ITV

Tag: Bahubali 2: The Conclusion

  • Sun TV continues as most watched channel across genres in first week of 2019

    Sun TV continues as most watched channel across genres in first week of 2019

    BENGALURU: The Sun TV Network’s flagship Tamil GEC Sun TV continued its almost uninterrupted run as the most watched channels across genres according to the Broadcast Audience Research Council of India (BARC) weekly list for week 1 of 2019 (Saturday, 29 December 2018 to Friday, 4 January 2019). It is only during some weeks of the Indian Premier League (IPL) that the channel has to give way to the main sports channel of the network that broadcasts the mega cricketing event.

    Six Hindi GECs, two Hindi movies channels and one channel each from the Tamil GEC and Telugu GEC genres made it to BARC’s weekly list of  top 10 channels across genres during week 1 of 2018 (week or period under review or consideration). From the network’s perspective, BARC’s across genres list for week 1 of 2019 had three channels from Star India, two channels each from Sony Pictures Network India, Viacom 18 Media Pvt Ltd (Viacom 18) and Zee Entertainment Enterprises Ltd (Zeel) and one channel from the Sun TV Network.

    As mentioned above at its normal first rank in week 1 of 2019 was Sun TV with 1,103.433 million weekly impressions as compared to 1,012.658 weekly impressions in week 52 of 2018. Sun TV also led BARC’s weekly list of top 5 Tamil channels in the Tamil Nadu and Puducherry market and four programmes in BARC’s list of top 5 Tamil programmes during primetime in these markets based on average rating across all airings (original and repeat) in the week under review were aired on Sun TV.

    Also at its previous week’s second rank was Zeel’s FTA Hindi GEC Zee Anmol with 826.144 million weekly impressions in week 1 of 2019 as compared to 785.124 million weekly impressions in week 52 of 2018. Zee Anmol was also ranked first in BARC’s weekly list of top 10 Hindi GECs’ in HSM (U+R) and HSM (R) and was ranked ninth in HSM (U). The channel was the most watched Hindi channel across genres during the week. The Balaji Telefilms-produced soap Kumkum Bhagya was ranked first in BARC’s list of top 5 Hindi GEC programmes during primetime based on average rating across all airings (original and repeat) in the week in HSM (U+R) and HSM (R).  Another two programmes aired on the channel – Mahek and Ek Main aur Ek Tu were ranked fourth and third respectively in HSM (R).

    Star India’s flagship Hindi GEC Star Plus climbed up four places to third rank in week 1 of 2019 with 705.119million impressions as compared to 654.141 million weekly impressions and second rank in week 52 of 2018. Star Plus was ranked second in BARC’s weekly lists of top 10 Hindi GECs in the combined urban and rural Hindi speaking markets or HSM (U+R) and was ranked first in HSM (U) and ninth in HSM (R). The awards show – Star Screen Awards 2019 was ranked second and first in BARC’s weekly list of top 5 Hindi GEC programmes during primetime based on average rating across all airings (original and repeat) in the week in HSM (U+R) and HSM (U) respectively.

    Star India’s flagship Telugu GEC dropped a rank in week 1 of 2019 to fourth place with 888.726 million weekly impressions as compared with 782.262 million weekly impressions in week 52 of 2018. Star Maa was ranked first in BARC’s weekly list of top 5 Telugu channels in the Andhra Pradesh and Telangana market. Five programmes that were aired on Star Maa were present in BARC’s weekly list of top 5 Telugu programmes during primetime based on average rating across all airings (original and repeat) in the week in the same market.

    Zeel’s flagship Hindi GEC Zee TV also dropped a rank in week 1 of 2019 to fifth place with 680.504 million weekly impressions as compared to 700.671 million weekly impressions in week 52 of 2018. Zee TV was ranked third in BARC’s weekly list of top 10 Hindi GECs in HSM (U+R) and fourth in HSM (U), and was ranked seventh in HSM (R). Kundali Bhagya that aired on Zee TV was at fourth rank in BARC’s list of top 5 Hindi GEC programmes during primetime based on average rating across all airings (original and repeat) in the week in HSM (U+R) and in HSM (U).

    Viacom 18’s Hindi movies channel Rishtey Cineplex also dropped a rank in week 1 of 2019 to sixth place with 638.638 million weekly impressions as compared with 690.626 million weekly impressions in week 52 of 2018. The channel began 2019 with a bang – four of the top five movies in BARC’s weekly list of top 5 Hindi movies programmes during primetime based on average rating across all airings (original and repeat) in the week in HSM (U+R) and all the five top programmes in HSM (R) were aired on Rishtey Cineplex. Rishtey Cineplex was the most watched Hindi movies channel in BARC’s across genres weekly list.

