Tag: Baaghi

  • Zee Cinema’s ‘Kesari’ is highest-rated premiere on Independence Day

    Zee Cinema’s ‘Kesari’ is highest-rated premiere on Independence Day

    MUMBAI: The World Television Premiere of Kesari on 15 August on Zee Cinema has set a new benchmark across the Hindi movies cluster making it No.1 in the category. The historic war drama garnered 15.6 Mn impressions as per BARC data for Week 33 for 2+ audiences in HSM Urban + Rural markets and is one of the Top 3 rated movies of the year. Zee Cinema has been ranking No.1 in the past five weeks with 489 Mn impressions.

    Over the years, the channel has premiered some of the biggest titles on Independence Day and managed to garner the desired outcome. Grabbing the highest number of eyeballs, Zee Cinema has year on year rated No.1 with their Independence Day premieres of Parmanu: The Story of Pokhran, Dangal, Baaghi and Holiday in the past.  

    With its yearly trend of ranking the highest during Independence Day, by airing blockbuster movies, Zee Cinema promises to cater to the ever-evolving viewer’s demands by making each year bigger and better than the previous.

  • &pictures Gen-Next Film Festival from 3–8 Oct

    &pictures Gen-Next Film Festival from 3–8 Oct

    MUMBAI: They’re strong, dashing and all things awesome. They’re the actors of today whose talent and indomitable acting skills have taken the nation by storm. Celebrating stories and entertainment by the artists whose raw charm and appeal wows the audience, &pictures, Naye India Ka Blockbuster Movie Channel, announces the Gen-Next Film Festival. To air from Tuesday, 3rd October to Sunday, 8th October at 8 PM, the festival will bring together blockbuster movies that will satiate the entertainment needs of every movie-lover.

    Kicking off with action drama Baaghi, starring Tiger Shroff and Shraddha Kapoor, the Gen-Next Film Festival will air a series of compelling films which have brought smile to the viewers’ faces. This will be followed up by Rajkummar Rao starrer Trapped, Vidyut Jamval’s Commando 2, hilariously engaging Great Grand Masti, and Varun Dhawan, Ileana D’Cruz and Nargis Fakhri’s Main Tera Hero. It’s raining thrillers, comedies and romance on &pictures as the engagement levels amplify keeping audiences glued to their seats.

    public://&pitcure.jpg

    Stay tuned as the newest and freshest stories come to your television screens with the Gen-Next Film Festival, from 3rd to 8th October at 8pm on &pictures!

  • Box Office: Baaghi and The Jungle Book – great run

    Box Office: Baaghi and The Jungle Book – great run

    Sarbjit, with its choice of subject and casting, was not expected to carry much appeal and it did not. With its lacklustre treatment, length and lack of soul, it failed to touch the audience. The film had a poor opening day with a marginal increase on Saturday and Sunday. It ended its opening weekend with collections of Rs 12.1 crore. The film has dropped further from today.

    Azhar, a biopic on Indian cricketer Azharuddin, which claims to be based on the cricketer’s life, took the help of a disclaimer at the very start of the movie to twist and turn the events that happened during this cricketer’s tenure as a player as well as captain of the Indian team, to make a victim out of him. Not expected to strike a chord with the audience, it failed badly. The film managed to put together just Rs 28.95 crore for its first week.

    Dear Dad had a poor run in its first week.

    Buddha In Traffic Jam made a symbolic presence at the box office by collecting about Rs 30 lakh for its first week.

    1920 London has collected Rs 2.1 crore in its second week to take its two week tally to Rs 4.2 crore.

    Traffic added Rs 30 lakh in its second week taking its two week tally to 3.5 crore.

    Baaghi has had a great run at the box office as it collected Rs 3.1 crore in its third week taking its three eek total to Rs 77.6 crore.

    The Jungle Book has had an excellent run at the box office even during its sixth week as the film went on to collect Rs 4.3 crore to take its six week total to Rs 179.45 crore.

  • Box Office: Baaghi and The Jungle Book – great run

    Box Office: Baaghi and The Jungle Book – great run

    Sarbjit, with its choice of subject and casting, was not expected to carry much appeal and it did not. With its lacklustre treatment, length and lack of soul, it failed to touch the audience. The film had a poor opening day with a marginal increase on Saturday and Sunday. It ended its opening weekend with collections of Rs 12.1 crore. The film has dropped further from today.

