Tag: Bang Bang Films

  • &flix launches #FlixFirstBeforeAmerica campaign

    &flix launches #FlixFirstBeforeAmerica campaign

    MUMBAI: &flix, the destination for the biggest Hollywood hits, has launched a disruptive campaign titled “#FlixFirstBeforeAmerica”, sharing the exciting news with movie enthusiasts across the country. The campaign shows the American leader, a prominent personality himself, in complete awe and disbelief with this latest development where India gets ahead of America. He picks up the phone on an Indian embassy representative, a man named “Bhishambhar” to share his disbelief, exclaiming, “How has India pulled this off? It’s terrific”.

    The conversation is a reminder of all the big things that India has pulled off ahead of America with the latest announcement from &flix being one more in that league.

    With this initiative, the channel brings fans closer to the most awaited Hollywood blockbuster movies as it aims to crunch their wait time for Hollywood movies on television by half. Starting October 2019, &flix has redefined the movie viewing experience on television by bringing World Television Premieres of the biggest movies before the world and within a few months of their theatrical releases.

    Conceptualised by Publicis India, the campaign was produced by Bang Bang films.

  • Tight deadlines holding Indian agencies back: Roopak Saluja, The 120 Media Collective

    Tight deadlines holding Indian agencies back: Roopak Saluja, The 120 Media Collective

    MUMBAI: Who can forget the catchy viral sensational song – Why This Kolaveri Di – from a few years ago? It might seem like just a song that went viral but the reality is far from that. The song has an interesting story.

    It was back in 2011 when Jack in the Box Worldwide, the digital agency brand of The 120 Media Collective, helmed by Roopak Saluja got a call from Sony Music to help them control the damage that was done when their upcoming movie, 3’s song had been leaked from the recording studio. That’s when a new viral marketing strategy was born.

    Soon enough, Jack in the Box Worldwide , Sony Music’s digital Agency of Record, decided to create an ‘official video’ of the song. Within 24 hours, the video was shot and humorously sub-titled, 12 hours after that the action began on social and 48 hours later, it was trending on Twitter.  The song to date has over 156 million views on YouTube.

    Why are we telling you this story though? Well, because it was Roopak Saluja and his team, who utilised the power of digital when Facebook and Twitter were still experiencing their nascent days in India.

    A former DJ, media businessman, an angel investor, owner of a record label in Europe, and an actor in few movies, Saluja has seen it all. While he originally wanted to become a writer, Saluja worked for six years in Y&R (Young and Rubicam) in Budapest and Ogilvy & Mather in Paris.

    Featured in Campaign India’s A-List of the Most Influential People in India’s advertising, media & marketing industry between 2010-2014, Saluja is founder and chief executive officer of The 120 Media Collective – a communications and content group comprising subsidiaries, Jack in the Box Worldwide, Sniper, Bang Bang Films and Sooperfly.

    Today, the agency handles digital and content marketing mandates for Unilever, PepsiCo, Reckitt Benckiser, Amazon, Novartis, Aditya Birla Group, Loreal, Indigo, Budweiser, IKEA and the Taj Group among others. It has been 12 years since he started his entrepreneurial journey in the advertising and media industry in India and a lot has changed ever since. While he was one of the earliest entrants in digital marketing, today we have over 150+ digital agencies in India. The challenges are shortcomings are more than ever before.

    Indiantelevision.com spoke to Saluja to understand the agency model, Indian creativity, use of technology by 2020 and more.

    You have always maintained that Jack In The Box is ‘premium priced’. Isn’t is hard for you to get clients in that scenario or are clients actually willing to spend that kind of an amount?

    Yes, we are premium in our pricing and that is because we know we deserve it for what we bring to the table. We do discuss the pricing before we start working for the client. And it is actually not about the size as not everyone has the appetite for it (big budget). It’s not always the big advertisers that spend a lot, there are also some smaller startups who are trying to build the brand and they will over invest.

