Tag: BARC-Nielsen

  • News affect GEC viewership in primetime slot across all languages, reveals BARC-Nielsen report

    News affect GEC viewership in primetime slot across all languages, reveals BARC-Nielsen report

    MUMBAI: As India moves back to normalcy, the share of general entertainment channel (GEC) viewership has started showing signs of recovery. The data provided by TV audience measurement body, Broadcast Audience Research Council (BARC) reveals that in the week 30-33, the total number of Hindi GEC viewers who watches news is 49 per cent, whereas 77 per cent of them watch movies. Movies have definitely impacted GEC viewership, especially in Bangla, Marathi, Kannada and Malayalam.

    The report further says that in Week 33, total TV viewership recorded 1.08 trillion viewing minutes. The TV viewership has shown a consistent growth in the last 12 weeks. It was 22 per cent higher than pre-Covid2019 viewing. Also, the daily average reach is seven per cent higher than pre-Covid2019 time.

    The data highlights that the primetime shows have shown consistent growth in the last 12 weeks with 3 per cent rise in both Hindi and Southern markets. However, non-primetime shows continue to operate at 44 per cent higher than pre-Covid2019 levels.

    As far as the Southern GEC is concerned, the cumulative reach has not been affected during Covid2019.


     

  • News consumption declines from the highs of lockdown weeks

    News consumption declines from the highs of lockdown weeks

    BENGALURU: News consumption has been declining in the past few weeks from the highs of the COVID2019 weeks according to the BARC-Nielsen Reports. Broadcast Audience Research Council of India (BARC) and information, data and measurement company Nielsen or BARC-Nielsen have used the average consumption between Weeks 2 and 4 of 2020 as the yardstick to compare the growth of television consumption in the weeks starting Week 11 of 2020 onward. Of the four major genres that together garner 90 percent of television consumption in India – GEC, Movies, News and the Kids genre, News is the third most consumed genre. 

    During the lockdown weeks that commenced midweek 12 of 2020, television was one of the most important and credible sources of what was happening for a world that was just grappling with the concept of a true new global pandemic that was to change the way of life to the many living generations of humanity. Life as most knew changed forever as social distancing became one of the new normals. Man is a social animal – a true cliché, now humanity had to relearn how to continue being so and at the same time not come too close to other humans. A majority of humans worked from home, stayed at home and television along with the internet became the two biggest sources of news and entertainment. Theater, restaurants, resorts, hotels, malls, public places, places for recreation, parks, gardens, tourist places were shut down, production of new entertainment content stopped. News was the new currency for ‘drama’ as channels beamed content that showed how the challenges posed by the pandemic ware being faced in different geographies. Heartening stories of the survivors of the virus, of the people, the COVID2019 warriors who made life bearable for the rest of us were aired across news channels. Prime minister Narendra Modi’s speeches drew never before imagined eyeballs to the news channels that aired them ‘live’. Slowly humans started to know more and more of the devil that forced them to stay at home.

    Overtime, as humans understood more and more about the pandemic, the initial training that the lockdowns imparted began to be a part of the new normal, nations including India, started to open up once again, to unlock. Many people returned to work, television consumption in terms of minutes, average time spent and reach has been declining from the highs of the lockdown weeksas did news consumption. There were a few blips when television news did see viewership increase – this was in week 24 of 2020 when Indians were hit with two big blows on consecutive days – June 14 of 2020 saw the death by suicide of the very popular Bollywood actor Sushant Singh Rajput, which was followed by the Galwan Valley attack on 15 June. 

    Please refer to the figure below that shows consumption share of the top 4 genres up to Week 26 of 2020.

    The Hindi News genre in the Hindi Speaking Market or HSM has significant viewership. News consumption in the four South Indian languages of Kannada, Malayalam, Tamil and Telugu spoken in Karnataka, Kerala, Tamil Nadu and Puducherry, and Andhra Pradesh (AP) and Telangana respectively is quite high. BARC defines HSM as all India minus the states where these four South Indian languages have evolved. BARC publishes data in the public domain of the Top 5 News channels in Hindi in HSM, English (all India), Assamese (Assam / North East / Sikkim(U+R)); Bangla (West Bengal), Kannada (Karnataka), Malayalam (Kerala), Marathi (Maharashtra & Goa), Oriya (Odisha), Tamil (Tamil Nadu and Puducherry), Telugu (AP and Telangana). The demographics in the all the cases as of Week 17 of 2020 are 2+ in that particular market. Begore Week 17 of 2020, BARC published data for different demographics in the case of Hindi and English News in the public domain, hence the charts below show data from Week 17 of 2020 onward.

