Tag: BARC India

  • Govt committee seeks to set up a specialised regulator for media ratings in India

    Govt committee seeks to set up a specialised regulator for media ratings in India

    Mumbai: The committee on TRP ratings formed by the government has pushed for the formation of multiple rating agencies in competition to Barc India, and recommended creating a specialised regulator to oversee all of them.

    The 39-page report submitted by the committee early this year has recently been shared with Broadcast Audience Research Council (Barc) India and other broadcasters to take the discussions forward. The committee led by Prasar Bharti CEO Shashi Shekhar Vempati was constituted last year in the aftermath of the TRP scam in Mumbai.

    According to the report, the regulation of multiple rating agencies should be a specialised function that requires a suitable regulator and cited Securities and Exchange Board of India (SEBI) in regulating credit rating agencies and Media Ratings Council in the United States as successful examples. As per the committee, the regulator can look at end-to-end regulation of audience measurement in India and also provide for an Appellate Authority to redress grievances and mediate disputes between stakeholders and rating agencies with appropriate powers.

    The committee to review the ‘Guidelines on TV Rating Agencies in India’ had made a total of 20 recommendations to the ministry of information and broadcasting (i&b) that includes both immediate and long-term measures that need to be taken to restore faith in the integrity of TV rating system in view of emerging technology trends and market dynamics.

    Most of the recommendations made by the committee in their report accessed by Indiantelevision.com are aimed at strengthening corporate governance at Barc India at the board level. The recommendations have also laid down specific measures to bring independent oversight of Barc India, mandate the use of return-path data, increase the competitiveness in the TV rating space, and put in place a specialised regulatory mechanism for media rating agencies in India.

    It felt that industry stakeholders must come to a consensus over acceptable business practices to ensure faith in ratings. It also recommended that the government may consider temporarily suspending its license to Barc India until it and stakeholder bodies have complied with directives issued by MIB.

    After consultation with stakeholders such as Barc India, MDPL, Zappr Media, Nielsen India, and Tata Sky AMS, the committee had issued several specific and sweeping recommendations on the technical aspects of TV rating measurement in India.

    It found that there was a broad consensus among industry stakeholders in favour of leveraging return data capabilities. However, apart from Barc and a few platforms, there was a lack of ubiquity in approach or consistency in investment in RPD by platforms.

    It also recommended that RPD should be made mandatory for set-top-boxes (STBs) deployed by distributed platform operators (DPOs). “The increasing convergence between STBs and smart media devices and in view of the emergence of hybrid boxes capable of both CAS compliant linear TV viewing and internet streaming-based OT, the committee sees fewer technical barriers to enable RPD capabilities within households” it noted.

    Adding further, it said, “Smartphone-based apps are capable of interacting with such hybrid boxes paving the way for additional avenues of RPD data capture and relay.”

    The collection of viewership data by DPOs is to be governed by privacy norms prescribed by the government/regulator. The sale of such data by DPOs should be governed by guidelines for TV rating systems. A joint industry working group with representation from all relevant stakeholders and independent experts may be set up to specify norms for an industry-wide RPD mandate, according to the report.   

    The report noted that crowdsourcing approaches could be economical alternatives to RPD and should be open to rating agencies to enrich panel-based measurement. However, it noted that owing to the nascent stage of innovations in cloud-based computing and artificial intelligence and the small pool of talent and expertise with an understanding of TV ratings and media audience measurement domain in India, any integration of crowdsourced data is best left to the discretion of stakeholders.

    Another interesting recommendation by the committee for the imperative is to adopt an open data ecosystem. It drew on the experience of similar data efforts in domains such as digital payments (UPI, India stack) and account aggregator system for credit rating (Sahamati), noting that algorithms and raw datasets should be made available to academics and independent researchers to analyse, validate and enrich.

    The committee observed the global shift towards hybrid audience measurement spanning multiple channels (TV+digital) and the rapid technology innovation hastening this shift. It stated that guidelines prescribed by MIB should not be a barrier to the emergence of more efficient business models that are in pace with global trends and local market dynamics.

    Led by Prasar Bharati CEO Shashi Shekhar Vempati, the four-member team also included – IIT Kanpur, professor of statistics, department of mathematics and statistics, Dr Shalabh; C-DOT executive director Dr Rajkumar Upadhyay; Decision Sciences Centre for Public Policy professor Pulak Ghosh.

