Tag: BARC

  • BARC week 45: Zee Business and Aaj Tak emerges as leaders; BBC World News makes the cut in English News

    BARC week 45: Zee Business and Aaj Tak emerges as leaders; BBC World News makes the cut in English News

    MUMBAI: Zee Business climbed up to number one spot in the Hindi business channels genre in the All India (U+R) market according to Broadcast Audience Research Council (BARC) India week 45 ratings. In the Hindi News genre, Aaj Tak sustained its position as leader. BBC world News entered the top five list in its genre.

    In the English News category, Times Now continued to be the undisputed leader. ET Now also continued its leadership position in English Business News genre.

     

    HINDI NEWS
     
    Aaj Tak secured the first place in Hindi news genre with 93917 (000Sums) followed by ABP News which bagged second spot with 89022 (000Sums). India TV slipped to   third berth with 83345 (000Sums), whereas News Nation with 67642 (000Sums) and Zee News with 65510 (000Sums) grabbed the fourth and fifth spots respectively. 

     

    ENGLISH NEWS
     
    Times Now garnered maximum ratings in the genre and continued to be at the pole position with 973 (000Sums) followed by NDTV 24×7  at second position with 467 (000Sums). CNN IBN fell to the third position with 456 (000Sums). India Today Television saw an increase in ratings, though it continued to hold the fourth place with 280 (000Sums) against 152(000Sums) in the previous week. BBC News entered the top five with 174(000Sums) 

     

    HINDI BUSINESS NEWS
     
    Like last week, in the Hindi business news genre, Zee Business regained first spot with 1185 (000Sums) followed by CNBC Awaaz in second slot with 939 (000Sums). 

     

    ENGLISH BUSINESS NEWS
     
    In the English business news channels, ET Now continued to dominate the genre with 273 (000Sums) followed by CNBC TV18 with 231 (000Sums) in the second spot. NDTV Profit & Prime in the third slot scored 91 (000Sums), while Bloomberg TV secured fourth place with 30(000Sums) in week 45.

     

  • BARC introduces Alpha Club

    BARC introduces Alpha Club

    MUMBAI: Broadcast Audience Research Council (BARC) India plans to roll out all Indian audience measurement data with new monthly communique called Alpha Club.

     

    Alpha Club will offer analysis and insights into NCCS A1, A2, and A3 viewership of six mega cities, by presenting cumulative data of preceding four weeks for Rat’000, Coverage’000, and ATS(Viewer). Channels for which data has been released for all four weeks will be covered. The service is exclusively for BARC India’s subscribers and will be rolled one working day after 4th week’s data is released.

    BARC says that the move is in the pursuit of providing sharper consumer insights and was based on the feedback from its subscribers 

    The first edition of Alpha Club will be sent out to its subscribers on November 17, 2015. The first edition would consist of two sets of analyses: one for data of Week 37-40, and the other for Week 41-44.

  • BARC Week 44: Sun TV still leads across genres; Zee Cinema returns at tenth spot

    BARC Week 44: Sun TV still leads across genres; Zee Cinema returns at tenth spot

    MUMBAI: Tamil general entertainment channel (GEC) Sun TV continued to hold leadership position across genres in India while Zee Entertainment Enterprises Ltd (ZEEL) movie channel Zee Cinema made a comeback in top ten list according to week 44 all India (U+R) data from Broadcast Audience Research Council (BARC). A channel, which was featured in the top 10 list across genres in week 41 and failed to hold on to its positions in week 42 and week 43, Zee Cinema made a comeback at tenth position with 451864 (000Sums).

    Despite once again losing  ratings points this week, Sun TV continued to hold pole position in week 44 with 1068033 (000Sums) against 1087793 (000Sums) in the previous week, followed by Hindi GEC leader Star Plus in the second spot with 858020 (000Sums) and Zee TV in the third place with 758225(000Sums).  In week 42, Sun TV had 1151458 (000Sums) ratings.