    The figure below shows that consumption of the top 5 Hindi News channels and the South Indian languages has been declining.

    Consumption of the Top 5 News channels in the regional languages has also been declining. Marathi News had the highest consumption in Maharashtra and Goa as compared to the other languages news channels in their respective territories, Mumbai, the financial capital and the capital of Bollywood is in Maharashtra were impacted by the two events in Week 24 of 2020 as is obvious from the graph below.

    English News consumption has also been declining over the past few weeks and the trend would have continued, but for data for the Arnab Goswami led Republic TV which seems to have bucked the trend in week 24 of 2020. Despite the combined weekly impressions of the Top 5 English News channels in Week 27 of 2020 declining versus Week 26, Republic TV, which heads the genre, saw viewership increase 7.2 percent during the same period.

    Please refer to the figure below for consumption trends of the Top 5 English News channels.

    New GEC content production commenced in a few places after Unlock 1.0 came into force. Hindi content production has commenced in the previous week. OTT platforms such as Netflix have announced premieres of a lot of new entertainment content. This is sure to take away the viewership from News channels, more so during primetime. However, the world will never be the same.
     

  • Hindi GECs see 8% growth in non-prime slots: BARC-Nielsen

    Hindi GECs see 8% growth in non-prime slots: BARC-Nielsen

    MUMBAI: Hindi GEC saw eight percent growth in non-prime time slots in 2020 as compared to 2019, revealed the tenth edition of BARC-Nielsen data. However, there is a dip of two per cent in prime time shows. Kids non-prime time shows saw a growth of 32 per cent and in prime time shows it is 28 per cent.

    In week 26, TV viewership is 15 per cent higher than pre-Covid2019 times. Apart from that, TV viewership peaked by 43 percent in week 13. In week 26, daily viewing reach continues to be over 600 million.

    Average daily time spent on television is higher than pre-Covid2019 times but it is lower than usual peak time. The data also reveals that the total number of channels watched per viewer has decreased from the peak. In week 13 it was 23 channels which has now declined to 19 channels in week 26. 

    GEC channels have dominated the television market. The data highlights that TV consumption is higher than pre-Covid2019 time across all markets. The Hindi speaking market has seen a growth of 49 per cent.

    The data also reveals that the share of GECs has consistently increased in the past five weeks. From being at 52 percent in the pre-Covid2019 times it has seen a decline in week 22, but it picked from there and now it is at 48 per cent in week 26. 

    Apart from Hindi GEC, kids and English GECs are also performing better in non-prime time slots as compared to prime time. GECs that recently chose to  be on free platforms have seen growth.

  • Despite spike in viewership, Malayalam news channels record dip of 60% in ad revenues

    Despite spike in viewership, Malayalam news channels record dip of 60% in ad revenues

    NEW DELHI: While Covid2019 has had an unprecedented impact over businesses across the country in the past few months, the media and entertainment consumption witnessed some interesting upward trends during the time period. As per weekly data shared by BARC-Nielsen during the course of the nationwide lockdown, TV viewership peaked by 43 per cent (highest value, at week 13 as compared to pre Covid2019 i.e. Week 2 to Week 4), during the period. Time spent on TV was up by 7 per cent in week 20, as compared to the pre-covid2019 period. News genre was one of the biggest gainers when it came to viewer interest and eyeballs, with total viewership up by 15 per cent in week 20. 

    Malayalam news channels also witnessed a similar trend, recording a 141 per cent hike in viewership, recorded in week 20. However, this growing viewership did not result in the sort of advertising revenue it would have garnered in pre-covid2019 days. 

    While the number of advertisers did not see much of a dip across Malayalam news channels; as shared by TAM AdEx India, the number of advertisers in pre-covid days (Jan-March’20) was 440 and dipped to 352 in covid times (April 20-June 20), the ad revenues went down by as much as 40-60 per cent due to lower inventory pricing, shares an industry insider. 

