise. We will continue to up the ante on all three pillars and further consolidate our leadership by reaching out to a wider catchment of viewers. Our distribution has already been scaled up substantially. We also have the best in class content team. The trick is to relentlessly be ahead on quality. We are confident to be able to do it.

    Over the years, what has been advertisers’ reaction towards the channel?

    Advertisers and brand owners have been extremely positive and encouraging; they have continuously reposed their confidence in us, for we cater to the audience that matters the most. ET Now continues to reach out to maximum viewers in the English business news category and we ensure our advertisers get the maximum ROI for their spends. Our ad growth is the best indicator of our advertiser confidence.

    How aggressively will Times Network push to promote ET Now?

    ET Now is an integral and important part of Times Network’s news portfolio. The recent clutter breaking consumer and trade engagements, never-seen-before budget campaign and the recent leadership drive, reinforces Times Network’s intent towards ET Now’s growth and success.

    Can you throw some light on the channel’s distribution numbers? How do you plan to improve it further?

    For ET Now, the focus earlier was only on metros. However, with digital addressable system (DAS) implementation in Phase II and the demand of the channel growing in markets beyond metros, ET Now’s penetration has increased to almost 100 per cent in all 1 Mn+ markets. We have also doubled the penetration in 0.1 to 1 Mn markets, in the last 10-12 months.

    With the impending DAS III & IV phases, the focus on LC1 has also increased for all broadcasters and likewise for ET Now, where language is no longer a barrier considering the kind of content it provides.

    With Arnab Goswami as the new editor-in-chief, will there be any change in programming?

    Arnab has been a champion of innovation in the general news genre. Under his guidance, ET Now will continue to innovate and redefine the business news genre. We have a winning team and a champion leader.

    What is the channel’s stand on the new rating body BARC? Do you see enough difference when compared to TAM?

    We are happy with the new measurement system. BARC is technologically advanced and is larger than the erstwhile base of meters by almost two-and-a-half times. An extended viewer base has certainly helped bring in more consumers into the analysed set and helped us improve our services to them and thus generate more value. With BARC, we have retained the No.1 spot across channels, and we continue to lead the broadcast space in the respective genre with a clear margin. Times Network’s ‘Now or Nothing’ philosophy, helps us sustain our leadership across genres with differentiated and hard hitting content and stay on top of the audience pyramid as always.

    As ET Now celebrates its sixth anniversary, will there be any special programming to celebrate the occasion?

    This is ET Now’s anniversary week and we thought we must delight our loyal viewers. So we have launched a ‘Built on Six’ contest, where in six lucky viewers have the chance to win an iPhone.

    On the programming front, we have a power packed line of shows and experts this week. Some of the most seasoned market experts like Vallabh Bhanshali and Ramesh Damani will be speaking exclusively to ET Now and sharing their insights on the market. We also have some exclusive interviews lined up with key ministers and govt officials. That’s not all, we also have a special show on 17 June (anniversary day) called Stocks and Stars, which will feature Bollywood superstar- Amitabh Bachchan.

  • What’s in a name: Should BARC India withdraw from trademark registry?

    What’s in a name: Should BARC India withdraw from trademark registry?

    MUMBAI: William Shakespeare once said, “What’s in a name,” but when he said that little did he know that even an acronym could become a cause of concern!

     

    In a recent development, the new television viewership measurement body, Broadcast Audience Research Council (BARC) India was sent a letter by Trombay based nuclear research organisation Bhabha Atomic Research Centre (BARC). Wondering why? Well, it was for using the same acronym: BARC.

     

    The newly launched television measurement body has been having a lot of teething problems. Not only does it have to deal with the anxiety of broadcasters and advertisers, who are still getting used to the numbers released every Wednesday starting 29 April, but it has also been in news for the Ministry of Information and Broadcasting asking it to stop releasing data till the registration process was complete. While this was resolved and BARC India continued releasing its data, it has got into trouble now for using the acronym BARC.

     

    As reported by Economic Times, Bhabha Atomic Research Centre controller R P Raju in his letter to the Broadcast Audience Research Council has said that the Bhabha Atomic Research Centre has been using the acronym for decades and is popularly known by it. Thus, according to Raju, the acronym ‘BARC’ should be for the exclusive use of the institution and not be used by the measurement body.

     

    Taking it a step further, Raju has now taken up the issue with the trademark registry for registration. BARC controller, vide his letter, has asked Broadcast Audience Research Council to immediately stop using the acronym ‘BARC’ and also withdraw applications filed by it with the trademark registry for registration of the same trademark.

     

    While BARC India CEO Partho Dasgupta did not respond to Indiantelevision.com’s calls or messages, an industry source informed that the rating agency’s legal team is now looking into the issue.