    The television rating system in India had come under scanner in October 2020 when Mumbai Police claimed in a press briefing that they have probed a case of manipulation of TRPs and found some incriminating evidence. The police said the accused were allegedly bribing the households to keep a particular channel running, leading to several arrests. Three news channels, Republic TV, Fakt Marathi, and Box Cinema were named in an alleged TRP tampering scam. BARC had also temporarily suspended the publishing of weekly data for news channels, which remains in limbo till date.

  • Ind-Pak match on 24 Oct garners 167 million reach on TV

    Ind-Pak match on 24 Oct garners 167 million reach on TV

    Mumbai: The India-Pakistan match on 24 October garnered a reach of 167 million* on TV and has become the most viewed T20I match, exceeding the previous record – India-West Indies 2016 ICC World T20I semi-finals.

    The ICC Men’s T20 World Cup 2021 has delivered a cumulative reach of 238 million* for the broadcaster Star India network (qualifiers + first 12 games of Super 12 stage). The overall consumption reached 47 billion minutes.

    “The India-Pakistan match has created history by clocking a record reach of 167 million viewers, making it the most viewed T20I match till date,” said a spokesperson from Star India. “We have continually strived to grow the audience base for marquee cricket and this record is a testament to our efforts across high-decibel campaigns, enhanced storytelling, dedicated regional programming, and consumer innovations. There’s no doubt that the result of the match and India’s exit from the tournament disappointed fans but the record viewership displays the unique power of cricket to engage audiences at an unprecedented scale.”

    (* Source: BARC. Fig. at 2+U+R, Live match only, on Star network)

  • Star India garners 380 mn viewers until match 35 for IPL ’21

    Star India garners 380 mn viewers until match 35 for IPL ’21

    Mumbai: Star India Network has reported that it is on track to breach 400 million viewers’ mark on TV, for the fourth year in a row. The tournament so far has garnered 380* million viewers until match 35, 12* million higher than IPL 2020 at the same stage. The TV viewer aggregation is higher than the last three editions of the tournament, since 2018.

    The second phase of IPL 2021 got off to a brisk start with viewer engagement levels also being at a healthy average of 32 per cent** on a per match basis – at par with IPL 2020, according to Star Sports.

    “We are proud to have delivered IPL to over 380 million viewers for the fourth time in a row,” said a spokesperson from Star Sports. “The last two occasions have been special as we navigated unprecedented circumstances and overcame challenges in bringing IPL to fans in the comfort of their homes.”

    Star India has adopted a strategy of regionalisation and customer segmentation, whereby the tournament is presented in eight different languages to cater to viewers in different states and regions and two additional customised match-feeds to cater to specific consumer segments.

    The broadcaster has also created a slate of programming around the tournament including BYJU’s Cricket Live, Cricket Countdown and Game Plan. There are also a roster of franchise shows such as Knight Club (Kolkata Knight Riders), Inside RCB (Royal Challengers Bangalore), The Super Kings Show (Chennai Super Kings), MITV (Mumbai Indians) and Ye Hai Nayi Dilli (Delhi Capitals). The consumption of IPL 2021 including Star Sports’ pre-match programming stands at 242 billion minutes.

    (*On 2+U+R basis for TV only figures – first 35 matches; ** On M15+AB Urban for TV only – first 35 matches) [Source: Barc India] 

  • TV ad volumes saw 17 per cent growth in August: Barc data

    TV ad volumes saw 17 per cent growth in August: Barc data

    Mumbai: TV ad volumes saw 17 per cent growth in August as compared to the previous month, according to the Broadcast Audience Research Council (Barc) India data. The month recorded the highest ad volumes on TV since the second lockdown in April with 158 million seconds.

    There were 2803 active advertisers and 4415 active brands on TV which is a 23 per cent growth over August 2019 and 19 per cent growth over August 2020. “Indian marketers and brands continue to place their trust in television once again as India kickstarted its festive season for 2021,” said Barc India in a statement.

    “As we kickstarted India’s festive season with Onam, we have seen growth in ad volumes in Malayalam channels for August compared to previous weeks and also compared to previous years,” observed Barc India head of client partnership and revenue Aaditya Pathak. “We continue to see a strong upward trend in the e-commerce category and a new category, corporate and brand image, joining the top ten sectors. Bhojpuri language channels are recording strong growth with ad volumes being almost at par with Punjabi and Marathi language channels.”

