Tag: attacks

  • 26/11- Stories of strength

    26/11- Stories of strength

    MUMBAI: TEN YEARS after the 26/11 attacks on Mumbai, The Indian Express will host what promises to be one of the year's most widely covered media events. Presented by Facebook, the founding partner of the initiative, driven by Maruti Suzuki and powered by Viacom 18, 26/11 Stories of Strength will be telecast 6 pm onwards from the Gateway of India on November 26.

    The third in an annual series, The Indian Express 26/11 Stories of Strength gives a voice to the inspiring stories of over 70 survivors who have been interviewed by The Indian Express's Mumbai bureau over a span of three years. 

    The event produced by Wizcraft International is directed by the director of the musical Mughal-e-Azam, Feroz Abbas Khan, will feature a rare performance by actor Amitabh Bachchan, and speeches by Railway Minister Piyush Goyal and Maharashtra Chief Minister Devendra Fadnavis.

    The event will be live streamed across the digital properties of The Indian Express — India's second largest digital news group — ABP News, Republic TV and big92.7fm, and broadcasted on COLORS, India’s ~no.1 premium Hindi Entertainment channel.

    Among those who will share their stories of overcoming anger and fear and inspiring courage at the Stories of Strength event would be Mumbai Police Constable Arun Jadhav, K. Unnikrishnan,  father of slain NSG commando Sandeep Unnikrishnan, and Anjali Kunte, a nurse at the Cama and Albless Hospital that was attacked on 26/11, as well as other survivors.

    At the event, The Indian Express and Penguin will also unveil a book titled 26/11 Stories of Strength, edited by The Indian Express Associate Editor Kavitha Iyer. The first copy of the book was presented to His Holiness the Dalai Lama, who wrote in his note, "India's thousand-year-old tradition of tolerance and philosophy of ahimsa are very necessary in today's world. With my prayers."

    Underlining the intent behind 26/11 Stories of Strength, Anant Goenka, Executive Director of the Indian Express Group, said, "In our country, we tend not to take the time to remember. For India's millennials, 26/11 was one of the most horrific acts of violence that they have witnessed.

    We intend to use this day to remind ourselves what Amitabhji said last year: that we shouldn't define ourselves by what we are against, but by what we are for. And what we must be for, is each other."

    On their association with the project, Ankhi Das, the Director of Public Policy for Facebook in India, said, "It's important to remember those who lost their lives in such a horrific attack ten years ago today, today is about those who showed bravery, courage and strength at the hands of terror. I thank the Indian Express for making sure survivors and those families who lost loved ones share these stories of civic courage and resilience."

    Sudhanshu Vats, Group CEO and Managing Director Designate, Viacom18 said, “We are proud to partner The Indian Express Group on this initiative. 26/11 is a landmark day in the history of this city and country – both because it marks one of the worst attacks on us as a people and also because it highlights the amazing stories of sacrifice and resilience that defines us as a people. As a network with a humane purpose, it is both our duty and privilege to amplify these ‘Stories of Strength’ and celebrate the spirit of our city and people.”

    Bhind's husband had died when a bomb planted in his taxi by two of the attackers had gone off. She continues to live in a place 30 km from Allahabad from where her husband had left for Mumbai shortly after they got married. Every month, he would send home a part of his earnings from driving the taxi. 

    Some of the key performers at this memorial include Amitabh Bachchan, Javed Akhtar, Kaushiki Chakravarty, Rakesh Chaurasia, Mayuri Upadhya, Merlin D'souza, Harshdeep Kaur, Neeti Mohan, Rahul Deshpande, Mahesh Kale, Javed Ali, Ani Choying Drolma, Shivam Mahadevan, Police Band and the Navy Band.

    The event is supported by Viacom Network led by Colors, ABP News, Republic TV, Vodafone, Centrum Foundation, Taj Mahal Palace Hotel, LIC, Air India, Laqshya, Mumbai Port Trust, Mumbai Police, Prime Focus, Air India.

