Tag: Banijay Group

  • Banijay group maps blockbuster growth plan at capital markets day 2025

    Banijay group maps blockbuster growth plan at capital markets day 2025

    MUMBAI: Banijay group, the global powerhouse in entertainment, unveiled its ambitious growth roadmap at its capital markets day on 16 May 2025, pledging to supercharge its content empire and maintain its industry dominance. With a target of €7 billion in revenue and over €1.2 billion in adjusted EBITDA by 2028, the company laid out a strategy to stay on top in a fast-evolving entertainment landscape.

    Under the leadership of founder &  chairman Stéphane Courbit, Banijay committed to leveraging three powerful growth levers: accelerating organic growth, developing synergies across its diverse portfolio, and capitalising on industry consolidation.

    “Entertainment is the common DNA that connects all our activities. Our purpose remains the same: to produce and deliver emotional experiences at scale,” Courbit declared.

    Banijay group CEO François Riahi highlighted the company’s readiness to capture new growth avenues, driven by a clear strategic focus on digital platforms, premium content, sports, and immersive experiences. “We are raising our mid-term guidance, backed by a strong platform, iconic IP, and disciplined financial management,” he added.

    Banijay’s bold financial goals included:
    * Revenue of around €7 billion in 2028.
    * Adjusted EBITDA of over €1.2 billion in 2028.
    * Organic revenue growth of mid-to-high single digits for content production and low-to-mid teens for online sports betting and gaming.
    * Over 80 per cent adjusted free cash flow conversion.
    * A dividend payout of over 33 per cent of adjusted net income.
    * Target leverage of 2.0x in the medium term.

    The group also revealed plans to consolidate The Independents, increasing its stake from 14 per cent to 51 per cent in 2026. This move would add €1 billion in revenues by 2028 without impacting leverage, thanks to a primary equity raise of €300m to €400m.

    From blockbuster TV shows and digital content to live experiences and sports entertainment, Banijay’s ambitions are crystal clear – to remain the world’s go-to entertainment powerhouse.

  • COLORS transforms ‘Bigg Boss Chahte Hain’ to ‘Bigg Boss Jaante Hain’ for new season

    COLORS transforms ‘Bigg Boss Chahte Hain’ to ‘Bigg Boss Jaante Hain’ for new season

    Mumbai: Get ready for a new season of ‘Bigg Boss’ with the tagline transformation from “Bigg Boss Chahte Hain” to “Bigg Boss Jaante Hain.” This year, COLORS is launching the 18th season of its iconic reality show with a fresh theme: “Time Ka Tandav.” The show will not only entertain but also provide insights into contestants’ futures, as ‘Bigg Boss’ himself predicts their every move.

    Salman Khan returns as the host, promising tough questions and reality checks during Weekend Ka Vaar. Produced by Endemol Shine India and Banijay Group, the show premieres on October 6 at 9 PM, airing Monday to Friday at 10 PM on COLORS and live on Jio Cinema for premium subscribers.

    Viacom18’s Alok Jain stated, “At COLORS, we take pride in consistently innovating and delivering content that resonates with our audiences. Bigg Boss is a testament to this, with each season pushing the boundaries of innovation and entertainment.” He added that the theme of “Time Ka Tandav” reflects their commitment to fresh content and innovative integrations.

    Salman Khan expressed his enthusiasm, saying, “When the format of Bigg Boss 18 was narrated to me, I was quite intrigued. After hosting the show for 14 years, it’s exciting to see how it is bringing a whole new twist to the format… This is a welcome change, and I think it’s going to take both the contestants and viewers on an unpredictable ride full of surprises.”

    Banijay Asia and Endemol Shine India founder & group CEO Deepak Dhar emphasised the show’s legacy: “The legacy of entertainment created by Bigg Boss is a matter of immense pride for all of us at Endemol Shine India. With each season, Bigg Boss has not only captured the imagination of audiences but redefined the very nature of reality television… the stage is set for an entertainment extravaganza like no other.”

    This season’s promotional campaign features ex-contestants and COLORS actors receiving cryptic notes about the show’s theme, while digital initiatives will include behind-the-scenes content, Snapchat lenses, and Instagram filters. Unique global spectacles will employ CGI technology to project the iconic Bigg Boss eye on clock towers worldwide, representing the show’s influence.