    The ad volumes of the top ten advertisers grew by 29 per cent while the next 40 saw 19 per cent growth and the remainder, 22 per cent growth in August, versus the same period for 2019.

    FMCG continued to dominate with the highest share with 92.9 million seconds of ad volumes and has grown by 22 per cent over the same period in 2019. With 4.4. million seconds of ad volumes for corporate and brand image, the industry witnessed a staggering growth of 570 per cent over the same period last year where it had recorded 0.7 million seconds. The E-commerce and BFSI industries grew by 109 per cent and 110 per cent.

    FMCG, e-commerce, building, industrial and land materials/equipment, corporate and brand image and auto, are the top five industries to dominate by share.

    Ad volumes for Bhojpuri language channels grew by 113 per cent, recording the highest growth across languages followed by Punjabi with 47 per cent, Marathi with 32 per cent and Hindi and Tamil at 28 per cent each. 

    Hindi language channels however continue to dominate share with 49 million seconds followed by Tamil and Telugu with 17 million seconds and 13 million seconds. Onam week recorded 2.23 million seconds of ad volumes, 13 per cent higher than 2019. Ad volumes during Onam week for Malayalam channels also increased by 22 per cent compared to the previous four weeks.

  • Marathi channels amp up content library as festive season begins

    Marathi channels amp up content library as festive season begins

    Mumbai: The start of the festive season in Maharashtra has renewed the competition among Marathi GECs to amp up their content library as they look to expand their audience share. While some channels have launched high-impact properties to drive viewership and grow advertising topline, a few new players have also entered into the fray.

    There are 25 Marathi language channels including nine general entertainment channels (GECs), six news channels, five movie channels, four music channels, and a kids channel. South Major Sun TV Network has recently entered the market with its Marathi GEC – Sun Marathi. The TV viewership for Marathi language channels has grown by a robust 10 per cent over the previous year, according to data shared by Broadcast Audience Research Council (BARC India) with investments in native, culturally rooted content driving consumption across all language channels.

    “The market has grown thanks to the competition between the channels and great content that is being produced,” said Sony Marathi, business head, Ajay Bhalwankar. “When we launched, the entire Marathi genre was hovering around 700 gross rating points (GRPs). Today, this genre is clocking more than 1000 GRPs looking at data from last two to three weeks.”

    Sony Pictures Networks India forayed into the Marathi regional space in August 2018, and was followed by Shemaroo Entertainment which launched its Marathi GEC in January, 2020. These channels were admittedly late in the game dominated by established players like Zee Marathi, Colors Marathi and Star Pravah for nearly two decades.

    The period between Gudi Padwa (April) till Ganesh Chaturthi (September) has been an important launch period for Marathi channels. Sony Marathi launched two fiction shows, “Ajunhi Barsat Aahe” and “Vaidehi – Shatajanmache Apule Naate”.

    Zee Marathi recently launched “Man Zal Bajinda”, “Man Udu Udu Zal”, “Mazi Tuzi Reshimgath”, “Tuzya Mazya Sansarala Ani Kay Hava” and “Ti Parat Aliye”. Meanwhile, Colors Marathi is set to launch its high impact non-fiction property “Bigg Boss Marathi” season three on 19 September.

    “Engaging storylines featuring progressive themes, stories that reflect the cultural nuances and traditions of the region in an authentic and relatable manner always finds an audience”, said Zee Entertainment Enterprises, cluster head – North, West and premium channels, Amit Shah. “Due to the effects of the pandemic, we have seen higher affinity for light-hearted shows.”

    Zee has found success with the launch of a range of channels that cater to different cohorts. Alongwith its GEC Zee Marathi, it also has a youth channel, Zee Youva, FTA and pay movie channels, Zee Chitramandir and Zee Talkies, and  newly launched music channel Zee Vajwa.

    A lot of Marathi original programming caters to audiences from Monday to Saturday but there is a significant drop off of audiences on the weekends when they migrate to Hindi movie channels. That’s where competitor Marathi movie channels by Zee and Shemaroo MarathiBana are growing viewer share by serving native movie content.

    The growing affluence of Marathi-speaking audiences is also why this is a key language market for broadcasters to grow their topline. After, Tamil and Telugu, Marathi advertising segment contributes four per cent to the overall TV advertising revenues estimated at Rs 800-1000 crore. According to BARC India, 32 per cent of audiences that watch Marathi channels are from NCCS A classification, whereas NCCS A and B constitutes 67 per cent of TV viewership in this market.

