Tag: BARC

  • Nick continues to reign over kids genre with ‘Motu Patlu:’ BARC week 2

    Nick continues to reign over kids genre with ‘Motu Patlu:’ BARC week 2

    MUMBAI: The second week of 2016 sees Viacom 18’s kids channel Nick staying strong in its position at the top as per Broadcast Audience Research Council (BARC) India’s all India (U+R) data in NCCS All 4-14 Individuals category.

     

    Nick, with 87947 (000s sums) ratings, was followed by Cartoon Network with 69169 (000s sums) at the second spot. On the other hand, Pogo TV trailed closely behind with 65903 (000s sums).

     

    Hungama took the fourth spot with viewership rating of 53475 (000s sums), while Disney Channel stood at the fifth position in the genre with a rating of 41479 (000s sums).

     

    When it comes to top five programs in the kids genre, Nick’s Motu Patlu Deep Sea Adventure stole the show with ratings of 670 (000s sums) and was closely followed byMotu Patlu In Carnival Island – Part 1 with 617 (000s sums) ratings. 

     

    Pogo TV’s Bang Bang With Bheem took the third spot with a slightly lower rating of 594 (000s sums), while the same channel’s Chhota Bheem: Master of Shaolin followed in the fourth spot with 551 (000s sums) ratings.

     

    Last but not the least on the top five programs’ list was Nick’s latest original show Shivawith ratings of 545 (000 sums). It is to be noted that the top program ranking is based on average rating across all airings in the week, including original telecasts and repeats.

  • Colors maintains stranglehold on No. 1 position: BARC week 2

    Colors maintains stranglehold on No. 1 position: BARC week 2

    MUMBAI: Colors has kept its stranglehold on the No. 1 position in the Hindi general entertainment channels (GECs) genre in week 2  Broadcast Audience Research Council (BARC) all India data. 

     

    Star Plus pipped last week’s No. 2 – the free to air (FTA) channel Zee Anmol – to climb up to the second spot, thus pushing the latter to the third position.

     

    Colors grabbed the leadership position with 762023 (‘000s) followed by Star Plus, which saw a rise in ratings with 727809 (‘000s) as against 699211 (‘000s) in the previous week.

     

    Zee Anmol at the third spot stood with 682983 (‘000s) as against 719713 (‘000s). 

     

    Though Zee Entertainment Enterprises’ flagship Hindi GEC Zee TV saw a fall in ratings, it maintained its claim on the fourth spot with 636989 (‘000s) as against 681259 (‘000s) in the previous week. At fifth spot was Star India’s FTA channel Star Ustav with 506714 (‘000s), followed by Life OK in the sixth slot with 425798 (‘000s).

     

    Rishtey with 365968 (‘000s) and Sony Pal with 339073 (‘000s) stood at the seventh and eighth position respectively.

     

    While Sony Entertainment Television grabbed the ninth spot in the genre with 325509 (‘000s), Sony’s comedy channel Sab TV fell to the tenth spot with 323649 (‘000s).

  • Colors maintains stranglehold on No. 1 position: BARC week 2

    Colors maintains stranglehold on No. 1 position: BARC week 2

    MUMBAI: Colors has kept its stranglehold on the No. 1 position in the Hindi general entertainment channels (GECs) genre in week 2  Broadcast Audience Research Council (BARC) all India data. 

     

    Star Plus pipped last week’s No. 2 – the free to air (FTA) channel Zee Anmol – to climb up to the second spot, thus pushing the latter to the third position.

     

    Colors grabbed the leadership position with 762023 (‘000s) followed by Star Plus, which saw a rise in ratings with 727809 (‘000s) as against 699211 (‘000s) in the previous week.

     

    Zee Anmol at the third spot stood with 682983 (‘000s) as against 719713 (‘000s). 