    JioCinema will provide 24-hour Live coverage, boosting interactivity with programs like Hype and Jeeto Dhan Dhana Dhan, where viewers can answer trivia questions for prizes, including an iPhone 16. Voting remains crucial, allowing fans to save their favourite contestants from nominations, along with engaging content segments throughout the season.

  • Temptation Island India on JioCinema: Love, drama, and temptations!

    Temptation Island India on JioCinema: Love, drama, and temptations!

    Mumbai: JioCinema, India’s biggest entertainment destination, is all set to elevate the entertainment quotient for its viewers with the launch of the Indian adaptation of one of the world’s biggest reality formats, Temptation Island. Starting 3 November at 8 pm, the show will have two of the most seasoned personalities of Indian television, the stunning Mouni Roy play The Queen of Hearts and the relationship expert, and the charismatic Karan Kundrra takes charge as the host. In this ultimate Pyaar Ki Pariksha, Mouni will be guiding the contestants in their journey of self-discovery, while Karan will test the strength of the relationships. Social media’s most sensational stars, Elvish Yadav and Abhishek Malhan (Fukra Insaan) will also be seen together in the show, who will help the contestants explore connections in the villa. Temptation Island is an original format owned by the Banijay Group and is produced in India by Banijay Asia.

    Shot at an exotic tropical island, this unique social experiment will see couples tempted to sever old ties and explore new romances as they willfully separate in the Girls Villa and the Boys Villa and immerse themselves in an environment filled with irresistible allure. Surrounded by charming singles, they will grapple with their feelings, confront unfamiliar temptations, and delve into their deepest desires. Through the course of the show, the boys and the girls will explore new bonds through romantic dates, interesting activities, and theme parties that will help them understand each other better. The special bonfire segments as part of the special weekend episodes with Mouni Roy and Karan Kundrra will unfold all the drama and emotions as they will get a glimpse of the evolving dynamics of their respective partners in the villas.

    Presented by Too Yumm, Powered by Paytm, and along with Skore as the Digital Partner, Temptation Island India will span across 42 episodes, with an extended version called Temptation Channel streaming on the platform all day. The show will also introduce an array of interactive features, enhancing the viewer experience like never before, ensuring non-stop entertainment on the platform. Leaked Chats will give viewers a sneak peek into their most intimate conversations including photos, videos, voice notes, and text messages. The platform will feature Ask Love Guru for relationship advice from an expert, Horizontal Hype Trivia for quick facts and info about contestants. With Jeeto Dhan Dhana Dhan viewers will be in for a rewarding experience where they’ll win daily prizes by answering simple questions as they watch the Temptation Channel. Not to miss the very engaging JioCinema Super Squad, giving viewers a chance to make their own team and win big rewards. Temptation Awards will let viewers vote for their favorites, while Hype Chats and Stickers will provide real-time engagement.

    Speaking on the launch of the reality series, a spokesperson at JioCinema said, “At JioCinema, we are deeply invested in our audience while continuing to expand our portfolio with genre defining content that set new benchmarks. Reality is a key part of our overall content strategy and Temptation Island India will truly be a game changer for this category. As we bring the iconic global IP to India, we are sure to redefine the ‘unscripted’ entertainment making it the new reality phenomenon for the nation.”

    Commenting on the launch, Banijay Asia & Endemol Shine India founder & Group CEO Deepak Dhar said, “Temptation Island has left an indelible mark on the global reality TV landscape, with its immense success spanning over 20 countries. We are thrilled to now bring this iconic show to India. Given the show’s unique concept, JioCinema’s wide reach, and an interesting mix of participants, Temptation Island India is all set to redefine the way Indian audiences experience reality television.”

    Speaking on the partnership, a spokesperson at Too Yumm said, “Too Yumm! always seeks to find interesting and disruptive ways to engage with its consumers and form deeper connections with them. As we launch one of the most disruptive tasting snack for our consumers TooYumm! Twisties, we felt it needed an equally disruptive launch medium. What could have been better than one of the most successful reality shows in the world Temptation Island, as it debuts in India through JioCinema. We are sure, together, we will be creating lots of twisti-es and masaledaar experiences for our consumers.”

    Too Yumm presents Temptation Island India, powered by Paytm and digital partner Skore, starts 3 November at 8 pm on JioCinema.

