Tag: B4U

  • Animated ‘Ramayana’ a global Diwali gift on web, mobile

    Animated ‘Ramayana’ a global Diwali gift on web, mobile

    NEW DELHI: Thirty episodes of the animated series Ramayana will be available around the world on the nexGTv web and mobile platforms during Diwali.

    This follows acquisition by nexGTv of the digital telecast rights from HT Media. With Diwali just around the corner, the content addition highlights nexGTv focus on delivering highly-relevant India-centric entertainment solutions to viewers around the world.

    The platform also recently tied up with several reputed content developers and media firms such as Culture Machine and Inavit Digital Pvt. Ltd. in order to add more diversity to its content library, already including 150+ Live TV channels, movies, shows and videos.

    nexGTv COO Abhesh Verma said, “With the festival fast approaching, our acquisition of the global digital rights to Ramayana could not have been timed better. We are confident that our viewers will be delighted with the latest addition, as they get a chance to relive the quintessential triumph of good over evil on-the-go through nexGTv.”

    Made available for seamless viewing across multiple devices and platforms, nexGTv viewers can watch 30 episodes of Ramayana as a part of its free content catalogue. The series can be accessed be either through www.nexgtv.com or through the nexGTv mobile app, available on both Android and iOS.

    With over 25 million downloads, nexGTv is the flagship, multi award-winning application from DigiVive. Offering unlimited and compelling entertainment across multiple devices (mobile, tablets or laptops/PCs), nexGTv offers its users an unrivalled suite of 150+ Live TV channels aside from a huge content library comprising movies, TV shows & videos for every mood. The app has won numerous awards including ‘The Best Digital Experience’ at the prestigious World Communication Awards 2014, in London, and is ranked amongst the Top Entertainment applications in app stores.

    DigiVive focuses on creating offerings in line with trends, with best-in-class content. Its partners include leading telecom operators and OEMs.

    nexGTv launched nexGTv Kids to curate and deliver the most entertaining and educative content meant especially for the kids aged between two and to 10 years. The platform’s exclusive news app, nexGTv News, has been launched as the go-to destination for mobile-based video news content aimed at revolutionizing the way news is currently consumed in the country through enhanced accessibility. Through its partnership with One Network Entertainment Pvt. Ltd (ONE), nexGTv has also launched the Comedy One, a first-of-its-kind comedy app having premium original comedy content ranging from stand-up, gags and spoofs to sketches and web-series. iFaith, nexGTv’s exclusive devotional app, will enable anytime, anywhere access to devotional content for nexGTv users. nexGTv has also launched nexGTv Yoga, which enables access to a host of videos on meditation, breathing techniques and yoga postures anytime, anywhere. The nexGTv Movies n Music app has been launched specifically for movie and music buffs around the world, and boasts of a library comprising nearly 2500 movies including titles such as Singham Returns, Holiday, Ragini MMS 2, Buddha In A Traffic jam, Dirty Politics and many more. The company has rolled out My nexGTv, a wrapper/aggregator tool that allows users to manage, install and access multiple nexGTv apps such as nexGTV Kids, nexGTV Yoga, nexGTV News and nexGTV Comedy One etc through one consolidated platform.

    nexGTv has partnered with leading channels such as B4U, 9X Jalwa, Tashan, B4U Music, M Tunes and 9XM Music to showcase high-quality entertainment solutions on its platform. Meanwhile, its partnership with India’s leading digital media firm, Culture Machine, will enable access to various digital channels like Being Indian, Put Chutney, Blush, Epified, What’s Trending India, Whack, Old Delhi Films, Rascalas, Vendhar TV etc to its viewers. Moving towards international web series content, the platform has acquired the digital telecast rights to UK-based Daehan Drama’s popular comedy web series, At the Counter, as well as its French-Chinese web series, Ex-Model, in order to diversify its offerings with high-quality international content.

