Tag: Avinash Kaul

  • CNN-News18 No.1 for over a year with 35.3% market share

    CNN-News18 No.1 for over a year with 35.3% market share

    New Delhi: August 28, 2023:  CNN-News18 has maintained its leadership position in the English TV news genre with an average viewership share of over 35% for more than a year now.

    As per the data issued by viewership measurement agency BARC India, CNN-News18 has captured 35.3% market share. (Source: BARC | Market: India | TG: 2+ | Period: AVG Wk 16’22 – 29’23 | 8 Channels considered | Market share%).

    In the 15+ TG (considered as the core segment by advertisers for media planning), CNN-News18 has maintained its top position by capturing 34.6% market share.

    Commenting on the long-standing leadership of CNN-News18, Network18 Group CEO (Broadcast) Avinash Kaul said, “The continued dominance of CNN-News18 in the robust All India 15+ or 2+ TG indicates the strength of the brand and the value it delivers to its advertisers. By convenient slicing and dicing of viewership data on thin slivers, the competition cannot mislead advertisers.”

    On the digital front, CNN-News18 has captured a whopping 1.4 billion views on YouTube. (Source: Socialblade | Period: Aug’22-July’23). On Facebook too, CNN-News18 had 787 million views. (Source: Crowdtangle | Period: Aug’22-July’23).

  • HistoryTV18 to air making-of documentary ‘Modern Marvel: Atal Tunnel’

    HistoryTV18 to air making-of documentary ‘Modern Marvel: Atal Tunnel’

    Mumbai: The most recent documentary on HistoryTV18, Modern Marvel: Atal Tunnel, tells the amazing tale of the resilient human spirit and the marvels of contemporary engineering. A never-before-seen account of a record-breaking achievement that was accomplished under extremely difficult circumstances. HistoryTV18 is premiering the making of a documentary on 20 October at 9 p.m.

    Speaking about the programme, Network18 Broadcast CEO and A+E Networks managing director Avinash Kaul said, “With Modern Marvel: Atal Tunnel the team at HistoryTV18 continues to deliver riveting originals, with top-notch production values and exemplary storytelling that bring to life India’s stories that are as important historically as they are entertaining and engaging. The Atal Tunnel is undoubtedly one of the great modern marvels of 21st-century India, in its making we have witnessed the making of history. We’re proud to have had the opportunity to tell its remarkable story.”

    The action-packed half-hour documentary on HistoryTV18 reveals little-known information, sheds light on the scope and complexity of the undertaking, and provides a step-by-step explanation of the difficulties and what it takes to complete the mission. The performance vividly depicts how the never-say-die attitude triumphed on this amazing Himalayan trip.

    The documentary was partially shot throughout the winter to show the harsh weather that prevails then. The story highlights the difficulties and failures that the project’s 750 officers, engineers, geologists, seismologists, drilling specialists, and more than 3,000 labourers overcome to make the idea a reality.

    Speaking about the importance of the tunnel, Defence Minister Rajnath Singh said, “Strategically and for its national importance, the tunnel is a blessing for our country. Along with its economic benefits, the tunnel also has great importance from a social perspective.”

    The documentary also features Defence Secretary, Ajay Kumar, and BRO Director General, Lt. Gen. Rajeev Chaudhry, who provide valuable insights. The Atal Tunnel project’s chief engineer, KP Purushothaman, shares a first-person account of what transpired hundreds of metres inside the mountain.

    Archival images and footage from the construction site enrich the storytelling, while aerial shots of the mesmerising snow peaks, filmed in 4K and high definition, provide the daunting backdrop against which the story unfolds.

    India’s newest man-made wonder, which pierces through the Pir Panjal range in the Western Himalayas, was dedicated to the country on 3 October 2020. It is the world’s longest high-altitude highway tunnel. The 9.02 kilometre long tunnel and road link, which connects Leh, in the strategically important region of Ladakh, with Manali via Keylong in Himachal Pradesh, is located at an altitude of more than 10,000 feet. Access to areas beyond the perilous Rohtang Pass was restricted for about seven months of the year due to severe snowfall. The residents of Himachal’s Lahaul and Spiti now have much-needed connectivity thanks to the all-weather route made possible by tunnelling through the pass.