  • Banijay France taps Jean-Louis Blot as EndemolShine Production CEO

    Banijay France taps Jean-Louis Blot as EndemolShine Production CEO

    MUMBAI: Banijay France has appointed Jean-Louis Blot as CEO of EndemolShine Production (excluding scripted).

    In his new role, Blot will be responsible for spearheading EndemolShine Production’s unscripted operations and is charged with driving creativity and a healthy pipeline of IP for the business’ local and global clients, as well as the wider group’s extensive cross-territory catalogue. An entrepreneur, producer and tastemaker, he brings a range of experience to the role and will be at the forefront of growing the organisation’s offering and bolstering its reputation in the market.

    Having graduated from Sciences Po, Jean-Louis is one of the most respected names in the industry. In 2008, he created BBC Worldwide Productions France, the first French subsidiary of the BBC, which he led with success and since 2016, has been behind the equally triumphant creation of Warner Bros International Television Production France.

    Banijay France CEO François de Brugada said, “We are very happy to have Jean-Louis joining the Banijay adventure. For the past ten years, he has demonstrated a strong ability in anticipating trends in the French market and strategically capitalising on growth and success opportunities. With the know-how and creativity of EndemolShine Production, the amazing tank of ideas that is the Banijay catalogue, and Jean-Louis leading, I am confident in our company’s future.”

  • Takis Candilis returns to Banijay as senior adviser

    Takis Candilis returns to Banijay as senior adviser

    MUMBAI: Banijay has welcomed former head of scripted Takis Candilis back to the business as it looks to expand its investment in the genre. Candilis has returned in the capacity of senior advisor and will drive up co-production and new IP opportunities across southern Europe.

    In recent months, Banijay, which operates 120 production entities across 22 territories, has upped its operations and talent in the scripted space. 

    During his previous stint at Banijay, Candilis was charged with expanding international activity in scripted programming. He left the global producer-distributor in 2018 to take on the role of deputy managing director of broadcast and programming at France Télévisions. There, he spent two years supervising programming and editorial strategy for the group’s national channels.

    Banijay CEO Marco Bassetti said: “While unscripted continues to be at the core of Banijay, we have undoubtedly amplified our scripted efforts through the latest acquisition. Teaming our increased ambition in the drama space with the ample opportunity in the market, we are sure, with Takis, we can further grow our international pipeline and strategically drive up southern European owned-IP for our catalogue.”

    Takis Candilis added: “What a difference two years makes… Banijay was always an inspiring, ambitious and ultimately creative business but over the past few months it has rapidly expanded and become a leading player in the scripted space. It’s a great time to be returning as the group continues to innovate and I look forward to working with the team to identify original premium IP projects and collaboration opportunities across southern Europe.”

    Having started his career as an independent producer, the entrepreneur has also held leadership roles at TF1, Lagardère Entertainment, Tara Productions and Caméras Continentales. As senior advisor, Candilis will partner closely with CEO, Marco Bassetti, and the group’s core leadership team.

  • Production powerhouse Banijay unveils new brand identity

    Production powerhouse Banijay unveils new brand identity

    MUMBAI: A new giant has emerged on the global TV production front with the completion of Banijay’s takeover of the Endemol Shine Group last week.  And the group has gone in for a rebranding exercise, revealing what it calls a new and contemporary brand identity. The merged parent entity and its operations have been called Banijay and will cover 22 territories, 120 plus production and a catalogue of over 88,000 hours of content.

    New logos – with an iconic pinkish B attached to every company logo – a fresh colour palette and an overhauled website have been unveiled. Globally,  Banijay Rights continues to lead distribution activities, while all territory-level holding companies will soon switch to Banijay. In India for instance, Banijay has three firms under its belt: Banijay Asia, Endemol Shine India and SOL India. Each of them has had the “B” attached to their logos and each has the tag identifying them as a Banijay company. While Banijay Asia is led by Deepak Dhar, Endemol Shine India has Abhishek Rege at the helm and SOL Productions has Fazila Allana and Kamna Narula Menezes leading it.

    The rebrand was imagined and executed by leading global creative partner Moving Brands with website design and build handled by Alchemy Digital.