    SPOTLight, India’s first mobile talent discovery platform, has been introduced by nexGTv with ace director Imtiaz Ali as the creative judge, as a medium to enable both amateurs and professional video enthusiasts to not only showcase their talent pan-India, but also earn off it. nexGTv also unveiled an original 14-part mobi-series in association with Priyanka Chopra and Fluence, ‘It’s My City’, in order to provide relatable and engaging video entertainment content to the country’s new-age digital viewership. In her inimitable style, Priyanka Chopra appears in and as herself, assuming the mantle of an official landlady, unofficial guardian and protective friend to the young protagonists.

  • IDOS 2016: The DD FreeDish alternative for TV channels & advertisers

    IDOS 2016: The DD FreeDish alternative for TV channels & advertisers

    GOA: Has the pubcaster DD’s free to air platform FreeDish emerged as a viable proposition for advertisers? What are its expansion plans, going forward? These were some of the questions posed by the Indiantelevision.com founder, CEO & Editor in chief Anil Wanvari at IDOS 2016 in Goa during the session on FTA channels to SAB Group CEO Manav Dhanda, B4U broadcasting division COO and CFO Sandeep Gupta, Starcom India group CEO Mallikarjun ‘Malli’ Das, and DD’s FreeDish deputy director-general (engineering) AK Jha.

    Jha started out by saying that the DTH platform has 55 private tenants including those from the majors – Sony Pictures Television Networks, Star India, and Zee TV – as well as from smaller broadcast networks such as B4U and the SAB group. “We want more such customers to come on our platform,” he expressed. He, however, confessed that getting an exact count of the number of subscribers was difficult as FreeDish was only a platform and the STBs were distributed by recognized vendors. “But, by extrapolating TRAI DTH data, conversations with STB manufactures and chipset suppliers, our estimates are that it could be anywhere between 20 million and 40 million. We would safely put it at about 25 million,” said Jha.

    Gupta and Dhanda explained why the two networks have taken the FTA route on the DTH platform.

    “As a broadcaster, we wanted to be on every platform. Since our focus was to be present everywhere, we got on to it very early when there were very few tenants. Although we were pay channels, we were FTA on DD FreeDish. B4U Movies was the Star Plus of DD direct is what MSOs told us. Only after BARC data rolled out did we come to know that rural has got so much of weightage. Otherwise, FreeDish was only one of the means of getting ourselves available everywhere,” said Gupta.

    Added Dhanda: “We wanted to build the maximum reach. We have five channels. We are also on cable, DTH and other platforms. It was not triggered by the advent of BARC data which suggests you need to be there. There is a cost for entry. Distribution and content are major costs for broadcasters. As a broadcaster, we want ROI. Syndicated content channels like us have not managed to build a compelling pay TV channel proposition. Hence, it is safe to go to FTA.”

    But, is it good to go FTA on DD FreeDish? Since the only revenue stream is from advertising, is the platform attracting advertiser interest?

    “FTA has just come into focus as BARC gave a new set of lenses. Earlier, TAM used to measure LC1 but media planners did not take it seriously as they were urban focused. Now with the 6,000 metres under BARC’s rural sample, it has taken on a different hue,” said Malli. “There are three segments advertisers look at from an audience segmentation – HD – 9 million-10 million homes; the fat middle with all the pay channels. And, there is the rural which is FTA. For brands, which are purely rural, it makes sense to go FTA. Distribute the spends over 30-40 weeks on an FTA media outlet, rather than finish it over eight to nine weeks on the more expensive pay channels. Some money is going into FTA from existing TV channel spends, some is coming from local cable, wall paintings and OOH.”

    But, are media buyers buying air time on channels on FreeDish purely for the rural audiences or for urban and rural audiences as defined by BARC? “When media planners are buying for rural, it makes sense,” he said. “When they look at rural+urban, they start looking at old currencies, and things don’t move. There’s still some confusion. Once these old data currencies are exhausted, and some new benchmarks are set for rural, the ad dollars will start flowing in aggressively. HD channels have only nine to 10 million subscribers, yet planners are putting the advertiser’s money into them. Whereas FTA has a larger reach, but the currency dynamics need to be taken care of.”