    Madison Media chief buying officer Vinay Hegde shares with Indiantelevision.com, “Typically with the pandemic and the lockdown becoming the focal point, viewership as in other markets shifted to news and the spike was exponential. A major shift from GECs to news was inevitable and visible and the channels did their best to hold on to their rates and monetise on the spike. This genre managed to rake in some ad revenues, yet inventory fill rate was lower than the normal average. April actually saw a dip in ad spends by almost 25 per cent Q4 of LY, but in May there was a massive spike of 120 per cent.” 

    When it comes to FCTs, Mplan CEO Parag Masteh shares that the numbers were more or less similar for the top channels, as compared to pre-covid2019 times, with some even recording positive growth. 

    TAM AdEx India data reveals that News18 Kerala and Manorama News witnessed positive ad volume growth of 28 per cent and eight per cent, respectively, the ad volumes of channel 24 remained almost similar to pre-covid2019 times. 

    Mathrubhumi News CEO Mohan Nair says, “While we witnessed a 25 per cent spike in viewership during the period, the ad revenues dipped. I may say that because we couldn’t record some of our outdoor programmes and the news coverage was also centred primarily on Covid2019, for nearly two months we had hardly any business. If I look at these three months, we must have recorded a business of around 30 per cent of the pre-covid days.”

    Kairali News’ Suresh Kumar quips, “The FCTs dropped drastically for us and so did the advertiser number. There were very few regular clients from the jewellery segment who were active on our channel and most of the ad space was brought by government ads and the hospitals. Our ad revenues used to touch Rs one crore per month before Covid2019 and for the past three months, the figure stands below 50 per cent. One of the reasons is that we had to bring down our inventory prices by 30 per cent in most cases.” 

    Asianet News Network VP sales and marketing Unni Krishnan shares, “Though we recorded 3x ratings, the advertiser sentiment was really low. If you look at the Kerala ad market, retail clients are amongst the top advertisers on news channels and they were not active at all in the initial days. Though they are trying to make a comeback, it is not with the same budgets as they used to spend earlier. In fact, most of our major clients were not active during the past few months and the only ads we got were from some new clients.” 

    He adds, “These were not big-time clients. To give some numbers, if on a normal day a client used to come with an investment of Rs five lakh to Rs 10 lakh, we were getting billings of up to Rs 50,000 to Rs one lakh only. So, if you look at the number of advertisers, we used to get the same revenue from 10-20 clients earlier, which we got from 40-50 clients now.

    While Kumar, Nair and their teams reworked their inventory prices and announced some discounts to keep up the advertiser sentiment, Krishnan avoided changing ad rates. 

    “While most of our competitors were announcing discounts and combo packages to keep the advertiser sentiment positive, we at Asianet avoided it. It definitely caused us a bit of a loss in the initial days, and we had a slow start in April, but fortunately for us, the ratings improved. We also did not increase our inventory prices when the viewership peaked,” Krishnan highlights. 

    Nair shares, “The good thing that happened during the pandemic is that categories which earlier refrained from advertising on news genre like sanitisers and washing-related products have started advertising on our channels. While I am hopeful that the upcoming monsoon and Onam will bring in some positive movement from advertisers, if you look at Kerala, Covid2019 cases are again rising. And we can’t be sure what the situation will be in the coming months.” 

    Krishnan elucidates, “Kerala was the first state to recover, but if you look at some other markets like Chennai or Mumbai, the lockdown is still in place and the numbers of patients are continuously rising. Even in Kerala, fresh cases are coming up, and while earlier the number was 20-30 cases a day, it has now peaked to 120-130. Our all yoy projections have already gone for a toss. While Onam and monsoon are a good season for us, we can’t be sure of the situation then. Yes, July, which usually is dull for the Kerala news market, has shown signs of improvement for us; going ahead, market sentiments largely will decide our fate.” 

    As the lockdown restrictions ease and the bright festive period approaches, starting August, the channels are expecting their fortunes to improve but they are still apprehensive of the growing cases. 
     

  • Television ad volumes see uptick during past two weeks

    Television ad volumes see uptick during past two weeks

    NEW DELHI: After a momentary dip in week 18, the past two weeks saw a rise in ad volumes on television, reveals the ninth edition of BARC-Nielsen ‘Crisis Consumption on TV and smartphones’ report, launched Friday. However, they still remained 23 per cent lower than pre-Covid period and 35 per cent lesser than the peak performance of week 12. 

