Tag: Australia

  • Hotstar innovates; to explore 3D virtual reality with Kabaddi World Cup

    Hotstar innovates; to explore 3D virtual reality with Kabaddi World Cup

    MUMBAI: The Twenty First Century Fox owned video streaming platform is setting new benchmarks. First, it announced that it had become the most downloaded video app in India with the figure at about 90 million. Then it announced that it was looking at a watch time of a billion minutes a day. And then it made it possible for users to download its portfolio of local TV shows, movies and sports highlights to the phone Now it has announced that it will be streaming the upcoming Kabaddi World Cup in Ahmedabad from 7-22 October in stereoscopic 3 D virtual reality, something which has been rarely attempted in more developed streaming markets.

    All that viewers have to do to enjoy the 3D VR experience on is don the Samsung VR headsets and Google Cardboard devices while watching the action on both IoS and Android handsets. The VR experience will allow sports fans to get a complete panoramic view of the game and the stadium using touch and gyroscope. Fans will also be able to switch between different cameras in a 360 degree experience, thereby taking full control of their experience

    “We owe our loyal and growing platform users the very best video experience in the world,” says Hotstar CEO Ajit Mohan. “Fans in India look to Hotstar to set the benchmark for video streaming. We are excited to bring a dramatic new live experience to sports fans.”

    To enable this dramatic new experience, the Kabaddi World Cup games are being shot in stereoscopic 3D using two camera pods (in addition to the multi camera setup of the traditional production) including 12 cameras per pod, which allows for an immersive production and stereoscopic capture. Users of Samsung Gear VR will have access to the Hotstar app on the Oculus store, another groundbreaking initiative from the video streaming service.

    The live VR stream for the Kabaddi World Cup will be available to fans in two formats: a personalized, 2D user-controlled experience for viewers without headsets, and in full stereoscopic, TrueVRTM for Google Cardboard and Gear VR headsets. It is the first time VR content from a live event of this magnitude will be available on multiple headsets and mobile operating systems.

    Hotstar users will be able access the live TrueVR feed by either selecting the Google Cardboard feature in Hotstar’s iOS and Android apps or by downloading the Hotstar Gear VR app from the Oculus Store.

    The Kabaddi World Cup will see 12 National teams participating from across the globe. These teams have been divided into two groups, namely A and B. Group A comprises of India, Bangladesh, South Korea, Australia, England and Argentina, while Iran, Thailand, Japan, the US, Poland and Kenya are placed in Group B. Tournament favourites India begin their tournament journey with the first match against South Korea on 7 October , 8 pm IST onwards.

    The Kabaddi World Cup, meawhile, has managed to attract five sponsors among which figure Patanjali Special Chawanprash as co-presenting sponsor, Volini, Thums Up, Indo-Nissin as partners with the fifth sponsor being Syska LEDs. Star has made the telecast of the Cup available in four languages: while Star Sports 1 and 2 will provide English commentary. Star Sports 2 and 3 will provide the Hindi feed and Suvarna Plus and Maa Movies will telecast in Kannada and Telugu respectively

  • Hotstar innovates; to explore 3D virtual reality with Kabaddi World Cup

    Hotstar innovates; to explore 3D virtual reality with Kabaddi World Cup

    MUMBAI: The Twenty First Century Fox owned video streaming platform is setting new benchmarks. First, it announced that it had become the most downloaded video app in India with the figure at about 90 million. Then it announced that it was looking at a watch time of a billion minutes a day. And then it made it possible for users to download its portfolio of local TV shows, movies and sports highlights to the phone Now it has announced that it will be streaming the upcoming Kabaddi World Cup in Ahmedabad from 7-22 October in stereoscopic 3 D virtual reality, something which has been rarely attempted in more developed streaming markets.

    All that viewers have to do to enjoy the 3D VR experience on is don the Samsung VR headsets and Google Cardboard devices while watching the action on both IoS and Android handsets. The VR experience will allow sports fans to get a complete panoramic view of the game and the stadium using touch and gyroscope. Fans will also be able to switch between different cameras in a 360 degree experience, thereby taking full control of their experience

    “We owe our loyal and growing platform users the very best video experience in the world,” says Hotstar CEO Ajit Mohan. “Fans in India look to Hotstar to set the benchmark for video streaming. We are excited to bring a dramatic new live experience to sports fans.”