    Is there a ROI coming in for advertisers? “It’s a little too early. The plane has to yet land,” opined Malli. ”Retailers, distributors and sales people say, take Star Plus. The rural sample is 6,000 metres. We have to triangulate what the trade says with the BARC data, as they will want the spectacular as they will want the ads to be in the biggest properties. Currently, we have put the money for our clients on FTA. We have to get a larger body of evidence.”

    Jha said that DD FreeDish is augmenting its capacity by 24 channels and gearing up for this by moving to MPEG4 STBs, which are going to be made available to subscribers soon. “Currently, we are empanelling the STB manufacturers for MPEG4 boxes,” he explained. “Within four months, the STBs will roll out. Post that, the existing subscribers will be able to receive the 80 channels, whereas the new subscribers with MPEG 4 boxes will get 104 channels after the auctions conclude and tenants got on board.”

    Malli expressed that this was good news, it was not something that the advertising community would put its money immediately on .”At least, we know what we are investing in with the MPEG-2 boxes now,” he said. “We will have to see how many MPEG4 STBs roll out, how they are accepted before we put our might behind them.”

    Jha responded to this by saying that, in the new regime of MPEG4, DD FreeDish will be able to tell the advertiser community, exactly how many subscribers there were because the conditional access was being built in to the STBs. “Over time, we hope the entire universe of FreeDish will migrate to the new boxes,” he said.

    Jha is bullish about the prospects of free TV. “Customers in rural areas cannot afford the high sticker prices of Rs 3,000-7,000 per year that commercial DTH players are charging consumers,” he said. “Customers need to pay just Rs 2,000-Rs 3,000 for the STBs once to be able to receive a bouquet of good channels free. Hence, we are quite confident of DD FreeDish and the alternative we offer to Indian TV viewers.”

  • IDOS 2016: The DD FreeDish alternative for TV channels & advertisers

    IDOS 2016: The DD FreeDish alternative for TV channels & advertisers

    GOA: Has the pubcaster DD’s free to air platform FreeDish emerged as a viable proposition for advertisers? What are its expansion plans, going forward? These were some of the questions posed by the Indiantelevision.com founder, CEO & Editor in chief Anil Wanvari at IDOS 2016 in Goa during the session on FTA channels to SAB Group CEO Manav Dhanda, B4U broadcasting division COO and CFO Sandeep Gupta, Starcom India group CEO Mallikarjun ‘Malli’ Das, and DD’s FreeDish deputy director-general (engineering) AK Jha.

    Jha started out by saying that the DTH platform has 55 private tenants including those from the majors – Sony Pictures Television Networks, Star India, and Zee TV – as well as from smaller broadcast networks such as B4U and the SAB group. “We want more such customers to come on our platform,” he expressed. He, however, confessed that getting an exact count of the number of subscribers was difficult as FreeDish was only a platform and the STBs were distributed by recognized vendors. “But, by extrapolating TRAI DTH data, conversations with STB manufactures and chipset suppliers, our estimates are that it could be anywhere between 20 million and 40 million. We would safely put it at about 25 million,” said Jha.

    Gupta and Dhanda explained why the two networks have taken the FTA route on the DTH platform.

    “As a broadcaster, we wanted to be on every platform. Since our focus was to be present everywhere, we got on to it very early when there were very few tenants. Although we were pay channels, we were FTA on DD FreeDish. B4U Movies was the Star Plus of DD direct is what MSOs told us. Only after BARC data rolled out did we come to know that rural has got so much of weightage. Otherwise, FreeDish was only one of the means of getting ourselves available everywhere,” said Gupta.