     
    Colors was at the fourth spot with 730852 (000Sums) while Zee Anmol grabbed fifth position with 730119 (000Sums). Sony Max ranked sixth with 600358 (000Sums).
     

    Life OK jumped to seventh spot with 547301(000Sums) followed by Star India’s FTA channel Star Ustav on the eighth spot on the list with 512490 (000Sums).
     

    ETV Telugu grabbed ninth position with 482302 (000Sums) followed by Zee Cinema mentioned above.

  • BARC Week 44: Sony Pal enters top ten Hindi GEC; DD National exits list

    BARC Week 44: Sony Pal enters top ten Hindi GEC; DD National exits list

    MUMBAI: MUMBAI: Star Plus has continued to maintain its leadership position. Zee Entertainment Enterprises Ltd’s (Zeel) free to air (FTA) channel Zee Anmol and Hindi general entertainment channel (GECs) have bagged the second and third position respectively. Multi Screen Media (MSM) FTA channel Sony Pal entered the top ten channels of Hindi GECs list. However, DD National which was earlier in the top ten list failed to hold on its position in week 44 of Broadcast Audience Research Council (BARC) India all India (U + R) data. 

     
    Star Plus led the Hindi GEC genre with 787584 (000Sums), while Zee Anmol bagged the second position with 729701 (000Sums).  Zee TV secured third spot with 694864 (000Sums).

     
    Colors dropped to fourth place with 694582 (000Sums) followed by  Life OK at number five position with 534129 (000Sums).

    Star India’s FTA channel Star Ustav stood at the sixth spot with 511090 (000Sums), whereas Sony Entertainment Television was in the seventh position with 342113 (000Sums).

     

    Sab TV grabbed eighth spot with 336141 (000Sums), while Rishtey which was on tenth slot in previous week stood at ninth spot with 263955 (000Sums) followed by Sony Pal in the tenth slot with 252727 (000Sums).

  • No kidding! Kid’s TV channels get serious about Diwali

    No kidding! Kid’s TV channels get serious about Diwali

    MUMBAI: It’s that time of the year again when television channels in the kids’ genre go full throttle to appease their tiny tot viewers.

     

    With a viewership of 7.3 percent of the total television audience in India, kids’ channels enjoy advertising revenue of 3.8 per cent, which is predicted to hit Rs 6650 crore as per FICCI’s Industry report 2015, which expects the total ad spends on television to be Rs 17,500 crore in 2015. A major chunk of this revenue is generated during the third quarter, thanks to a sudden increase in viewership.

     

    “During Diwali northern states and the western parts of India have holidays so naturally viewership on kids’ channels goes up. Therefore there is a spurt in investment in kids genre as well,” says a veteran media planner, who adds that though there is a definite increase in viewership from last year, it is hard to put that into figures as TAM and BARC ratings use different mechanisms of viewership measurements.

     

    Kids channels’ look forward to the third quarter as it generates the highest viewership for them after the April May June time which is usually when schools have summer vacation. With this surge in viewership, advertisers too plan in advance to make the most of their television spends through these kids channels.

      

    It is needless to say that channels heavily invest to promote their existing shows and also grab eye balls with new exciting content, and 2015 is no exception.

     

    From new show launches to extensive on ground activities, kids channels have pulled out all stops on whatever services they have at their disposal, be it on the marketing front or content. Keeping in mind the excitement surrounding Children’s day, some are conducting city wise on ground promotions, while others have brought in fresh local content to appeal to urban as well as rural viewers.

     

    For the same reason, Turner International India’s kids’ channels Cartoon Network and Pogo planned week-long celebrations with new movies, specials and contests to make the most of the holidays.

     

    Cartoon Network has celebrated the birthday of one the network’s most popular character Kris from the Roll No. 21 series with a week-long stunt in a special program titled Kris ka Dhamakedar Birthday from 9 to 14 November at 10.30 am.  Following which the channel airs Lights Camera Roll No. 21: Kris in Bollywood, a brand new movie featuring Kris making his Bollywood debut, on 14 November 2015 at 10:30am.

      

    The channel has also organized a special promotional contest to win an invite to Kris’s birthday party.

