Tag: Asia

  • Vizeum to lead rebranding of BBC Knowledge to BBC Earth across Asia

    Vizeum to lead rebranding of BBC Knowledge to BBC Earth across Asia

    MUMBAI: Vizeum has been appointed to lead the launch of the BBC Earth channel across Asia.

     

    Consistent with BBC Worldwide’s global strategy BBC Knowledge was rebranded to BBC Earth on 3 October, 2015.

     

    In Asia, BBC Earth will be available in Cambodia, Hong Kong, Indonesia, Malaysia, Mongolia, Singapore, South Korea, Taiwan, Thailand and Vietnam. There is also a BBC Earth block in Japan on Wowow.

     

    For India, BBC Worldwide entered into a joint venture partnership with Multi Screen Media (MSM) to launch the channel of BBC Earth. The co-branded channel will be called Sony BBC Earth.

     

    “It’s fantastic to have been appointed to launch BBC Earth in Asia and to expand Vizeum’s global relationship with the BBC. We look forward to working with the team at the BBC to deliver incredible content to consumers across the region,” said Vizeum Asia Pacific MD Duncan Pointer.

     

    BBC Earth offers premium content, original commissions and a world beating pipeline of factual programmes that define the human experience, our planet and the wider universe. The channel will deliver awe inspiring programmes in the BBC’s well-known world class style.

     

    BBC Earth launched with Shark, the history of the ocean’s greatest predators.

     

    The new channel will also see the Asia premiere of The Hunt, within 24 hours of the UK telecast. The blue chip landmark series, narrated by Sir David Attenborough and executive produced by award-winning producer, Alistair Fothergill, explores the dramatic world of predation as never before, taking an intimate look at the remarkable strategies of hunters and the hunted, exploring the challenges animals face and the tactics they employ.

     

    Other programmes on the channel will include the series Life Below Zero, which follows the lives of hard-working people living off the grid in Alaska, Infested in which Dr Michael Mosley explores the bizarre and fascinating world of parasites by turning his body into a living laboratory and deliberately infesting himself with them, and Human Universe, in which rockstar turned nuclear physicist Professor Brian Cox explores our place in the universe.

  • LMO – consumer collaboration is key to successful digitisation: IDOS

    LMO – consumer collaboration is key to successful digitisation: IDOS

    GOA: Collaboration is the only way for the Indian digital industry to go forward – particularly if it involves the last mile operator (LMO) as well as the subscriber. This was the core of the opening of the Indian Digital Operators Summit (IDOS) 2015 organised by Indiantelevision.com along with Media Partners Asia on the theme of ‘Defining the Digital Future.’

     

    Speakers at the summit, which is being held at The Lalit, Goa from 24 – 25 September, stressed that it was time to stop fighting with each other in courts or other forums and to move forward together since digitisation was inevitable.

     

    Speakers in the opening session of IDOS 2015 were clear that though the government was the largest gainer by way of taxes etc, it could not be depended upon and it was for the stakeholders to move forward on their own if the Phase III and IV digitisation deadlines set by the government had to be achieved. 

     

    Describing the scenario as a marathon race, Viacom Group CEO Sudhanshu Vats said it was critical for all stakeholders to collaborate and yet compete at the same time.

     

    The industry also needed to keep in mind the fact that the consumer is running ahead and everything depends and changes according to what he wants.

     

    In order for the market place to evolve, it was imperative that all stakeholders moved forward in a collaborative spirit. The policy makers, unfortunately, are the last in this race as they are slowest. So frustration will set in if everyone looks to the government as the winner.

     

    “Digitisation is being looked at myopically but it is necessary to look at it along with the consumer. Over the Top services will shortly take over in a big way. It is therefore important to realize that while each platform has a different technology, it’s important to keep pace. Players have to be pro-active and customise for all the 1.2 billion viewers,” Vats said. 

     

    Walt Disney India MD Siddharth Roy Kapur said it was important to see how consumers were rapidly moving from just a single screen scenario to usage of multiple platforms. “That is the reason why I prefer to use the expression ‘video content delivery business’ instead of television business. There is a strong need to put consumers at the centre of the whole media business,” he added.

     

    However as a result of multiple screens coming in, the level of attention span per screen has been declining. “Stakeholders have to keep this in view while planning their strategies. Content creation therefore has to change accordingly and companies need to find ways to get the consumer to value the content,” he added.

     

    He also stressed on the need for companies to look at each other as partners and move ahead to derive more value and average revenue per user (ARPU).