    To enable this dramatic new experience, the Kabaddi World Cup games are being shot in stereoscopic 3D using two camera pods (in addition to the multi camera setup of the traditional production) including 12 cameras per pod, which allows for an immersive production and stereoscopic capture. Users of Samsung Gear VR will have access to the Hotstar app on the Oculus store, another groundbreaking initiative from the video streaming service.

    The live VR stream for the Kabaddi World Cup will be available to fans in two formats: a personalized, 2D user-controlled experience for viewers without headsets, and in full stereoscopic, TrueVRTM for Google Cardboard and Gear VR headsets. It is the first time VR content from a live event of this magnitude will be available on multiple headsets and mobile operating systems.

    Hotstar users will be able access the live TrueVR feed by either selecting the Google Cardboard feature in Hotstar’s iOS and Android apps or by downloading the Hotstar Gear VR app from the Oculus Store.

    The Kabaddi World Cup will see 12 National teams participating from across the globe. These teams have been divided into two groups, namely A and B. Group A comprises of India, Bangladesh, South Korea, Australia, England and Argentina, while Iran, Thailand, Japan, the US, Poland and Kenya are placed in Group B. Tournament favourites India begin their tournament journey with the first match against South Korea on 7 October , 8 pm IST onwards.

    The Kabaddi World Cup, meawhile, has managed to attract five sponsors among which figure Patanjali Special Chawanprash as co-presenting sponsor, Volini, Thums Up, Indo-Nissin as partners with the fifth sponsor being Syska LEDs. Star has made the telecast of the Cup available in four languages: while Star Sports 1 and 2 will provide English commentary. Star Sports 2 and 3 will provide the Hindi feed and Suvarna Plus and Maa Movies will telecast in Kannada and Telugu respectively

  • Vice, WPP sign multi-million dollar ad deal

    Vice, WPP sign multi-million dollar ad deal

    MUMBAI: Vice and WPP’s media investment unit GroupM have signed a multimillion-dollar advertising deal that will take advantage of the millennial-focused media company’s international expansion.

    Vice co-founder and CEO Shane Smith and WPP CEO Martin Sorrell said that they agreed that millennials were the future. They were under-serviced, and the companies had to create more content.

    The particulars of the deal involve Vice working with GroupM to use Vice’s insights, content and data to build an advertising platform across all of Vice’s global multi-screen and over-the-top properties. The deal was announced at the Dmexco conference in Cologne, Germany.

    The deal is worth hundreds of millions of dollars in ad spending, according to Smith. A Vice spokesperson later added it is a multi-year, multi territory deal.

    GroupM handles over USD 102 billion in advertising billings, according to research company Recma. GroupM said it handles one out of three ads globally.

    Sorrell said that there were some difficulties working with Google and Facebook, and that there’ was a need to find another force.

    In June, Vice announced plans to expand its presence to 51 territories, including having a TV, mobile and digital presence in India and the Middle East and TV content throughout Africa.

    It also will add a 24-hour TV channel in Australia and New Zealand, where it already has a robust digital and mobile presence. Vice’s U.S. cable channel Viceland launched in February 2016, and it’s nightly HBO news show is slated to begin on 10 October.

    WPP at present has an 8.5 per cent stake in Vice. At one point, it owned up to one-tenth of the company but has since sold some shares. Source: cnbc.com

  • Vice, WPP sign multi-million dollar ad deal

    Vice, WPP sign multi-million dollar ad deal

    MUMBAI: Vice and WPP’s media investment unit GroupM have signed a multimillion-dollar advertising deal that will take advantage of the millennial-focused media company’s international expansion.

    Vice co-founder and CEO Shane Smith and WPP CEO Martin Sorrell said that they agreed that millennials were the future. They were under-serviced, and the companies had to create more content.

    The particulars of the deal involve Vice working with GroupM to use Vice’s insights, content and data to build an advertising platform across all of Vice’s global multi-screen and over-the-top properties. The deal was announced at the Dmexco conference in Cologne, Germany.