     “The acquisition of Endemol Shine Group marks a major gear shift for our business and that had to be represented in our branding. We now have unrivalled global reach, an abundance of high-quality, multi-genre titles, and some of the best creative entrepreneurs in the world,” said Banijay CEO Marco Bassetti. “Celebrating our values, the significant breadth of our new offering and our continued investment in innovative IP, the simple, yet effective branding, provides standout alongside versatility, and we hope in years to come, our B will act as a beacon for ground-breaking storymaking and a stamp of excellence.”

    Among its global  top shows figure:  Survivor, Big Brother, Peaky Blinders, Temptation Island, MasterChef, Wallander, The Kardashians, Mr Bean, The Wall, Hunted, Black Mirror, Extreme Makeover: Home Edition and Deal or No Deal.

    With Bassetti fully in charge as CEO, Endemol Shine Group CEO Sophie Turner Laing is slated to exit by end this week. French entrepreneur Stéphane Courbit, who helped stitch together the deal, serves as chairman of the group. Total pro-forma revenue of Banijay-Endemol Shine  for 2019 totted up to  Euros 2.7 billion.

  • Banijay to acquire Endemol Shine in $2.2 billion deal

    Banijay to acquire Endemol Shine in $2.2 billion deal

    MUMBAI: Now that’s what we call a mother of an acquisition. French production company Banijay Group  – which is headed in Asia by Deepak Dhar – has announced that it will acquire the Walt Disney: Appollo Global Management-owned Endemol Shine Group at a sticker price of $2.2 billion.

    A press release stated that the deal will encompass Endemol Shine’s 120 production labels with an estimated 66,000 hours of scripted and non-scripted programming together with over 4,300 registered formats. Upon completion of the acquisition, Banijay Group will own almost 200 production companies in 23 territories and the rights for close to 100,000 hours of content. The merged entity will have around 100,000 hours of content, making it the largest non-US production outfit. Total pro-forma revenue of the combined group is expected to be approximately $3.3 billion for the year ending 31 December 2019.

    Parleys for a deal between the two have been going on for more than 18 months now. The asking price early on was a humungous $4 billion, which lead to other interested parties like talent agency Endeavor and ITV losing interest quickly.

    The acquisition will be financed through a capital increase of Banijay Group and committed debt financing, which includes a committed full refinancing of Banijay and Endemol Shine’s existing financial debt, supported by Deutsche Bank, Natixis and Société Générale. Endemol Shine’s respective debt was approximately $486 million ($539.5 million) and $1.83 billion ($2 billion) as of December 2018. Postclosing, the combined group will be held by LDH (67.1 per cent ) and Vivendi (32.9 per cent).

    LDH is a holding company controlled by Financière LOV (52 per cent), Banijay chairman Stéphane Courbit’s investment arm. LDH has the following other shareholders: the Italian Group De Agostini with 36 per cent  of the capital, and Fimalac, the investment company of Marc Ladreit de Lacharrière, which will own 12 per cent of the capital through a reserved capital increase dedicated to the financing of the Endemol Shine acquisition. In addition to a direct investment in LDH, Fimalac will reinforce its long-term partnership with Financière LOV by increasing its stake in Financière LOV from 5.75 per cent to 8.4 per cent.

    The press release stated that: “Boosting Banijay Group’s scripted credentials and further building its reputation as a go-to provider of high-quality unscripted IP, the combined catalogue is expected to include some of the world’s best known brands and formats such as Black Mirror, Versailles, The Millennium Trilogy, Peaky Blinders, Big Brother, MasterChef, Survivor, Temptation Island, Wife Swap and The Island. Furthermore, with a significantly broader brand portfolio, and larger creative platform, the combined group will be in an even stronger position to create, nurture and drive fresh IP for both linear broadcasters and new players.”

    “Endemol Shine brings an incredible array of industry-leading talent, globally-renowned brands and high-quality creative content. Combining the resources of these two companies will instantly strengthen our position in the global market, and our capabilities across genres will further define us as a go-to provider of first class IP worldwide. Welcoming the Endemol Shine brands and talents to our existing business will signal enhanced opportunities in the marketplace, and we are all excited by what the future holds for the combined entity,” said Banijay CEO Marco Bassetti.

    “At Endemol Shine, we have continually inspired and entertained audiences around the world, a testament to every single person across the Group. This deal takes us into a whole new and exciting chapter and into a new enhanced global content house with many opportunities ahead,” added Endemol Shine Group CEO Sophie Turner Laing.