    Larger clients today are reconsidering their investments and want to consolidate their spends in fewer agencies rather than having 10 different agencies on board doing 10 different things. Do you see that as a challenge?

    I think 10-15 years ago, getting marquee clients was considered good for an agency’s reputation and it was something everyone could brag about. Today, it has become hard for agencies to make money with large clients due to the rise of procurement. We had a large client that paid us well back in the day for the work we did for them but now they have changed their pricing value and pay us peanuts for the same kind of work.

    How do you view the work that comes out of India as compared to the rest of the world? Although we are getting there, so far we clearly aren’t winning a lot of awards at international film festivals.

    I think we definitely are getting there. The work that came out of India at Cannes this year was better than last year. What happens at Cannes usually is that you tend to support your home country’s work but when an Indian work comes up, the Indian jury is never happy with it. I don’t know if it’s the jealousy or what, but you won’t find Indians supporting a fellow Indian’s work.

    What is holding us back in terms of creativity?

    The biggest difference and what’s holding us back is not money and budget. Obviously, clients expect moon and stars for peanuts but it’s more importantly about time. What we Indian agencies get four weeks for, they (international agencies) get 14 weeks. In India, agencies are put under a lot of pressure to finish the creative under a tight deadline. When the pressure is put on agencies, that pressure is in turn put on the production team to finish off the final product soon. This results in a substandard quality of creative.

    Moving forward, do you think artificial intelligence, virtual reality and other technologies will become indispensable in ads, say 5 years from now?

    Use of technology will change the way we advertise now but the basics will still remain the same. Jack in the Box or digital agencies, in general, will no longer be called a ‘digital’ agency by 2020. Someone once said to me, “Digital marketing is dead, long live digital marketing!” Going forward, digital marketing will just be a way of advertising.

    What do you think will be the game changers for A&M in 2019?

    It will be a mix of technology and data. My brother has a PhD in AI and he laughs about what we call AI in our industry. I intend to deliver better business results with the technology. Content for business impact is really important for us. Everyone is looking at the effectiveness of budget and its accountability.

    Finally, what next for 120 Media Collective and what next for Roopak Saluja?

    I want 120 to be the most effective company in the marketing space. I want it to be effective, not the best, not most creative. When I say effective, I mean in terms of business results. I say company and not agency because the ability to do and deliver the results will not come only from agencies.  Who knows we may not even be an agency anymore as agency implies that you are a part of the advertising world. I don’t think this holy grail belongs to the advertising industry anymore. Accenture and other technology companies are going into play as marketing and technology start to converge and technology companies will have as much of a claim over those marketing budgets as agencies.

  • Roopak Saluja on Global Effies 2016 jury

    Roopak Saluja on Global Effies 2016 jury

    MUMBAI: The Global Effie Awards has invited The 120 Media Collective and Sooperfly founder and CEO Roopak Saluja to be part of the jury this year. The awards honor multinational marketing communication efforts that have proven their effectiveness in four or more countries on at least two continents.

    Top global marketers will judge the Global Effie competition this year in Singapore, São Paulo, New York and London. Saluja is slated to attend Round 1 of the jury meet in Singapore on 23 March.

    Saluja drives The 120 Media Collective through its subsidiaries Jack in the Box Worldwide, Bang Bang Films and Sniper. Sooperfly, founded in 2015, most recently entered a joint venture with Vivek Law for personal finance in the online content space.

    Saluja will also present a session titled – Content is King, Distribution is God! – at Adfest 2016 in Pattaya, Thailand on 17 March.

  • Roopak Saluja on Global Effies 2016 jury

    Roopak Saluja on Global Effies 2016 jury

    MUMBAI: The Global Effie Awards has invited The 120 Media Collective and Sooperfly founder and CEO Roopak Saluja to be part of the jury this year. The awards honor multinational marketing communication efforts that have proven their effectiveness in four or more countries on at least two continents.