    The deal is worth hundreds of millions of dollars in ad spending, according to Smith. A Vice spokesperson later added it is a multi-year, multi territory deal.

    GroupM handles over USD 102 billion in advertising billings, according to research company Recma. GroupM said it handles one out of three ads globally.

    Sorrell said that there were some difficulties working with Google and Facebook, and that there’ was a need to find another force.

    In June, Vice announced plans to expand its presence to 51 territories, including having a TV, mobile and digital presence in India and the Middle East and TV content throughout Africa.

    It also will add a 24-hour TV channel in Australia and New Zealand, where it already has a robust digital and mobile presence. Vice’s U.S. cable channel Viceland launched in February 2016, and it’s nightly HBO news show is slated to begin on 10 October.

    WPP at present has an 8.5 per cent stake in Vice. At one point, it owned up to one-tenth of the company but has since sold some shares. Source: cnbc.com

  • Prasar Bharati’s monopolistic-era mind-set has to change: CEO Jawhar Sircar

    Prasar Bharati’s monopolistic-era mind-set has to change: CEO Jawhar Sircar

    Jawhar Sircar, the 60-something chief executive of India’s public broadcaster Prasar Bharati, is bubbling with ideas and energy —- in sharp contrast to the organisation’s headquarters that gives a casual visitor a sense of life in slo-mo.

    Prasar Bharati is the parent organisation of 57-year-old Doordarshan and 86-year-old All India Radio, the country’s public broadcasters who claim to cover almost the whole of this vast country stretching from Kashmir to Kanyakumari — and a little beyond to a few islands in the Indian Ocean.

    Critics say age and a semi-lethargic attitude of the over 40,000-strong workforce impede both the organisations from being nimble footed in an age when technology has vastly changed the speed and mode of delivery of video and voice. Add to these government controls (via annual funding from taxpayers’ money to bridge the gap between revenues and expenditure) and Prasar Bharati continues to function as a moribund government organisation despite an autonomous status.

    The chief executive of Prasar Bharati, who joined the organisation in 2012 after serving in the government for over 30 years, is not shy to admit that some fundamental problems stop it from being `India’s BBC’ or `India’s NHK’. He goes a step ahead to say (with tongue firmly in cheek) that functionaries of Prasar Bharati “are living in a time warp” — in a world of their own that could be a zillion years behind reality.

    Even if you give full marks to the tech and social media-savvy Sircar for being candid, it cannot be wished away that both DD and AIR will continue to be an extension of the government’s PR division unless there’s a radical change in the thought process of India’s ruling class and policy-makers.

    Sitting in his office, in New Delhi’s PTI Building, amidst files and colleagues, many of them keep trooping in and out for advise and suggestions, the multi-tasking Sircar, is completely at ease conversing with Indiantelevision.com’s consulting editors B B Nagpal and Anjan Mitra on a wide range of subjects. Edited excerpts from the interview:

    Q: What could be the five guiding principles that you have etched out for Prasar Bharati’s possible reform?

    JS: Having joined the organisation in 2012, I don’t have much time left now, but I am still trying to (a) bring about transparency (b) prioritise our objectives as a public broadcaster (c) get the organisation adjusted to competition (d) get the organisation to look at non-terrestrial and satellite-based transmission and (e) strengthen the FreeDish platform.

    Q: Do you think all of these could be achieved; especially as majority of Prasar Bharati workforce seems to still live in a pre-Independence era?

    JS: Sadly, the majority mindset is a big hurdle in moving forward in an era where technology is changing fast and competition (from private sector) reacts faster to changing situations and ground realities. Many of my colleagues still believe they are in a monopoly era when DD and AIR were the only source of entertainment and news for Indians. Such a mentality needs to change if we are to be in the race as a viable and relevant organisation.

    Moreover, I and the board of Prasar Bharati, have been functioning with inadequate human resources at senior levels too. There had been no Member-Finance for a long time and regular Director-Generals for DD and AIR are yet to be put in place.

    However, I also believe that with some change in mindset and additional revenue, which can accrue from infrastructure sharing with private sector players and better use of under-utilised existing infrastructure, Prasar Bharati can be more relevant as an organisation and to the Indian public.

    Q: Can you give an example of monopolistic era mindset that, probably, tries to be immune to technological advances?

