Tag: Balaji Telefilms

  • Zee Anmol continues to rule Hindi GECs

    Zee Anmol continues to rule Hindi GECs

    BENGALURU: The Zee Entertainment Enterprises Ltd’s (Zeel) free-to-air (FTA) Hindi GEC Zee Anmol was once again ranked second in Broadcast Audience Research Council (BARC) list of top 10 channels across genres – All India (U+R) : 2+ Individuals for week 12 of 2018 (Saturday, 17 March 2018 to Friday, 23 March 2018). Sun TV Network’s flagship Tamil GEC Sun TV continued to hold onto its top slot in the list. Besides being the top Hindi GEC channel in BARC’s across-genre list, Zee Anmol also topped BARC’s list of top 10 Hindi GEC channels in the combined Hindi-speaking urban and rural markets (HSM – U+R) and HSM (R). The Balaji Telefilms-produced family drama Kumkum Bhagya aired on Zee Anmol was among the top five Hindi GEC programmes in HSM (U+R) and HSM (R) during primetime.

    Star India’s flagship Telugu GEC Star Maa re-entered BARC’s list of top 10 channels across genre list in week 12 of 2018. The channel was ranked second in BARC’s list of top five Telugu channels in the Andhra Pradesh and Telugu markets, just behind the Network 18/Viacom 18 associated Telugu GEC ETV Telugu. The world television premiere (WTP) of the Telugu feature film (TEFF) Middle Class Abbayi (MCA) that featured on Star Maa was the top programme during primetime in BARC’s list of top five Telugu channels in the Telangana and AP markets.

    Six Hindi GECs, two Hindi movies channels and one channel each from the Tamil and Telugu GEC spaces made up BARC’s top 10 channels across genres list for week 12 of 2018. From the networks’ perspective, three Star India channels, two channels each from Sony Pictures Network India (SPN), Viacom 18 and Zeel and one channel from the Sun TV Network comprised the list. The combined ratings of the top 10 channels across genre increased 2.2 per cent to 6.893 billion impressions (6,893.352 million impressions) in week 12 of 2018 from 6.744 billion impressions (6,743.583 million impressions) in the week.

    As mentioned above, Sun TV headed BARC’s across genres list in week 12 of 2018 with 3.2 per cent higher ratings of 996.118 million weekly impressions as compared to 965.214 million weekly impressions. The Sun TV flagship channel also topped BARC’s list of top five Tamil channels in the Tamil Nadu/Puducherry (U+R) market. As has also been a norm, all the top five Tamil programmes during primetime in the Tamil Nadu/Puducherry (U+R) market featured on Sun TV.

    Zee Anmol with a 0.1 per cent increase in ratings in week 12 of 2018 at 813.335 million weekly impressions as compared to 812.572 million weekly impressions in week 11 was second. Besides Kumkum Bhagya, the soap Ganga that was aired on Zee Anmol was among the top five Hindi GEC Programmes during primetime in HSM (R).

    SPN’s women-focused Hindi GEC Sony Pal climbed up two ranks to third place in week 12 of 2018 with a 14.2 per cent jump in viewership to 744.620 million weekly impressions from 651.971 million weekly impressions in week 11. Sony Pal was ranked second in BARC’s list of top 10 Hindi GECs in HSM (U+R) and HSM (R). The long-running crime show CID that aired on Sony Pal was among the top five Hindi GEC programmes during primetime in HSM (U+R) and HSM (R). Also, the long-running sitcom Taarak Mehta Ka Ooltah Chashma on the channel was among the top five Hindi GEC programmes in HSM (R).

    Star India’s FTA Hindi GEC Star Bharat dropped one rank to fourth place in week 12 of 2018 with a 1.1 per cent drop in viewership to 737.606 million impressions from 747.869 million impressions in week 11. Star Bharat was ranked third in the top 10 Hindi GEC list in HSM (U+R), was ranked second in HSM (U) and ranked third in HSM (R).

    Another Star India FTA Hindi GEC Star Utsav rose one rank to fifth place in week 12 of 2018 with a 6.3 per cent hike in viewership to 648.459 million impressions from 609.783 million impressions in week 11. Star Utsav was ranked fourth in BARC’s list of top 10 Hindi GECs in HSM (U+R) and was ranked third in HSM (U).

    With the finale of the Nidahas Trophy, that India won, broadcast on Viacom18’s Hindi movies channel Rishtey Cineplex on Sunday, 25 March 2018, the channel found itself at sixth place in week 12 of 2018, down two ranks from week 11 ranking. The channel scored 631.809 million weekly impressions in week 12 which was 13.1 per cent lower than the 727.081 million weekly impressions in week 11 of 2018. Rishtey Cineplex topped BARC’s list of top five Hindi movies channels in HSM (U+R) and HSM (R) and was among the top five Hindi movies channels in HSM (U). The grand finale of the Nidahas Trophy was the most watched Hindi movies programme during primetime in HSM (U+R) and HSM (R) and the second most watched Hindi movies programme during primetime in HSM (U). Further, the programme Howzzat based on the Nidahas Trophy was the third most watched Hindi movies programmes in HSM (U).

    At seventh place in week 12 of 2018 was SPN’s Hindi movies channel Sony Max with a 15.4 per cent increase in viewership of 594.219 million weekly impressions as compared to 514.705 million weekly impressions. The channel was ranked tenth in the previous week in BARC’s across genres list. Sony Max was ranked second in BARC’s top five Hindi movies channels list in HSM (U+R) for week 12 of 2018, it was ranked first in HSM (U) and was ranked fifth in HSM (R). The WTP of Hindi feature film (HFF) Tiger Zinda Hai on Sony Max was the second most Hindi movies programmes during primetime in HSM (U+R), was the most watched Hindi movies programme during primetime in HSM (U) and was fifth most watched Hindi movies programme during primetime in HSM (R).

    At eighth place in week 12 of 2018 in BARC’s list of top 10 channels across genres list was Viacom18’s flagship Hindi GEC channel Colors which had a 3.5 per cent increase in ratings to 588.459 million impressions from 568.826 million weekly impressions in week 11. Colors had the same rank (eighth) in week 11 of 2018. The recently launched drama Bepanaah on Colors was the fifth most watched television programme during primetime in HSM (U) during the week under review.