     

    The big question now is: ‘Is there any need for BARC India to withdraw its registration?’

     

    According to media analysts, Broadcast Audience Research Council is far from any trouble. It can be recalled that the ratings body had in July 2014 changed its logo, giving it the shape of a Rubik’s Cube. Another change, which took place, then was that the word ‘India’ was added to the logo. Thus, BARC became BARC India. While its website URL always contained India (www.barcindia.co.in), the logo donned the acronym BARC, which all changed in July, last year.

     

    Another point, which can be noted is that Broadcast Audience Research Council is not the only one using the acronym BARC. For instance, Bangalore Analytical Research Centre, an engineering and environment service provider too uses the same acronym. Log on to www.barcindia.com and you can be introduced to another BARC. So will Bhabha Atomic Research Centre go behind it as well?

     

    Not only this, if one visits the television measurement body’s website, the acronym used is BARC India and not BARC.

     

    While the legal team at BARC India is busy framing their responses, we at Indiantelevision.com hope that the ratings body remains in news only for its television viewership numbers.

  • Big Magic Ganga to air ‘Har Mushkil Ka Hal Akbar Birbal’ in Bhojpuri

    Big Magic Ganga to air ‘Har Mushkil Ka Hal Akbar Birbal’ in Bhojpuri

    MUMBAI: With a view to reach out to a larger audience base, Reliance Broadcast Network will be dubbing its Hindi language historical comedy show Har Mushkil Ka Hal Akbar Birbal in Bhojpuri.

     

    The show, which is currently aired on the Hindi channel Big Magic, will now also be showcased on the network’s regional channel Big Magic Ganga in Bhojpuri, from Monday to Friday at 5:30 pm, with a repeat at 9:30 pm.

     

    The channel hopes that the step towards extending its Hindi shows to a regional audience in their language, will bring in larger affinity supported by widespread distribution of Big Magic Ganga.

     

    Akbar Birbal is a fresh comic take on the childhood folktales of Akbar and Birbal that have never been showcased on television before.

     

    Reliance Broadcast Network executive vice president and business head Ashwin Padmanabhan said, “With over 50 per cent market share, as per BARC ratings, Big Magic Ganga is the number one regional channel of Bihar and Jharkhand. The national audience loves Har Mushkil Ka Hal Akbar Birbal and we are sure it will garner a loyal viewership in Bhojpuri as well.”

  • BARC week 19: Star dominates GEC; Sony leads sports

    BARC week 19: Star dominates GEC; Sony leads sports

    MUMBAI: Star India’s Hindi general entertainment channel (GEC) Star Plus continues to dominate the satellite waves.

     

    According to Broadcast Audience Research Council (BARC) India’s Week 19 analysis, Star Plus leads with a rating of 163554 (000’s sum). With 144899 (000’s sum), Viacom 18’s Colors is placed at the second position while Star India’s other entity in the same genre Life OK with 121931 (000’s sum) sits comfortably at the third position over Zee TV 99794 (000’s sum).

     

    Sab with 73738 (000’s sum) is the only channel from Multi Screen Media (MSM) to feature in the top 5 channels in GEC category.  

     

    Star Plus’ dominance is not limited amongst channels only but the most popular programme with 2442 (000’s sum) Saath Nibhaana Saathiya also comes from the broadcaster. Zee TV’s Kumkum Bhagya with 1917 (000’s sum) is placed second, followed by Colors’ Sasural Simar Ka at the third position with 1818 (000’s sum).

     

    MSM emerged as the clear dominant in the sports category courtesy the Indian Premier League (IPL). Sony Max and Sony Six, official broadcasters of the IPL are placed on the first and second slot with 187924 (000’s sum) and 52731 (000’s sum) respectively.

     

    Backed by the strong fan base of WWE action and UEFA Champions League, Ten Sports with 15954 (000’s sum) managed to clinch its third spot back from Star Sports1.

     

    The Hindi News broadcasting space did not see much of a change in the list of top three channels as Aaj Tak with 14155 (000’s sum) continued to be in the first spot. Meanwhile, a close battle for the second spot was witnessed between ABP News with 12981 (000’s sum) and India TV with 12589 (000’s sum).

     

    Times Now led by the flamboyant Arnab Goswami continued the dominance in the English News broadcasting space with 378 (000’s sum) followed by Headlines Today at 296 (000’s sum). Narrowing the gap, 236 (000’s sum) NDTV 24/7 was placed third in the list of top three.

     

    Viacom’s Nick led the kids’ genre with 70516 (000’s sum) closely followed by Turner International’s Pogo with 67397 (000’s sum). Disney with 52086 (000’s sum) was placed at the third place.