     

    Pogo’s Diwali week ending in 13 November saw back to back Chhota Bheem movies and specials that aired throughout the week from 9am onwards and a brand new movie titled Chhota Bheem: Dinosaur World at 12pm on 11 November.

     

    The genre’s leader Nickelodeon hasn’t been complacent with its number one rank and has invested heavily in on ground promotions for this year’s Children’s day. The Viacom 18 owned network will bring down their toon stars to interact with children in Delhi and Kolkata on D Day, with Shivaji and Ninha making special appearances on the venue.

     

    “In Delhi, there will be dedicated games that would be played at the set-up, including a Squap integration with toons giving them away to lucky winners over and above Nickelodeon merchandise that would be distributed,” reveals Viacom18 EVP and business head – kids cluster Nina Elavia Jaipuria.

     

    “Kids in Kolkata get a chance to not only meet Motu Patlu but also engage at the carnival with loads of games. The entire City Centre mall will get the look of Furfurinagar and kids will get a chance to win super cool Motu Patlu merchandise as well. This has been promoted though ads, TV astons, radio and online,” she explains, adding that the initiative is a joint venture between ABP and Viacom 18, with TeleKids as partners in the event.

     

    The channel also plans to take these promotions digital in order to reach out to as many kids and mothers as possible. At the same time it will reinforce their merchandising stronghold in the market.

     

    “This Children’s Day we’re unveiling the new look of Squap, that is, Squap 2,” shares Jaipuria excitedly, “The wittiest and the funniest comment on the new Squap will be a cool way to Squap,” she adds.

     

    Commenting on the importance of this quarter in terms of ad revenues, Jaipuria further adds, “October November and December is as busy as April, May and June for us. This is the time when kids’ channels see a lot of traction both in terms of viewership as well as ad revenue. Our viewership as well as ad spends increase by 29 to 30 per cent during this time.” She also adds that there has been considerable increase in ad rates this year.

     

    In terms of programming, Sonic will air a movie special featuring Pakdam Pakdai Doggy Don Vs Billiman at 7:30pm on 14 November, while Nick will celebrate children’s day with Motu Patlu Kung Fu King Returns at 11.30 am.

     

    The network’s biggest offering to their little viewers this season is undoubtedly Shiva, their third home grown animated series which went on air on 9 November, and has already garnered positive reviews.

     

    Another channel which is out to win new audiences and treat old viewers with fresh content is Discovery Kids with their brand new show Luv Kushh that also went on air on 9 November.

     

     “Discovery Kids continues to entertain kids with its variety of programmes and genres, endearing characters and exciting storylines. The new series, Luv Kushh will take kids back to the era of gurukuls and recreate the age-old traditions of the student-teacher relationship,” said Discovery Networks Asia-Pacific EVP and GM, Rahul Johri on their new show.

     

    Given the timing for the launch one can wonder if the move was deliberate on the part of the channels to go head to head to competition for viewership. Either way, this quarter looks busy, exciting, and content heavy for the kids’ entertainment channels.

  • Festive season: TV ad spend estimated to touch Rs 70 billion

    Festive season: TV ad spend estimated to touch Rs 70 billion

    Seasonaliity in ad spends is a phenomenon that most Indian marketers are familiar with. Whether you have the rash of heat countering products which pop up on your TV screens during the summer months. Or whether it is the gaggle of brands that roll out the red carpet and bring out their tooting horns during the festive season of Diwali every year. They conserve their ad rupees for these periods when the consumer is willing to spend but wants to be guided or lured in the right direction through messaging.

     

    As per indiantelevision.com’s analysis, this festive season (September, October, mid-November) , advertisers are expected to spend close to Rs 70 billion on television commercials alone.

     

    “Last year, the festive quarter saw television channels garnering nearly 35 to 40 per cent of their annual total ad revenue. One would expect the same from this year, as it is as high as it can get,” says media planning and buying expert Karthik Lakshminarayan.