     

    Hinduja Group’s Grant Investrade MD Tony D’Silva said his company had carried out various studies before launching their Headend In The Sky (HITS) platform – NXT Digital. “All these studies showed that the last mile operator, who had built this industry with his sweat and blood, had to be taken along, and the consumer was a key stakeholder,” he said.

     

    It was clear that the first beneficiary through taxation, service tax, entertainment duty or licence fee was the government. However, the government has done little to support the industry. On the other hand, the second beneficiary was the broadcaster, which received 75 to 80 per cent of the revenues. “He therefore must play a key role in this journey,” D’Silva said. 

     

    Considering what these stakeholders – government and broadcasters – get, it was necessary that the two help other stakeholders if digitisation had to be achieved. 

     

    Digitisation will also help bring about transparency in a scenario where the LMOs had been declaring just around 15 – 20 per cent of their subscriber numbers.

     

    NXT Digital has been designed in a manner in which the LCO/LMO does not lose proprietorship of their business and did their own broadcasting deals as well as pricing and packaging as per market rates. The HITS platform also enabled LCOs to obtain set top boxes at their own convenience with easy funding and set up local channels in order to compete with other digital platforms like direct-to-home. NXT Digital had worked out a fee of just Rs 50 per subscriber per month and is offering 500 channels.

     

    It also ensured encryption at three stages: in the NXT system, at the LCO level and at the STB-end. GPS had been provided to the STB to ensure any movement was detected. It is therefore clear that the LCO has to be helped if Digital Addressable Systems (DAS) has to succeed. Perhaps the biggest problem was to get the consumer to pay, and the LCO needs to be aided in this task.

     

    In a presentation of the present scenario, MPA executive director Vivek Couto said that it was important for stakeholders to get their act together as digital penetration was only at 50 per cent so far. “It is also necessary to remember that Phase III and Phase IV comprise a large chunk than the first two phases,” he added.

     

    According to Couto, around 70 per cent of the content contribution was coming from players like Viacom, Sony, or Fox. Adding that the low rate of internet connectivity around the country was a major issue, he said, “The Indian pay TV business will remain competitive and reach its peak in the next three years, but research and collaboration is very critical for this.”

     

    Indiantelevision.com founder CEO and editor-in-chief Anil Wanvari said in his opening remarks that in order to meet their targets, stakeholders had to have commitments and take tough decisions. “However, the large number of legal cases and problems of agreements between various stakeholders must make them realise that DAS will not succeed in this manner,” Wanvari emphasised.

     

    At the same time, Wanvari was also of the opinion that LCOs and LMOs had to change and forge partnerships in order to move forward. 

     

    The government on its part must do something about taxation along with opening up for greater foreign direct investment (FDI).

  • TO THE NEW Digital ranks in 2015 Red Herring Top 100 Asia

    TO THE NEW Digital ranks in 2015 Red Herring Top 100 Asia

    MUMBAI: Digital services company TO THE NEW Digital has been chosen as a Red Herring Top 100 Asia Winner, a list honoring the year’s most promising private technology ventures from Asia.

     

    Shortlisted from hundreds of innovative companies from across the continent, the selected nominees were judged on both quantitative and qualitative criteria, such as financial performance, technological innovation, management strength, market size and execution index from their respective industries.

     

    “Winning Red Herring Top 100 Asia 2015 Award speaks volumes about TO THE NEW Digital’s long-standing experience, strategic vision and technological capabilities. We are focused on innovation and adapting razor edge technologies for client success. This award will further drive our efforts to consistently stay in digital forefront and to deliver ROI-driven customer experiences,” said TO THE NEW Digital CEO Deepak Mittal.

     

    “Choosing the companies with the strongest potential was by no means a small feat,” said Red Herring publisher and CEO Alex Vieux. “After rigorous contemplation and discussion, we narrowed our list down from hundreds of candidates from across Asia to the Top 100 Winners.”

     

    The Red Herring Top 100 Awards are held every year in Asia, Europe and North America to recognise some of the most exciting technology companies in the world. 

  • India wants greater democratisation & broad-basing of Internet governance

    India wants greater democratisation & broad-basing of Internet governance

    NEW DELHI: Stressing that it wanted democratisation and broad-basing of the global affairs of telecommunications and internet governance, the Government has begun a series of meetings with stakeholders in relation to the ongoing overall review by the General Assembly of the implementation of the outcomes of the World Summit on the Information Society (WSIS+10 Review). 