    At ninth rank was Zeel’s flagship Hindi GEC Zee TV. The channel saw a 4.1 per cent decline in ratings and a fall of two ranks in week 12 as compared to week 11 of 2018. Zee TV scored 581.721 million weekly impressions in week 12 and 606.459 million weekly impressions in week 11 of 2018. Zee TV was also ranked third in BARC’s list of top 10 Hindi GEC’s in HSM (U). Kumkum Bhagya and its spinoff Kundali Bhagya were the third and second most watched Hindi GEC programmes during primetime in HSM (U+R) and the second most and most watched programmes in HSM (U) respectively.

    At tenth place was Star Maa with 554.986 million weekly impressions in week 12 of 2018. Besides the WTP of TEFF MCA, Kumkum Puvvu aired on the channel was the third most-watched Telugu programmes during primetime in AP/Telangana.

    Also Read :

    English news genre ratings rise after nadir in BARC week 12

    ETV Telugu re-enters across genre list

    Star Bharat continues to top Hindi GECs across genres

  • Balaji Telefilms appoints Jyoti Deshpande as non-executive additional director

    Balaji Telefilms appoints Jyoti Deshpande as non-executive additional director

    MUMBAI: Balaji Telefilms has appointed Jyoti Deshpande as the non-executive additional director. The appointment, which was approved following a circular resolution by its board on 22 March, is in compliance with share subscription agreement entered into between Balaji and Reliance Industries Ltd (RIL) on 22 July 2017.

    Deshpande was the head media entertainment (M&E) business as president of the chairman’s office at RIL. The company said Deshpande is not liable for retirement by rotation and accordingly suitable proposal for her continuation will be put up for the approval of the shareholders at the ensuing annual general meeting.

    On Thursday, the company had announced that Jyotindra Thacker, non-executive additional director of the company, has tendered his resignation with effect from 22 March due to his other pre-occupations.

    In her new role at RIL, Deshpande will lead the company’s initiatives in M&E to organically build and grow businesses around the content ecosystem such as broadcasting, films, sports, music, digital, gaming, animation as well as integrate RIL’s existing media investments such as Viacom18 and Balaji Telefilms with a view to build, scale and consolidate the fragmented $20 billion Indian M&E sector.

    Deshpande has over 25 years of experience in media and entertainment across advertising, media consulting, television and film. She has been part of the leadership team of Eros International Plc since 2001 and as Group CEO & MD has spearheaded Eros’ growth as a global leader in Indian filmed entertainment.

    Prior to joining Eros in 2001, Deshpande has worked for five years in the field of advertising, media consulting and television with companies such as J Walter Thompson India, Mindshare, Zee TV and B4U. She has a bachelor’s degree in commerce and economics from Mumbai University and a master’s degree in business administration from SPJIMR, Mumbai University.

    Shares of Balaji Telefilms were last trading at the Bombay Stock Exchange at Rs 129.05 as compared to the previous close of Rs 127.5. The total number of shares traded during the day was 38934 in over 304 trades.

  • Four Star India channels again among top 10 in across genre list

    Four Star India channels again among top 10 in across genre list

    BENGALURU: Four channels from Star India once again made it to Broadcast Audience Research Council’s (BARC) weekly list of top 10 channels across genre (all India – U+R: 2+ individuals) for week 7 of 2018 (Saturday, 10 February 2018 to Friday, 16 February 2018). The four channels with their ranks in week 7 of 2018 in the top 10 channels across genre list were – Star India’s FTA Hindi GEC Star Bharat which climbed to second rank from the preceding week’s third place; Telugu GEC Star Maa which also climbed up a rank to seventh place in the week under review; FTA Hindi GEC Star Utsav which descended a rank to eighth place in week 7 of 2018 to make way for its aforementioned Telugu GEC sibling; and Star India’s flagship Hindi GEC Star Plus which entered the top 10 channels list in week 7 of 2018 at ninth place. Earlier, in the previous year, the same four Star India channels had made it to the top 10 channels across genre in week 47 of 2017 (Saturday, 18 November 2017 to Friday, 24 November 2017).

    Four Star India channels, two channels each from Sony Pictures Network India (SPN) and Zee Entertainment Enterprises Limited (Zeel) and one channel each from Network 18 (Viacom 18) and the Sun TV Network made up the top 10 channels across genres list for week 7 of 2017. From the genre perspective, seven Hindi GEC channels and one channel each from Hindi Movies, Tamil GEC and Telugu genres comprised the list of top 10 channels across genre in week 7. Four of the channels were free to air (FTA) Hindi GEC channels.

    At its regular first place was the Sun TV Network’s flagship Tamil GEC Sun TV with 984.137 million weekly impressions. Sun TV was also ranked first in BARC’s list of top 5 Tamil channels in the Puducherry/Tamil Nadu markets. As is also the norm, all the top 5 programmes in BARC’s list of top 5 Tamil programmes during primetime in the Puducherry/Tamil Nadu markets were aired on Sun TV.

    Star Bharat was ranked second in week 7 of 2018 with 755.591 million weekly impressions. The channel was ranked first in BARC’s list of top 10 Hindi GEC channels in the Hindi speaking markets (HSM) in the urban (U) and rural (R) areas and was ranked second in BARC’s list of top 5 channels in HSM (U) during the week. Two Hindi soaps – Nimki Mukhiya and Kya Haal Mr Panchaal that were aired on Star Bharat were among the top 5 Hindi GEC programmes in HSM (U+R).

    Zeel’s FTA Hindi GEC Zee Anmol slipped a rank in week 7 of 2018 to third place with 716.918 million weekly impressions. Zee Anmol was ranked second in BARC’s lists of top 10 Hindi GEC channels in HSM (U+R) and ranked first in HSM (R). The Balaji Telefilms-produced soap Kumkum Bhagya  that was aired on Zee Anmol was among the top 5 programmes during primetime in HSM (U+R) and HSM (R). Another soap, Ganga, that was aired on the channel was among the top 5 Hindi GEC channels in HSM(R).