  • Why the content king needs wise counsel

    Why the content king needs wise counsel

    As we mark the anniversary of the terrorist attacks in Mumbai on 26th November 2008 and the subsequent 60-hours of hostage-taking horror, with murders, mayhem and ensuing chaos unfolding live on national television, it is worth reflecting whether a more regulated news media might have shortened the misery and helped the security mission.

    There was much criticism of the way television networks covered the atrocity as a tacky round-the-clock Bollywood thriller – except that it was for real, claiming nearly 170 lives and many more injuries. Competing news networks vied with each other to provide the most sensational and dramatic reportage from India’s commercial capital. News footage such as live pictures of National Security Guard commandos being airdropped near the Nariman House, seemed highly irresponsible, potentially endangering both hostages and security forces.

    In a report just weeks after 26/11, a parliamentary panel called for greater regulation of real-time broadcasts during such emergencies, claiming that ‘the live footage shown by television channels was free intelligence for those allegedly guiding the attackers from afar through satellite/mobile phones‘. The government proposed 19 new amendments to the Cable TV Networks (Regulation) Act, including the suggestions that in the future there should be ‘delayed carriage of live feed‘ in such emergency situations.

    Partly in response, the News Broadcasters Association – a leading professional body of news organizations – set up a self-regulatory ‘emergency protocol‘ for covering terrorism. However, it is likely that commercial imperatives will still dictate what gets on air. In an excessively market-driven broadcasting ecology, the drive to be first with ‘breaking‘ news can lead journalists and news managers to compromise on content. There are numerous instances of this: one prime example is how television news has invented the sting story – sometimes slanderous, sometimes even fake. How should such content be regulated and by whom? What can we learn from other democracies?

    Until very recently, broadcasting content was tightly monitored within the European Union. Steeped in the tradition of public service, broadcasting was managed by governments as well as by self-monitoring by internal institutions within the broadcasters themselves. With the opening up of the airwaves to commercial – especially satellite and cable and later digital – broadcasting, this system has been considerably undermined by the forces of the market. As digitalization and technological convergence became a reality, it became difficult, if not impossible, to regulate content and as a result authorities opted for ‘soft touch regulation,‘ letting industry regulate itself in the public interest, while retaining control on broad policy outlines, as well as through judicial review.

    One reason that such an arrangement seems to generally work is that the regulators – such as Office of Communication (Ofcom) in Britain – are, and more importantly, are perceived to be, autonomous from government control, and therefore carry greater credibility both within the industry as well as among the general public. The content of such broadcasters as the BBC is also monitored by its Board of Governors and as a public broadcaster, it is also under parliamentary scrutiny, for periodic approval of the licence fee.

    What is more, the public have a greater say in terms of feedback on programme content – particularly on the public service television, unlike the commercial sector which is more often than not hostage to advertisers.

    Though the ratings-driven commercial model remains the dominant one in the United States and while the First Amendment ensures a high degree of independence to the media, the Federal Communications Commission requires broadcasters to follow certain restrictions in relations to content such as what is deemed as ‘harmful to minors‘.

    Though television in India was established in the European public broadcasting tradition, it has continued to veer towards a commercial model where Content is the King. As the world‘s largest and its most vibrant democracy, the notion of a free flow of information and freedom of expression is deeply entrenched in India. However, freedom of information and expression should come with a high dose of social responsibility, particularly relevant in a nation where more than 400 million people remain illiterate – despite huge progress in many areas including unprecedented growth in broadcasting industry – making India a country with the largest number of dedicated news channels (soon to touch three figures).