    Azhar, a biopic on Indian cricketer Azharuddin, which claims to be based on the cricketer’s life, took the help of a disclaimer at the very start of the movie to twist and turn the events that happened during this cricketer’s tenure as a player as well as captain of the Indian team, to make a victim out of him. Not expected to strike a chord with the audience, it failed badly. The film managed to put together just Rs 28.95 crore for its first week.

    Dear Dad had a poor run in its first week.

    Buddha In Traffic Jam made a symbolic presence at the box office by collecting about Rs 30 lakh for its first week.

    1920 London has collected Rs 2.1 crore in its second week to take its two week tally to Rs 4.2 crore.

    Traffic added Rs 30 lakh in its second week taking its two week tally to 3.5 crore.

    Baaghi has had a great run at the box office as it collected Rs 3.1 crore in its third week taking its three eek total to Rs 77.6 crore.

    The Jungle Book has had an excellent run at the box office even during its sixth week as the film went on to collect Rs 4.3 crore to take its six week total to Rs 179.45 crore.

  • Azhar disappoints, Baaghi and Jungle Book going strong

    Azhar disappoints, Baaghi and Jungle Book going strong

    Azhar, the major release of the week, much touted to be a controversial saga of a great cricketer fallen on bad days, found indifferent response from the viewers. Memories are short, and with nothing positive to remind one of Azhar in the era of Kohli, Raina, Rohit , etc and, there was no inclination to make an aggrieved hero out of an alleged suspect.

    The film opened to a mediocre response on Friday, remained stagnant even on Saturday and did little on Sunday to show positive signs. The film had an opening weekend of Rs 20.6 crore. The drop from today onwards is inevitable looking at lack of appreciation.

    Dear Dad, a father son story, about a father wanting his on the verge of teens to accept his gay status, has failed to find its audience. Kids can’t see the film, elders would not want to watch it and that left little else. The film faced no audience, no show status at many cinemas.

    Buddha In A Traffic Jam released after last minute hassles went generally unnoticed. The theme of the film has no relevance in the scheme of things when it comes to cinema.

    Traffic, a film about a celebrity father buying a heart for transplant into his ailing daughter, is not accepted by Hindi audiences despite its success in the original Malayalam and other versions. More than a humane tale, it emerged as the depiction of money, might and clout. The film failed to touch the chord and collected barely Rs 3.2 crore in its first week.

    1920 London is the only film from the films released last week which made a mark, though to a limited extent. This horror drama with the credibility of Sharman Joshi riding on it, did decent business at the box office and collected Rs 12.1 crore.

    Sunny Leone and her sex appeal are at a stage of negative returns. One Night Stand, despite a suggestive title and Sunny Leone in the lead, failed to arouse curiosity. The film remained poor in its first week managing to garner together a bare Rs 3.15 crore.

    Baaghi was excellent in its second week as this mass appeal film went on to collect Rs 11.8 crore in its second week taking its two week total to Rs 71.4 crore.

    Jungle Book collected Rs 6.25 crore in its fifth week with its five week being Rs 175.15 crore. 

  • Azhar disappoints, Baaghi and Jungle Book going strong

    Azhar disappoints, Baaghi and Jungle Book going strong

    Azhar, the major release of the week, much touted to be a controversial saga of a great cricketer fallen on bad days, found indifferent response from the viewers. Memories are short, and with nothing positive to remind one of Azhar in the era of Kohli, Raina, Rohit , etc and, there was no inclination to make an aggrieved hero out of an alleged suspect.

    The film opened to a mediocre response on Friday, remained stagnant even on Saturday and did little on Sunday to show positive signs. The film had an opening weekend of Rs 20.6 crore. The drop from today onwards is inevitable looking at lack of appreciation.

    Dear Dad, a father son story, about a father wanting his on the verge of teens to accept his gay status, has failed to find its audience. Kids can’t see the film, elders would not want to watch it and that left little else. The film faced no audience, no show status at many cinemas.

    Buddha In A Traffic Jam released after last minute hassles went generally unnoticed. The theme of the film has no relevance in the scheme of things when it comes to cinema.

    Traffic, a film about a celebrity father buying a heart for transplant into his ailing daughter, is not accepted by Hindi audiences despite its success in the original Malayalam and other versions. More than a humane tale, it emerged as the depiction of money, might and clout. The film failed to touch the chord and collected barely Rs 3.2 crore in its first week.