    SPN’s women focused FTA Sony Pal retained its previous week’s fourth rank in week 7 of 2018 with higher ratings of 684.220 million weekly impressions. Sony Pal was ranked third and second in BARC’s list of top 10 Hindi GEC’s in HSM (U+R) and HSM (R) respectively. Three programmes that were aired on Sony Pal – Bal Veer, Tarak Mehta ka Ooltah Chashmah and CID were among the top 5 programmes in HSM (R).

    Zeel’s flagship Hindi GEC Zee TV climbed up a rank to fifth place in week 7 of 2018 with 587.318 million weekly impressions. Kumkum Bhagya and its spinoff Kundali Bhagya were among the top 5 Hindi GEC programmes during primetime in HSM (U+R) and HSM (U).

    Network 18’s flagship Hindi GEC Colors stepped down one rank to sixth place with 587.184 million weekly impressions. Colors was also ranked fourth in the top 10 Hindi GEC channels in HSM (U+R). Two programmes  that were aired on Colors– a soap – Udaan and a reality show Rising Star were among the top 5 Hindi GEC programmes during primetime in HSM (U).

    Star Maa was at seventh rank with 561.696 million weekly impressions. The channel topped BARC’s list of top 5 Telugu channels in the Andhra Pradesh and Telangana markets. Three programmes that were aired on Star Maa in week 7 of 2018 were among the top 5 Telegu programmes during primetime in the AP/Telangana markets.

    Star Utsav was ranked eighth in week 7 of 2018 in BARC’s list of top 10 channels across genre with 553.212 million weekly impressions. The channel was ranked third in BARC’s list of top 10 Hindi GEC channels in HSM (R). Star Plus was ranked ninth during the week under consideration with 533.697 million weekly impressions. Star Plus also ranked third in BARC’s list of top10 Hindi GEC channels in HSM (U).

    SPN’s Hindi movies channel Sony Max completed the list of top10 channels across genre in week 7 of 2018 with 501.759 million weekly impressions. Sony Max topped BARC’s list of top 5 Hindi movies channels in HSM (U+R) and HSM (R). It was also among the top 5 Hindi movies channels in HSM(R) with fifth rank. Hindi feature film Sooryavansham was among the top 5 Hindi movies programmes during primetime in HSM (U+R) and HSM (U) and Theri and Kanchana Returns in HSM (U).

    Also Read:

    Sun TV, Star Maa only non-Hindi players in across genre list

    Star Bharat continues leading Hindi GECs across genres

  • RIL to buy 5% in Eros; cos to set up $150 mn content fund

    RIL to buy 5% in Eros; cos to set up $150 mn content fund

    MUMBAI: Continuing its media march, which is also an indication of further disruptions in the Indian and global entertainment industry, the USD 51 billion Reliance Industries Ltd (RIL) is all set to acquire 5 per cent equity stake in NYSE-listed Eros International Plc (Eros) and jointly set up a $150 million (Rs 1,000 crore) fund to co-produce and consolidate content from India.

    In the transaction, which is subject to regulatory and other approvals, RIL, through a subsidiary, is looking to pick up the minority stake at a price of $15 per share, representing an 18 per cent premium to the last closing price of the stock. Eros stock quoted at $13.30 on the NYSE at local US time of 16:01:15 on 20 February 2018, having opened at $13.25. RIL closed Tuesday at Rs 919.40 on the Bombay Stock Exchange.

    RIL and Eros International Media Ltd (Eros India) will equally invest in the fund to produce and acquire Indian films and digital originals across all languages, according to a joint statement put out late on Tuesday evening.

    RIL’s investment will also result in some management changes in both the companies. Eros’ group CEO and MD Jyoti Deshpande will be stepping down from her executive role after over 17 years and move on to head the media and entertainment (M&E) business at RIL as the president of the chairman’s office.

    Deshpande will start her role at RIL from April 2018 but will continue to remain as a non-executive director on the board of Eros, while Kishore Lulla will resume his position as group chairman and CEO of Eros, the statement added.

    In her new role at RIL, Deshpande will lead the company’s initiatives in M&E to organically build and grow businesses around the content ecosystem, such as broadcasting, films, sports, music, digital, gaming, animation as well as integrate Reliance’s existing media investments such as Viacom18 and Balaji Telefilms with a view to build, scale and consolidate the fragmented $20 billion Indian M&E sector.

    RIL chairman and MD Mukesh Ambani said, “We are pleased to join hands with Eros, as it will bring further synergies into our plans, making for a win-win partnership. We are delighted to welcome Ms Jyoti Deshpande into the Reliance family and believe that she will not only give wings to our plans but also play a pivotal role in transforming the sector.”

    Lulla elaborated, “I am very pleased that Eros is partnering with RIL in its entertainment journey with several synergies across technology, content and digital with Eros Now. We look forward to collaborating and growing as we continue to make new strides on the digital and content forefronts. I am confident that together, we can make a meaningful difference. Jyoti Deshpande has been an invaluable part of the incredible Eros growth journey and I am confident that she will make a positive impact on the industry in her new role at RIL.”

    Eros International Plc (NYSE: EROS) is a leading global company in the Indian film entertainment industry that acquires, co-produces and distributes Indian films across all available formats such as cinema, television and digital new media. Eros International Plc became the first Indian media company to list on the NYSE and also runs a fledgling OTT service under Eros Now brand. 

    “I am delighted that RIL has strategically aligned with Eros. My new assignment at RIL will allow me to push boundaries, set new standards of excellence, assemble a world-class young leadership team and adopt a collaborative approach to architect and execute this ambition…but more than anything, I cannot wait to roll up my sleeves,” said Deshpande while commenting on the proposed partnership.

    The Eros and earlier Balaji investments by RIL indicate that Ambani may be investing small in content and distribution companies, but taking big steps towards building an integrated media and entertainment behemoth, an industry observer opined, adding that with the financial muscle that the Ambanis have, the Indian media sector should brace itself for some more disruptions after the Reliance Jio show.

    In the TMT sector, RIL already has investments in media companies like Viacom18 (majority stake), TV18/Network18, telecom company Reliance Jio and a host of other media properties, including magazines and digital ventures.