    A meeting between Atal Bihari Vajpayee, the prime minister at the time, and his childhood friend, Arjun Gopal, a resident of Lahaul, led to the conception of the tunnel. But it would be many years before the project began, only picking up steam under the Modi government, which gave it a much-needed boost by speeding up construction by five times what it had been under prior administrations.

    Speaking at the inauguration of the tunnel, prime minister Narendra Modi underlined his commitment to fast-tracking projects of national interest, “When one wants to move on the path of development at a rapid pace and there is a strong desire for the development of the people of the country, then the speed has to be increased.”

    It was not only ambitious but had never been done before, anywhere in the world, to tunnel 10,000 feet below in the Himalayas while enduring blizzards, avalanches, and nature’s great fury. But the Border Roads Organisation (BRO), a specialist branch of the Indian Armed Forces, was established to carry out precisely that kind of task. The BRO has been in charge of linking India’s farthest frontiers and remote areas since 1960. Its role is essential given India’s expanding national security concerns and defence requirements.

  • News18 Network launches News18 Jammu/Kashmir/Ladakh/Himachal TV channel

    News18 Network launches News18 Jammu/Kashmir/Ladakh/Himachal TV channel

    Mumbai: News18 Network on Monday launched News18 Jammu/Kashmir/Ladakh/Himachal on the 75th anniversary of India’s independence.

    News18 Network is now available in 18 languages with the addition of Dogri, Kashmiri and Ladakh to its bouquet.

    The brand-new channel was launched by Jammu & Kashmir lieutenant governor Manoj Sinha from The Lalit Grand Hotel, Srinagar.

    News18 group has become the first national news network to have a dedicated news channel from the region.

    The new channel’s programming will be diverse and cater to the entire region, with dedicated bulletins in the local language and will have an on-ground presence of reporters across the regions of Jammu & Kashmir, Ladakh and Himachal Pradesh. The state-of-the-art studio, engaging graphics, and impactful show packaging will create a world-class news viewing experience.

    The editorial functions will operate from multiple locations such as Srinagar, Jammu, Leh, and Shimla. “The channel will become the voice of the people, covering their aspirations, issues, and achievements,” said the statement.

    The channel will also emphasise the coverage of the local economy, thriving sports and tourism ecosystem, regional culture, and the ever evolving socio-economic and political landscape in the region.

    On the digital front, Jammu, Kashmir, Ladakh, and Himachal Pradesh will have separate destinations that will provide in-depth ground coverage of the specific area.

    Lieutenant governor of Jammu and Kashmir Manoj Sinha said, “The launch of News18 Jammu, Kashmir, Ladakh and Himachal by Network18 is a massive achievement for the entire media fraternity of the country. I wish you huge success with this new channel. I welcome the initiative of Network18 to reach the people of this region via their new channel.”

    Network18 CEO (Broadcast) Avinash Kaul said, “The channel, with the help of the pan-India resources of News18 Network, aims to encapsulate positivity from the region, while celebrating its essence. It also aims to become the voice of the people, bringing it to the mainstream. The programming of News18 Jammu, Kashmir, Ladakh, and Himachal has been moulded in a way to showcase the diversity and cater to the entire region with dedicated bulletins in local languages. The state-of-the-art studio, engaging graphics and impactful show packaging will bring a world-class news viewing experience – heralding a new era in news television in the region.”

  • ‘OMG! Yeh Mera India’ returns with Season 8 on HistoryTV18

    ‘OMG! Yeh Mera India’ returns with Season 8 on HistoryTV18

    Mumbai: HistoryTV18 has launched the eighth season of ‘OMG! Yeh Mera India’, which went on air on Monday at 8 p.m.

    The new season sees the return of Byju’s as a sponsor and builds upon the legacy of earlier seasons. The ten half-hour episodes of the season will air every Monday, announced the channel.

    “Every season of OMG! is like a homecoming for me because of the love and support of our viewers,” said show host Krushna Abhishek. “But this new season is truly special…Given what’s been happening all around us, it means a lot to be able to bring viewers stories that are honest, uplifting, and put a smile on people’s faces!”

    “When ‘OMG! Yeh Mera India’ was launched seven seasons ago, we hoped that it would carve out a niche for itself,” said A+E Networks | TV18 managing director and Network18 CEO – broadcast Avinash Kaul. “It has far exceeded our expectations and has delivered compelling content, spotlighting an unseen side of India and uncovering some genuinely awe-inspiring stories from every corner of the nation. The show’s format and style are truly multi-screen and future-ready.”  