    1920 London is the only film from the films released last week which made a mark, though to a limited extent. This horror drama with the credibility of Sharman Joshi riding on it, did decent business at the box office and collected Rs 12.1 crore.

    Sunny Leone and her sex appeal are at a stage of negative returns. One Night Stand, despite a suggestive title and Sunny Leone in the lead, failed to arouse curiosity. The film remained poor in its first week managing to garner together a bare Rs 3.15 crore.

    Baaghi was excellent in its second week as this mass appeal film went on to collect Rs 11.8 crore in its second week taking its two week total to Rs 71.4 crore.

    Jungle Book collected Rs 6.25 crore in its fifth week with its five week being Rs 175.15 crore. 

  • Baaghi: A Rebel For Love – one for the masses; Shortcut Safari is Short cut to suffering

    Baaghi: A Rebel For Love – one for the masses; Shortcut Safari is Short cut to suffering

    Baaghi is an action romance film. Sajid Nadiadwala makes sure his films are entertainers and don’t leave the masses out.  Like all love stories, two guys want the same girl. Since the girl loves only one of them, the other guy becomes the villain in the plot. The film bears similarities to the Indonesian production, The Raid: Redemption and is a remake of the Telugu movie Varsham.

    Tiger Shroff, a Delhi lad, is on his way to Kerala to join a martial arts institution. He is a wayward guy and being sent here to be disciplined. On the train, he meets Shraddha Kapoor who is travelling to meet her grandmother. Both are attracted instantly and, in Kerala, their love blossoms further.

    The master at the institution is an accomplished martial arts exponent. A strict disciplinarian, he is much respected. His son, Sudheer Babu, excels in martial art and uses his might to terrorize people. He sees Shraddha and falls for her and wants to marry her at any cost. Sparks fly between Sudheer and Tiger.

    Shraddha’s father, Sunil Grover, is an opportunist and when offered a bagful of money, he agrees to marry off Shraddha with Sudheer. To separate her from Tiger, he concocts a story which Shraddha believes but is still not willing to marry Sudheer.

    Sudheer’s father, the master of the institution, cautions Sudheer not to come between two lovers and marry where he decides on the girl. Sudheer has no scruples and poisons his farther, there being no other way to get him out of his way. He then shifts his operations to Thailand in a ten storey building. While Shraddha is kept on the top floor, the other nine are like layers of shields for her with armed and qualified fighters.

    Tiger has left Kerala and is living a normal life when Grover approaches him. Shraddha has been abducted and he offers Tiger money to find her. Tiger needs the money for the treatment of a small child he has adopted while living with another student at the Institution.

    Now wasting time to find Sudheer, he enters the ring to fight a no holds barred bout of a fight with a regular winner and knocks him out in one kick. The bout is being watched on a close circuit camera and his plan works. Now, Sudheer’s men are after him.

    After some more fights and chases, Tiger is assumed dead. But, Shraddha is sure he will come to rescue her. And he does. After negotiating the nine floors full of goons, he is finally face to face with Sudheer. He seems to have learnt some secrets of hand to hand combat which Sudheer missed.

    The story is typical and the direction is apt. What makes the film interesting is the fresh casting and action. Considering this is only his second film, the audience response to Tiger’s entry and during action scenes is tremendous. He and petite Shraddha make a good pair. Grover is good in light scenes and as scheming father. Sudheer is menacing enough for Tiger’s winning look hard-fought.

    Considering this is a romantic film, it needed a couple of chartbusters but has only one song, Sab tera…which appeals.  The cinematography is good.

    Baaghi is a single screen entertainer after a long gap, besides having appeal for young viewers and is set to be a decent earner.

    Producer: Sajid Nadiawdwala.

    Director: Sabbir Khan.

    Cast: Tiger Shroff, Shraddha Kapoor, Sudheer Babu, Sunil Grover, Sanjay Mishra.

    Shortcut Safaari..Short cut to suffering

    Amitabha Singh, the producer and cinematographer associated with some award winning films has turned to direction with Shortcut Safaari. His earlier association with a children’s film was Chillar Party as a cinematographer. He worked as a DOP on Khosla Ka Ghosla and was the producer (with NFDC) of the national award winning Gujarati film, The Good Road, India’s nomination to the Oscars. But, direction is another ball game altogether.