    Top global marketers will judge the Global Effie competition this year in Singapore, São Paulo, New York and London. Saluja is slated to attend Round 1 of the jury meet in Singapore on 23 March.

    Saluja drives The 120 Media Collective through its subsidiaries Jack in the Box Worldwide, Bang Bang Films and Sniper. Sooperfly, founded in 2015, most recently entered a joint venture with Vivek Law for personal finance in the online content space.

    Saluja will also present a session titled – Content is King, Distribution is God! – at Adfest 2016 in Pattaya, Thailand on 17 March.

  • The 120 Media Collective overhauls senior management team

    The 120 Media Collective overhauls senior management team

    MUMBAI: The 120 Media Collective, a digitally-inclined company that creates and distributes content for audiences and brands across multiple platforms, has made two senior appointments.

     

    While Shilpa Ambre has joined as chief financial officer for The 120 Media Collective, Vishal Nongbet has been roped in as Sooperfly senior vice president and business head.

     

    Both Ambre and Nongbet will be based in Mumbai and will report to The 120 Media Collective founder and CEO Roopak Saluja.

     

    Ambre will be responsible for all finance, legal affairs and investor relations of The 120 Media Collective and its sub brands – Jack in the Box Worldwide, Sniper, Bang Bang Films and Sooperfly.

     

    Nongbet, on the other hand, has been entrusted with building the Sooperfly team and business and running day-to-day operations including content, distribution and monetization across APAC.

     

    Additionally, Bang Bang Films senior producer Chahna Rupani has been promoted to Sniper executive producer and will primarily be responsible for driving revenues and growth, while ensuring excellence and efficiencies for both commercials and content production.

     

    “The company has undergone a metamorphosis of sorts over the past three years, from being a combined entity of a production company and a social media agency to one that is pushing the boundaries and blurring the lines between communications, entertainment and technology. As we embark on an ambitious growth plan over the next 36 months, bolstering our leadership team with top talent is essential. Keeping the company adequately funded and observing the highest standards of compliance and governance will be key and having someone of Shilpa’s experience and capability overseeing things is of paramount importance,” said Saluja.

     

    Commenting on Nongbet’s appointment, Saluja said, “Our goal with Sooperfly is clearly to capitalize on all that we’ve built up over the past eight plus years- chief among which are our ability to create compelling content and our credibility with brands- to give ourselves a competitive advantage in the digital video space. Only someone of Vishal’s breadth and depth of media experience, which arms him with a profound understanding of mobile and content monetization, can make a success of this.”

     

    Ambre opined, “I am very excited to join the strong and accomplished team at The 120 Media Collective and I’m looking forward to leveraging my experience to support the rapidly growing business operations of the Company and its stakeholders.”

     

    “While the last two decades have been all about the democratisation of content, there has never been a better time than now for advertisers to engage their audiences via owned rather than paid or earned media. Sooperfly will be looking at harnessing the immense talent in the space, building content brands direct to audiences, and finding that sweet spot between content creators and advertisers,” added Nongbet.

  • The 120 Media Collective to redefine commercials, content production with Sniper

    The 120 Media Collective to redefine commercials, content production with Sniper

    MUMBAI: The 120 Media Collective, a digitally-inclined company founded by media entrepreneur, Roopak Saluja, that creates and distributes content for audiences and brands across multiple platforms, announces today the launch of Sniper, a brand that aims to redefine commercials and content production by providing agile production and effective amplification to meet the rapidly changing needs of today’s marketing paradigm and evolving content models.

     

    The launch of Sniper stems from the need for a new hybrid entity that combines the best of the big-budget, high production values model of Bang Bang Films coupled with the company’s lean and flexible digital content production model that has seen tremendous success over the past 24 months.  Sniper will produce TV commercials, as well as long, short and mid-form content and also see it through to amplification across social platforms and paid digital media, where applicable.