    The merger – when it is approved by the authorities  – is likely to lead to a rationalisation of manpower at both the groups.

    In India, Endemol Shine is amongst the top three production companies by revenue and is headed by CEO Abhishekh Rege. The overseas merger will probably result in him once again reporting to his former Endemol Shine India boss Deepak Dhar who has since gone on to set up Banijay Asia. The latter has been on an overdrive and in a very short span of time has emerged as amongst the top 10 producers in India. The Rajeash Kamat, Paul Aiello-headed Emerald Media group is one of the equity owners in Endemol Shine India.

  • Top TV producers weigh in on OTT challenge, formats & IP rights

    Top TV producers weigh in on OTT challenge, formats & IP rights

    MUMBAI: Content creators today cannot rely on daily soaps to attract viewers. With OTT looming large, production houses have to broaden their content nexus. Indiantelevision.com’s The Content Hub hosted a session – ‘The TV production Story: Reality, Non-fiction’, with the panellists Contiloe Pictures producer and founder Abhimanyu Singh, Endemol Shine CEO Abhishek Rege, SOL India – Banijay Group founder and MD Fazila Allana. The session was moderated by Bodhitree Multimedia co-founder and director Mautik Tolia

    The panel discussed the hot topic of IP rights, whether it should be given to the broadcaster or kept with the creator. To this, Singh said that it is valuable for every production house to hold its IP rights, where one can syndicate and get certain revenues on a recurring basis. "If the ecosystem thinks of it then I think the law needs to protect creators just as the musicians are protected," he said and Allana agreed with him.

    Rege said that retaining IPs means financial risks for the producer. He further explained, "If we have commissioned a show in Hindi, why would you have the IP of all the languages go with the network? But while we think all this to happen, are we ready to take all the risk?”

    Discussion on the potential of content, Rege said that scripted shows are platform-agnostic. He said that the challenge here is making attractive content for the viewers and targeting the right TG. "With OTT, I don’t think it’s easy to do as many talents shows that we do on linear," he added.

    The new tariff order will bring about a change in content creation, according to Rege. With customers choosing individual channels, broadcasters need unique content to attract people. “This fight is based on non-scripted or premium scripted property," he said.  

    Allana said that non-fiction producers have a bigger challenge as opposed to fiction producers because there has been a saturation of ideas. But she added that non-fiction content is going to evolve in the OTT platform but the future belongs to scripted shows. “On OTT there will be a lot of social experimentation as well as lifestyle programming.  Earlier we all used to chase formats now we chase stories,” she said.

    The deluge of daily content has thwarted premium content from growing. Rege said, "In creating premium content, you will have to spend time in writing. Apart from that, as far as production is concerned, you will have to have the discipline of pre-producing the series and this doesn’t exist on our television. The whole ecosystem needs to move in this direction." 

  • The Content Hub 2019: Creators discuss digital adaptation, creativity and originality

    The Content Hub 2019: Creators discuss digital adaptation, creativity and originality

    MUMBAI: Indiantelevision.com on Wednesday wrapped the third edition of its popular event The Content Hub in presence of some of the biggest names from the TV, digital, and the movies industry. Spanned across several panel discussions and fireside chats, this edition of The Content Hub discussed ‘the new era of content creation’ with a focus on the digital boom, need of good content creators, the synergy between creators and producers, and creating properties that can travel globally.

    Starting the day was a panel discussion on ‘The TV Production Story: Reality, Not Fiction’, moderated by Bodhi Tree Multimedia co-founder and director Mautik Tolia. In discussion were some of the most successful and prominent names in the TV industry – Contiloe Pictures Pvt Ltd founder and producer Abhimanyu Singh, Endemol Shine India CEO Abhishek Rege and SOL India – Banijay Group founder and MD Fazila Allana.

    The distinguished panel discussed the opportunities and challenges fiction and non-fiction formats today face in the TV and digital world. They also shed some light on the prospects premium content has in the Indian industry.

    The panel agreed that non-fiction producers face bigger challenges in creating content as compared to those investing in fiction and dramas. Allana noted that while earlier people were chasing formats, now they are chasing stories. However, she quipped that there is a vast opportunity for non-fiction shows on OTT platforms citing examples of TV shows like MTV Troll Police.