    Another Star India pay-TV Hindi GEC Star Bharat also dropped a rank to seventh place in week 1 of 2019 with 619.919 million weekly impressions as compared to 658.078 million weekly impressions in week 52 of 2018. Star Bharat was ranked fourth in BARC’s weekly list of top 10 Hindi GECs in HSM (U+R) and sixth and fifth in HSM (R) and HSM (U) respectively.

    SPN’s flagship Hindi GEC Sony Entertainment Television (SET) climbed up two places to eighth rank in BARC’s top 10 channels across genres weekly list with 619.230 million weekly impressions in week 1 of 2091 as compared to 603.330 million weekly impressions in week 52 of 2018. SET was ranked fifth in BARC’s list of top 10 Hindi GECs in HSM (U+R) and second in HSM (U). The reality show Super Dancer Chapter 3-Auditions on the channel was ranked third and first in BARC’s list of top 5 Hindi GECs programmes during primetime based on average rating across all airings (original and repeat) in the week in HSM (U+R) and HSM (U) respectively. Further the comedy show – The Kapil Sharma Show was ranked second in BARC’s weekly list of top 5 Hindi programmes during primetime in HSM (U).

    Viacom 18’s flagship Hindi GEC Colors entered BARC’s across genres weekly list in week 1 of 2019 with 607.973 million weekly impressions at ninth rank. Colors was ranked sixth in BARC’s weekly list of top 10 Hindi GECs’ in HSM (U+R), tenth in HSM (R) and third in HSM (U).

    SPN’s Hindi movies channel Sony Max also dropped a rank to tenth place in week 1 of 2019 with 598.253 million weekly impressions as compared with 625.252 million weekly impressions in week 51. Sony Max was ranked second in BARC’s weekly list of top 5 Hindi movies channels in HSM (U+R), first in HSM (U) and was ranked fourth in HSM (R). Hindi feature film (HFF)  Bahubali 2: The Conclusion was ranked first BARC’s list of top 5 Hindi movies programmes during primetime based on average rating across all airings (original and repeat) in the week in HSM (U+R) and HSM (U). Two other HFF’s – Tiger Zinda Hai  and Yevadu were ranked fourth and fifth in BARC’s list of top 5 Hindi movies programmes during primetime based on average rating across all airings (original and repeat) in the week n HSM (U)

  • Sony Max returns to top-10 channels in across genre list

    Sony Max returns to top-10 channels in across genre list

    BENGALURU: After a hiatus of a week, Sony Pictures Network India (SPN) Hindi Movies channel Sony Max returned to Broadcast Audience Research Council’s (BARC) list of the top-10 channels across genre (All India [U+R] : 2+ Individuals). Six Hindi GEC channels, two Telugu GEC channels and one each of Hindi Movies and Tamil GEC channels made up the top-10 across genre list for week 4 of 2018 (Saturday, 20 January 2018 to Friday, 26 January 2018). From the network’s perspective, the top-10 channels across genre were three Star India Pvt Ltd (Star India) channels, two channels each from the Sun Network Ltd, SPN and Zee Entertainment Enterprises Ltd (Zeel) and one channel from Network 18. Four of the channels in the list were free-to-air (FTA).

    The Sun Network’s flagship Tamil GEC Sun TV held onto to its first rank in the list in week 4 of 2018 with 1,047.704 million weekly impressions. Sun TV was also the most watched Tamil channel in the Tamil Nadu/Puducherry markets according to BARC’s weekly list of top-five Tamil channels during the week under review. All the top-five Tamil programmes during prime time were from Sun TV.

    Zeel’s FTA channel Zee Anmol also retained its second rank with 722.702 million weekly impressions. Zee Anmol was also the most watched Hindi GEC in the Hindi Speaking Urban + Rural (HSM (U+R) and HSM rural [HSM (R)] markets. The Balaji Telefilms produced family drama series Kumkum Bhagya and the Grazing Goat Pictures-produced soap Jamai Raja were among the top five most watched Hindi GEC programmes during primetime in HSM (U+R) and HSM (R). These programmes were aired on Zee Anmol.

    Star India’s FTA Hindi GEC Star Bharat also retained its previous week’s third rank in week 4 of 2018 with 697.485 million weekly impressions. The Qissago Telefilms-produced serial Nimki Mukhiya was among BARC’s five most watched Hindi GEC programmes in the HSM (U+R) markets during primetime.

    Sony Max was ranked fourth in week 4 of 2018 with 639.675 million weekly impressions. The channel also topped BARC’s top five Hindi Movies channels weekly list in HSM (U+R) and HSM (U). The sequel of SS Rajamouli’s magnum opus – Bahubali 2: The Conclusion was among the five most watched movies in HSM (U+R), HSM (U) and HSM (R). Hindi feature film (HFF) Sooryavansham, that was aired on the channel in week 4 was amongst the five most watched programmes in HSM (U+R) and HSM (U). Another HFF that was aired on the channel, Bhairava, was also among the top-five Hindi movies in HSM (U).