    As the Guidelines for Broadcast Regulations suggested by UNESCO state, the freedom of speech is ‘subject to such conditions and restrictions as are prescribed by law and necessary in a democratic society. The exclusions cover: the prevention of disorder or crime, the protection of health or morals, the protection of the reputation and rights of others (including the right to privacy), preventing the disclosure of information received in confidence, and maintaining the authority and impartiality of the judiciary.‘

    For a balanced dynamic to emerge between the freedom to report and social responsibility, there is a pressing need for an autonomous national regulator. The Indian government has been toying with such an idea for nearly two decades now and, despite promises, nothing concrete has been done. In the absence of a professional and credible content regulator, competitive commercial interests have pushed the envelope further and further in the process of creating television empires, while debasing public discourse. As we remember those who lost their lives on 26/11, it is high time that the king of content had some wise counsel.

    (Daya Thussu is Professor of International Communication and the Co-Director of the soon to be launched India Media Centre at the University of Westminster in London. Among his key recent publications are Internationalizing Media Studies (Routledge) and News as Entertainment: The Rise of Global Infotainment (Sage). He is founder and Managing Editor of the journal Global Media and Communication.)

    (Disclaimer: The views expressed here are those of the author and Indiantelevision.com need not necessarily subscribe to the same)

  • News channels failed to balance between news and bombast

    In times of crisis, news television is the most vital link between the event/happening and the people at large. Many have been been going to town talking about how great the coverage of the news channels was during the recent terrorist attacks in Mumbai. I beg to disagree. The reportage by news channels was inept and at times embarrassing. Anchors and editors use their channels to lampoon politicians, and criticise (and rightly so) all and sundry. It is time for TV news professionals to rewind and watch their own performance.

    In this information age, where even terrorism seems to be manufactured for TV, it is judicious to strike a balance between news and bombast
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    Granted, most reporters and anchors are young and inexperienced; the lack of professionalism was evident. News reportage, especially of a cataclysmic event like the Mumbai terror strike, requires adequately trained professional broadcasters. In this information age, where even terrorism seems to be manufactured for TV, it is judicious to strike a balance between news and bombast.

    I was appalled to see PYTs on a business channel which loves to have its women presenters in multicoloured eyeshadow ask the most inane questions. Hindi channels as usual were full of bluster, rhetoric, and the kind of high pitched reporting which they seemed to specialise in their crime shows. Even more seasoned and veteran anchors seemed wanting.

    Sensationalism seemed to be the driving force of most channels, whether Hindi or English. It was as if a hyper-ventilated team on high octane was working on a new Bollywood blockbuster based on terror.

    Every report the reporters filed was being made out to be cathartic. They have to understand that there is no exclusivity at times like this. On one channel I heard a well-dressed editor claiming 40 times that he had the exclusive story, about the dastardly terrorists.

    People had been brutally murdered. Where was the propriety that the occasion demanded? Where was the sobriety?

    TV news channels have trivialised politics and reportage on politics. The terrorist strike in Mumbai gave them a chance to correct that. And sad to say, they did not rise to the occasion
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    Having many cameras on the scene is not news television journalism. Reporters who looked jaded, tired and asked the most inane questions don‘t make for good news journalism. Even the empathy seemed synthetic and the unruly way which reporters and camera persons jostled to grab a morsel of news was despicable.

    What was also sad was the way some of the studio anchors were proselytising.You have to report. You have to analyse. Not pontificate. The studio guests were relics of the past. Please get rid of them. In this situation, you needed counter insurgency experts, psychologists, thought leaders to go beyond the news. I am tired of seeing the obsession of news channels with the page 3 crowd who seem to crop up with alacrity, no matter what the situation. These “quote-hangers” need to be mothballed as quickly as the vote hungry politicos who kept popping up on our screens.

    The TV news channels have trivialised politics and reportage on politics. The terrorist strike in Mumbai gave them a chance to correct that. And sad to say, they did not rise to the occasion. While one can compliment the long hours and trauma which the reporters and crews put in, the absence of adequate preparedness showed. We have seen on television several individuals, institutions, and ideologies being ripped apart.

    It‘s time for broadcast news professionals to pause and think about their own inadequacies. Hopefully, they will take corrective action in the days ahead.

    (Amit Khanna is chairman of Reliance Big Entertainment)