    Singh reflected the same sentiments as he noted that this is a very good time for the content creators. He said, “I feel it is a great time to tell stories. I think we as an industry haven’t delivered premium content because the nature of delivery has always been daily content. So, this is an opportunity to deliver premium content.”

    Rege mentioned, “Scripted becomes a little easier to tell stories more across TV, OTT or across multiple platforms. The challenge here is making attractive content for the viewers and targeting the right people. With OTT I don’t think it’s easy to do as many talent shows that we do on linear.”

    The second session was a fireside chat between Indiantelevision.com founder, CEO and editor-in-chief Anil Wanvari and Swastik Productions  & One Life Studios founder and chief creative officer Siddharth Kumar Tewary.

    Tewary, based on his extensive experience of industry work, reflected upon many aspects of content creation and production including formats, IP rights, and disruptors in the industry. He noted while most of the people believe that longer formats don’t work internationally, the reality is not the same.

    Speaking about IP rights of content, Tewary made some relevant points saying, “IP creation is a scientific thing related to the socio-political situation in the country and the world. We need to know where the world is heading. If you are going to add value and bring something unique for the TV, then you will get the IP.” He also announced the foray of his group in the animation category at the platform.

    The next session was a discussion on the animation industry with an esteemed panel of Discovery Kids head Uttam Pal Singh, Golden Robot Animation head of business development RK Chand, Paperboat Animation co-founder and chairman Soumitra Ranade and Bioscopewala Pictures managing partner Nishith Takia. The session was moderated by Kinsane Entertainment Inc chief marketing officer Pranab Punj.

    The panel highlighted the vast opportunities OTT platforms are offering them right now. Takia shared that his company is in talks with several big digital players to create content for them. Another point that the panel highlighted was that Indian audience is not very keen to visit theatres to consume animated content and that closed their avenues of creating content for a wider audience and not just the kids.

    Answering a question on why there aren’t more female-led animated shows in India, the panel shared a similar tone as they mentioned that in most of their shows, the female characters have an equal prominence as the mail lead, they are inclusive to the storyline. They added that male-led shows are doing well in the market and from a business perspective they are focusing on that aspect as well.

    The next session was an interesting and insightful chat on ‘The Syndication Opportunity’ between Sony head networks—licencing Malvika Prabhu, Go Quest Media Ventures MD Vivek Lath, Swastik Productions and One life studio producer and managing director Rahul Kumar Tewary, MX Player head of content acquisition Mansi Shrivastav and ANM Global co-founder partner Nidhish Mehrotra. Moderating the panel was Wanvari.

    Wanvari started the discussion by asking the panellists whether the demand for Indian content in the global market is going up or declining. To this, the panel stated that it has probably reduced over time. However, the Indian creations are performing well at markets like Thailand and Sri Lanka.

    The panel mentioned that genres like romance, drama, horror, and good animation has a lot of markets overseas. They also added that premium content will also attract a lot of traction towards Indian creations. Kumar stated that we need to relook at the type of content we are creating and invest more in subjects that have the potential to travel. He also said that Indians do not value their content enough.

    Lath said, “We have to think like a programmer and not from a sales perspective,” as he elaborated on the right approach to sell content overseas. He predicted that India has the potential to make around Rs 400-500 crore with content syndication (minus the movies) because it is still young in the market and has a lot of potential to improve in the coming times. Kumar added that in the next few years Indian premium content will find a lot of audiences globally.

    Taking the insightful day ahead was the next panel of digital producers including Addatimes Pvt Ltd managing director Rajiv Mehra, The Viral Fever (TVF) global head of business and content Rahul Sarangi, Viacom18 EVP and head content Monika Shergill, MX Player chief content officer Gautam Talwar and One Digital Entertainment COO and co-founder Gurpreet Singh. The panel was moderated by industry veteran and Hungama Digital Media Entertainment executive producer Sanjeev Lamba.

    While the panel agreed that there is a great influx of male-oriented and sexually-oriented content performing on OTT platform, they all are looking beyond that. They all mentioned that the industry is currently focusing on good writing talent and meaningful stories. Sarangi said that TVF is not looking towards creating violent or sexual content at all, at least for the next four to five years. Its focus is on stories like Pitchers and Yeh Meri Family that touch the hearts of the people.