    Added Dhanda: “We wanted to build the maximum reach. We have five channels. We are also on cable, DTH and other platforms. It was not triggered by the advent of BARC data which suggests you need to be there. There is a cost for entry. Distribution and content are major costs for broadcasters. As a broadcaster, we want ROI. Syndicated content channels like us have not managed to build a compelling pay TV channel proposition. Hence, it is safe to go to FTA.”

    But, is it good to go FTA on DD FreeDish? Since the only revenue stream is from advertising, is the platform attracting advertiser interest?

    “FTA has just come into focus as BARC gave a new set of lenses. Earlier, TAM used to measure LC1 but media planners did not take it seriously as they were urban focused. Now with the 6,000 metres under BARC’s rural sample, it has taken on a different hue,” said Malli. “There are three segments advertisers look at from an audience segmentation – HD – 9 million-10 million homes; the fat middle with all the pay channels. And, there is the rural which is FTA. For brands, which are purely rural, it makes sense to go FTA. Distribute the spends over 30-40 weeks on an FTA media outlet, rather than finish it over eight to nine weeks on the more expensive pay channels. Some money is going into FTA from existing TV channel spends, some is coming from local cable, wall paintings and OOH.”

    But, are media buyers buying air time on channels on FreeDish purely for the rural audiences or for urban and rural audiences as defined by BARC? “When media planners are buying for rural, it makes sense,” he said. “When they look at rural+urban, they start looking at old currencies, and things don’t move. There’s still some confusion. Once these old data currencies are exhausted, and some new benchmarks are set for rural, the ad dollars will start flowing in aggressively. HD channels have only nine to 10 million subscribers, yet planners are putting the advertiser’s money into them. Whereas FTA has a larger reach, but the currency dynamics need to be taken care of.”

    Is there a ROI coming in for advertisers? “It’s a little too early. The plane has to yet land,” opined Malli. ”Retailers, distributors and sales people say, take Star Plus. The rural sample is 6,000 metres. We have to triangulate what the trade says with the BARC data, as they will want the spectacular as they will want the ads to be in the biggest properties. Currently, we have put the money for our clients on FTA. We have to get a larger body of evidence.”

    Jha said that DD FreeDish is augmenting its capacity by 24 channels and gearing up for this by moving to MPEG4 STBs, which are going to be made available to subscribers soon. “Currently, we are empanelling the STB manufacturers for MPEG4 boxes,” he explained. “Within four months, the STBs will roll out. Post that, the existing subscribers will be able to receive the 80 channels, whereas the new subscribers with MPEG 4 boxes will get 104 channels after the auctions conclude and tenants got on board.”

    Malli expressed that this was good news, it was not something that the advertising community would put its money immediately on .”At least, we know what we are investing in with the MPEG-2 boxes now,” he said. “We will have to see how many MPEG4 STBs roll out, how they are accepted before we put our might behind them.”

    Jha responded to this by saying that, in the new regime of MPEG4, DD FreeDish will be able to tell the advertiser community, exactly how many subscribers there were because the conditional access was being built in to the STBs. “Over time, we hope the entire universe of FreeDish will migrate to the new boxes,” he said.

    Jha is bullish about the prospects of free TV. “Customers in rural areas cannot afford the high sticker prices of Rs 3,000-7,000 per year that commercial DTH players are charging consumers,” he said. “Customers need to pay just Rs 2,000-Rs 3,000 for the STBs once to be able to receive a bouquet of good channels free. Hence, we are quite confident of DD FreeDish and the alternative we offer to Indian TV viewers.”

  • B4U is official media partner for Kapil Sharma’s live show in UK

    B4U is official media partner for Kapil Sharma’s live show in UK

    MUMBAI: B4U Television Network has announced a media partnership for Filmonix’s show ‘The Comedy Show With Kapil Sharma & Family’ this summer in the UK.

    Kapil Sharma will be presenting his first live concert in the UK — The Comedy Show with Kapil Sharma & Family on The SSE Wembley Arena on Saturday 20 August 2016.