    A group of school kids belonging to the nature society of a school are taken on a day out to a nature park to learn firsthand the gift that we have in the form of nature and all that it breeds. The tour done, the kids are divided on return trip in three small vans. The teacher in charge is keener on keeping her date with her beau, ditches her students and hitchhikes on the pillion of her man.

    While the students in two vans depart, the third one takes a little longer with a couple of students arguing over sitting arrangements. When they are on the road finally, the kids see a higher HP car overtake them and their fragile egos incite their driver to overtake that car. The driver hardly seems to have control on his small van but takes the challenge. He takes a shortcut, drives recklessly and lands up in a jungle. His van has bumped into a tree.

    The driver needs help and leaves the kids to find a help in nearby village!! Promising to return soon, he leaves the students alone to fend for themselves. What follows is an ordeal on the viewer. The driver has vanished. The students spend the night in the van but the night is eventful as funny looking, animated hyenas, leopard etc. visit them, dance on their van and vanish! The students, despite their exposure to nature and coming as they do from high end school, think hyenas are dogs and the leopard is a cat! So much for education!!

    The students, fight among themselves, sing and dance and roam the jungle to find a way out. So far, there seems to be not a soul around except a caricature of a leopard. But, as the film progresses, the jungle suddenly seems over populated. There are a couple of buffoons, supposed to provide comic relief, with toy guns who want to kill the sole leopard so that the jungle can be turned into real estate bonanza! Mall and all that!!

    The film flashes Jimmy Shergill as its lead actor and you wonder where he is? Finally, he does show up in a dress weirder than that any self-styled baba ever wore. He seems to be the self-appointed keeper of the forest.

    Shortcut Safaari is a film with no sense for script, let alone on for a film catering to children. The direction matches the script and is full of inconsistencies including the students cast showing varying ages. The jungle life and the few animals depicted are a joke with poor animation. Its songs are good. The editor has no scope here; he could have chopped the whole film if permitted. Some kids act well, some don’t. All others playing parents and teacher are non-actors, nor do they bother to act.

    Shortcut Safaari is a children oriented film from which children are better off kept away.

    Producer: Xebec Films Pvt. Ltd., Kashyap A Shah, Amigos Fin-o- tainment.

    Director: Amitabha Singh.

    Cast: Aashi Rawal, Sharvil Patel, Mann Patel, Deah Tandon, Ugam Khetani, Stuti Dwivedi, Hardil Kanabar, Jimmy Sheirgill.

  • Baaghi: A Rebel For Love – one for the masses; Shortcut Safari is Short cut to suffering

    Baaghi: A Rebel For Love – one for the masses; Shortcut Safari is Short cut to suffering

    Baaghi is an action romance film. Sajid Nadiadwala makes sure his films are entertainers and don’t leave the masses out.  Like all love stories, two guys want the same girl. Since the girl loves only one of them, the other guy becomes the villain in the plot. The film bears similarities to the Indonesian production, The Raid: Redemption and is a remake of the Telugu movie Varsham.

    Tiger Shroff, a Delhi lad, is on his way to Kerala to join a martial arts institution. He is a wayward guy and being sent here to be disciplined. On the train, he meets Shraddha Kapoor who is travelling to meet her grandmother. Both are attracted instantly and, in Kerala, their love blossoms further.

    The master at the institution is an accomplished martial arts exponent. A strict disciplinarian, he is much respected. His son, Sudheer Babu, excels in martial art and uses his might to terrorize people. He sees Shraddha and falls for her and wants to marry her at any cost. Sparks fly between Sudheer and Tiger.

    Shraddha’s father, Sunil Grover, is an opportunist and when offered a bagful of money, he agrees to marry off Shraddha with Sudheer. To separate her from Tiger, he concocts a story which Shraddha believes but is still not willing to marry Sudheer.

    Sudheer’s father, the master of the institution, cautions Sudheer not to come between two lovers and marry where he decides on the girl. Sudheer has no scruples and poisons his farther, there being no other way to get him out of his way. He then shifts his operations to Thailand in a ten storey building. While Shraddha is kept on the top floor, the other nine are like layers of shields for her with armed and qualified fighters.