     

    Though Zee Entertainment Enterprises’ flagship Hindi GEC Zee TV saw a fall in ratings, it maintained its claim on the fourth spot with 636989 (‘000s) as against 681259 (‘000s) in the previous week. At fifth spot was Star India’s FTA channel Star Ustav with 506714 (‘000s), followed by Life OK in the sixth slot with 425798 (‘000s).

     

    Rishtey with 365968 (‘000s) and Sony Pal with 339073 (‘000s) stood at the seventh and eighth position respectively.

     

    While Sony Entertainment Television grabbed the ninth spot in the genre with 325509 (‘000s), Sony’s comedy channel Sab TV fell to the tenth spot with 323649 (‘000s).

  • Colors Kannada, Asianet, Sarthak TV & Sun TV gain: BARC week 1

    Colors Kannada, Asianet, Sarthak TV & Sun TV gain: BARC week 1

    MUMBAI: Though genre leaders like Star Jalsha, Zee Marathi, Bhojpuri Cinema and ETV Telugu witnessed a fall in ratings, they continued to dominate their respective genres in week 1 according to Broadcast Audience Research Council (BARC) all India ratings.

     

    On the other hand, channels like Colors Kannada, Asianet, Sarthak TV and Sun TV saw a rise in ratings and secured leadership position in their respective genres in week 1. 

     

    Bangala GECs

     

    Though the Bangala GEC leader Star Jalsha witnessed a fall in ratings, it grabbed the top position in the genre with 240378 (‘000s) in week 1 as against 265939 (‘000s) in week 52 followed by Zee Bangla in the second place with 153485 (‘000s). Jalsha Movies was perched on the third rung with 65645 (‘000s), while Zee Bangla Cinema grabbed the fourth berth with 31141 (‘000s) and Colors Bangla was fifth with 31118 (‘000s).

     

    Bhojpuri GECs

     

    Bhojpuri Cinema led the Bhojpuri genre with 19073 (‘000s) followed by Big Magic Ganga in the number two position with 17787 (‘000s) and Dabangg on third spot with 9118 (‘000s). Dangal TV with 7801 (‘000s) and ETV Bihar Jharkhand with 4141 (‘000s) grabbed the fourth and fifth slot respectively.

     

    Kannada GECs

     

    Colors Kannada continued to lead the Kannada GECs genre and was in the first position with 276078 (‘000s) followed by Udaya Movies in the second slot with 154322 (‘000s). On the other hand, Uday TV fell to the third spot with 140487 (‘000s). On the other hand, Suvarna stood in the fourth position with 134771 (‘000s) and Zee Kannada was down to the fifth position with 133458 (‘000s).

     

    Malayalam GECs

     

    Witnessing a rise in ratings, Asianet led the genre and came out on top with 378813 (‘000s) in week 1 as against 327333 (‘000s) in last week of 2015 followed by Mazhavil Manorama in the second position with 99669 (‘000s) and Surya TV in the third spot with 74005 (‘000s). Flower TV grabbed the fourth spot with 73816 (‘000s), whereas Asianet Movies stood in the fifth position with 52852 (‘000s).

     

    Marathi GECs

     

    In week 1, Zee Marathi saw a fall in ratings but maintained its top position with 165110 (‘000s). Colors Marathi grabbed the second slot with 93040 (‘000s), while Zee Talkies stood at number three with 66102 (‘000s). Star Pravah garnered the fourth slot with 44311 (‘000s) and Maiboli was at number five with 22545 (‘000s).

     

    Oriya GECs

     

    Sarthak TV saw a rise in ratings and secured the leadership position in the genre with 109578 (‘000s) in week 1 as against 94391 (‘000s) in week 52. Tarang TV followed behind to grab the second spot with 61413 (‘000s), while Colors Oriya came third with 18882 (‘000s). Odisha TV fell to the fourth position with 17010 (‘000s), while Prarthana with 11380 (‘000s) grabbed the fifth berth.