     

    KPMG’s entertainment industry report for Ficci in 2015 predicted that television would account for Rs 175 billion in ad spending. Going by that yardstick, then TV advertising during the festive season would touch Rs 7,000 crore this year.

     

    When it comes he big spenders, FMCG seem to be stealing the show. “FMCG ad spending rules the the roost, and e commerce are the new kids on the block. FMCGs command 50 per cent of the ad spends while E-Commerce offer another 10 per cent,“ says Lakshminarayan. That would mean FMCG spending is likely to scale Rs 3500 crore on television ads.

     

    Although market analysts admit that E-Commerce players have emerged as big advertisers this season and have raised the bar for the rest of the ad-spenders over all, their contribution to television ad revenue is lesser than last year.

     

    Even as their total ad spend for this festive season has risen to Rs 2000 crore, only Rs 700 crore of that is going to TVCs on channels.

     

    Last year, e Commerce players had according to estimates spent close to Rs 1300 crores on television in the festive quarter. This year only 35 per cent of their total festival spends has been allocated to television, as compared to 60 per cent last year, shares a veteran media planner with indiantelevision.com.

    Having said that, the big players in E-Commerce continue to be strong on the top  television properties.

    “If you look at the slots, all the top properties in television are blocked with ecommerce brands. Given the festive season, the ad slots are going at a premium rates and the ecommerce brands are lapping them up at the higher rates,” says Havas Media Group-India and South Asia, CEO, Anita Nayyar, adding that thanks to these brands the ad rates continue to stay up even with the shrinking ad inventory.

    “While the increase in ad spends is mainly due to E-Commerce, the contribution from the other section of the advertisers like automobiles is expected to pick up as well. The revenue from traditional spenders for this season like jewellers and retailers is almost stable,” informs media analyst and IIM Calcutta professor  Chandradeep (CD) Mitra.

     

    In terms of channel genres, Hindi GECs maintain their lead as advertiser’s favourite with an approximate share of 27.5 per cent of the total spends, with regional channels following.

     

    An order that is directly proportional to the channels’ viewership ratings. According to the FICCI Industry report 2015, Hindi GECs command over 31 percent of the total viewership pie chart followed by regional channels at 15.9 per cent.

     

    Amongst the regional channels, Marathi ad slots are the most expensive to buy, says Lakshminarayan. “Maharashtra rates are higher indexed than other regional markets, and their rate of increase is seemingly more than other markets.”

     

    With the new BARC ratings inclusive of rural data, one can expect an even further increase in their ad spends, market analysts predict.

     

    The news channels too grabbed eyeballs thanks to the Bihar elections coinciding with the festive week, and therefore have gotten due attention from advertisers as well. “News was there in the limelight due to Bihar, that worked well for the retail advertisers looking to put their name out during the festive season as well,” says Nayyar.

  • What’s exciting Times Now’s Arnab Goswami these days

    What’s exciting Times Now’s Arnab Goswami these days

    MUMBAI: With the explosion in social media such as Twitter and Facebook, the very nature of news is being redefined. New news icons have emerged, whether personalities or organisations, in the digital ecosystem having as many followers  – if not more – as a TV channel. One tweet or update – on most occasions sent out even before traditional print and TV news – is enough to send shockwaves running through the globe.

     

     

    The digital shift has resulted in cord cutting with many subscribers preferring the cheaper OTT services in many other parts of the world. India is going through its digitization pangs. Internet penetration complemented by aggressive growth of smartphone has grabbed the attention of many wealthy investors to invest in digital assets and Mukesh Ambani’s visionary weapon to overcome bandwidth issue Reliance Jio looks set to rejuvenate the entire ecosystem.        

     

    But all this does not faze Times Network (Times Now, ET Now and Magic Bricks Now) news president and editor-in-chief Arnab Goswami at all. He believes that television is “super young in India” and he is hedging his bets on it being the first medium of choice at least for the foreseeable future.

     

     

     “As a medium TV will continue to be dominant,” he says. “I think for the next 10 years TV will lead and digital will follow. In the coming six to seven years TV and Digital will co-exist, which it does now days also.”