    The live show will feature all of his popular comedy performances alongside a new production just for the UK. He will be entertaining audiences with a complete show consisting of comedy, music and romance, presented in his unique style. Kapil Sharma will be accompanied by Ali Asgar, ChandanPrabhakar, SumonaChakravarti, Kiku Sharda and Sunil Grover.

    B4U states Head – International Business Ashok Shenoy said, “B4U are thrilled to be a part of the promotions for the Comedy show with Kapil Sharma & Family. Within Bollywood entertainment, comedy plays a big part, and figures like Kapil Sharma are iconic within our industry. With our long history in Asian Broadcasting, we take pride in acting as media partners, promoting homegrown talent, and supporting event platforms that seek to bring India’s most renowned stars to the U.K. We are honored to team up with Filmonix and we look forward to bringing our viewers exclusive interviews and behind the scenes footage from the show.”

    The channel will be helping with pre-show promotions as well as getting exclusive backstage footage and interviews from all the comedians involved.

    Filmonix director Kaka Singh Mohanwalia also added, “Filmonix are very happy to partner up with such a huge network like B4U. Having worked previously with B4U on many occasions we know the power of the network and we are looking forward to an amazing concert on August 20th with Kapil Sharma and his full on screen Family.”

  • B4U is official media partner for Kapil Sharma’s live show in UK

    B4U is official media partner for Kapil Sharma’s live show in UK

    MUMBAI: B4U Television Network has announced a media partnership for Filmonix’s show ‘The Comedy Show With Kapil Sharma & Family’ this summer in the UK.

    Kapil Sharma will be presenting his first live concert in the UK — The Comedy Show with Kapil Sharma & Family on The SSE Wembley Arena on Saturday 20 August 2016.

    The live show will feature all of his popular comedy performances alongside a new production just for the UK. He will be entertaining audiences with a complete show consisting of comedy, music and romance, presented in his unique style. Kapil Sharma will be accompanied by Ali Asgar, ChandanPrabhakar, SumonaChakravarti, Kiku Sharda and Sunil Grover.

    B4U states Head – International Business Ashok Shenoy said, “B4U are thrilled to be a part of the promotions for the Comedy show with Kapil Sharma & Family. Within Bollywood entertainment, comedy plays a big part, and figures like Kapil Sharma are iconic within our industry. With our long history in Asian Broadcasting, we take pride in acting as media partners, promoting homegrown talent, and supporting event platforms that seek to bring India’s most renowned stars to the U.K. We are honored to team up with Filmonix and we look forward to bringing our viewers exclusive interviews and behind the scenes footage from the show.”

    The channel will be helping with pre-show promotions as well as getting exclusive backstage footage and interviews from all the comedians involved.

    Filmonix director Kaka Singh Mohanwalia also added, “Filmonix are very happy to partner up with such a huge network like B4U. Having worked previously with B4U on many occasions we know the power of the network and we are looking forward to an amazing concert on August 20th with Kapil Sharma and his full on screen Family.”

  • BARC Week 44: Ten Sports, Nick, MTV, Mastii and Discovery Channel leads their respective genre

    BARC Week 44: Ten Sports, Nick, MTV, Mastii and Discovery Channel leads their respective genre

    MUMBAI: Ten Sports led the sports genre, while Nick continues to lead the kids genre according to BARC data on All India (U+R).
     
    On the other hand, MTV continues to lead the youth genre, while Mastii bagged the first position in the music genre and Discovery Channel became number one in the infotainment genre in week 44.

     

    SPORTS

     

    In the sports genre, Ten Sports led the pack with 108191 (000Sums) followed by Star Sports 1 in the second spot with 51664 (000Sums) and Star Sports 3 stood in the third spot with 49885 (000Sums). In the fourth slot, Sony Six scored 22473 (000Sums), whereas Star Sports 2 with 17788 (000Sums) was on the fifth berth.  
     