     

    Tamil GECs

     

    Market leader Sun TV led the Tamil regional genre and grabbed pole position with 1046602 (‘000s) followed by KTV with 277982 (‘000s) in the second spot. Star Vijay with 181191 (‘000s) stood in the third position. Polimer grabbed the fourth spot with 96146 (‘000s), whereas J Movie with 72131 (‘000s) grabbed the fifth spot.

     

    Telugu GECs

     

     

    ETV Telugu emerged as the number one channel in Telugu GECs genre with 413525 (‘000s) followed by Maa TV in the second spot with 373558 (‘000s). Zee Telugu captured the third place with 359755 (‘000s), while Gemini TV with 281966 (‘000s) bagged fourth place. Gemini Movies with 187321(‘000s) stood at number five. 

  • Challenges behind setting up BARC India & the way forward

    Challenges behind setting up BARC India & the way forward

    The launch of Broadcast Audience Research Council (BARC) India, a joint industry body, in 2015 was one of the biggest developments of the year in the media industry. Its launch was proof that the three stakeholders, namely the broadcasters, advertisers and media agencies could come together and set up a robust and transparent system in the quickest possible time.

    The key to BARC India’s successful rollout was in building a strong team along with top-notch vendor partners who understood our needs. The advantage was that we were able to find the right resources who ensured that the smooth ratings rollout happened within the shortest possible time.

    BARC India was formed with an aim to bring in robustness and transparency to the whole television viewership measurement system. This was achieved by introducing the sector to the new Watermarking technology for measuring TV viewing habits and also using the New Consumer Classification System (NCCS) for understanding the lifestyle of the viewer. The sector now gets a more inclusive and fair representation of  “What India Watches.

    BARC India has been set up at the back of huge expectations from the industry that needed a new TV viewership measurement body, which was representative and robust. This meant that we had to ensure that each and every step by BARC India was being taken in the right direction. It was for this that we decided to make technology our differentiator to give precise and high fidelity ratings. We also opted for a multi-vendor model, instead of a single vendor who could do everything. The reason for this was that we wanted to make the system more robust, high integrity and cost efficient. This has worked in our favour. 

    The other big challenge we faced was funding. We innovated here as well and ensured a smooth financial closure without the stakeholders investing cash in the business. 

    2015 was the year for the launch of a new television viewership measurement system in the country and now in 2016, we will only grow better and bigger. The first in the pipeline is the rollout of the meter management company, which we had announced last year as a JV with TAM India. The year will see the industry using television viewership data on the go with our new BARC India app. The work on Universe Estimation Study has begun and the findings will throw relevant insights on the landscape of television viewership measurement in the country.   

    The year 2016 will see the industry try another innovation christened as VAL-ID (Video Asset Linked ID), which will make life easier for the ecosystem for monitoring and measuring commercials.

    After a fruitful 2015, BARC India is all geared up for a great 2016.

    (These are purely personal views of Broadcast Audience Research Council (BARC) India CEO Partho Dasgupta and Indiantelevision.com does not necessarily subscribe to these views.)

  • ETV Telugu emerges as No.1 channel in Telugu genre: BARC week 52

    ETV Telugu emerges as No.1 channel in Telugu genre: BARC week 52

    MUMBAI: In the concluding week of the year 2015, ETV Telugu emerged as the number one channel in the Telugu genre replacing Maa TV in the first position.

     

    On the other hand, Star Jalsha, Bhojpuri Cinema, Colors Kannada, Asianet, Zee Marathi, Sarthak TV and Sun TV continued to dominate their respective genres in week 52, according to Broadcast Audience Research Council (BARC) All India ratings.

     

    Bangala GECs

     

    Star Jalsha grabbed the first slot with 265939 (000Sums) followed by Zee Bangla in the second place with 154896 (000Sums) and Jalsha Movies on the third rung with 79222 (000Sums). Zee Bangla Cinema grabbed the fourth berth with 33609 (000Sums), whereas Colors Bangla with 30202 (000Sums) stood at number five.