    JS: (Smiles) During the first few years of my tenure nobody here understood what OTT (over the top) stood for and how it’s relevant to our services. Another example is that of adoption of MPEG-4 broadcast technology. It had been cleared one and a half years back, but procedural delays hampered quick adoption.

    Q: Now that we are talking about new technologies, what would your reaction be if digital terrestrial TV (DTT) is thrown open to private sector players by the government?

    JS:  Prasar Bharati approved DTT over a year back. We were told to come up with a plan but no base paper could be prepared as there was some resistance internally from certain quarters. And, Prasar Bharati is not afraid of private players’ entry into DTT… we are quite open to the idea. Rather we’d support any such move if the government some time allows private players in DTT.

    Q: What can Prasar Bharati gain by supporting private players’ entry in an arena that had been a monopoly of the pubcaster?

    JS: Changing with the times makes you relevant. Why should DTT be Prasar Bharati’s monopoly? By allowing others, Prasar Bharati can earn additional revenue as we can lease out our infrastructure to private players who, otherwise, would have to make huge investments in setting up infrastructure. Let a private sector (content) aggregator come forward with a business plan. DD, anyway, is investing on DTT infrastructure.

    Q: You earlier talked of bringing about transparency in Prasar Bharati. In what way do you feel the proposed e-auction system will be an improvement on the systems adopted until now to obtain content?

    JS: The proposed e-auction would be a completely transparent method and a step towards overall transparency in the organisation to acquire content for DD. It will also put the onus on the successful bidder to ensure good content.

    Q: But, before the current SFC system of self-financed commissioned programmes, DD had a system of sponsored programmes whereby good programmes where especially produced for DD. How is e-auction going to be an improvement over the sponsorship scheme?

    JS: That kind of system had led to monopolization… with a few big names dominating the entire prime time of the public broadcaster. Ultimately, the same big names from Bollywood made serials for Doordarshan and left little scope for fresh talent.

    In fact, I had initially faced internal resistance to the plan for e-auction of prime time slots too, and it took serious convincing on my part for the idea to sink in with others. DD has already announced that this is being done on an experimental basis and may be extended to its other channels if the scheme is accepted.

    I am confident that audience loyalty, national sentiment, and the vast reach of  Doordarshan would help to make the scheme a success.

    Q: You referred to giving a push to FreeDish, which is the country’s only free-to-air KU-band service. What are the plans and what would be the present subscriber base of FreeDish?

    JS: As the antennas are available in the market (at a nominal one-time price ranging between Rs 3,000-4,000) and no monthly subscription is paid, it is difficult to know how many television households have FreeDish. This audit will become easier when we complete the process of encryption of FreeDish while keeping it free to air.

    Exact figures may be difficult in our case as even the Telecom Regulatory Authority of India admits there is a gap between the number of active and registered subscribers of private DTH operators. But it is understood (from feedback from market and sale of antennas) that there are around 15 million households hooked to FreeDish.

    In recent times, FreeDish has got some very good response from private TV channels…many of them, including the big names, want to hop onto FreeDish’s platform for wider reach of their products. We have plans to increase the number of FTA television channels on the platform so a consumer gets more choice.

    Q: There were plans to upgrade FreeDish to MPEG 4 to increase its capacity to carry more signals. But there has been no report on the progress in this regard.

    JS: It is not possible to implement MPEG 4 and the new Indian Conditional Access System (iCAS) together at the same time. But the commitment of FreeDish is to reach the rural areas and also cover all the areas not reached so far by television.

    Q: After initial protests by Prasar Bharati, Broadcast Audience Research Council had begun to give rural data separately. Are you satisfied with the audience measurement system?

    JS: We at Prasar Bharati have had some issues with BARC, which we would prefer to raise directly with the organisation. But our understanding is that DD covers a large part of India via its terrestrial and satellite services.

    Q: Why is it that Prasar Bharati cannot function like BBC or other public service broadcasters in the world?

    JS: The move to greater professionalism is eventually bound to happen, but some hurdles have to be crossed including those relating to budgets.