     

     

    To shore up his argument he points towards the viewership his prime time show Newshour notches up. “While the digital interaction counts between 10000 to 20000, through television we reach out to millions,” he explains.

     

     

    According to the flamboyant journalist there is a huge room for innovation in news television – something which existing players are hardly exploring. “If you ask me what are the innovations that we are doing in the television news space, I don’t think there are any. Innovations are key to prosperity. Newshour was an innovation, and we keep innovating with it. We open up phone calls, use social media to make it interactive. Emergence of digital will bring in way more innovations,” asserts Goswami.

     

    Sharing his assessment on demographic segmentation Goswami says, “I believe the people who are over 25 will consume TV and ones below 20 will prefer digital.”

     

    Despite being upbeat about television Goswami is not ready to leave any stone unturned to establish his news network as the leader in the digital space. The Times Now app which at this stage has approximately 700,000 downloads (as per Times Now) is what he has trained his eyes on.

     

     

    A specialist team of 25 people has been put in place to expand The Times Now digital presence. “If there is an audience between 10-20 years which is a digital-only audience, I don’t want to lose them. That’s why we are aggressively innovating in the digital space,” informs Goswami.

     

     

    The most successful part in the mobile app as per Goswami’s observations is the Newshour Shorts, a section where small clips consisting key moments of a debate are uploaded.

     

     

    And it’s not just video, Goswami and his team have enabled an audio only feed of Newshour to cater to the bandwidth impoverished. Says he:  “The story of our country is we have poor bandwidth even in cities, so what about the guys in the rural area who don’t have the bandwidth to buffer the audio visual feed. They are taking the audio feed and enjoying Newshour as a radio series. We find that at 9 o’clock, a huge number of people tune in to the app to enjoy the audio only version of Newshour.” 

     

     

    What’s engaging him these days is the quickly evolving consumer, he confesses. “People now want to watch content when they want and how they want. We service providers cannot be arrogant and say we will only be on TV if you want to watch us tune in at 9. It is important to be appealing to each and every segment.”

     

    Marking one of the moments of 2015 television audience measurement body Broadcast Audience Research Council (BARC) India started rolling out its rural data from week 41. Even as advertisers and media planners are waiting for the viewer panels and data reportage to settle down, still every one expects air time pricing to enter a new dynamic.

     

    Times Now has had a tendency to attract urban advertisers, mainly because it is an English news channel and is perceived to have premium audiences. So the fact that the rural monitoring would start coughing out viewership numbers needn’t have perturbed Arnab.

     

     

    But the TV scribe says he spent sleepless nights before week 41 data. He reveals: “People from the fraternity told me to relax as the advertisements and revenues come from the urban areas. But my question was: What is the point of being relevant at urban areas if nobody watches in rural areas? I am a journalist, advertising can come from urban areas but if people don’t watch in small towns I will feel that I don’t have the impact in those areas. If I am doing a story on Lalitgate I want people from Bongaigaon as well as Bombay to watch it. I was very nervous but next day I was thrilled that in terms of viewership, rural is higher than urban. I thank BARC (India) for doing us a great service by breaking the myth that English news is consumed only in metros by males.”

     

     

    Despite not being on social media, Arnab Goswami often turns out to be the trending topic amongst Indian netizens across platforms. And he points out that he promotes every hashtag with optimum zest.

     

     

    “The hashtags are important to us,” he says. “For me conversation is important. I feel like involving the audience up to the time where they feel like sharing their opinion. Even if you agree or disagree I want to involve you in it and that’s where the hastags play a vital role.”

     

     

    But it’s not as if only positive hastags relating to Arnab go viral on social media. Often irked netizens, have expressed their angst in a flood against the channel’s and Arnab’s views. One such scenario was #ShameonTimesNow which trended for four days after the news broadcaster aired a Newshour debate #ShameinSydney describing the performance of Team India in Cricket World Cup semifinal.