    Marathi market is one of the few markets where new players have been able to carve out a significant viewership share after investments in strong narratives. At the same time, competition between channels has grown the overall TV market of Marathi-speaking audiences and increased advertising spends in the region. This has enabled channels to continue making investments in fresh programming.

  • BARC India’s Derrick Gray appointed as MRSI VP

    BARC India’s Derrick Gray appointed as MRSI VP

    Mumbai: BARC India’s chief of measurement science and business analytics Dr Derrick Gray has been appointed as vice president of the Market Research Society of India (MRSI).

    Earlier this year, Gray was also appointed as chair of the professional standards committee at MRSI that was established to ensure strong ethical and professional standards for the Indian market research industry.

    “I am quite honored to assume the role at MRSI India,” said Dr Gray. “With my experience over the years in statistical research, measurement and data science, I am looking forward to working collaboratively with the team at MRSI. We hope to be able to make significant progress together as a team.”

    A veteran audience measurement and advanced analytics executive, Gray brings with him a global experience of two decades in audience measurement and audience information systems for various media including linear TV, digital video, and radio. He has lead several statistical research, measurement science, data science functions during his distinguished career.

    He has previously served on the board of directors of the Marketing Research and Intelligence Association (MRIA) of Canada.

    “We at BARC India are extremely proud of Derrick’s recent appointment and would like to congratulate him. We wish him all the success for this new role and look forward to him guiding market research in India to even greater heights,” said BARC India CEO Nakul Chopra.

  • Women Olympians dominated TV ads during Tokyo Games: BARC

    Women Olympians dominated TV ads during Tokyo Games: BARC

    Mumbai: Women Olympians dominated TV ads during the telecast of the Tokyo Olympic Games 2020, according to data provided by Broadcast Audience Research Council (BARC) India. 31 per cent of ads on TV during the telecast of the Olympics featured Indian athletes, out of those, 69 per cent featured female Olympians, it said.

    The most visible athletes included pistol shooter Manu Bhaker, badminton player PV Sidhu, wrestlers Yogeshwar Dutt and Bajrang Punia, professional archer Deepika Kumari, sabre fencer Bhavani Devi, boxer Mary Kom, table tennis player Manika Batra and field hockey player Rani Rampal.

    PV Sindhu and Bajrang Punia brought home a bronze medal from the Tokyo Olympics in women’s singles badminton and freestyle wrestling (65 Kg) respectively.

    Weightlifter Mirabai Chanu (silver), boxer Lovelina Borghohain (bronze), wrestler Ravi Kumar Dahiya (silver), track and field athlete Neeraj Chopra (gold) and the Indian men’s hockey team (bronze) brought home five medals for India. Lovelina Borghohain, Ravi Kumar Dahiya and Bajrang Punia made their debut in the Olympics this year.

    The Indian men’s hockey team comprised PR Sreejesh, Harmanpreet Singh, Rupinder Pal Singh, Surender Kumar, Amit Rohidas, Birendra Lakhra, Hardik Singh, Manpreet Singh, Vivek Sagar Prasad, Nilakanta Sharma, Sumit, Shamsher Singh, Dilpreet Singh, Gurjant Singh, Lalit Kumar Upadhyay, Krishan Pathak, Varun Kumar, Simranjit Singh under the captaincy of Mandeep Singh and guidance of coach Graham Reid.

    Notably, the women’s hockey match against Great Britain for the bronze medal garnered 311.3 million viewing minutes which was higher than the final men’s hockey match against Germany that garnered 260.9 million viewing minutes.

    Source: BARC data – L/T Tokyo 2020 Oly-21 | Hockey Bronze Medal Matches | 5 August 2021 – men’s hockey | 6 August 2021 – women’s hockey | Channels Sony SIX (HD)(v), Sony SIX (v), Sony Ten 1, Sony Ten 1 HD, Sony Ten 2, Sony Ten 2 HD, Sony Ten 3, Sony Ten 3 HD, Sony Ten 4 (HD)(v), Sony Ten 4 (v),  DD Sports / *Ads by duration (secs)

  • India’s tour of England on Sony Sports sets viewership record

    India’s tour of England on Sony Sports sets viewership record

    Mumbai: Sony Sports has revealed that the final day (17 August) of the second Test match between India and England played at Lords garnered close to eight million impressions. The final session of the match which had team England bundled out for 120 runs achieved an average viewership of 10.7 million impressions, said the channel.

