Tag: audio

Mumbai: The Indian audio and music landscape has undergone a paradigm shift in the past few years. On-demand audio content and podcasts are transforming people’s listening habits, just as on-demand video has changed how viewers watch television. Music streaming platforms have been gaining traction driven by the growing appetite for on-demand music and the rising popularity of podcasts, with a pandemic-prompted shift in the public’s content consumption patterns. The Indian music streaming market is projected to cross $870 million by the year 2025, according to the data from market research firm Statista.

On day two of the sixth edition of Indiantelevision.com’s The Content Hub Summit 2022 held on Thursday in Mumbai, executives of the music and audio content industry share their insights on ‘Decoding the business of audio, music and podcast’. The informative session chaired by Ideabrew Studios co-founder & CEO Aditya Kuber saw industry insiders comprising Hungama Digital chief executive officer Siddhartha Roy, Showbox vice president -Programming & Strategy Clyde Dsouza and Pocket FM senior vice president – content Ashu Behl discuss ways and means to drive the next wave of business growth in the digital audio space.

The summit was presented by Viacom18, and co-powered by Applause Entertainment and IN10 Media Network. Aaj Tak Connected Stream is the association partner. Industry partners are Fremantle India, Hill+Knowlton Strategies, One Take Media, Pratilipi, Pocket FM and The Viral Fever. The Indian Motion Pictures Producers’ Association (IMPPA) is our community partner. 

With widespread internet penetration, and affordable smartphones becoming a common commodity even in the country’s tier three and four towns, the boundaries of the music streaming landscape have been pushed.

Showbox’s Clyde Dsouza, represents the more traditional media which some may say is on its way out. In his view, the more things change the more they remain the same. He said “While the platforms will keep evolving, the core piece- which’s the content- be it audio or visual- will always remain the same. So, the curation, the programming, the packaging- all of that remains the same. It’s just that the distribution models will keep changing.”

While the Indian market is now choc-a-bloc with digital music streaming platforms, OTTs that are purely ‘non-music’ and ‘audio-based’, such as Pocket FM, are also getting launched. These OTTs are evolving the audio-listening space into three broad categories, namely the traditional informative podcasts, audio books and lastly, the dominant category of audio series, explained Pocket FM’s Ashu Behl.

“The biggest barrier to user acquisition for us was there are not many audio user-acquisition channels, unless we go to competitors like Gaana or maybe, Hungama. So, we actually leveraged a video-led acquisition approach where we got consumers to sample audio content in some form of video, maybe a five-minute or three-minute clip,” continued Behl. “When the audience gets ‘stuck’ to the content or the story they then latch onto the content and download the app and continue to listen.”

How has the digital side of the business affected revenue on the traditional side, Ideabrew Studios’s Aditya Kuber asked Showbox’s Dsouza. From an advertising perspective one might have expected a downturn from digital platforms eating away at the advertising revenue, but there’s actually been an upturn, observed D’souza.

“I think traditional TV media is grounded within the ecosystem of the advertiser, the client, the audience and the measurability,” he added further. “Showbox has seen a huge uptick, not only in terms of viewership, but also in terms of advertising. So, music channels are still robust and it’s a while away for the traditional space to be upturned as such.”

The industry stakeholders discussed some of the newer payment methods in terms of micropayment models, and how smaller pieces of content can be converted into paid pieces of content.

“When we started monetising, we did so with an annual subscription model, but then we realised there’s an entry barrier for users to pay even nominal amounts,” said Behl. “So, we completely did away with it and started micro-payments, where the initial user can start spending, say as low as nine rupees, and listen to a number of episodes of a particular show.” This has lowered the entry barrier for the users, as well as, helped retention and stickiness of our long-form content.

When it comes to streaming platforms- more so music-driven- the entire category, each of us are aggressively continuing to grow our communities and each of us have different ways and forms in the way we are going about it, said Hungama Digital’s Siddhartha Roy. “From a payment perspective, it’s not the price. It’s all about the fact that if I’m getting the service free, why should I be paying? So, each of us are running different programs on how to move the consumer from a ‘free’ bucket into ‘paid’.”

What is the role that brands can play, in terms of advertising and effectively tapping into a platform’s community of users, asked Kuber, while going beyond the standard sponsorship or advertising route? The key for brands could be to step up by taking calculated risks and partnering more with the content, say the panellists.

Taking the same content, and packaging it and giving the brand proposition across music, OTT and broadcast, creating a 360-degree play with the brand’s passion was some of the other means spoken about. Another innovation is integrating the brand’s stories as a part of an audio series or content, where brands can actually monetise and see the outcome.

One of the major challenges brands face today is measuring the return on investment (RoI) on their investments in the digital audio space. How are the platforms aiding the brands on this, asked Kuber.

Digital as a medium is the most transparent measurement of what you would call ‘brand value’, says Roy. “It could be done through an impression, a view, or through the time spent. So, the amount of data that is being put out to brands, the effective RoI for the money that they deploy on advertising in digital – it can’t get more transparent than that.”

That context-setting and target-setting needs to be done at the time of engaging with the brand, he added.

The panellists also debated on having a standardised tool of data measurement for brands to measure their ROI, when it came to digital platforms.

On dealing with upcoming challenges and rising competition in the audio content space, experts were united about applying the standard tenets of staying ‘relevant’ and ‘committed’, while continuing to add something new and of value to the ecosystem.

Watch the entire session.