     

    “The performance of Team India was shameful and I had no fear in calling it so, I will not change my opinion even now. But people talked about the episode because they watched it and I am happy that they watched it. I want to have that conversation and I want to track the conversation, and go back and read the tweets. I may not change my point of view, but I am aware of what other people are thinking. I do follow lot of conversations so it gives me sense of how it works and what is going on” Goswami asserts.

     

     

    The English News genre as per the Ficci-KPMG 2015 report has 0.1 per cent of total television viewership. As against that, five per cent of the entire TV adspend of Rs 155 billion is spent on the genre.

     

     

    And even in this space Times Now is setting the pace. “In terms of revenue through advertising Times Now is a clear number one in the English News genre,” informs a senior media planner. He further adds, “The primetime show Newshour charges approximately double when compared to the other competitors.”

     

     

    The rate for a 10 second slot during Newshour is over Rs 45,000, and there are close to 12 advertisers on board, “We have more advertisers than we can accommodate and I am grateful to the advertisers for helping us do what we do,” says Goswami.

     

     

    Looking back at 2015 Goswami terms it as one of the best years in recent times. And that’s broadly because of four reasons, he states, pausing for a few seconds.

     

    “Four things make me term this as one of the best years. Firstly Times Now has got 90 per cent channel share multiple times in terms of viewership. Secondly Times Now has over 50 per cent channel share despite some channels trying to change their names in the market where there is no number two. Thirdly, the new innovation The National Debate, got over 91 per cent of viewership share. And lastly we were able to increase the viewership of ET Now by 15-20 per cent after taking over. So now I have three shows Newshour, Frankly Speaking, and The National Debate. I am excited about them,” he says, signing off with a confident smile on his bespectacled face.

  • BARC week 43: Aaj Tak retains top slot, Times Now, ET Now, CNBC Awaaz lead genre

    BARC week 43: Aaj Tak retains top slot, Times Now, ET Now, CNBC Awaaz lead genre

    MUMBAI: In week 43, Aaj Tak retained its top slot and secured the leadership position in the Hindi news channels section, while Times Now maintained its number one position in the English news channels genre in the All India (U+R) market according to Broadcast Audience Research Council (BARC) India data.

     

    In the English business and Hindi business news genre, ET Now and CNBC Awaaz maintained their position as leaders in the respective genres.

     

    HINDI NEWS

     
    Aaj Tak secured the first place in Hindi news genre with 71843 (000Sums) followed by India TV in the second spot with 69329 (000Sums). ABP News secured the third berth with 63994 (000Sums), whereas News Nation with 60509 (000Sums) and Zee News with 51986 (000Sums) garbbed the fourth and fifth spot respectively. 
     
     

    ENGLISH NEWS

     

    Times Now garnered maximum ratings in the genre and continues to be in the pole position with 493 (000Sums) followed by CNN IBN at second position with 295 (000Sums). NDTV 24×7 garnered third position with 244 (000Sums) and India Today Television saw a downfall in ratings but held the fourth place with 152 (000Sums) against 194 in last week. News 9 dropped in ratings and maintained its fifth slot and scored 124 (000Sums) against 156 (000Sums) in week 42. 

    HINDI BUSINESS NEWS

     

    Like last week, in the Hindi business news genre, CNBC Awaaz bagged the first spot with 1063 (000Sums) followed by Zee Business in second slot with 983 (000Sums). 
     

    ENGLISH BUSINESS NEWS

     
    In the English business news channels,  ET Now continued to dominate the genre with 357 (000Sums) followed by CNBC TV18 with 233 (000Sums) in the second spot. NDTV Profit & NDTV Prime in the third slot scored 125 (000Sums), whereas Bloomberg TV secured fourth place with 24 (000Sums) in week 43.

     

  • BARC week 43: Zee Anmol maintains second spot; DD National drops

    BARC week 43: Zee Anmol maintains second spot; DD National drops

    MUMBAI: Zee Entertainment Enterprises Ltd’s (Zeel) free to air (FTA) channel Zee Anmol has continued to maintain its position at second number, even as Star Plus maintained its leadership position in week 43 of Broadcast Audience Research Council (BARC) India all India (U + R) data in Hindi general entertainment channel (GEC).