     

    Commenting on the launch, Roopak Saluja, Founder & Chief Executive Officer, The 120 Media Collective, said, “At The 120 Media Collective, we believe staunchly that content is king but also that distribution is god.  Video has become par for the course for brands, advertisers, media and publishers alike. The TV commercial as we’ve known it is no longer the only show in town and with new platforms mushrooming and the evolution of consumption habits, we’re seeing the emergence of a range of video types- long, short and mid form. With multiple pieces of content produced by a brand in a year, the shelf life of each piece of content goes down and consequently the willingness, ability and propensity to spend on each of them decreases.”

     

    “In the old paradigm, once a commercial was produced, it was left to paid media to broadcast.  Now, for optimal results, depending on content type and audience, innovative distribution strategies that integrate earned, shared and paid media must be implemented. Taking all of this into consideration, it’s clear that the production business is ripe for disruption.  We’ve done it before with Bang Bang Films and for the second time in five years, we intend to lead that disruption again.  The onus is on us at The 120 Media Collective, given we’re the only entity in Asia that houses high-end film production capabilities and best-in-class digital marketing resources under the same roof,” added Roopak.

     

    The tagline- “Lean. Agile. Amplified.” clearly highlights the unique offering that Sniper brings to the market.  “Lean” as the evolved needs of brands and publishers demands a lean, efficient and cost-effective approach to production; “Agile” indicates that by bringing together the best of Bang Bang Films with elements of the digital production model, Sniper has the agility to produce both content and commercials, deliverables with a budget range from 30,000 INR to 3 Crore (and beyond) and  “Amplified” refers to the amplification capabilities that come from the fact that this is same company that has dozens of global awards for the success of Kolaveri and several other social media campaigns over the years.

  • Bang Bang Films directors Nic & Sune direct Ranbir in Axe‘s new commercial

    Bang Bang Films directors Nic & Sune direct Ranbir in Axe‘s new commercial

    MUMBAI: Axe Click‘s new commercial starring leading Bollywood actor Ranbir Kapoor has rolled out.

    The ad has been conceptualised by BBH Singapore, produced by Bang Bang Films and directed by Nic and Sune.

    BBH Singapore regional business development director – Asia Ara Hampartsoumian said, “It‘s never an easy task when an advertising agency is asked to not only replicate but actually improve on what was previously a globally successful ad, but the four key elements of client, agency, production and celebrity all aligned on this one and we delivered. BBH had a wonderful experience shooting another great spot for Unilever‘s Axe brand in Bombay. Our star Ranbir Kapoor was truly a pleasure to work with and Bang Bang Films helped hold it all together. Really fun, wouldn‘t have changed a thing.”

    Earlier, Nic and Sune and Bang Bang have worked with Ranbir together a couple of years ago in Pepsi‘s “Youngistaan ka Wow.”

    Bang Bang Films founder and MD Roopak Saluja said, “Having delivered a super-hit Ranbir spot with Nic and Sune in the past, they were an obvious choice for Axe. Not too long ago, Axe was a brand using global creative on Indian TV. To have the opportunity to produce an Indian spot with the same aspirational production values is a real pleasure for us at Bang Bang.”

    Talking about the commercial, director Sune Maroni said, “Being asked to shoot an Axe commercial is an honour for any commercials director. Their spots offer cheeky humour combined with sophisticated visuals and have managed to capture a space in the collective consciousness of young people all across the world.

    We‘ve been lucky enough to shoot with Ranbir Kapoor before, and it is always a pleasure to work with such talent, but for this film we had more time to have fun. The script allowed for some improvisation on his part and he never fell short when challenged to add the RK-touch. We don‘t think it was too difficult for Ranbir to imagine himself in a situation where he is being flirted with by a great number of drop-dead-gorgeous women. His life is pretty much like that of Vince in the celebrated TV-series “Entourage”. Maybe that could be his next project, an adaption of “Entourage” for India. We would love to direct that.”