    Also Read :

    TV18 to increase Viacom18 stake to 51%

    Reliance Industries buys Balaji Telefilms stake for Rs 4.13 bn

    Viacom18 celebrations: Mukesh Ambani sets the roadmap for next 10 years

    Reliance Jio, China’s Omnicom fuel massive global mobile data traffic

  • Sun TV, Star Maa only non-Hindi players in across genre list

    Sun TV, Star Maa only non-Hindi players in across genre list

    BENGALURU: The Sun TV Network’s flagship Tamil GEC Sun TV and Star India’s flagship Telugu GEC Star Maa were the only non-Hindi channels among Broadcast Audience Research Council’s (BARC) weekly list of top 10 channels across genre all India (U+R): 2+ Individuals for week 6 of 2018 (Saturday, 3 February 2018 to Friday, 9 February 2018). The Tamil channel occupied its normal numero uno place in the list with 984.137 million weekly impressions. Besides Sun TV and Star Maa, the eight other channels in the week under review were Hindi – six Hindi GEC and two Hindi Movie channels. In week 5 of 2018, Sun TV’s weekly ratings were less than 1 billion weekly impressions although the channel had scored slightly higher 998.106 weekly impressions in week 5 of 2018. Sun TV also topped the BARC’s top 5 Tamil channels in the Puducherry and Tamil Nadu markets, and as usual, all the 5 Tamil programmes in the week in BARC’s weekly list of top 5 Tamil programmes were aired on Sun TV.

    Three channels each from the Sony Pictures Network India (SPN) and Star India, two channels from Zee Entertainment Enterprises Limited (Zeel) and one channel each from Network 18 and Sun TV Network comprised BARC’s top 10 channels across genre list for week 6 of 2018.

    Following Sun TV was Zeel’s free to air (FTA) Hindi GEC Zee Anmol also at it its regular second spot in the list with 769.300 million weekly impressions. Zee Anmol also topped the top 10 Hindi GEC channels in the Hindi Speaking Markets (HSM) – both urban and rural (U+R), and HSM (R). The Balaji Telefilms-produced Kumkum Bhagya and its spinoff Kundali Bhagya that aired on the channel were among the top 5 Hindi GEC programmes during primetime in HSM (U+R). Kumkum Bhagya, Ganga and Jamai Raja were among the top 5 Hindi GEC programmes during primetime in HSM (R).

    Star India’ FTA channel Star Bharat was also at its regular third spot in week 6 of 2018 with 737.259 million weekly impressions. Star Bharat was also ranked second in BARC’s weekly list of top 10 Hindi GEC channels in HSM (U) during the week. Nimki Mukhiya and Kya Haal Mr Panchaal that aired on the channel were among the top 5 Hindi GEC programmes during primetime in HSM (U+R).

    SPN’s women-focused FTA Hindi GEC was at fourth rank in week 6 of 2018 with 642.370 million weekly impressions. Sony Pal was also ranked third in BARC’s weekly list of top 10 Hindi GECs’ in HSM (U+R) and HSM (R). The programmes Taarak Mehta Ka Ooltah Chashmah and CID that were aired on the channel were among BARC’s weekly list of top 5 Hindi GEC programmes during primetime.

    Network18’s flagship Hindi GEC Colors was ranked fifth in week 6 of 2018 with 609.569 million weekly impressions. Colors topped BARC’s weekly list of top 10 Hindi GEC channels in HSM (U+R) during the week. Shakti – Astitva Ke Ehsaas Ki and Ishq Mein Marjawan that featured on the channel were among BARC’s top 5 Hindi GEC programmes during primetime in HSM (U).

    Zeel’s flagship Hindi GEC Zee TV was ranked sixth in week 6 of 2018 with 606.162 million weekly impressions. Kumkum Bhagya and Kundali Bhagya that were also aired on the channel were among BARC’s top 5 Hindi GEC programmes in HSM (U+R) and HSM (U).

    Another Star India FTA Hindi GEC, Star Utsav, was ranked seventh in week 6 of 2017 in BARC’s across genre list with 565.459 million weekly impressions. The channel was ranked third in BARC’s weekly list of top 10 Hindi GEC channels in HSM (R)

    Star Maa was ranked eighth in week 6 of 2018 with 529.864 million weekly impressions. The channel topped BARC’s weekly list of top 5 Telugu channels in the Telangana and Andhara Pradesh markets. Four of the top 5 Telugu programmes in BARC’s weekly list of top 5 Telugu programmes during primetime featured on Star Maa during the week.

    SPN’s Hindi movies channel – Star Max was ranked ninth in week 6 of 2018 in BARC’s weekly list of top 10 channels across genre.  Sony Max topped BARC’s list of top 5 Hindi movies channels in HSM (U). The world television premiere of the Hindi feature film (HFF) Kanchana The Wonder Car on Sony Max was among the top 5 Hindi movies in HSM (U+R). HFF’s Kanchana 2 and Son Of Satyamurthy were among the top 5 Hindi Movie programmes during primetime in HSM (U).

    Another SPN Hindi Movies channel – Sony Wah completed BARC’s weekly list of top 10 channels across genre in week 6 of 2018 with 518.369 million weekly impressions. HFF-Sooryavansham that featured on the channel was among the list of top 5 Hindi Movie programmes during primetime in HSM (U+R) and HSM (R). Another HFF – Dangerous Khiladi which also featured on the channel was among the top 5 Hindi movie programmes during primetime in HSM (R) during week 6 of 2018.

    Also Read :

    Star Bharat continues leading Hindi GECs across genres

    ETV Telugu re-enters across genre list

    Sony Max returns to top-10 channels in across genre list

  • ETV Telugu re-enters across genre list

    ETV Telugu re-enters across genre list

    BENGALURU: After a hiatus of one week, the Network18-associated Telugu general entertainment channel (GEC) ETV Telugu returned to Broadcast Audience Research Council‘s (BARC) list of top ten channels across genre list [All India (U+R) : 2+ Individuals]. ETV Telugu replaced the Sun Networks’ Telugu GEC Gemini TV at tenth rank in the list in week 5 of 2018 (Saturday, 27 January 2018 to Friday, 2 February 2018). ETV Telugu was also ranked first in BARC’s list of top 5 Telugu channels (Andhra Pradesh/ Telangana (U+R) : NCCS All : 2+ Individuals) during the week under review. Swati Chinukulu which featured on the channel was among the top five Telugu programmes in the AP/Telangana markets during primetime in week 5 of 2018.