    “We are happy and proud to be associated with the new season of OMG! Yeh Mera India,” said Byju’s marketing head Atit Mehta. “Byju’s has always been on the forefront when it comes to encouraging and celebrating exceptional talent and the pursuit of excellence. We hope the show will continue to be a source of inspiration for people all over India.”

  • HistoryTV18 to narrate story of Narendra Modi Stadium

    HistoryTV18 to narrate story of Narendra Modi Stadium

    Mumbai: HistoryTV18’s latest documentary “Modern Marvel: World’s Largest Cricket Stadium” premiering on the 17 September at 9 p.m, is the amazing story of building cricket’s largest arena on the historic Motera ground in Gujarat’s Ahmedabad. 

    The brand new Narendra Modi Stadium, inaugurated by the president of India earlier this year, seats as many as 1,32,000 spectators. This makes it the world’s largest cricket stadium by seating capacity, surpassing the Melbourne Cricket Ground (MCG) in Australia. It was rebuilt at a cost of Rs 800 crore in just 38 months. 

    Now, HistoryTV18 presents an in-depth documentary on this massive feat of design and engineering – constructing a futuristic stadium that is purpose-built for the modern-day game. Filmed on location in 4K and high-definition, the documentary reveals never-seen-before aspects of the logistics, architecture and planning that go into building a sporting venue of this scale while presenting jaw-dropping facts bound to fascinate viewers. 

    The film also features cricketing luminaries such as Sunil Gavaskar, Kapil Dev and Ravi Shastri along with cricketers Virat Kohli and Rohit Sharma. Viewers will also get insights and interesting details from BCCI secretary Jay Shah as well as from former Indian cricketers Gautam Gambhir, Parthiv Patel.

    “Modern Marvel: World’s Largest Cricket Stadium” will not just enthral viewers with astonishing facts and figures about the newest landmark in the world of cricket, it also features India’s cricketing superstars reminiscing about historic moments in Indian cricket and career milestones that were reached on the old Motera pitch. 

    Ravi Shastri speaks about playing the first test match ever on this ground against the West Indies in 1983. While ‘Haryana Hurricane’ and India’s World Cup winning captain Kapil Dev talks about Sunil Gavaskar becoming the first cricketer in the history of the game to reach 10,000 runs in Test cricket. All this and more happened at Motera. “It was a big thing for us to celebrate… a cricketer from our generation made 10,000 runs, so it was massive,” says Kapil Dev. 

    While Gautam Gambhir remembers playing a tough World Cup quarter-final against Australia in 2011, Parthiv Patel recollects that Kapil Dev had also broken a record right here in Motera surpassing Richard Hadlee to become Test cricket’s highest wicket-taker with 432 scalps. Jay Shah reminds viewers that it was also here that Bharat Ratna Sachin Tendulkar had scored his maiden double century in test cricket.

    And now, upon this hallowed ground has risen Ahmedabad’s glittering new edifice, a modern marvel of design and engineering and a fitting ode to a sport that has given billions of people and generations of Indians, some of their most cherished memories. 

    HistoryTV18’s ‘Modern Marvel: World’s Largest Cricket Stadium’ chronicles the construction of this newest landmark of India’s favourite sport. The new stadium is twice the size of Eden Gardens in Kolkata, and four times larger than the historic Lord’s in London. The Narendra Modi Stadium has been built by Larsen & Toubro (L&T), which is also credited with constructing some of the country’s most iconic landmarks, including the world’s tallest statue. 

    The sheer scale and complexity of the Gujarat Cricket Association’s grand project also meant bringing in design architects from Australia, roofing experts from the US, specialised canopy fabric from Japan, cables from Italy, and revolutionary LED stadium lighting from Spain. With attention to detail and revealing interviews with the people behind this mega build, HistoryTV18’s documentary provides a fast paced and compelling narrative of the vision and construction with gob-smacking facts that make the stadium a true marve.

    The programme is the latest in HistoryTV18’s offering of originals that tell engaging and entertaining stories of India that are relevant, informative and have best-in-class production values. Speaking about the film, Jay Shah said, “The Narendra Modi Stadium is one of the great Modern Marvels of the 21st century. HistoryTV18 has showcased cricket’s largest arena in a manner befitting its scale and grandeur.” 