    SPN’s women focused FTA Hindi GEC Sony Pal was ranked fifth in week 4 of 2018 with 600.018 million weekly impressions. Sony Pal was also ranked second in BARC’s top 10 Hindi GEC channels list in HSM (R). Balveer and Tarak Mehta ka Ooltah Chashmah aired on the channel were among the most watched Hindi programmes in HSM (R) during prime time.

    Zeel’s flagship Hindi GEC Zee TV was ranked sixth in week 4 of 2018 with 595.585 million weekly impressions. Kumkum Bhagya and its spinoff Kundali Bhagya that were aired on Zee TV were BARC’s top two Hindi GEC programmes during primetime in HSM (U+R) and HSM (U).

    Network18’s (or Viacom18 if you may) flagship Hindi GEC Colors was ranked seventh in week 4 of 2018 with 583.116 million weekly impressions. Colors was the most watched Hindi GEC channel in the week in HSM (U). The Rashmi Sharma Telefilms-produced story of a transgender, Shakti – Astitva Ke Ehsaas Ki, was among the top five Hindi GEC programmes during primetime in HSM (U).

    Another Star India FTA Hindi GEC, Star Utsav, was ranked eighth in week 4 of 2018 with 569.417 million weekly impressions. Star India’s Telugu GEC Star Maa was ranked ninth during the week under review with 532.247 million weekly impressions. The channel was the most watched Telugu GEC in the AP/ Telangana (U+R): NCCS All : 2+ Individuals market. Two programmes that featured on Star Maa – Kumkuma Puvvu and Koyilamma were among the top five Telugu programmes during primetime.

    The Sun Newtork’s Telugu GEC Gemini TV completed BARC’s list of top-10 channels across genre list in week 4 of 2017 with 522.878 million weekly impressions. Gemini TV was the second most watched Telugu GEC programme in AP/Talengana.

    Also Read :

    BARC ratings: Zee Anmol leads GECs in U+R

    BARC panel tampering: first arrests made

    Star Bharat leads Hindi GEC (U+R) in week 2 of BARC ratings

  • Non-Khan Bahubali2 shows the power of three — Rs 300 cr

    It is happy hours for the exhibitors, especially the multiplex properties. After starving for footfalls, Bahubali 2: The Conclusion has come as a saviour. Never look a gift horse in the mouth so no matter it is not a Hindi super star film, just a dubbed film from South. The film carried a solid brand equity created by its predecessor, Bahubali: The Beginning.

    The multiplexes tried all possible avenues to feed their auditoriums in absence of films. Earlier, they tried to programme IPL matches and other such events to no avail. Who would want to watch an exciting match of cricket in a dark hall under a disciplined guidelines when you can watch it at home or a restaurant or a club with drinks and full control over the proceedings with a remote in your hand?

    So, building multi-screen halls was not a wise decision which proves a liability when you don’t have a Salman Khan or Aamir Khan film. They give you a fortnight audience while others manage a weekend’s feed.

    Saying, ‘where the next meal is is coming from’ won’t be an exaggeration in case of these multiplexes.

    Bahubali: The Beginning came out of the blue and left promising a lot. Hence, Bahubali 2: The Conclusion, became the most awaited film by both, the audience as well as the exhibition trade. To every stakeholder’s relief, the film has more than lived up to all the expectations the earlier film promised.

    Because, except Bahubali 2 there is nothing the multiplexes as well as the single screens have to screen. They have been facing the ‘No audience, No show’ routine for a long time.

    *Bahubali 2: The Conclusion (Dubbed from Telugu) has been collecting figures all through its first week which most Hindi superstar films do on their day one or two if they manage to find a holiday release. In fact, the film has exceeded best Hindi film collections by miles.

    *Since the entire exhibition trade is surviving on just one film for the last few days, here is how and why: The film has continued to maintain collections in high crore range all through its first weekend by collecting Rs 40 crore on Friday and Saturday and peaking at Rs 46 crore on Sunday to end its opening weekend with over Rs 146 crore.

    The victorious run continued as the film kept on the same scale on Monday with part of India having a holiday. The collections dropped by 25% on Tuesday but that was not alarming since the film picked up again. Finally, the film ended its first week sweep of the box office with a total take of Rs 245.6 crore.

    The film has been enjoyed a fitting second weekend which is reported to have added another Rs 80.2 crore for its second weekend thus taking its 10 day total to Rs 325.8 crore.

    The other films released in recent weeks, Noor, Maatr, Begum Jaan, Naam Shabana, Phillauri have all ended with disastrous outcome.

    *Last week’s release, Mantostaan, despite a very limited release, has failed to draw the audience.