    Public funding on the public broadcaster in India is just Rs 2,400 crore as compared to Rs 51,653 crore in Germany, Rs 39,800 crore in the United Kingdom, Rs 34,097 crore in Japan. The amount spent on Prasar Bharati was even lower than those spent on pubcasters in Canada, Australia, and Korea.

    The per capita funding in India on the pubcaster is only Rs 19 as compared to UK and Germany where it is approximately Rs 6,000 to Rs 7,000. Even Malaysia has a per capita funding of Rs 350.

    Q: What are the constraints on acquiring good content for Doordarshan? 

    JS: The expenditure on content in India is a mere six per cent as compared to 75 per cent by NHK in Japan and 71 per cent by the BBC.
     The Indian Government gives 62 per cent as compared to 100 per cent in Russia, 98.2 per cent in Malaysia, 97 per cent in Germany, and 83 per cent in the UK. So, this should answer your question.     

  • Prasar Bharati’s monopolistic-era mind-set has to change: CEO Jawhar Sircar

    Prasar Bharati’s monopolistic-era mind-set has to change: CEO Jawhar Sircar

    Jawhar Sircar, the 60-something chief executive of India’s public broadcaster Prasar Bharati, is bubbling with ideas and energy —- in sharp contrast to the organisation’s headquarters that gives a casual visitor a sense of life in slo-mo.

    Prasar Bharati is the parent organisation of 57-year-old Doordarshan and 86-year-old All India Radio, the country’s public broadcasters who claim to cover almost the whole of this vast country stretching from Kashmir to Kanyakumari — and a little beyond to a few islands in the Indian Ocean.

    Critics say age and a semi-lethargic attitude of the over 40,000-strong workforce impede both the organisations from being nimble footed in an age when technology has vastly changed the speed and mode of delivery of video and voice. Add to these government controls (via annual funding from taxpayers’ money to bridge the gap between revenues and expenditure) and Prasar Bharati continues to function as a moribund government organisation despite an autonomous status.

    The chief executive of Prasar Bharati, who joined the organisation in 2012 after serving in the government for over 30 years, is not shy to admit that some fundamental problems stop it from being `India’s BBC’ or `India’s NHK’. He goes a step ahead to say (with tongue firmly in cheek) that functionaries of Prasar Bharati “are living in a time warp” — in a world of their own that could be a zillion years behind reality.

    Even if you give full marks to the tech and social media-savvy Sircar for being candid, it cannot be wished away that both DD and AIR will continue to be an extension of the government’s PR division unless there’s a radical change in the thought process of India’s ruling class and policy-makers.

    Sitting in his office, in New Delhi’s PTI Building, amidst files and colleagues, many of them keep trooping in and out for advise and suggestions, the multi-tasking Sircar, is completely at ease conversing with Indiantelevision.com’s consulting editors B B Nagpal and Anjan Mitra on a wide range of subjects. Edited excerpts from the interview:

    Q: What could be the five guiding principles that you have etched out for Prasar Bharati’s possible reform?

    JS: Having joined the organisation in 2012, I don’t have much time left now, but I am still trying to (a) bring about transparency (b) prioritise our objectives as a public broadcaster (c) get the organisation adjusted to competition (d) get the organisation to look at non-terrestrial and satellite-based transmission and (e) strengthen the FreeDish platform.

    Q: Do you think all of these could be achieved; especially as majority of Prasar Bharati workforce seems to still live in a pre-Independence era?

    JS: Sadly, the majority mindset is a big hurdle in moving forward in an era where technology is changing fast and competition (from private sector) reacts faster to changing situations and ground realities. Many of my colleagues still believe they are in a monopoly era when DD and AIR were the only source of entertainment and news for Indians. Such a mentality needs to change if we are to be in the race as a viable and relevant organisation.

    Moreover, I and the board of Prasar Bharati, have been functioning with inadequate human resources at senior levels too. There had been no Member-Finance for a long time and regular Director-Generals for DD and AIR are yet to be put in place.

    However, I also believe that with some change in mindset and additional revenue, which can accrue from infrastructure sharing with private sector players and better use of under-utilised existing infrastructure, Prasar Bharati can be more relevant as an organisation and to the Indian public.

    Q: Can you give an example of monopolistic era mindset that, probably, tries to be immune to technological advances?