     

    Star Plus led the Hindi GEC genre with 786132 (000Sums), while Zee Anmol bagged the second position with 722316 (000Sums).  Colors secured third spot with 652023 (000Sums).

     

    Zee TV maintained its position at the fourth spot with an increase in ratings with 647114 (000Sums) as against 595088 (000Sums) against last week.

     

    Life OK climbed jumped to the number five position from number six last week, replacing DD National with 509186 (000Sums).

     

    Star India’s FTA channel Star Ustav stood at the sixth spot with 496899 (000Sums), whereas Sab TV was spotted in the seventh position with 374070 (000Sums). DD National, which was at fifth place last week, dropped down to the eighth slot with 365853 (000Sums), while Sony Entertainment Television grabbed the ninth position in the segment with 333260 (000Sums) followed by Rishtey in the tenth slot with 313555 (000Sums).

  • Bindass to roll out two youth centric shows in November

    Bindass to roll out two youth centric shows in November

    MUMBAI: Bindass, the Hindi entertainment channel targeted at the Indian youth owned by Disney India has always connected to the youth by providing content and a free spirited zesty time. 

     

    The channel will be adding two new shows targeted at the youth this November.

     

    The first show titled Tu Con Main Con will be launched on 7 November. The promo of the show is smart, zesty, and sleek and also includes a lot of gizmo and gadgets. Tara and Dhruv are roped as the leads for the show. The plot talks about two con artists who with their charming personalities and smart actions, spindle the fraudsters in the society. The program is produced by SunShine and will run every Saturday at 7 pm.

     

    Next in line is a classic sitcom, a laughathon titled Kota Toppers produced by BodhiTree. Slated to go on air on 20 November, this show be aired every Friday at 7 pm. Kota Toppers sheds light on the lives of six characters from Vardhan Coaching Classes namely Abhay, Naici, Raghav, Saina, Piyush, Siddharth and Riya, trying their luck to clear the IIT exam. The storyline talks about the logic and reason of the group behind preparing for the exams, Vardhan’s quirky and different style of teaching, the group ganging up against an external factor, their conflicts and interpersonal dynamics.

     

    Talking about the two new shows, Disney India – Media Networks VP and head – content and communication Vijay Subramaniam said, “We have constantly evolved when it comes to the content broadcasted on Bindass. I strongly believe that youth power is gender neutral. We have all passed through the ‘over-enthusiastic’ phase in our lives. So I think it is very important for us to connect to the youth with our shows. The youth will share a bond, a connection with these two new shows on board. Tu Con Mein Con will emotionally connect with the youth raising many questions about the characters, whereas Kota Toppers will help the students shed off all their stress by simply laughing it out.”

     

    Currently the channel airs youth centric shows like Yeh Hai Aashiqui, Halla Bol and Love by Chance amongst others with a wide catalogue of Bollywood music from morning to noon.

    Bindass launched the third season of the show Yeh Hai Aashiqui – Sun Yaar Try Maar on 25 October, which is produced by Lotus Talkies and airs every Sunday at 7 pm. Maintaining the element of love to its core, the third season will feature a collection of one-sided love stories experienced by people and traces how they expressed their feelings to their loved ones. The show has brands like L’oreal and Glam-Up on board.

     

    Speaking on the same, Subramaniam said, “This show highlights the lives of people who love someone but don’t have courage to convey it. The story talks about the journey of such lovebirds who muster courage to go and admit it. After the success of Yeh hai Aashiqui, we are really looking forward to this new season.”

     

    With BARC releasing its all India data including rural areas, Subramaniam believes that this new data will definitely help the channel grow and will equally be effective as the channel grows in the rural areas too. The channel is working with reference to the youth dynamics from the consumers and the broadcast will continue to provide services regardless of territory.

     

    “With increased digitisation, the aspirations are constant. Young people are young people and their hopes, dreams, wishes, everything is similar. It does not matter where they come from,” added Subramaniam.