     

    In pursuance of its declaration towards multi-stakeholder approach to Internet governance, the Information Technology Ministry recently organised discussions involving business, civil society, government, academia and technical community.

     

    The recent meeting on this issue was held in New Delhi on 18 September. There has also been remote participation from Internet Corporation for Assigned Names and Numbers (ICANN), Asia-Pacific Network Information Centre (APNIC) and Learning Initiatives on Reforms for Network Economics Asia (LIRNEasia) in these meetings.

     

    The discussion by the Department of Electronics and Information Technology was in collaboration with National Internet Exchange of India (NIXI) under Internet Governance to discuss the priorities and concerns of Indian stakeholder in relation to the ongoing UN review. 

     

    India wants that the International Telegraphic Union should take leadership and partner with UN and other International/Regional organisations in executing the Information and Communication Technology projects and programs in developing countries. India also wants the ITU to be the supervisory authority of Space Assets. India expressed its desire that ITU should play a more active role in the global Internet governance as envisaged during the World Summit on Information Society (WSIS). 

     

    The entire Review process will be concluded by a high-level meeting of the UN General Assembly on 15-16 December, 2015 in New York. Currently, the United Nations is facilitating a preparatory process for the WSIS+10 Review in consultation with Member States and relevant stakeholders.

  • M&C Saatchi trains eyes on Asia; names Ben Welsh as creative chairman

    M&C Saatchi trains eyes on Asia; names Ben Welsh as creative chairman

    MUMBAI: With its eyes trained on the rapidly growing Asian market, M&C Saatchi has named Ben Welsh as the agency’s creative chairman of Asia. Welsh was formerly at M&C Saatchi Sydney as executive creative director.

     

    Welsh’s appointment marks a change in emphasis for the network. Asia as a region has changed dramatically in recent years – China took over as the largest economy from the US in 2014, India has the fastest growing advertising industry in the world and Japan is the second most innovative country in the world. The addition of Welsh demonstrates the network’s spotlight on Asia.

     

    Welsh’s focus will be pitching for both international and national brands in each region, attracting creative talent and developing the creative output of the five agencies the network runs there.

     

    Welsh has helped to establish M&C Saatchi Sydney as the leading creative shop in Australia – and has led the agency to its biggest trophy-haul yet at Cannes this year, consolidating its position as the country’s number one creative agency. M&C Saatchi Australia came home with a coveted Titanium Lion, one of only five up for grabs, to cap off a 10-Lion haul.

     

    M&C Saatchi CEO worldwide Moray MacLennan said, “This appointment underlines our commitment to the core of our business – the creative product. Ben is the best combination of strategic thinker and creative leader. Add in his boundless energy and Asia will be hugely strengthened. He is also an excellent brand ambassador for M&C Saatchi having worked for us for the last 18 years.”

     

    Welsh added, “I’m really excited at the thought of what we can do in the region. We have some brilliant people and I look forward to working with them to create an impact in such a diverse part of the world.”

     

    Welsh will start his new role on 1 October. His appointment follows the departure of Chris Jacques who was regional CEO. He will be based in Sydney but regularly travelling to Singapore, New Delhi, Kuala Lumpur, Shanghai and Tokyo.

     

    Welsh joined M&C Saatchi Sydney in 1997 as a senior writer and was then promoted to creative director in 2003. Previously, he led a team of over 50 creatives working across digital, direct, retail and above the line media in Australia’s largest agency.

  • Fox International Channels confirms season 4 of ‘Asia’s Next Top Model’

    Fox International Channels confirms season 4 of ‘Asia’s Next Top Model’

    MUMBAI: Fox International Channels (FIC) has confirmed season 4 of the reality competition series Asia’s Next Top Model (AsNTM), once again for its female-targeted entertainment channel, Star World, set to air in 2016.

     

    Season 3 of the show achieved phenomenal success on Star World as the highest-rated season to date in Singapore and the Philippines. The season 3 finale also garnered the highest ratings in the show’s history on StarWorld, and pushed the channel into the top ranking spot amongst all western general entertainment cable channels.

     

    An original production by FIC, AsNTM is based on Tyra Banks’ popular ‘Top Model’ franchise, where aspiring models are mentored by industry professionals as they compete to become the next big thing in fashion. The series will once again be presented by Subaru and Zalora in this new season.

     

    FIC has commissioned FremantleMedia Asia to helm the production of this upcoming season. FIC’s partnership with FremantleMedia Asia is set to deliver even more compelling characters and chic style this season, as the young women on the show grow into world-class modelling professionals ready to take the global fashion industry by storm.