    Six Hindi GEC channels, two Telugu GEC channels and one channel each from the Hindi Movies and the Tamil GEC genres made to the list of the top 10 channels across genre for week 5 of 2018. From the networks’ perspective, three Star India channels, two channels each from Network18, Sony Pictures Network India (SPN) and Zee Entertainment Enterprises Limited (Zeel) and one channel from the Sun Network comprised the top 10 channels across genres list. Four (Hindi GEC) of the ten channels were free to air (FTA).

    Occupying its normal pedestal at rank 1 was the Sun Network’s flagship Tamil GEC Sun TV with a slightly lowered viewership of 998.106 million weekly impressions – the channel had garnered 1,047.704 million weekly impressions in week 4. Sun TV also topped BARC’s list of top 5 Tamil channels in the Tamil Nadu and Puducherry markets in week 5 of 2017.  Also, as has become a norm all the 5 top Tamil programmes in these markets were from Sun TV.

    Occupying an ‘almost regular’ second rank in week 5 of 2018 was Zeel’s FTA Hindi GEC Zee Anmol, which also topped BARC’s Top 10 Hindi GEC channels in the Hindi speaking urban and rural markets – HSM (U+R) and BARC’s top 10 Hindi channels in HSM (R). The Balaji Telefilms-produced family drama Kumkum Bhagya aired on Zee Anmol was among the top five Hindi GEC programmes during primetime in HSM (U+R) and HSM (R). Another family soap, Jamai Raja which was aired on the channel was also among the top five Hindi GEC programmes during primetime in HSM (R). Zee Anmol scored 763.210 million weekly impressions in week 5 of 2018.

    At third rank was Star India’s renamed FTA Hindi GEC Star Bharat with 683.428 million weekly impressions. The channel was also ranked second in BARC’s top five Hindi GEC list in HSM (U+R) and HSM (U). The soaps Nimki Mukhiya and Kya Haal Mr Panchal, which were aired on Star Bharat, were among the top five Hindi GEC programmes during primetime in HSM (U+R).

    SPN’s women-focused FTA Hindi GEC Sony Pal moved up a rank to fourth place in week 5 of 2018 with 617.140 million weekly impressions. Sony Pal was also ranked third in BARC’s lists of top 10 Hindi GECs in HSM (U+R) and HSM (R). Three programmes aired on the channel – Balveer, CID and Taarak Mehta ka Ooltah Chashmah were among the top five programmes during primetime in HSM (R) during week 5 of 2018.

    Network18’s (aka Viacom18) flagship Hindi GEC Colors moved up two places in week five of 2018 to fifth rank with 613.090 million weekly impressions. The channel was ranked first in BARC’s list of top 10 Hindi GEC channels in HSM (U) during the week. Two soaps that were aired on Colors – Shakti – Astitva Ke Ehsaas Ki and Ishq Mein Marjawan were among the top five Hindi GEC programmes during primetime in HSM (U).

    Zeel’s flagship Hindi GEC Zee TV retained its previous week’s sixth rank with slightly higher viewership of 599.2017 million weekly impressions (previous week 595.585 million weekly impressions). Kumkum Bhagya and its spin-off Kundali Bhagya aired on the channel were among the top five Hindi GEC programmes during primetime in HSM (U+R) and HSM (U).

    At seventh rank in the top 10 channels across genre list was another Star India FTA Hindi GEC channel – Star Utsav with 575.871 million weekly impressions. Star Utsav was ranked second in BARC’s list of top 10 Hindi GEC channels in HSM (R) in week 5 of 2018.

    At eighth place in week five of 2018 was SPN’s Hindi Movies channel Sony Max with 507.698 million weekly impressions. Sony Max topped the list of top five Hindi movies channels in HSM (U+R) and was among the top five in HSM (R) and HSM (U).

    At ninth rank was Star India’s Telugu GEC Star Maa with 503.891 million weekly impressions. Star Maa was ranked second in BARC’s list of top five Telugu channels in AP and Telangana markets. Four programmes on the channel – Koyilamma, Karthika Deepam, Kumkuma Puvvu and Telugu feature film –Jaya Janaki Nayaka were amongst the top five Telugu programmes in week 5 of 2018.

    As mentioned above, completing the ten was ETV Telugu with 499.513 million weekly impressions.

    Also Read :

    No change in channels in across genres list in first week of 2018

    BARC ratings: 3 Telugu channels among top 10 across genres

    Sony Max returns to top-10 channels in across genre list

  • Sony Max returns to top-10 channels in across genre list

    Sony Max returns to top-10 channels in across genre list

    BENGALURU: After a hiatus of a week, Sony Pictures Network India (SPN) Hindi Movies channel Sony Max returned to Broadcast Audience Research Council’s (BARC) list of the top-10 channels across genre (All India [U+R] : 2+ Individuals). Six Hindi GEC channels, two Telugu GEC channels and one each of Hindi Movies and Tamil GEC channels made up the top-10 across genre list for week 4 of 2018 (Saturday, 20 January 2018 to Friday, 26 January 2018). From the network’s perspective, the top-10 channels across genre were three Star India Pvt Ltd (Star India) channels, two channels each from the Sun Network Ltd, SPN and Zee Entertainment Enterprises Ltd (Zeel) and one channel from Network 18. Four of the channels in the list were free-to-air (FTA).

    The Sun Network’s flagship Tamil GEC Sun TV held onto to its first rank in the list in week 4 of 2018 with 1,047.704 million weekly impressions. Sun TV was also the most watched Tamil channel in the Tamil Nadu/Puducherry markets according to BARC’s weekly list of top-five Tamil channels during the week under review. All the top-five Tamil programmes during prime time were from Sun TV.

    Zeel’s FTA channel Zee Anmol also retained its second rank with 722.702 million weekly impressions. Zee Anmol was also the most watched Hindi GEC in the Hindi Speaking Urban + Rural (HSM (U+R) and HSM rural [HSM (R)] markets. The Balaji Telefilms produced family drama series Kumkum Bhagya and the Grazing Goat Pictures-produced soap Jamai Raja were among the top five most watched Hindi GEC programmes during primetime in HSM (U+R) and HSM (R). These programmes were aired on Zee Anmol.