    KIDS

     

    In the Kids genre, Nick continues to lead with 95856 (000Sums) followed by Pogo TV in second spot with 79774 (000Sums) and Cartoon Network with 67044 (000Sums) in the third place. Hungama with 50135 (000Sums) and Disney Channel with 44512 (000Sums) held the fourth and fifth place respectively.
     

    YOUTH

     

    MTV led the pack in the youth genre with 26237 (000Sums) followed by Bindass at second place with 12601 (000Sums) and Zing on the third spot with 11965(000Sums). Zoom secured fourth place with 8743 (000Sums), whereas Channel V was at fifth place with 6339 (000Sums).
     

    MUSIC

     

    In the music genre, Mastii captured the numero uno position with 118074 (000Sums) followed by B4U with 80223 (000Sums) and 9XM with 73265 (000Sums). Sony Mix grabbed the fourth slot with 42461 (000Sums), whereas 9X Jalwa with 38397 (000Sums) was in the fifth place.
     

    INFOTAINMENT

     

    Discovery Channel garnered the first place with 5897 (000Sums) followed by National Geographic Channel in the second spot with 3896 (000Sums) and History TV18 with 3854 (000Sums) in the third slot. Animal Planet secured the fourth spot with 3628 (000Sums) and Nat Geo Wild stood on the fifth berth with 1557 (000Sums).

  • B4U launches B4U Media Ventures; CF Moses to head

    B4U launches B4U Media Ventures; CF Moses to head

    MUMBAI: B4U has launched a new company called B4U Media Ventures, which will provide one-stop media related solutions to broadcasters and other new media players in India and the overseas.

     

    The company will be headed by CF Moses and will provide sales, marketing, research, distribution and traffic management services.

     

    Currently, Moses heads the sales vertical of B4U Network channels.

     

    B4U Group Companies in India CFO Sandeep Gupta said, “The group has evidenced growth in revenues since Moses had taken over as the head of sales. We believed in the team and it has delivered yet again. I am confident that Moses and his team will be able to identify and address the primary issue of revenue for any broadcaster.”

     
    B4U Media Ventures CEO Moses added, “I am extremely thrilled with the new opportunity. I am thankful to the management for continuing to place their faith in me and my team & giving me more opportunities and responsibilities to continue with their business. This would not had been possible without the team, especially Amar Dixit, VP North / East and Shrikrishna Prabhu AVP – West. I am looking forward to one of the most exciting and challenging assignments of my career.”

     

    According to the company, while a few broadcasters have shown interest in signing up for specialized services, B4U Media Ventures is also in advanced stages of negotiations with a few niche channels, which are proposing to launch in India.

  • B4U launches B4U Movies Asia Pacific on AsiaSat 7

    B4U launches B4U Movies Asia Pacific on AsiaSat 7

    MUMBAI: Expand its channels offering on Asian satellite operator – Asia Satellite Telecommunications, B4U has launched its third channel – B4U Movies Asia Pacific channel on AsiaSat 7.

     

    B4U’s other two Hindi channels, which are currently broadcast via AsiaSat 7 are B4U Movies and B4U Music.

     

    AsiaSat 7 at the 105.5oE orbital slot enables B4U to enjoy instantaneous access to all major multi-system operators (MSOs), cable operators, Pay TV platforms and hotel networks across the region. 

     

    B4U head – international business Ashok Shenoy said, “B4U is committed to bringing top quality Bollywood entertainment programmes to audiences worldwide. AsiaSat is renowned for its excellent market access and comprehensive South Asian channel neighbourhood. Partnering with AsiaSat enables us to deliver the world’s best Bollywood entertainment to our target audience across the Asia-Pacific region. We look forward to expanding our services and growing our audience with AsiaSat.”