    The average rating for the series to date is almost 30 per cent higher than the 2018 series featuring the same teams. The average ratings grew by almost 70 per cent on the final day of the test.

    “The viewership for ongoing England vs India test match series has been the highest for an away bilateral test match series featuring Indian cricket team in the past three years,” the channel said in a statement. “The ratings for the final day are the highest ever on a pay sports channel for a test match day featuring the Indian team playing away from home. The final session of the match was one of the most-watched test match sessions in recent years,” it added.

    After a draw in the first test match at Trent Bridge due to rain, team India played the England team at Lords. KL Rahul and Rohit Sharma gave a strong start followed by an 89-run partnership between Mohammed Shami and Jasprit Bumrah. Mohammed Siraj took home four wickets on the last day securing India’s first victory in the test series.

    “The India tour of England series has always been a high–profile test series and has lived up to both advertiser and viewer expectations. And after India’s thrilling win at Lords, more brands have come on board Sony Sports channels and look forward to reaching out to their target audiences and leverage on the huge buzz the series is generating,” said the channel.

    Sony Sports roped in 12 sponsors including Mahindra & Mahindra, Byju’s, Pan Bahar, PharmEasy, Fogg, WhatsApp, Samsung, MRF, Cars 24, Ultratech, Airtel, and Kent for India’s tour of England.

    (Source: BARC, All India, U+R, CS 2+, Day-wise impressions on pay sports channels)

  • BARC India revenues at Rs 251 crore in FY21: Crisil

    BARC India revenues at Rs 251 crore in FY21: Crisil

    Mumbai: The Broadcast Audience Research Council (BARC) India revenues stand at Rs 251 crore for FY 2021, according to a Crisil report. Its profit after tax stands at Rs 44 crore. 

    The TV rating agency’s financials for FY 2020 stood at Rs 317 crore in revenues and net loss of Rs five crore. The agency also has a debt obligation of around Rs 38 crore for FY 2022. Crisil reaffirmed its rating of ‘Crisil A/Stable’ for the agency.

    “TV advertisements, the major factor driving revenue for the company, have a high correlation with economic activity. The lockdown imposed to contain the Covid-19 pandemic and weak economic activity in the first half of fiscal 2021 led to a significant drop in ad revenue for television broadcasters, which led to decline in revenue for BARC. However, with an uptick in economic activity in the latter half of the fiscal, revenues have been gradually recovering. Furthermore, the cost-rationalisation measures undertaken by the company ensured better operating profit in fiscal 2021,” said the report.

    Crisil’s report indicates that downward factors such as weakening support from member entities of promoter bodies, change in status as the sole provider of TV viewership measurement in India, and larger than expected debt may impact ratings for the company in the future.  

    80 per cent of BARC India’s revenue comes from broadcasters. It levies a fixed percentage of the ad revenue of broadcasters (0.8 per cent for fiscals 2017 to 2021). As the sole provider of independent TV viewership estimates, BARC India is highly strategic to broadcasters which ensures stickiness and good visibility.

    The agency is promoted by three industry associations, the Indian Broadcasting Foundation (IBF), the Indian Society of Advertisers (ISA), and the Advertising Agencies Association of India (AAAI) with a shareholding of 60:20:20. BARC uses audio watermarking technology and deploys around 46,000 BAR-O-meters. “The company is venturing into viewership estimation for digital platforms, and is increasing the number of BAR-O-meters deployed,” said the report.

  • TV viewership for Marathi channels see a 10% rise over 2019 : BARC

    TV viewership for Marathi channels see a 10% rise over 2019 : BARC

    Mumbai: Marathi language channels have the highest viewership share in the Hindi Speaking Market (HSM) after Hindi language channels. In Maharashtra/Goa, Marathi language channels constitute 34 per cent of the viewership share whereas Hindi language channels have 54 per cent viewership share. This is lower compared to other language markets such as West Bengal where Bengali language channels have 53 per cent viewership share and Tamil Nadu where Tamil language channels have 90 per cent viewership share.

    These data and insights were shared by Broadcast Audience Research Council (BARC) India, head client partnerships and revenue, Aaditya Pathak at Indiantelevision.com’s Tele-wise Marathi: The Power of Television, a virtual summit presented by COLORS Marathi and media partners AnimationXpress.com, TellyChakkar, and radioandmusic.com.