    A+E Networks | TV18 managing director Avinash Kaul said, “At HistoryTV18, we believe in the power of great storytelling. Our teams work hard to bring compelling stories to life, creating content that’s differentiated, visually spectacular and relevant for our viewers. The Narendra Modi Stadium is a tribute to the nation’s love for cricket and an icon of rising India. We’re proud to have had the opportunity to tell this remarkable story and I’m sure our viewers will enjoy it immensely.

    Viewers can watch “Modern Marvel: World’s Largest Cricket Stadium” only on HistoryTV18 and HistoryTV18 HD.

     

     

  • TV18’s Avinash Kaul on bringing the local Indian flavour to infotainment genre

    TV18’s Avinash Kaul on bringing the local Indian flavour to infotainment genre

    MUMBAI: Capturing viewers’ interest with shows on issues of contemporary, local significance like surgical strikes, national elections, Ganesha festivals, marvels and mysteries of India – that’s how History TV 18 aims to stand out in the niche segment of infotainment channels in India. 

    The channel has traversed the length and breadth of the country to bring season seven of its stand-out show, OMG! Yeh Mera India. Showcasing everything from bizarre foods and strange rituals to unexplained phenomena and rare talents that make this country Incredible India, the show has made a mark on audiences; and the new season is shaping up to be just as fascinating, featuring some more curious and extraordinary true stories from every corner of the nation.

    In freewheeling chat with indiantelevision.com’s Shikha Singh A+E Networks | TV18 MD & Network18 CEO Avinash Kaul shared the success story of OMG! Yeh Mera India, cracking the Indian infotainment space, viewers’ tastes, advertiser interest, and more.

    On what sets OMG! Yeh Mera India season 7 apart.

    The very fact that this is the seventh season, itself narrates its success story. It was a year-long process to shoot OMG! Yeh Mera India. We have travelled across India to curate stories. There is not one state that we have not done a story out of. From a standpoint of a viewer, it is our flagship property which has always delivered good ratings. Over the past five years, 18 crore people have watched this show. The digital impressions are 550 crores, with 84 crore views on digital platforms. These kinds of motivating stories remain on social media all throughout the year. They are regular people who are creating history every day and that is what HistoryTV18 stands for. I believe this is what has made it popular amongst viewers and advertisers.

    On how big the audience for factual entertainment in India is.

    Till about the NTO came in, HistoryTV18 would reach more than 100 million households. Basically this was the footprint that was available on distribution. As measured by BARC, we have 18 crore people who have watched this show on our channel. It is equivalent to what number one or two Hindi news channels would be. Those are the kind of numbers that factual entertainment typically delivers. Of course, the numbers have suffered after the implementation of NTO. But it also lends to the power of subscription, people would need to pay for watching this kind of content. I believe that is where business models eventually will pivot. While you may find a lot of English entertainment on OTT, you won’t find a lot of factual entertainment content. Hence, there is a bigger audience for India originals.

    On audience preferences evolving.

    In today’s time, viewers are exposed to a plethora of content. They have a finite amount of time, and just because 100 channels will be launched does not mean people would spend 100 minutes extra on television. They have a choice of OTT, linear television, social media and more such platforms. As and where our audiences go, we would like to make our content available to them. We are constantly working towards creating India originals and that is what has made us beat our own competition in this space.

    On growth in terms of revenue.

    The year 2020 has been challenging, in terms of revenue. Businesses across the globe have suffered. Ad-volumes have de-grown massively. Especially during the first and the second quarter, there was a huge drop in volumes. Things have started picking up from the third quarter onwards.

    On ad-rates for documentaries of such nature.

    For India originals, there are premiums rates associated with all the shows. So, it doesn’t operate at a normal rate because obviously it is produced locally in India. Our sponsors have supported us with that, and this year was no different, we do have a substantially higher premium than usual for India’s originals.

    BYJU’S is the title sponsor, HAVELLS is the co-presenting sponsor and LIC is the associate sponsor. Advertisersare always very keen to associate with the positive narrative that we as a channel are bringing to the table.

    On competition in this space.

    We compete in a genre where there are quite a few players, we don’t necessarily have survival content in our programming. Our emphasis has always been strategically on India content and we are continuously doing India-based content for the last seven years. Unfortunately, our competitors who have been in the country for more than 30 years haven’t really concentrated on local India production. It would be great having such shows across competition as proper franchises.