     

    “We are delighted that B4U has once again chosen AsiaSat 7 to deliver their high quality movies to the region. This new B4U Movies channel customised for Asia-Pacific audiences has further enhanced AsiaSat 7’s premium Hindi movie neighbourhood. We thank B4U for their trust in AsiaSat and this opportunity. We look forward to expanding our partnership for many years to come,” voiced AsiaSat vice president sales and business development Philip Balaam.

  • B4U acquires overseas distribution rights of Wave Cinemas’ six films

    B4U acquires overseas distribution rights of Wave Cinemas’ six films

    MUMBAI: B4U has acquired the overseas distribution rights of six films, which have been produced by Wave Cinemas.

     

    The first film in the deal is Main Aur Charles, which is directed by Prawaal Raman and stars Randeep Hooda, Richa Chadha and Adil Hussain.

     

    The deal was inked between B4U head of films Sunil Shah and Wave Cinemas CEO Rahul Mittra. 

     

    Slated for a worldwide release on 30 October, Main Aur Charles is presented by Wave Cinemas’ Ponty Chadha.

     

    The deal also includes the re-release of the 1969 Prithviraj Kapoor starrer epic Punjabi movie Nanak Naam Jahaj, which is presented by Wave Cinemas’ Ponty Chadha and Shemaroo Entertainment in association with Raju Chadha. The movie will hit theaters in November coinciding with Guru Nanak Dev Ji’s birth anniversary.

  • B4U partners Amagi for content delivery, playout operations

    B4U partners Amagi for content delivery, playout operations

    MUMBAI: B4U Television Network India has signed on Amagi, the cloud-based broadcast infrastructure and targeted TV advertising company, for a range of end-to-end cloud-based playout services.

     

    Through its flagship channel playout platform, Cloudport 2.0, Amagi’s services will include playout, 24/7 monitoring, conditional access and measurement systems leveraging satellite distribution from satellite operator AsiaSat.

     

    The development marks a step in the adoption of cloud-based managed playout services by TV networks in India and Amagi’s growing expertise in this area. It also demonstrates increasing adoption of the Amagi’s next-generation channel playout management services by TV networks worldwide to monetise their content delivery and distribution.

     

    Amagi is known in the Indian market for geo-targeted advertising. It has served over 30 million ad seconds for more than 2,500 clients including names like HUL, Reckitt & Benckiser, Britannia, and Wipro.

     

    “Amagi’s playout services offer us improved flexibility, transparency, and channel control at very cost-effective rates. We are also delighted with the excellent technical support delivered by Amagi in transitioning from our earlier playout infrastructure in just under two months,” said B4U Network chief financial officer Sandeep Gupta.

     

    “With all our content assets on the cloud, we are in a position to efficiently expand to new geographies and target specific markets as the business demands. It also makes us future-ready, as Amagi’s platforms are extendable for content regionalization, ad monetization, and OTT platform integration,” he added.

     

    The content and playlist is contributed by B4U in Mumbai, India, and the United Kingdom, while playout is uplinked in Hong Kong via AsiaSat. The entire workflow is stitched through Amagi’s cloud infrastructure and monitored by Amagi at its headquarters in Bengaluru.

     

    “Cloudport is rapidly becoming the preferred platform of choice for channel playout and management as TV networks look to leverage new efficiencies available through virtualized playout models,” said Amagi co-founder Srividhya Srinivasan.

     

    “By supporting multisite workflows and collaboration, our Cloudport platform dramatically enhances playout and distribution efficiencies for B4U Television Network India while enabling them to deliver a world-class entertainment experience to customers,” he added.

     

    “We are pleased to continue to support our client, B4U, with high availability ground and space integrated monitoring/control and up-linking service from our Tai Po Earth Station in Hong Kong, along with Amagi who provides end-to-end playout services, enabling B4U to enjoy a total transmission solution for access to Asia-Pacific-wide audiences via AsiaSat,” said AsiaSat VP sales and business development Philip Balaam.