    Overview of the market

    There are 210 million TV-owning households in India out of which 26 million are in Maharashtra. The state has a 12 per cent share of the total TV homes. The 109 million audiences living in these homes contribute 13 per cent to the overall TV viewership and five per cent of that viewership goes to Marathi language channels. The average time spent watching TV in Maharashtra is much higher compared to all India or the HSM and stands at an average of four hours and six minutes every week.

    BARC TV Universe monitors ~580 channels. There are 25 Marathi language channels comprising GECs (nine), news (six), movies (five), music (four), and a kids channel.

    TV viewership for Marathi language channels has increased by 10 per cent over 2019, whereas Hindi channels have seen a decline and other language channels remain relatively flat.

    Within the sub-genres, Marathi GECs have grown by 22 per cent over 2019, while Marathi movies and news viewership remained the same. The growth of Marathi GECs also beat Hindi GECs.

    “The viewership of Marathi channels remained relatively unchanged post-Covid, even as viewership of non-Marathi channels peaked in the first wave of the lockdown. The peak was a complete India and HSM phenomenon which could be attributed to initiatives taken up by channels such as Doordarshan to rerun their old shows like ‘Ramayan‘ and ‘Mahabharat‘ which were lapped up across different town classes and geographies,” said BARC India’s Pathak.

    “Among the Marathi genre channels, Marathi GECs used to constitute 20 per cent of the average weekly viewing minutes. In the first lockdown due to the absence of original programming that share dropped to eight per cent but has returned to 23 per cent,” he said, adding that, “Viewership share for Marathi movies and Marathi news is higher than what it used to be before the lockdown.”

    Battle for eyeballs: Marathi vs Hindi

    Most Marathi audiences are bi-lingual and hence consume content in both Hindi and Marathi. Marathi language channels have grown their market share in Maharashtra/Goa market from 30 per cent in 2019 to 34 per cent in 2021. In the same period, Hindi channels share has decreased from 57 per cent to 53 per cent.

    “We have observed that the rural markets skew towards local languages and similarly there’s a greater skew towards Marathi language channels in such markets. When you move to a town class, Marathi language channels increase their share to 40 per cent and when you move to an urban landscape their share moves down to 25 per cent while Hindi channels increase to 62 per cent,” said Pathak.

    He also dissented with the view that there is a big overlap in Hindi and Marathi TV viewing audiences. “If we were to look at pure Marathi audience, there were 4.8 million in 2019 which has grown by 21 per cent to 5.8 million in 2021. This clearly goes to show that there are more people lapping up local content available on the 25 Marathi channels,” he said.

    The viewership of Marathi GECs is almost on par with Hindi GECs on weekdays. However, on weekends there is a significant movement of audiences from Marathi channels towards Hindi movie channels. “It should also be noted that a lot of Marathi original programming is scheduled on the Fixed Time Chart (FTC) from Monday to Saturday,” Pathak said.

    Advertising opportunity on Marathi channels

    The positive sign is that Marathi channels are seeing a return in the number of advertisers and brands, although it is yet to reach 2019 levels. “Total TV ad volumes grew by 14 per cent in 2021 over 2019. If you look only at Marathi language channels, the growth has been 44 per cent. Even though the base is different, we know that this is a very healthy growth,” said Pathak.

    The growth in ad volumes has been highest for the news and movie genres while GEC saw only a marginal increase. Exclusive advertisers on Marathi channels have also grown by 18 per cent.

    Ad volumes from the top five categories barring auto have increased significantly. FMCG ad volumes have grown by 77 per cent, e-commerce by 38 per cent, infrastructure (building, industrial, land materials/equipment) by 29 per cent, and BFSI by 60 per cent.

    The affluence of consumers in Maharashtra has also increased. “32 per cent of audiences that watch Marathi channels are from the NCCS A classification. This augurs well for advertisers who are targeting affluent Marathi households. The cluster of NCCS A and B constitutes almost 67 per cent of the TV viewership in this market. The ratio of male to female TV viewers is almost aligned at 41:59,” Pathak said.

    According to Pathak, while the market is not under-indexed, there is room to grow in terms of ad volumes. He said, “We need to be cognisant that there are 25 Marathi channels compared to Bangla language market where there are 35 channels. As the affluence of the market increases, we expect the number of TV connections going up.”

    Sources: BARC data (TV UEs 2020, All India 2+, Maha/Goa 2+, HSM 2+, Average Weekly VM’Bn, 2019 and 2020 entire year, Wk 14-30’2021)