    Tiger has left Kerala and is living a normal life when Grover approaches him. Shraddha has been abducted and he offers Tiger money to find her. Tiger needs the money for the treatment of a small child he has adopted while living with another student at the Institution.

    Now wasting time to find Sudheer, he enters the ring to fight a no holds barred bout of a fight with a regular winner and knocks him out in one kick. The bout is being watched on a close circuit camera and his plan works. Now, Sudheer’s men are after him.

    After some more fights and chases, Tiger is assumed dead. But, Shraddha is sure he will come to rescue her. And he does. After negotiating the nine floors full of goons, he is finally face to face with Sudheer. He seems to have learnt some secrets of hand to hand combat which Sudheer missed.

    The story is typical and the direction is apt. What makes the film interesting is the fresh casting and action. Considering this is only his second film, the audience response to Tiger’s entry and during action scenes is tremendous. He and petite Shraddha make a good pair. Grover is good in light scenes and as scheming father. Sudheer is menacing enough for Tiger’s winning look hard-fought.

    Considering this is a romantic film, it needed a couple of chartbusters but has only one song, Sab tera…which appeals.  The cinematography is good.

    Baaghi is a single screen entertainer after a long gap, besides having appeal for young viewers and is set to be a decent earner.

    Producer: Sajid Nadiawdwala.

    Director: Sabbir Khan.

    Cast: Tiger Shroff, Shraddha Kapoor, Sudheer Babu, Sunil Grover, Sanjay Mishra.

    Shortcut Safaari..Short cut to suffering

    Amitabha Singh, the producer and cinematographer associated with some award winning films has turned to direction with Shortcut Safaari. His earlier association with a children’s film was Chillar Party as a cinematographer. He worked as a DOP on Khosla Ka Ghosla and was the producer (with NFDC) of the national award winning Gujarati film, The Good Road, India’s nomination to the Oscars. But, direction is another ball game altogether.

    A group of school kids belonging to the nature society of a school are taken on a day out to a nature park to learn firsthand the gift that we have in the form of nature and all that it breeds. The tour done, the kids are divided on return trip in three small vans. The teacher in charge is keener on keeping her date with her beau, ditches her students and hitchhikes on the pillion of her man.

    While the students in two vans depart, the third one takes a little longer with a couple of students arguing over sitting arrangements. When they are on the road finally, the kids see a higher HP car overtake them and their fragile egos incite their driver to overtake that car. The driver hardly seems to have control on his small van but takes the challenge. He takes a shortcut, drives recklessly and lands up in a jungle. His van has bumped into a tree.

    The driver needs help and leaves the kids to find a help in nearby village!! Promising to return soon, he leaves the students alone to fend for themselves. What follows is an ordeal on the viewer. The driver has vanished. The students spend the night in the van but the night is eventful as funny looking, animated hyenas, leopard etc. visit them, dance on their van and vanish! The students, despite their exposure to nature and coming as they do from high end school, think hyenas are dogs and the leopard is a cat! So much for education!!

    The students, fight among themselves, sing and dance and roam the jungle to find a way out. So far, there seems to be not a soul around except a caricature of a leopard. But, as the film progresses, the jungle suddenly seems over populated. There are a couple of buffoons, supposed to provide comic relief, with toy guns who want to kill the sole leopard so that the jungle can be turned into real estate bonanza! Mall and all that!!

    The film flashes Jimmy Shergill as its lead actor and you wonder where he is? Finally, he does show up in a dress weirder than that any self-styled baba ever wore. He seems to be the self-appointed keeper of the forest.

    Shortcut Safaari is a film with no sense for script, let alone on for a film catering to children. The direction matches the script and is full of inconsistencies including the students cast showing varying ages. The jungle life and the few animals depicted are a joke with poor animation. Its songs are good. The editor has no scope here; he could have chopped the whole film if permitted. Some kids act well, some don’t. All others playing parents and teacher are non-actors, nor do they bother to act.

    Shortcut Safaari is a children oriented film from which children are better off kept away.

    Producer: Xebec Films Pvt. Ltd., Kashyap A Shah, Amigos Fin-o- tainment.

    Director: Amitabha Singh.

    Cast: Aashi Rawal, Sharvil Patel, Mann Patel, Deah Tandon, Ugam Khetani, Stuti Dwivedi, Hardil Kanabar, Jimmy Sheirgill.