    On plans to licence OMG! Yeh Mera India and other originals to OTTs.

    So, far we have been conscious enough to put it out on our own platforms and work with that but going forward we are fairly open to the idea of licensing our shows on other platforms. The challenge is that on streaming platforms the focus is not yet on factual content, it is still on crime, thriller, horror or something which is bold in nature. OTT in India is still in infancy. But if we see international platforms in developed countries, there is a deeper wave of engagement where people look out for this kind of content. I believe in the next few years we will see the maturity of that industry coming in. With the new regulations also in place, we will see more of factual entertainment content as well on OTT. It would be a very welcome move.

  • ‘OMG! Yeh Mera India’ returns to HistoryTV18 with season 7

    ‘OMG! Yeh Mera India’ returns to HistoryTV18 with season 7

    MUMBAI: This Holi, viewers of HistoryTV18 are in for a colourful treat. India’s longest-running hit factual entertainment series, OMG! Yeh Mera India marks its return to TV screens with a vibrant new season starting Monday, 29 March at 8 pm.

    In its fifth year and seventh season, the series has gone from strength to strength, reaching millions of viewers on television and digital platforms. Its biggest win, though, lies in its impact beyond the screen and on the lives of people featured in various episodes. Not only have they been widely recognised and celebrated for their talent or record-setting feats, but some have also been honoured with the prestigious Padma Awards, including Pankajakshi Amma and Meenakshi Amma from Kerala and Teejan Bai from Chhattisgarh.  Some stories from the series have even inspired cinematic works by filmmakers. Stories such as those of conservationist Dr Prakash Amte or octogenarian sharp-shooter Chandro Tomar have become the subject of popular films. On social media, stories from the show have been viewed, liked, loved, and shared by millions, including actors, sports stars, public figures, influencers, and thought leaders.

    OMG! Yeh Mera India S7 builds on the wonder and magic of earlier seasons, celebrating an India where ordinary people make history every day, doing extraordinary things. The new season of the show serves up fascinating curiosities, exceptional talent, and modern-day wonders, with a dash of the strange and unusual. Season seven also presents inspiring stories about individuals and their creations driven by a mission to make a positive impact on lives and the world at large. For instance, viewers will be able to see a unique energy-saving ‘solar boat’ and also find out how a ‘nano jeep’ could prove life-changing for people with special needs. This season also features an impressive range of stories, people and places bound within the show’s original promise – to showcase and celebrate India in all its vitality, ingenuity, and diversity. Now, perhaps more than ever, as India emerges from a global crisis, the likes of which has not been encountered in over a century, there is a need to shine the light on the great and the good. To move forward with renewed optimism. For no matter the odds, we are made of sterner stuff. It’s a time to celebrate the triumphant human spirit. A spirit that is evident in India every day, defining our resilience as a nation. To borrow from the show’s fun title track: “ye desh ajab hai, yahaan log gazab hain!” Famous playback singer Benny Dayal has lent his voice to OMG! Yeh Mera India’s new, foot-tapping title song.

    As each season breaks fresh ground and sets new benchmarks, the one constant has been actor and TV presenter Krushna Abhishek as the show’s host. With the seventh season of OMG! Yeh Mera India premiering on HistoryTV18 on 29  March, an excited Krushna shares, “A new season of OMG is like returning home for me! I feel thrilled and blessed that I’ve been a part of this hugely successful series. I’m constantly amazed by our incredible country and the amazing talent its people possess. I can tell you that season seven will entertain you like never before!”

    Network18 A+E Networks | TV18 MD broadcast CEO Avinash Kaul expects the show will continue to set new standards and build a loyal fan base. He says, “When we launched OMG! Yeh Mera India, we were sure it would be an instant hit. Not only is it extremely well-produced and compelling content, but it also showcases the most fascinating and often untold, unseen stories from across the country. People have told me that just watching the show makes them feel proud of being Indian. Season after season, the show has performed beyond our expectations. This season, production continued through the turmoil of the pandemic, and I’m confident that it will win over audiences. I would like to thank the entire team and the viewers for making the franchise such an incredible success story.”

    Link for Show Promo- 

  • A+E Networks | TV18 appoints Karishma Dhawan as revenue head

    A+E Networks | TV18 appoints Karishma Dhawan as revenue head

    NEW DELHI: Karishma Dhawan will be taking over as the revenue head at A+E Networks | TV18 and will be in charge of the network’s factual entertainment cluster. She will be reporting to A+E Networks | TV18 managing director and CEO-broadcast for Network18 Avinash Kaul.