     

    Bhojpuri GECs

     

    Bhojpuri Cinema led the Bhojpuri genre with 20509 (000Sums) followed by Big Magic Ganga in the number two position with 15521 (000Sums) and Dabangg at number three with 10951 (000Sums). Dangal TV with 7388 (000Sums) and ETV Bihar Jharkhand with 2531(000Sums) grabbed the fourth and fifth slots respectively. 

     

    Kannada GECs

     

    Though Colors Kannada saw a marginal fall in ratings, it continued to lead the Kannada GECs genre and was in the first position with 271592 (000Sums) as against 268806 (000Sums) in week 51. In the second position was Udaya TV with 153369 (000Sums), while Zee Kannada stood in the third position with 143926 (000Sums).
     
    Udaya Movies bagged the fourth position with 141649 (000Sums) and Suvarna stood at number five with 130064 (000Sums).

     

    Malayalam GECs

     

    Witnessing a rise in ratings, Asianet led the genre and came out on top with 327333 (000Sums) against 273833 (000Sums) in last week followed by Mazhavil Manorama in the second position with 120415 (000Sums) and Surya TV in the third spot with 86283 (000Sums). Flower TV grabbed the fourth spot with 83082 (000Sums), whereas Kiran TV stood at the fifth position with 53475 (000Sums).

     

    Marathi GECs

     

    In week 52, Zee Marathi maintained its top position with 184804 (000Sums) with a rise in ratings. Colors Marathi grabbed the second slot with 79672 (000Sums) and Zee Talkies stood at number three with 65794 (000Sums). Star Pravah garnered the fourth slot with 42428 (000Sums) and DD Sayadri was at number five with 20962 (000Sums).

     

    Oriya GECs

     

    Sarthak TV saw a downfall in ratings but secured the leadership position in the genre with 94391 (000Sums) as against 111015 (000Sums) in week 51 followed by Tarang TV in the second spot with 70655 (000Sums). On the other hand, Odisha TV came third with 15537 (000Sums), while Colors Oriya with 14535 (000Sums) grabbed the fourth berth. Prarthana with 9311 (000Sums) stood in the fifth spot.

     

    Tamil GECs

     

    In week 52, Sun TV led the Tamil regional genre but saw a fall in ratings. The channel grabbed pole position with 986826 (000Sums) as against 1042599 (000Sums) in the previous week. In second position was KTV with 317028 (000Sums), while Star Vijay with 213309 (000Sums) stood in the third spot. Polimer grabbed the fourth position with 101129 (000Sums), whereas Kalaignar TV with 83220 (000Sums) grabbed the fifth spot.

     

    Telugu GECs

     

    In week 52, ETV Telugu emerged as the number one channel in the Telugu GEC genre and was perched on the number one position with 446626 (000Sums) followed by Maa TV in the second spot with 377473 (000Sums). Zee Telugu came in third with 350163 (000Sums), while Gemini TV with 313185 (000Sums) bagged fourth place. On the other hand, Gemini Movies with 213079 (000Sums) stood at the fifth position.

  • BARC India’s watermarked channels crosses 400 mark

    BARC India’s watermarked channels crosses 400 mark

    MUMBAI: Broadcast Audience Research Council (BARC) India has achieved another significant milestone within the very first year of its operations: the subscriber base of TV channels, which have signed up for its Watermarking Technology, has crossed the 400 mark. 

     

    The number now stands at 429 to be precise. If one takes into account the various language feeds of channels, that number actually climbs to 457, as BARC India is watermarking 28 language feeds separately.

     

    BARC India started rolling out viewership data in end-April with 277 channels signing up for its Watermarking Technology: and in the short span of last eight months, it has witnessed a rapid acceleration of broadcasters adopting the technology, which is the starting point for BARC India’s future-proof audience measurement system. 

     

    The technology has been adopted by not just broadcasters with an all-India market, but also by regional broadcasters across the spectrum. Of the 429 channels that have adopted the watermarking technology, 195 are ‘All India’ channels and HSM (Hindi Speaking Market) channels.