    The advertiser count on television also showed an uptick of three per cent in week 20, while the brand variants noticed a 14 per cent increase as compared to the last week. The total advertiser count on TV became 1370, and brand/variants were 2106 in number. A few examples of new advertisers in week 20 include Vivo, Cadbury, Kia Motors, Faasos, Bajaj, Sharp India, Hoichoi, and Apple. A few examples of new brands in week 20 include Vivo V19, Kia Seltos, Cadbury’s 5 Star, Nivea Soft, Apple iPhoneSE.

    Also, inventory levels of categories present during summer also raised in the last two weeks, with soft drinks and air coolers raising their inventories the most. 

    If we look genre-wise, impressive growth has been witnessed in the news section over the past two weeks, with FCT growing from 70.7 lakh in week 18 to 79.6 lakh in week 20. GEC volumes have flattened from week 14 onwards; however, there has been a growth in the past two weeks. 

    However, both the music and movies channels have been enjoying an uptick in the last two weeks. 


     

  • TV FCT continues to dip in week 18: BARC-Nielsen

    TV FCT continues to dip in week 18: BARC-Nielsen

    NEW DELHI: The dip in overall FCTs continued in week 18 as well, reveals the fresh batch of BARC-Nielsen data on media behavior during the COVID19 lockdown. As compared to week 17, a dip of 9 per cent was witnessed in overall FCTs, taking the number from 205 lakhs to 187 lakh. 

    Ad volumes while remained consistent across GEC  for the last couple of weeks, News and Movies recorded a dip of seven-eight per cent as compared to the last week. 

    The drop in news has come mostly from Hindi language channels while regional languages and English channels remain stable. Kannada and Gujarati channels, in fact, witnessed a slight improvement in FCT. 

    The previous week had seen a dip in the inventories by top 10 advertisers and an increase of 9 per cent by the next 40. This week witnessed a dip in FCT of next 40 as well, while the top 10 mostly remained consistent. 

    After a spike in the number of new brands on TV in the past week, this week saw a massive slump. The numbers dropped from 395 to 274. A 7 per cent dip in advertiser count was also witnessed. 

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  • Is television viewership petering out as India adjusts to lockdown?

    Is television viewership petering out as India adjusts to lockdown?

    BENGALURU: Television consumption in India seems to be petering out, according to Broadcast Audience Research Council of India (BARC)-Nielsen Reports. Of course, even in the sixth week and the second extension of the national lockdown to lockdown 3.0, television consumption is 29 per cent higher than during pre-Covid2019 periods. BARC and Nielsen have compared data for the pre-Covid2019 period with average numbers for Weeks 2 to 4 of 2020. Television consumption had peaked in Week 13 of 2020, the first full week since the lockdown commenced in the middle of Week 12 of 2020, on 25 March 2020 in India. Television consumption grew 43 per cent in Week 13 of 2020 as compared to the pre-Covid2019 period. BARC-Nielsen reports are available for the period starting Week 11 of 2020 until Week 17 at the time of writing of this paper.

    Please refer to the figure below for All-India television consumption trends.

    The basic currency for total television consumption is trillion minutes. Average television viewership during the pre-Covid2019 weeks considered in the BARC-Nielsen Reports (Average of Weeks 2 to 4 of 2020) was 887 billion minutes with an average daily reach of 560 million. This worked out to a daily average time spent (ATS) watching television of 3 hours 46 minutes. In Week 13 of 2020, this peaked to 1,266 billion minutes with a reach of 627 million and ATS of 4 hours and 48 minutes.  These numbers have been sliding down since then. Please refer to the figure below.

    In the pre-Covid2019 weeks, four genres had 89 per cent of viewership share – in terms of size, they are GEC, Movies, News and the Kids genres.  During the 7 weeks for which BARC-Nielsen Reports are available (Weeks 11 to 17 of 2020) at the time of writing this report, their combined share grew to 93 per cent. During the pre-Covid2019 weeks considered in the BARC-Nielsen Report (Weeks 2 to 4 of 2020) GEC had the largest viewership share of 52 per cent, followed by Movies with 23 per cent, the news and the kids’ genres with 7 per cent each. During Week 13 of 2020, this had changed to 40 per cent for GEC, 29 per cent for Movies, 18 per cent for news and 7 per cent for Kids. It must be noted that though share of the Kids channels was has generally been steady, overall television viewership has gone up during the lockdown period, and hence the number of viewers and ATS on the Kids was much higher than earlier times. It must further be noted that News had a share of 21 per cent in Week 13 of 2020.