     

    Fox International Channels EVP and head of content and communications for Hong Kong & Southeast Asia Keertan Adyanthaya said, “We’re excited to be launching the fourth season of this successful franchise, especially on the heels of a well-received season 3. We strive to produce shows that are highly entertaining and build fan bases, but also offer creative and effective promotional opportunities for brand partners, which in turn allow us to invest further into production and marketing. AsNTM is a great example of this successful model.”

     

    “We could not have created this hit without our committed partners Subaru and Zalora. They share our creative vision for quality content and have each very smartly used the show successfully as a platform for their own marketing and promotion, making these win-win partnerships. Together with FremantleMedia, we can’t wait to bring to AsNTM fans the best season yet,” he added.

  • Viacom18 wins big at Asia’s Best Employer Brand Awards

    Viacom18 wins big at Asia’s Best Employer Brand Awards

    Mumbai: In an industry where everyone is scouring for the best of talent and working towards retaining them, Viacom18 has emerged as an inimitable leader by winning the ‘Dream Companies To Work For” Award at the sixth edition of Asia’s Best Employer Brand Awards 2015 in Singapore.

     

    Viacom18 also clinched four other wins namely – Award for HR Strategy, Award for Innovative Practices in HR, Award for Talent Management and Award for Excellence in HR through Technology.

     

    Hosted by the Employer Branding Institute, World HRD Congress and Stars of the Industry Group, and endorsed by Asian Confederation of Business, Asia’s Best Employer Brand Awards recognises the top organisations, which have achieved excellence in building their brand as an employer of choice. With more than sixty organisations competing against each other for these coveted titles from over sixteen countries, Viacom18’s whopping wins proved reflects the power of their people-first philosophy.

     

    Viacom18 Media HR executive vice president Abhinav Chopra said, “It is heartening to receive recognition for our progressive people practices that enable our employees to deliver exceptional work and contribute more. As we continue on our journey towards strengthening our position as an employer of choice, we are grateful to all our employees for truly making Viacom18 a dream company to work for.”

     

     Viacom18 has always been on the innovative side of creating employee policies – be it offering tattoo allowances to helping people care for their pets through a special pet allowance – the company sure knows how to keep their employees happy. Other benefits include a medical insurance plan, pension plans, wellness initiatives for physical and emotional well being of employees. They also allow employees to enjoy ‘Friday Chills’ – once a month soirees for encouraging interpersonal communication and relationships at the workplace with a bit of fun.

     

    Focus is also laid on learning opportunities through interesting options such as ‘Back To School’ and ‘Young Leaders’ Development programs’.

     

    Recently, Viacom18 launched another innovative initiative titled ‘Internal Career Opportunities’ (ICO), a platform designed to enable the organisation to retain its talent and provide them with opportunities to grow within the organisation.

  • ‘Asia’s Next Top Model’ finale on Star World smashes ratings record in SE Asia

    ‘Asia’s Next Top Model’ finale on Star World smashes ratings record in SE Asia

    MUMBAI: The closing episode of Star World’s hit reality series Asia’s Next Top Model (AsNTM) Season 3 recorded the highest finale ratings ever in the show’s history on Star World in Singapore and the Philippines when it aired across Southeast Asia on 17 June.

     

    Across both countries, season 3 was on average the highest-rated season of the reality series. Ratings increased more than 140 per cent amongst a wide general audience aged 4+ as well as young female viewers from late teens all the way up to mid-thirties, a key target audience for Star World.

     

    In Singapore, the finale telecast made Star World the No. 1 ranked western general entertainment cable channel in that timeslot amongst all people 4 years+ as well as women aged 18-39.

     

    In the Philippines, Star World also claimed the top spot amongst all general entertainment cable channels in the finale telecast timeslot amongst all people 2 years+. Even more impressively, the channel was ranked the #1 cable channel overall in the country in that timeslot amongst female viewers aged 16-34.

     

    Fans also burned up the social media space discussing the finale episode online, with more than 306,125 conversations generated surrounding the finale episode on the show’s social media channels. The total number of online conversations around the show since this season began airing is 5,436,937, and still growing. The hashtag #AsNTM3Finale was top trending on Twitter worldwide as well as in Indonesia, the Philippines and the city of Hanoi during the telecast and continued well into the evening, garnering more than 47,000 tweets.