     

    A hundred and thirty one channels are from the South comprising markets of Tamil Nadu & Puducherry (42), Andhra Pradesh & Telangana (39), Karnataka (27) and Kerala (23).

     

    Of the other key TV markets in India, 18 channels are of West Bengal and 17 of Maharashtra & Goa.

     

    BARC India contracted Kantar Media’s team (previously part of Civolution) to supply the watermarking technology that underpins the world’s largest audience measurement system.

     

    “We are happy to have partnered with BARC India to deploy our watermarking technology. With so many new ways of distributing and consuming TV and video content, Kantar Media’s solutions enable BARC India to detect content wherever and whenever it’s consumed,” said Kantar Media Watermarking Solutions global director Jean Michel Masson.

     

    “We have been able to cross the 400 channel mark in a short span since our launch. This is an achievement and the team at BARC India has done a great job to achieve this target. I am thankful to Civolution and Cineom for their support and technology,” added BARC India CEO Partho Dasgupta.

  • Rishtey refreshes content line-up; extends early prime-time slots

    Rishtey refreshes content line-up; extends early prime-time slots

    MUMBAI: In light of free to air (FTA) channels claiming a chunk of ratings according to the all India data by the Broadcast Audience Research Council (BARC) India, Viacom18’s FTA channel Rishtey is all set to ride the wave by launching a volley of fiction offering covering seven days a week as well as by extending its early prime time slot. Additionally, the channel will be sprucing up its weekend programming by introducing kids-friendly content and airing blockbuster movies.

    What’s more, along with the introduction of new shows, Rishtey will also be refreshing its channel packaging.

    With festivities kicking off in style, Rishtey’s first major outing in 2016 will be the launch of a romantic drama Salaam-E-Ishq, a love-hate story of Zain and Aliya set against the Muslim milieu. The show is set to launch on 11 January and will be aired from Monday t0 Saturday at 9 pm. Pertinent to note here is that this is the same show that previously had its run on Rishtey’s sister channel Colors as Beintehaa.

    Aiming to cater to audiences across age-groups and demographics, the channel will also be extending its early prime time slot, starting from 5 pm with the introduction of shows like Pammi Pyarelal at 5pm , Hamari Saas Leela at 5.30 pm,  Kitni Mohabbat Hai at 6pm and Yeh Pyaar Na Hoga Kam at 6.30pm.  

    In 2016, Rishtey will also be giving prominence to kids’ entertainment and focus on interesting content that will cater to the young audience as part of its Sunday morning programming.

    The fun filled animated series Chhoti Anandi will capture adventures of an eight year old brave and righteous kid Anandi as she explores innumerable escapades in the company of her friends. Additionally the enchanting tales of Vikram and Betal in Kahaani Vikram Betal Ki will further strengthen the entertainment quotient on Sundays. Chhoti Anandi will air from 17 January at 10 am and will be followed by Kahaani Vikram Betal Ki at 11 am.

    What’s more, the channel will also be showcasing the Sansui Colors Stardust Awards, which will be aired on 10 January at 7 pm.

    Some of the movie premieres lined up on the channel include movies of 2015 like Manjhi and Pyaar Ka Punchnama 2.

    Along with the content line up, Rishtey will engage viewers with a series of marketing activities, which includes daily as well as weekly on air contests.

     

  • Colors topples Star Plus to claim second slot: BARC week 50

    Colors topples Star Plus to claim second slot: BARC week 50

    MUMBAI: Free to air (FTA) channel Zee Anmol was perched firmly at the top of the Hindi general entertainment channels (GEC) genre after securing 752782 (Rat 000s) in week 50 as per Broadcast Audience Research Council (BARC) India analysis.

     

    In a major Christmas cheer for Viacom18, its Hindi GEC Colors climbed up to the second slot, toppling Star Plus. While Colors was with 725713 (Rat 000s), Star Plus garnered 707219 (Rat 000s).