    JS: (Smiles) During the first few years of my tenure nobody here understood what OTT (over the top) stood for and how it’s relevant to our services. Another example is that of adoption of MPEG-4 broadcast technology. It had been cleared one and a half years back, but procedural delays hampered quick adoption.

    Q: Now that we are talking about new technologies, what would your reaction be if digital terrestrial TV (DTT) is thrown open to private sector players by the government?

    JS:  Prasar Bharati approved DTT over a year back. We were told to come up with a plan but no base paper could be prepared as there was some resistance internally from certain quarters. And, Prasar Bharati is not afraid of private players’ entry into DTT… we are quite open to the idea. Rather we’d support any such move if the government some time allows private players in DTT.

    Q: What can Prasar Bharati gain by supporting private players’ entry in an arena that had been a monopoly of the pubcaster?

    JS: Changing with the times makes you relevant. Why should DTT be Prasar Bharati’s monopoly? By allowing others, Prasar Bharati can earn additional revenue as we can lease out our infrastructure to private players who, otherwise, would have to make huge investments in setting up infrastructure. Let a private sector (content) aggregator come forward with a business plan. DD, anyway, is investing on DTT infrastructure.

    Q: You earlier talked of bringing about transparency in Prasar Bharati. In what way do you feel the proposed e-auction system will be an improvement on the systems adopted until now to obtain content?

    JS: The proposed e-auction would be a completely transparent method and a step towards overall transparency in the organisation to acquire content for DD. It will also put the onus on the successful bidder to ensure good content.

    Q: But, before the current SFC system of self-financed commissioned programmes, DD had a system of sponsored programmes whereby good programmes where especially produced for DD. How is e-auction going to be an improvement over the sponsorship scheme?

    JS: That kind of system had led to monopolization… with a few big names dominating the entire prime time of the public broadcaster. Ultimately, the same big names from Bollywood made serials for Doordarshan and left little scope for fresh talent.

    In fact, I had initially faced internal resistance to the plan for e-auction of prime time slots too, and it took serious convincing on my part for the idea to sink in with others. DD has already announced that this is being done on an experimental basis and may be extended to its other channels if the scheme is accepted.

    I am confident that audience loyalty, national sentiment, and the vast reach of  Doordarshan would help to make the scheme a success.

    Q: You referred to giving a push to FreeDish, which is the country’s only free-to-air KU-band service. What are the plans and what would be the present subscriber base of FreeDish?

    JS: As the antennas are available in the market (at a nominal one-time price ranging between Rs 3,000-4,000) and no monthly subscription is paid, it is difficult to know how many television households have FreeDish. This audit will become easier when we complete the process of encryption of FreeDish while keeping it free to air.

    Exact figures may be difficult in our case as even the Telecom Regulatory Authority of India admits there is a gap between the number of active and registered subscribers of private DTH operators. But it is understood (from feedback from market and sale of antennas) that there are around 15 million households hooked to FreeDish.

    In recent times, FreeDish has got some very good response from private TV channels…many of them, including the big names, want to hop onto FreeDish’s platform for wider reach of their products. We have plans to increase the number of FTA television channels on the platform so a consumer gets more choice.

    Q: There were plans to upgrade FreeDish to MPEG 4 to increase its capacity to carry more signals. But there has been no report on the progress in this regard.

    JS: It is not possible to implement MPEG 4 and the new Indian Conditional Access System (iCAS) together at the same time. But the commitment of FreeDish is to reach the rural areas and also cover all the areas not reached so far by television.

    Q: After initial protests by Prasar Bharati, Broadcast Audience Research Council had begun to give rural data separately. Are you satisfied with the audience measurement system?

    JS: We at Prasar Bharati have had some issues with BARC, which we would prefer to raise directly with the organisation. But our understanding is that DD covers a large part of India via its terrestrial and satellite services.

    Q: Why is it that Prasar Bharati cannot function like BBC or other public service broadcasters in the world?

    JS: The move to greater professionalism is eventually bound to happen, but some hurdles have to be crossed including those relating to budgets.

    Public funding on the public broadcaster in India is just Rs 2,400 crore as compared to Rs 51,653 crore in Germany, Rs 39,800 crore in the United Kingdom, Rs 34,097 crore in Japan. The amount spent on Prasar Bharati was even lower than those spent on pubcasters in Canada, Australia, and Korea.