     

    ‘Asia’s Next Top Model’ as a search term was trending amongst the top three topics in Singapore and the Philippines. Web search interest on Google for ‘AsNTM,’ ‘AsNTM3,’ and ‘Asia’s Next Top Model’ doubled worldwide during the finale telecast, with more than 20,000 searches in Philippines alone, for ‘Asia’s Next Top Model’ on the day of the finale telecast.

     

    An original production of Fox International Channels (FIC), Asia’s Next Top Model is a reality series based on Tyra Banks’ popular Top Mode franchise, where aspiring models are mentored by industry professionals as they compete to become the next big thing in fashion.

     

    On the final episode of Season 3, the judges crowned Ayu Gani from Indonesia as the season 3 winner. As the newest Asia’s Next Top Model, Gani took home a Subaru XV; a contract with one of Europe’s biggest agencies, Storm Model Management; a cover and fashion spread in Harper’s Bazaar Singapore; and is the 2015 Face of TRESemmé.

     

    Fox International Channels head of entertainment and factual channels for Hong Kong & Southeast Asia Keertan Adyanthaya said, “We are thrilled with the success of this latest season of AsNTM and look forward to producing more original shows that fans love. This was a fantastic collaboration between Star World, our brand partners and frankly the fans. Their enthusiasm for the show has helped propelled this season to new heights and we can’t wait to bring them even more great content they can engage with.” 

  • Asian entertainment companies merge to form Catlyst/TV

    Asian entertainment companies merge to form Catlyst/TV

    MUMBAI: Asian media and entertainment companies The Lumenere Group and BlinkAsia have inked a merger agreement to form a new entertainment and media development agency called Catlyst/TV.

     

    The Lumenere Group and BlinkAsia have a complementary portfolio that includes international and regional projects such as Asia’s Got Talent, Supermodel Me and Tiger Twist with DJ Virman (Far East Movement). This strategic merger is aimed at combining the core skills of both companies – in connecting content with brands, platforms and talent through entertainment in more dynamic ways than traditional media advertising can.

     

    BlinkAsia managing director and former CNN International SEA director Shamila Gopalan said, “The pace of change of the media industry has reached unprecedented levels and consumers can no longer be persuaded. Their attention must be earned by gifting them with entertainment, and Catlyst/TV is primed to help brands, agencies, creators, distributors and technology platform providers make deeper connections through branded storytelling.”

     

    Throwing light on the shifting media and entertainment business environment, she said, “The nature of doing business today is and continues to rapidly evolve, Catlyst/TV’s unique proposition to clients’ is that we bring ‘skin to the game’ with our accountability model, creating win-win partnerships.”

     

    The Lumenere Group executive business strategy director Kevin Ou added, “The entire broadcasting value chain is transitioning at lightning speed, alternative platforms are emerging; more than six in 10 digital consumers in Southeast Asia report watching TV content and movies via online sources such as video-on-demand, and YouTube is also increasingly acknowledged as a ‘TV channel’ or platform. This revolution is creating a rich mix of opportunities and challenges for content producers. By combining our resources, the new entity will be better positioned to meet the growing needs of our clients in an era of incredible transformation and disruption within the industry.”

  • Globecast and MEASAT to distribute HGTV across Asia

    Globecast and MEASAT to distribute HGTV across Asia

    MUMBAI: MEASAT Satellite Systems has decided to tie up with Globecast to distribute Scripps Networks’ channel HGTV which will cater to the home and lifestyle category in Asia.

     

    The channel will launch on 4 December with content on property, hybrid construction, design and extreme spaces. HGTV will be beamed off MEASAT 3.

     

    Globecast Asia senior VP of sales and marketing Soo Yew Weng said, “Globecast is honoured to work again with MEASAT and Scripps Networks’ in bringing HGTV to audiences in Asia. Globecast looks forward to HGTV becoming as popular here as it is in the US, where it has been ranked as the number one lifestyle brand, reaching over 99 million households.”

     

    Globecast provides playout, content preparation and select post-production services for all four of Scripps Networks’ regional channels-HGTV, Asian Food Channel, Food Network and Travel Channel across the APAC.

     

    Says MEASAT senior VP sales and marketing Raj Malik, “MEASAT is delighted to continue working with Globecast to bring more high quality programming to Asia. We see great potential in HGTV and look forward to be part of its launch to the market. With the addition of HGTV, MEASAT’s 91.5 degree E video neighbourhood has grown to 57 HD channels distributed and remains Asia’s strongest C-band HD platform.”