    GECs, which had been experiencing a decline in viewership share during the Covid2019 lockdown due to the lack of fresh programming, got a breath of fresh air by way of re-runs of mythology and old classics on pubcaster network DD’s DD National and DD Bharati.  GECs’ viewership share has climbed to 44 per cent in weeks 16 and 17 from a low of 39 per cent in Week 12. The Movies genre seems to have stabilized at abut 27 per cent share as compared to the 23 per cent share during the pre-Covid2019 weeks considered in the BARC-Nielsen Reports.

    Please refer to the figure below:

    Overall, television consumption seems to be petering out slowly across the other major genres also.  Besides the four genres mentioned above, business news, youth, infotainment and lifestyle have witnessed changes in consumption growth. Relatively, the lifestyle genre seems to have had stabilized with about 32 per cent growth since week 13 of 2020 as compared to the average of the pre-Covid2019 weeks considered by BARC-Nielsen. The news genre, which had seen consumption triple in week 12, has stabilized consumption at around 165% growth in Weeks 16 and 17 of 2020 as compared to the average of the pre- Covid2019 weeks. Please refer to the figure below:

    BARC considers the Hindi Speaking Market or HSM as All India minus the four Southern Languages: Kannada, Malayalam, Tamil and Telugu. The South is a mature market with a higher penetration of television as compared to the HSM. Television consumption is also higher in the South. Hence, growth in the South market has been more muted as compared to the HSM during the lockdown weeks to date as compared to the average of the BARC-Nielsen Covid2019 weeks. The North Eastern states saw television consumption peak in week 12 itself – this was the week when the Janata Curfew and a couple of days later the first series of Lockdown or Lockdown 1.0 were announced by Indian Prime Minister Narendra Modi.  Most of the states saw viewership peak in Week 13. The exceptions were a few states where more of local ‘Covid2019’ and or/or events such as the lynching of the Sadhus in Maharashtra or the swearing in of ministers in Madhya Pradesh. There has been a general decline in television consumption since then, as mentioned before. Please refer to the figure below:

    Further, as mentioned above, South India has seen lower growth in viewership during the lockdown weeks because of its higher base and longer ATS spent even before the Covid2019 lockdown weeks. Hence the decline in television viewership since the peak has been lower in the South markets as compared to HSM. Please refer to the figure below:

    Is this the way forward?

    Television networks have tried to bring in viewership and maintain viewer stickiness. News by itself has grown as a genre because of the playout of events around the lockdown. Taking a cue from the movies genre, many networks have started beaming film-based content, but this has not been enough. The South GECs have witnessed growth on the back of comedy films over the last few days. Channels have brought back mythology and classics. Reruns of the Ramanand Sagar Ramayan and the B R Chopra Mahabharat, through daily episodes as opposed to the weekend episodes that were experienced when these magnum opuses were first aired, have brought in viewers and ensured their loyalty in the case of DD National and DD Bharati. Since mythology seems to have worked for DD, private networks have decided to include them in their programming mix. This seems to have worked to an extent in the case of Star Plus which launched of Ramayan in Week 17, and that slot for the channel has seen viewership grow by 65 per cent according to a preview of data by BARC for Week 18. Viacom18’s flagship Hindi GEC Colors has seen viewership growth of 24 per cent in Week 18 for the time slot when it commenced airing Mahabharat.

    It is still early days for a cure or vaccine for the pandemic to make things easier for humans, to bring back some form of normalcy. A lot more people will continue to stay at home. As the world and India slowly limp back in a phased manner to a ‘new normal’ from the Covid2019 lockdown, fresh content will surely be produced. However, given the circumstances globally, the ‘new normal’ has yet to take on a definite shape. If study, work, exercise, etc. from the home becomes the ‘new normal’, then ‘entertainment consumption at home’ is definitely set to be a big part of daily life. Content viewership from home, be it on the OTT platform, or the idiot box, or on the smart phone or a computing device, is definitely set to be much larger than during the pre-Covid2019 weeks. The question is“Will it be higher than during lockdown weeks?”