    Kaul said, “Karishma has been part of the Network18 family for more than a decade, and has a proven track record of high performance. I’m confident that her keen eye for analysis and extensive experience across mediums will add immense value to our revenue efforts, as we continue to grow our brands and gain leadership within the factual entertainment genre.”

    Dhawan has spent twelve years in Network18, spread over two career stints, and is known for her skill at team management and business development. She will now be responsible for spearheading Display and Focus Sales for the A+E Networks | TV18 brands.

    Dhawan said, “I’m excited with this opportunity. I’ve been with the company for the better part of my career and it feels like family. I am looking forward to building on the strengths of our sales team and the iconic brands of A+E Networks | TV18”

  • HistoryTV18 brings ‘Meenakshi Amman & The Marvel of Madurai’

    HistoryTV18 brings ‘Meenakshi Amman & The Marvel of Madurai’

    MUMBAI: HistoryTV18 is adding to its India offering with the new original production, ‘Meenakshi Amman & The Marvel Of Madurai,’ premiering on May 4th, Monday 8 PM. As the world faces an unprecedented challenge, and the government rules out public celebrations, HistoryTV18 brings viewers an immersive experience of the Chithirai festival and the famed Meenakshi Temple, at home on television screens. The one-hour programme premieres on the auspicious day of Thirukalyanam.

    Filmed in 2019, the documentary celebrates the legend of Meenakshi Amman, Mother Goddess, queen, and patron deity of the ancient city of Madurai. The film showcases the first two weeks of the grand celebrations in Tamil Nadu’s second-largest city, taking viewers behind the scenes of key events, along with their back-stories and socio-cultural significance. It presents never-seen-before visuals of the Chithirai festivities, tracing its history, uncovering amazing facts, and delving into fascinating folklore. The narrative also relies on human stories, through characters whose lives are inextricably intertwined with the mother goddess, Her temple, and its most important annual event. The documentary also takes a closer look at the logistics, security, and scale of organising the massive festival.

    The film also explores the historical and architectural significance of Madurai’s glorious landmark, its origins, expansion and present form. High-definition and 4K cameras reveal the incredible art and architecture of the many structures spread over the 14-acre complex, along with insights of experts and temple authorities to provide context and perspective. With a staggering 33,000 intricate sculptures, painted ceilings, mandapams, shrines, and fourteen towering gopurams, embellished with thousands of mythological characters and fantastical creatures, the temple is a feat of artistic genius and geometric precision. The storytelling, with stunning visuals and slickly-edited sequences, shines the light on South India’s indigenous craftsmanship, engineering, and cultural richness.

    The original production, a year in the making, captures the pomp and ceremony of some of the most important days of the Chithirai festival – from ‘pattabhishekham’ the coronation of the goddess,  to ‘thirukalyanam’ the divine wedding, and ‘rathotsavam’ the chariot or car festival.

    Also featuring prominently is the Kallalaghar festivities that honour Lord Vishnu, with lakhs of people arriving at the Vaigai River in Madurai. The event has socio-political significance and is historically significant, in addition to being a breathtaking spectacle.

    The enduring aura of the mother goddess with the recurring theme of divine feminine power or shakti, the love and faith of Her people, the colour and sheer scale of the festival, make for compelling viewing. Top-end production values, characteristic of HistoryTV18’s award-winning originals make the show a must-watch for all.

    Avinash Kaul, MD A+E Networks | TV18 and CEO Network18, says: “At HistoryTV18, we believe in telling stories that are visually spectacular, relevant for our viewers and genre-defining. ‘Meenakshi Amman & The Marvel of Madurai’ is the latest in a set of dramatic documentaries about India’s cultural history that engage, entertain, and inform. It is not just compelling content but also a celebration of our nation‘s rich diversity. The show does a great job of presenting the festival, especially in light of current circumstances, making it possible for everyone to be a part of the celebrations through our channel.”

  • News networks’ COVID-19 campaigns seek engagement, brand image

    News networks’ COVID-19 campaigns seek engagement, brand image

    MUMBAI: It’s been almost a month since lockdown and news channels have launched dozens of campaigns on both television and digital platforms to talk about COVID-19. Though the preliminary objective of these campaigns is to create awareness and educate the audience, they also help channels create engagement and that eventually may result in getting more advertisers.