    Star India’s FTA Hindi GEC Star Bharat also retained its previous week’s third rank in week 4 of 2018 with 697.485 million weekly impressions. The Qissago Telefilms-produced serial Nimki Mukhiya was among BARC’s five most watched Hindi GEC programmes in the HSM (U+R) markets during primetime.

    Sony Max was ranked fourth in week 4 of 2018 with 639.675 million weekly impressions. The channel also topped BARC’s top five Hindi Movies channels weekly list in HSM (U+R) and HSM (U). The sequel of SS Rajamouli’s magnum opus – Bahubali 2: The Conclusion was among the five most watched movies in HSM (U+R), HSM (U) and HSM (R). Hindi feature film (HFF) Sooryavansham, that was aired on the channel in week 4 was amongst the five most watched programmes in HSM (U+R) and HSM (U). Another HFF that was aired on the channel, Bhairava, was also among the top-five Hindi movies in HSM (U).

    SPN’s women focused FTA Hindi GEC Sony Pal was ranked fifth in week 4 of 2018 with 600.018 million weekly impressions. Sony Pal was also ranked second in BARC’s top 10 Hindi GEC channels list in HSM (R). Balveer and Tarak Mehta ka Ooltah Chashmah aired on the channel were among the most watched Hindi programmes in HSM (R) during prime time.

    Zeel’s flagship Hindi GEC Zee TV was ranked sixth in week 4 of 2018 with 595.585 million weekly impressions. Kumkum Bhagya and its spinoff Kundali Bhagya that were aired on Zee TV were BARC’s top two Hindi GEC programmes during primetime in HSM (U+R) and HSM (U).

    Network18’s (or Viacom18 if you may) flagship Hindi GEC Colors was ranked seventh in week 4 of 2018 with 583.116 million weekly impressions. Colors was the most watched Hindi GEC channel in the week in HSM (U). The Rashmi Sharma Telefilms-produced story of a transgender, Shakti – Astitva Ke Ehsaas Ki, was among the top five Hindi GEC programmes during primetime in HSM (U).

    Another Star India FTA Hindi GEC, Star Utsav, was ranked eighth in week 4 of 2018 with 569.417 million weekly impressions. Star India’s Telugu GEC Star Maa was ranked ninth during the week under review with 532.247 million weekly impressions. The channel was the most watched Telugu GEC in the AP/ Telangana (U+R): NCCS All : 2+ Individuals market. Two programmes that featured on Star Maa – Kumkuma Puvvu and Koyilamma were among the top five Telugu programmes during primetime.

    The Sun Newtork’s Telugu GEC Gemini TV completed BARC’s list of top-10 channels across genre list in week 4 of 2017 with 522.878 million weekly impressions. Gemini TV was the second most watched Telugu GEC programme in AP/Talengana.

    Also Read :

    BARC ratings: Zee Anmol leads GECs in U+R

    BARC panel tampering: first arrests made

    Star Bharat leads Hindi GEC (U+R) in week 2 of BARC ratings

  • BARC ratings: 3 Telugu channels among top 10 across genres

    BARC ratings: 3 Telugu channels among top 10 across genres

    BENGALURU: Three Telugu GEC channels–Star India’s Star Maa, Sun Network’s Gemini TV and the Network 18 associated  ETV Telugu—were present in Broadcast Audience Research Council of India’s (BARC) list of top 10 channels across genre: All India (U+R) : 2+ Individuals list for week 3 of 2018 (Saturday, 13 January 2018 to Friday, 19 January 2018). Besides one Tamil GEC–Sun Network’s Sun TV–the other six channels, including four free-to-air (FTA), were Hindi GECs.

    Three channels from Star India, two channels each from Zee Entertainment Enterprises Ltd (Zeel), Network 18 and Sun Network and one channel from Sony Pictures Network India (SPN) made up the top-10 channels across genre list for week 3 of 2018.

    Sun TV was at its regular first place in the across genres list for week 3 of 2018 with 1,147.85 million weekly impressions. Sun TV also topped BARC’s top 5 Tamil channels (Tamil Nadu/Puducherry (U+R): NCCS All: 2+ Individuals) list and all the five top Tamil programmes in the same markets during primetime were from Sun TV. Sun TV was the most watched GEC across the country.

    Zeel’s FTA Hindi GEC Zee Anmol was ranked second in week 3 of 2018 with 738.873 million weekly impressions and was the most watched Hindi GEC across genres. Zee Anmol topped BARC’s top 10 Hindi GEC channels in the Hindi-speaking urban and rural or HSM (U+R) and the HSM (R) markets. Balaji Telefilms-produced Kumkum Bhagya aired on Zee Anmol was among the top 5 Hindi GEC programmes during primetime in these markets.

    Star India’s FTA Hindi GEC Star Bharat was ranked third in week 3 of 2017 with 697.496 million weekly impressions. Qissago Telefilms-produced Nimki Mukhiya, which aired on Star Bharat, was among the top-five Hindi GEC programmes during primetime in HSM (U+R).

    Star Maa was ranked fourth in week 3 of 2018 with 649.550 million weekly impressions. The channel was placed second in BARC’s top-five Telugu channels list in Andhra Pradesh and Telangana and the world television premiere of Telugu feature film Raja the Great aired on it was the most watched Telugu programme during primetime in the week.

    Zeel’s flagship Hindi GEC Zee TV was ranked fifth in week 3 of 2018 with 643.361 million weekly impressions. Kumkum Bhagya and its spinoff Kundali Bhagya aired on Zee TV were among BARC’s top 5 Hindi GEC programmes during primetime in HSM (U+R) and HSM (U).

    Network 18’s flagship Hindi GEC, Colors, was ranked sixth in week 3 of 2018 with 642.897 million weekly impressions. The grand finale of Endemol Shine India’s Bigg Boss season 11 aired on Colors on January 14 was among BARC’s top 5 Hindi GEC programmes list during primetime in HSM (U+R) and

    HSM (U).