  • Film-based programmes up in South: BARC-Nielsen report

    Film-based programmes up in South: BARC-Nielsen report

    MUMBAI: Film-based programmes increased in the South, according to BARC-Nielsen data for 17 week. In the South, repeat telecasts of comedy programmes saw a high SOD and SOV growth as compared to other sub-categories.

    Whereas in HSM and South a deep dive into sub-categories for serials indicates that duration of dramas and soaps declined more in South than in the HSM.

    Thirteen per cent of the viewers of the last six weeks have not watched news during the first six weeks of 2020.  While Rajasthan and Gujarat have the highest proportion of new viewers, south has lower per cent of news viewers than the HSM.

    In the music genre, despite significant increase in daily tune-ins the genre has seen a drop in viewership. While reach increased across all markets, the genre share has dropped throughout.

    In the South and HSM, it has dropped to 4 per cent. While Tamil Nadu, Kerala, Pondicherry, West Bengal, and Punjab grew at more than 10 per cent during week 13-17, viewership decreased across all age groups except those above 41. 

  • FCT for most genres stable in Week 16: BARC-Nielsen

    FCT for most genres stable in Week 16: BARC-Nielsen

    NEW DELHI: As per the sixth edition of BARC-Nielsen data, which shares insight into the media habits during the COVID2019 period, brands that advertised heavily during summers have seen a drop in FCTs as compared to the weeks 14-16 of 2019. However, most of the categories sustained FCT levels in week 16 of 2020 as compared to the previous week, with soft drinks and squashes seeing a marginal increase. 

    Also, the overall FCT, across genres, remained largely stable in week 16, noticing just one per cent dip in overall numbers as compared to the past week. 

    News genre kept growing compared to pre-COVID period with Hindi, English, Gujarati and Oriya channels witnessing the highest growth when it comes to FCT. There has been a marginal dip in several languages, however, as compared to week 15. 

    Inventory levels of top 10 brands dropped marginally, by four per cent, as compared to the past week. For the next 40 brands, the drop was 10 per cent. The number of total brands on TV also witnessed a marginal drop, as compared to week 15. It went from 2013 brands in week 15 to 1947 brands in week 16. 

    Several top advertisers increased their inventory across genres while GSK, ITC and Colgate increased FCTs on GECs, Reckitt Benckiser, HUL and National Informatics Centre on news channels. GSK, Colgate, and Amazon upped their FCTs on movie channels. 

  • OTT originals not faring well on TV: BARC-Nielsen

    OTT originals not faring well on TV: BARC-Nielsen

    MUMBAI: With productions halted, some Hindi GECs, such as Star Plus and Zee TV, aired some shows from OTT platforms in the evening slots but they haven’t found the expected audience, according to BARC-Nielsen report. OTT digital shows haven’t performed well for the HSM urban audiences. All the shows have seen a drop compared to pre-Covid2019 time as well as the earlier week 14.

    Hotstar show Hostages, which airs at 10.30 pm on Star Plus, got 255,000 impressions in the HSM urban in week 15-16 while the timeslot had 547,000 impressions in week 14 and 2,987,000 impressions in the pre-Covid time for the same time slot. The show on air before Covid2019 was Ye Hai Chahatein.

    Baarish on Zee TV at 9 pm saw 750,000 impressions in week 12-15 while the same time slot a week earlier got 3854,000 impressions in week 14. The timeslot had 3898,000 impressions in the pre-Covid time. This replaced its flagship Kumkum Bhagya.

    Karrle Tu Bhi Mohabbat on Zee TV at 8 pm got 837,000 impressions in week 12-16, while the timeslot had 7293,000 impressions in week 11 and 6650,000 impressions in pre-Covid time for the same time slot. The pre-covid time aired Guddan Tumse Na Ho Payega.  

    Kehne Ko Humsafar Hain on Zee TV at 10.30 pm got 497,000 million in week 12-16, while in week 11, this timeslot had 2228,000 impressions and the slot had 1654,000 impressions in pre-COVID time.  Ishq Subhan Allah aired in this timeslot in the pre-covid time.