    The per capita funding in India on the pubcaster is only Rs 19 as compared to UK and Germany where it is approximately Rs 6,000 to Rs 7,000. Even Malaysia has a per capita funding of Rs 350.

    Q: What are the constraints on acquiring good content for Doordarshan? 

    JS: The expenditure on content in India is a mere six per cent as compared to 75 per cent by NHK in Japan and 71 per cent by the BBC.
     The Indian Government gives 62 per cent as compared to 100 per cent in Russia, 98.2 per cent in Malaysia, 97 per cent in Germany, and 83 per cent in the UK. So, this should answer your question.     

  • MPA forecasts Asia Pacific online video opportunity at US$35 billion by 2021

    MPA forecasts Asia Pacific online video opportunity at US$35 billion by 2021

    MUMBAI: According to a report by Media Partners Asia (MPA), Asia Pacific online video revenue is expected to reach US$35 billion by 2021, an average annual growth of 22 per cent from US$13 billion in 2016.

    China will remain the largest market, accounting for 76 per cent of Asia Pacific online video revenue by 2021. Japan, Australia, Korea and India will also be significant, in aggregate accounting for 17 per cent of regional online video revenue by 2021. 

    The report, entitled Asia Pacific Online Video Distribution, covers 14 markets, tracking the growth of advertising and subscription-based online video, as well as mobile and fixed broadband.

    Commenting on the report findings, MPA executive director Vivek Couto said, “The growth of broadband, combined with slow but progressive change in content licensing, is driving demand for online video services. However, the distribution of driver local content online is modest, especially outside of China, India and Korea. This is evident in Southeast Asia, where broadband penetration is growing rapidly but from a low base in most markets. Telecom operators in these markets are investing in broadband networks and integrating with online video platforms to help drive subscriptions. This allows online video operators to utilize carrier billing, overcoming market limitations in payment infrastructure. It’s a bet to drive online video consumption in the short term and ARPUs in the long term.”

    Online video advertising accounted for less than 15 per cent of Asia Pacific digital ad spend in 2015. This share will grow to 22 per cent by 2021. Online video ad sales will reach approximately US$22 billion by 2021 versus US$9 billion in 2016, a 19 per cent CAGR. China will represent more than 70 per cent of the online video advertising pie by 2021.

    In the online subscription video-on-demand (SVOD) segment, MPA expects total paying customers to grow from 177 million by 2016 to 360 million by 2021, with China contributing the majority. SVOD revenue will reach US$13 billion by 2021, a 28 per cent CAGR from US$3.7 billion in 2016.

    China will again contribute the majority, representing more than 80 per cent by 2021. The Southeast Asia SVOD opportunity will grow rapidly but from a low base, representing about US$200 million in revenue by 2021.

    Asia Pacific fixed broadband subs will reach 345 million in 2016, and grow to 425 million by 2021. Average broadband household penetration will grow from 35 per cent in 2016 to 41 percent in 2021. Mobile broadband will reach 79 per cent of the Asia Pacific population by 2021, versus 46 per cent in 2016.

  • MPA forecasts Asia Pacific online video opportunity at US$35 billion by 2021

    MPA forecasts Asia Pacific online video opportunity at US$35 billion by 2021

    MUMBAI: According to a report by Media Partners Asia (MPA), Asia Pacific online video revenue is expected to reach US$35 billion by 2021, an average annual growth of 22 per cent from US$13 billion in 2016.

    China will remain the largest market, accounting for 76 per cent of Asia Pacific online video revenue by 2021. Japan, Australia, Korea and India will also be significant, in aggregate accounting for 17 per cent of regional online video revenue by 2021. 

    The report, entitled Asia Pacific Online Video Distribution, covers 14 markets, tracking the growth of advertising and subscription-based online video, as well as mobile and fixed broadband.