    Gemini TV was ranked seventh in BARC’s across genre list in week 3 of 2018 with 642.270 million weekly impressions. The channel topped BARC’s top-five Telugu channels list and the world television premiere of the Telugu feature film Jai Lava Kusa was the second most watched Telugu programme during primetime during the week according to BARC data.

    SPN’s FTA women focused channel Sony Pal was ranked eighth in week 3 of 2018 with 616.602 million weekly impressions. The sitcom Tarak Mehta Ka Ooltah Chashma and C.I.D aired on Sony Pal were among BARC’s top Hindi GEC programmes list in HSM (R).

    Another Star India FTA Hindi GEC–Star Utsav was ranked ninth in week 3 of 2018 with 553.165 million weekly impressions in BARC’s across genre list.  ETV Telugu completed the top 10 channels across genre list in week 3 of 2018 with 513.852 million weekly impressions. The channel was ranked third in BARC’s top 5 Telugu channels list. Two programmes aired on ETV Telugu, Swati Chinukulu and Manasu Mamata were among BARC’s top-five Telugu programmes list during primetime.

  • 2017 was a regulatory roller coaster and the ride continues

    2017 was a regulatory roller coaster and the ride continues

    NEW DELHI: The year 2017 for the media industry certainly couldn’t be called easy from the point of doing business despite efforts and claims by the federal government that significant progress had been made in the regard.

    The downside of demonetisation of high-value currency notes not only continued to be felt well into 2017, but the introduction of the GST (goods and services tax) in July and its compliance added to the woes as it increased paperwork and investment in human resources for the entire media sector. The cascading effect of the tax and monetary policies on the general economy of the country had a telling effect on the media and entertainment industry as companies, big and small, struggled to keep up with compliance (and sliding revenue) and changing guidelines owing to teething problems.

    2017 began with broadcast and telecoms regulator TRAI’s new set of guidelines relating to tariff, QoS and inter-connection, issued in the second half of 2016, being challenged by one of the biggest broadcasting companies (in terms of reach and revenue), Star India, and its ally Vijay TV in a Chennai court. Separately, two other DTH companies filed a similar challenge in a Delhi court.

    Over a year later, the regulator’s guidelines-touted to be an effort in creating fair ground rules for all stakeholders leaving them free to take commercial decisions-remain in suspended animation as the Chennai court is yet to deliver its final verdict till the time of writing this piece though the arguments and other legal processes have been completed.

    And, then Ministry of Information and Broadcasting (MIB) got in Smriti Irani as minister, a person with a background in the media and TV industry and as someone with strong views on issues. The sudden cancellation of a programming contract to Balaji Telefilms, awarded by pubcaster Doordarshan after a tendering process, could be cited as Irani’s aggressive stand on matters relating to her ministry and the media sector. Ditto for Doordarshan’s parent company Prasar Bharati deciding suddenly during the year not to renew contracts of some private sector TV channels that rode piggyback on DD’s free-to-air DTH platform Free Dish. The latter case is now being debated at the disputes tribunal.

    Over the 12 months in 2017, the MIB came out with a series of regulations, ranging from advisories on condom ads (the flip-flop was surprising) to a sharp hike in processing fees for clearances without clear definitions on some matters to the dos and don’ts of covering sensitive developments, all of which have left most industry players uneasy.

    A section of the industry also feels that the government has cleverly fired the gun, at times, keeping it on the shoulder of TRAI. Even while the regulator is in the process of wrapping up a consultation on various points of ease of doing business in the broadcast and cable sector, towards the fag end of the year, the MIB requested the regulator to examine whether TV channel permissions to beam into the 183-odd million TV homes in the country could be auctioned and the entry-level threshold increased-all aimed at arresting the spiralling number of applications seeking permissions to start a new channel. If legislated, it would be a sort of first where TV channel permissions, and not spectrum, would be auctioned.

    Another directive causing concerns for broadcasters is an MIB order making provision for processing fees on account of change of satellite, channel name/logo, language of channel, category of channel, mode of transmission, teleport, teleport location and change in the category of a channel from a GEC to a news channel for temporary uplink of a live event. The regulation stipulates that a processing fee of Rs 100,000 would have to be paid by a TV channel if seeking temporary uplink permission for, say, a cricket match. Nothing wrong in putting an amount to undertake processing.

    But what is troubling the TV channels is that the fee of Rs 100,000 is for each channel. So, for example, if a broadcaster having four sports channels proposes to telecast live a test cricket match for five days, then the amount for processing of temporary uplink permission by MIB would be Rs 100,000 each for five days for each of the four sports channels (100,000x5x4). That, stakeholders point out, is quite a large sum of money for a five-day match telecast in different languages over several TV channels.

    The MIB also, for the first time, introduced new categories of channels, namely regional and national. As per the extant uplinking and downlinking guidelines of 2011, however, all the licences, whether it is an Assamese or a Tamil language channel, are for pan-India channels and can be distributed throughout India. In fact, many broadcasters obtain multi-language permission for their channels to be able to run in multiple language feeds. The ministry later had to come out with clarifications defining what constitutes a national channel and what is a regional channel, which makes things a bit more complicated in sharp contrast to the federal government’s claim of having created a more conducive business environment in India, a senior executive of a broadcast company opined. What’s more, some experts pointed out, it was surprising that the MIB took the decision on re-classification of TV channels because such policy decisions would ideally need to be ratified by the federal cabinet of ministers.

    The TRAI, however, was banking on its ground rules for the broadcast and cable sectors to herald a new era that is not to be–not at least in 2017. But the regulator’s earnestness to hold a dialogue with stakeholders cannot be faulted despite questions being raised on some of its consultation papers; the one on STB inter-operability, for example. The TRAI should be lauded for upholding principles of net neutrality, in general, and giving thumbs down to content availability in a walled-garden environment, while in the US the FCC is preparing ground to dismantle net neutrality regulations that claimed to be protecting consumer interest.

    What comes out quite clearly in the year of disruptions and a clear change in the ways media, especially TV news, functions is that the thin line blurred between ethics and the dance-on-the-unethical-side-while-remaining- technically-correct.