    Shergill shared that Voot is looking at ideas that bring new and original voices to the stories. Unless platforms experiment, she believes they will lose their audience.

    Talwar shared that the focus of recently launched MX Player is on creating content that can be watched on a 5-inch phone screen rather on a 50-inch TV. The TG for the player is 18-30-year-old male and it wants the platform to be genre-agnostic.

    The next event was a fireside chat between Wanvari and Applause Entertainment CEO Sameer Nair. The duo discussed ‘The New Studio Model’.

    Nair started with launching an amazing showreel of upcoming programmes from the Applause banner. They included a wide variety of content ranging from humour to political to drama. It also included the Indian version of the very popular The Office series.

    Nair stated that he did not want to start a company which goes on to become just a production house but he rather wanted to invest in good content. He thus worked with some amazing directors, writers, and actors like Ronit Roy, Pankaj Tripathi and Swara Bhaskar to create the first instalment of the Applause shows. One of the flagship series, Rasbhari-starring Swara Bhaskar and written by Shantanu Shrivastava—has in fact already been selected for ‘Series Mania’ festival in France. Warning them of slacking in content, he said, “If the content industry is not careful right now, it will end up becoming a replica of TV.”

    The day continued with a panel discussion on how new Hindi film producers are making their mark and what business models they are drawing up. Part of the discussion were Essel Vision (Zee Studios) CEO Shariq Patel, Viacom18 Studios chief operating officer Ajit Andhare, Alliance Media and Entertainment owner Sunil Doshi and Fox Star Studios India CEO Vijay Singh. Moderating the panel was film reviewer at Film Companion Suchitra Tyagi.

    The panel was a light-hearted but with insightful discussions on the current trends of the Indian movie industry, the need for well-written scripts and content that performs. The panel agreed that today is an amazing time for good storytellers and content creators. They forced upon the fact that literature is the sibling of cinema. The panel also discussed on creating avenues to make the system more approachable to the budding writers who want to reach out to the studios.

    The evening was concluded by an overview of the MIP platform by MIP China Hangzhou director of market development Ted Baracos, who in an interactive session apprised the gathering of various opportunities this global content-sharing platform brings and how they can leverage on that.

  • Banijay Asia ropes in Rishi Negi as chief operating officer

    Banijay Asia ropes in Rishi Negi as chief operating officer

    MUMBAI: Banijay Asia, founded by Deepak Dhar, has appointed Rishi Negi as chief operating officer (COO). The group recently announced its entry into the region with a commitment of producing scripted and non-scripted content across genres including digital and films for India and South East Asia. Negi will report Dhar, Endemol Shine’s former managing director.

    Talking about his new role, Negi said, “With so much happening in the entertainment industry, we aspire to produce some exceptional and challenging content across genres. Deepak Dhar’s vision is to build Banijay Asia as undisputed leader in the content space for the region, and I am looking forward to working with him closely in this journey.”

    Negi joins Banijay Asia with over two decades of experiences across entertainment, hospitality and retail. His repertoire of work includes key positions to drive growth strategies across corporate giants like Emerald Asia Media, Fame India Limited, Pizzeria Restaurants and Taj Group of Hotels amongst others.

    Banijay Group recently entered the Asian market in partnership with media veteran Dhar. The newly formed entity, Banijay Asia, will produce content, fiction, non-fiction, digital programming and films, across platforms.

    Commenting on the latest development Dhar said, “We are extremely delighted to have Rishi on-board the Banijay family. His vast experience and expertise is the perfect addition to our growing team and I am confident he will add much more momentum to our journey of becoming leading content producers in the region.”

    The group has a growing library of formats and programming of more than 20,000 hours spanning entertainment, factual, drama, factual entertainment, kids and reality.

    Some of the leading formats and shows include Versailles, Occupied, Rebecka Martinsson, The Restaurant, Black Lake, The Secret Life of Four Year Olds, Survivor, Undressed, Temptation Island, Keeping up with the Kardashians, Fort Boyard, All Against One, Wolf Creek, Underbelly, Wife Swap, Wild Things, Being Human, Location LocationLocation and The Girl with the Dragon Tattoo among many others.

    Also Read:

    Banijay Asia and Salman Khan TV collaborates to create content for digital and tv

    Banijay Group in 50:50 JV with Deepak Dhar for India ops