    Havas Media Group India and South East Asia chief executive officer Anita Nayyar says, “Marketing campaigns, irrespective of the genre, are meant to improve the brand image or to address any other marketing objective of the channel and that also applies to news channels. Hence, it is a given that campaigns being run by news channels will help to promote them.”

    Network18 was the first to launch a campaign called #IndiaGives, wherein each employee of the network donated one day's salary to daily-wage workers and all those severely impacted due to this unprecedented crisis.

    The network is also running a full-fledged television and digital awareness and self-help campaign – #MakeYourOwnMask, which aims to create awareness about the most basic infection prevention and control measure – wearing masks outdoors. In addition, each news channel of the network has its own special programming.

    “Our campaigns are aligned with the issues of the day,” says Network18 chief executive officer – television news Avinash Kaul. “A key differentiator of most of our campaigns is that they are editorial-led, with our journalists championing them and our programming also reflects that. This adds a great deal of credibility to the campaigns. As a company, we always take the long view.”

    Stating that it has always been involved with causes that are aligned with nation-building, Kaul says, “We believe that institutions and great brands are built by being operationally nimble, caring and having a long term vision that aligns with national and societal concerns and aspirations.”

    News channels are always aligned to causes more than anybody else, says TRA Research CEO N Chandramouli. “Cause marketing is a very old tool used by news agencies and currently, they have taken the cause of COVID-19 scenario." He also adds the this is due to a lack of advertisers despite the exponential viewership growth in the recent past.

    Times Network has launched an umbrella campaign called ‘Fighting Fear with Facts’ that focusses on delivering fact-based reportage and defuse panic and fear while offering uninterrupted news to its viewers. The network’s news brands have also come up with special programming along with campaign initiatives like Factoids, Safety Tips, Do’s and Don’ts, Myth busters, among others.

    In the same line as its peers, Times Network has also launched the campaign ‘India Cares’ across its network channels to mobilise support from the viewers to raise funds to PM CARES Fund, to support the migrants and daily labourers, whose livelihoods have been challenged by the epidemic.

    “We believe in creating one campaign as the face of the brand rather coming up with various campaigns and confusing viewers,” says a source.

    “At this time of crisis, the communication shouldn’t be pushy about your product through campaigns. Rather, it should focus on asserting some motivation and inspiration to the viewers,” says DigitalKites senior vice-president Amit Lall.

    Unlike the other two, ABP News Network has launched different campaigns on its channels covering region-specific COVID-19 stories. The network’s Hindi news channel ABP News has initiated a campaign called #CoronakoDhona to strengthen the consciousness of the virus and ensure the safety of the people.

    The network’s Marathi news channel — ABP Majha along with a campaign has curated a special show called ‘Corona Parishad’ to impart the COVID-19 knowledge to the viewers. Similarly, an initiative on ABP Ganga called ‘Corona Ke Karam Yodha’ was telecast to throw light on the unsung heroes of COVID-19, whether they are policemen, doctors, or any other individuals.

    ABP News Network chief executive officer Avinash Pandey says: “We measure the success of our organisation through the kind of influence we have on our viewers. For us, nothing comes above the support and aid to people and communities in the time of need. COVID-19 has emanated a sense of disruption and despair worldwide. Through these initiatives and campaigns, our aim was to safeguard the health of the people, spread maximum awareness, create a positive societal impact and most importantly, fulfill our long-standing commitment to deliver the best at all times.”

    “The reason channels are coming up with a lot of campaigns is because they are seeing the sentiments of viewers are low and currently there are fewer advertisers buying ad space and inventories," adds Lall.

    “The campaigns run by news channels are being seen as public service and disseminating information to help build awareness of the unforeseen situation the country is in,” says Nayyar.

    Recently, the News Broadcasters Federation showed its resistance to media agencies trying to cut down ad rates by 50 per cent despite news being the most-watched genre.

    Even the News Broadcasters Association spoke about the fact that even top channels are seeing less than 50 per cent ad bookings even as agencies are trying to defer payments to channels.

    Even though news channels are doing their bit of social service, they will also need revenue to keep the business running. Under normal circumstances, channels may have roped in sponsors for various campaigns as well. But right now, the market looks bleak.