    The all’s-fair-in-love-and-war thinking was written all over the audience measurement controversy that broke out involving a new news channel that debuted with a bang and the incumbents of the news genre in 2017. Accused by a section of news channels of using dual LCN or frequency strategy to increase sampling and snacking to up audience ratings, the new news channel hit back saying all other players too had sometime used the same strategy. Subesequently, the regulator had to step in directing stakeholders to desist from using practices that were not allowed in the TRAI’s books.

    Such instances-apart from the now-contested TRAI directive barring use of the `landing page’ by TV channels-highlight one thing: if the industry craves for a light-touch regulatory regime, restraint and maturity is needed from the industry, too. For example, despite the TRAI cracking the whip on dual LCNs, many TV channels, including the not-so-new-news-channel-on-the-block, were repeatedly accused by competition of continuing to use the dual LCN strategy throughout 2017.

    If the TRAI-and the government-hoped its guidelines and advisories would reduce litigation in the broadcast and cable sectors, the dream is yet to be fulfilled. The website of broadcast and telecoms disputes tribunal TDSAT states there are approximately 800 cases (in both sectors) still pending till 22 December 2017 if statistics from January 2017 were considered. The high pendency was despite the fact that TDSAT disposed of hundreds of other cases in 2017.

    The broadcast and cable industry would hope that 2018 would be less challenging, at least from the point of view of regulations. Some issues (like the consultation paper on uplink/downlink of TV channels, online video piracy and lack of any guideline for M&As for the media sector), however, continue to rankle even as we all enter 2018, not to mention that a proposal to review DTH guidelines, involving issues like rationalising revenue sharing with the government and renewing of licenses have been seemingly put in the cold storage by the government.

  • No change in channels in across genres list in first week of 2018

    No change in channels in across genres list in first week of 2018

    BENGALURU: Over the last few weeks of 2017, the same channels maintained their presence in Broadcast Audience Research Council’s (BARC) weekly lists of top 10 channels across genre, except with a slight shuffling of ranks. The status quo was maintained in week 1 of 2018 Saturday, 30 December 2017 to Friday, 5 January 2018.

    Seven Hindi GECs and one channel each from the Hindi movies, Tamil GEC and Telugu GEC genres made it to the across genres list in week 1 of 2018. From the networks’ perspective, three channels from Star India, two channels each from the Sony Pictures Network India (SPN), Sun Network and Zee Entertainment Enterprises Limited (Zeel) respectively and one channel from Network 18 (Viacom 18) comprised the top 10 channels across genres.  Of these channels, six were pay TV channels and four were free to air (FTA).

    The first rank has long been the bastion of the Sun Network’s flagship Tamil GEC Sun TV and this was also the case in the premiere week of 2018. Sun TV scored slightly higher ratings of 1,141.157 million weekly impressions as compared to the 1,091.966 million weekly impressions during the previous week. As has been the norm in 2017, all the top five Tamil programmes in the Tamil Nadu/Puducherry markets during primetime were from Sun TV.  

    Zeel’s Hindi FTA channel Zee Anmol piped up a rank to second place with 687.783 million weekly impressions in the first week of 2018 as compared to 684.348 million weekly impressions in week 52 of 2017. The channel topped BARC’s top 10 Hindi GEC channels weekly list in HSM (urban + rural) and HSM (rural). The Balaji Telefilms-produced Indian family drama Kumkum Bhagya aired on Zee Anmol was among the top five Hindi GEC programmes during primetime in the HSM (urban + rural) and HSM (rural). Another soap, Jamai Raja, which also aired on Zee Anmol was among the top five Hindi GEC programmes during primetime in HSM (rural).

    Star India’s FTA Hindi GEC Star Bharat was at third place with 684.987 weekly impressions in the week under review as compared to the slightly higher 697.885 million weekly impressions in the last week of 2017. The Indian comedy sitcom Kya Haal Mr Panchal was among the top five Hindi GEC programmes during primetime in HSM (urban+rural) during primetime.

    Viacom18’s flagship Hindi GEC Colors climbed up a rank to fourth place in week 1 of 2018 with 622.326 million weekly impressions as compared to the previous week’s 625.303 million weekly impressions.

    Zeel’s flagship Hindi GEC Zee TV climbed down a rank to fifth place in week 1 of 2018 with 610.365 weekly impressions as compared to the previous week’s 633.535 million weekly impressions. Kumkum Bhagya and its spinoff Kundali Bhagya aired on Zee TV were among the top five Hindi GEC programmes in HSM (urban+rural) and HSM (urban).

    SPN’s Hindi movies channel Sony Max retained its sixth rank in week 1 of 2018 with 597.077 million weekly impressions to the previous week’s 621.749 million weekly impressions. The channel topped the top five Hindi movies channels weekly list in the HSM (urban+rural) and HSM (urban market) and was among the top five Hindi movies channels in BARC’s list of top five channels in the Hindi movies genre.

    Star India’ flagship Hindi GEC climbed up three ranks to seventh place with 591.835 million weekly impressions. The Balaji Telefilms-produced soap Ye Hai Mohabbatein was among the top five Hindi GEC programmes during primetime in HSM (urban).

    The Sun Network’s flagship Telugu GEC Gemini TV climbed up a rank to eighth place in week 1 of 2018 with 571.512 million weekly impressions as compared to the 560.296 million weekly impressions in the previous week. Gemini TV also topped the top five Telugu channels list in the first week of 2018.

    SPN’s women-focused Hindi GEC Sony Pal descended one rank was to ninth place in week 1 of 2018 with 561.022 million weekly impressions as compared to the 565.487 million weekly impressions in week 52 of 2017. The Indian drama Balveer and the sitcom comedy Tarak Mehta ka Ooltah Chashmah were among the top five Hindi GEC programmes during primetime in HSM (rural),

    Star India’s FTA Hindi GEC Star Utsav was ranked tenth in week 1 of 2018 with 552.712 million weekly impressions as compared to the 604.957 million weekly impressions in week 52 of 2017.

    Also Read :

    Sun TV’s unassailable lead continues, while Zee TV leads Hindi across genre

    Star Bharat continues leading Hindi GECs across genres

    Panchal helps Star Bharat top Hindi GECs across genres