    Commenting on the report findings, MPA executive director Vivek Couto said, “The growth of broadband, combined with slow but progressive change in content licensing, is driving demand for online video services. However, the distribution of driver local content online is modest, especially outside of China, India and Korea. This is evident in Southeast Asia, where broadband penetration is growing rapidly but from a low base in most markets. Telecom operators in these markets are investing in broadband networks and integrating with online video platforms to help drive subscriptions. This allows online video operators to utilize carrier billing, overcoming market limitations in payment infrastructure. It’s a bet to drive online video consumption in the short term and ARPUs in the long term.”

    Online video advertising accounted for less than 15 per cent of Asia Pacific digital ad spend in 2015. This share will grow to 22 per cent by 2021. Online video ad sales will reach approximately US$22 billion by 2021 versus US$9 billion in 2016, a 19 per cent CAGR. China will represent more than 70 per cent of the online video advertising pie by 2021.

    In the online subscription video-on-demand (SVOD) segment, MPA expects total paying customers to grow from 177 million by 2016 to 360 million by 2021, with China contributing the majority. SVOD revenue will reach US$13 billion by 2021, a 28 per cent CAGR from US$3.7 billion in 2016.

    China will again contribute the majority, representing more than 80 per cent by 2021. The Southeast Asia SVOD opportunity will grow rapidly but from a low base, representing about US$200 million in revenue by 2021.

    Asia Pacific fixed broadband subs will reach 345 million in 2016, and grow to 425 million by 2021. Average broadband household penetration will grow from 35 per cent in 2016 to 41 percent in 2021. Mobile broadband will reach 79 per cent of the Asia Pacific population by 2021, versus 46 per cent in 2016.

  • Rage Communications awarded as the digital marketing mandate for UFS in Australia and New Zealand

    Rage Communications awarded as the digital marketing mandate for UFS in Australia and New Zealand

    MUMBAI: Rage Communications has been awarded the digital marketing mandate for Unilever Food Solutions in Australia and New Zealand. The mandate involves the brands under the UFS umbrella including Knorr, Hellmann’s and Colman’s among others. Rage Communications won the account in a competitive pitch between four agencies. Rage Communications will closely work with UFS’ global partners to strengthen and stabilize its digital footprint in ANZ.

    Speaking on the win, Unilever Food Services digital and trade marketing manager Rishi Sahgal  said, “We were looking for an agency that had the breadth of capabilities to deliver innovative digital solutions across all our brands and help us make a step change in our ability to connect with foodservice operators. Rage Communications demonstrated that they were the right fit for UFS and we are confident they have the capability and passion to be our digital partners moving forward.“

    Commenting on the new win, Rage Communications director Karthik Kumar said, “We are thrilled to be working with Unilever and look forward to delivering great campaigns for the brands under the UFS umbrella. We won this mandate on the back of our strong digital experience and our depth of expertise in developing robust digital solutions for marketing needs.”

    Some of the critical work will include moving the website to a new platform, plan and deliver some specific digital marketing activities that aim at consolidating the digital business gains for UFS in ANZ.

  • Rage Communications awarded as the digital marketing mandate for UFS in Australia and New Zealand

    Rage Communications awarded as the digital marketing mandate for UFS in Australia and New Zealand

    MUMBAI: Rage Communications has been awarded the digital marketing mandate for Unilever Food Solutions in Australia and New Zealand. The mandate involves the brands under the UFS umbrella including Knorr, Hellmann’s and Colman’s among others. Rage Communications won the account in a competitive pitch between four agencies. Rage Communications will closely work with UFS’ global partners to strengthen and stabilize its digital footprint in ANZ.

    Speaking on the win, Unilever Food Services digital and trade marketing manager Rishi Sahgal  said, “We were looking for an agency that had the breadth of capabilities to deliver innovative digital solutions across all our brands and help us make a step change in our ability to connect with foodservice operators. Rage Communications demonstrated that they were the right fit for UFS and we are confident they have the capability and passion to be our digital partners moving forward.“

    Commenting on the new win, Rage Communications director Karthik Kumar said, “We are thrilled to be working with Unilever and look forward to delivering great campaigns for the brands under the UFS umbrella. We won this mandate on the back of our strong digital experience and our depth of expertise in developing robust digital solutions for marketing needs.”

    Some of the critical work will include moving the website to a new platform, plan and deliver some specific digital marketing activities that aim at consolidating the digital business gains for UFS in ANZ.