     

    Zee TV, placed fourth, witnessed a drop in ratings with 677089 (000Sums) as against 718536 (000 Sum) in week 49.

     

    On the other hand, Star Ustav bagged the fifth place with 506990 (000Sums) followed by Life OK with 438496 (000Sums) in the sixth slot. Sony Entertainment Television came in seventh with 365546 (000Sums).

     

    Sab TV with 328664 (000Sums) stood at number eight, while Rishtey and Sony Pal saw a downfall in ratings as compared to the previous week. Rishtey stood in the ninth spot with 272506 (000Sums) as against 305570 (000Sums) in week 49, whereas Sony Pal held on to the tenth spot with 238738 (000Sums) as against 302045 (000Sums) in the previous week.

  • Big Magic hops back on DD Free Dish to enhance distribution

    Big Magic hops back on DD Free Dish to enhance distribution

    MUMBAI: In a bid to enhance its distribution and reach out to the masses, Reliance Broadcast Network Ltd’s (RBNL) Big Magic has hopped on back to Doordarshan’s free to air (FTA) direct to home (DTH) platform DD Free Dish albeit after making a few key changes in its programming strategy.

     

    It may be recalled that in November this year, Doordarshan deputy director general C K Jain had told Indiantelevision.com that Big Magic had paid a sum of Rs 6 crore in the 24th e-auction to get back on the platform. The channel, which went off DD Free Dish in August this year, began beaming again from today (18 December).

     

    Pertinent to note here in that in its initial days, the pay channel Big Magic was present on the DD’s DTH platform but after thorough introspection, the network decided to take the channel off from the platform in order to rejuvenate its content. The Broadcast Audience Research Council (BARC) India, after rolling out its rural data has changed the entire game plan. DD Free Dish has emerged as one of the premier factors determining a channel’s performance in terms of ratings and hence making it a must for the broadcasters to present on.

     

    RBNL COO Ashwin Padmanabhan says, “It gives the reach, which helps gain viewership, but only if you have quality content in your catalogue. The reason why we went off the platform in the first place was to fill the gaps in our content. The content needs to be a slice of life and topical; only then people will cherish it. We made a gradual move towards more non-fiction from fiction and now we think we have adequate content to go back to the platform.”

     

    The channel banks on the humour quotient, which automatically tilts them towards a predominantly male audience. However, the network is quite clear when it comes to its target group. “We want to reach out to a pan India audience. I agree to the perception that humour as a genre is more male dominant but at the same time, I believe we have a diverse enough catalogue to cater to both male and female audience. Our target audience is both male and female aged between 15 to 45 years,” adds Padmanabhan.

     

    “General entertainment channels (GECs) are heavily female inclined, news channels cater to males, whereas youth channels have their audience cut out for them. Big Magic is positioned in a unique position where we break all such discriminations and cater to all because humour has universal appeal. We plan to strengthen our humour offering by adding more topical content, which people can relate to,” asserts Padmanabhan.

     

    The production cost of a non-fiction show is way higher than fiction content and RBNL, at this stage, is not shying away from spending. 

     

    Padmanabhan says, “Advertisers are excited about the content that we are creating; there is a lot of room for innovations and branded content. Going forward, we can even conceptualise a show sitting together with the advertiser. So we have confidence on our path ahead and hence if strengthening content needs investment we are happy to do so.”  

        

    Big Magic is available across all DTH platforms as well as major cable operators and with the presence on DD Free Dish, the channel’s distribution is well taken care of. However, Padmanabhan was quick to point out that distribution revenue was minuscule at this stage.

     

    The channel currently airs shows like Fakebook, Ji Sirjee, Family Fortunes, Lete Hain Khabar, Comedy Ka Rocket and Nautanki News.

     

    A senior media planner informs, “The ad rate of a 10 second slot on Big Magic during prime time would be somewhere between Rs 4000 – 5000.”

     

    With strong distribution in place and the added platform of DD Free Dish, Big Magic is well poised to take things to the next level in terms of programming content.