Tag: Asia Pacific Music Creators Alliance

  • The year that was: 2023 and the forecast for 2024 in the Indian music industry

    The year that was: 2023 and the forecast for 2024 in the Indian music industry

    Mumbai: The sonic landscape of the Indian music industry underwent a profound transformation in the year 2023. As it is constantly colliding with international styles and ideas, fresh and transformative compositions are widely noticeable in the current music scene. Artists, emboldened by the freedom afforded by online music streaming platforms, experimented with novel sounds, pushing the boundaries of creativity. This surge in experimentation marked a departure from traditional norms, fostering a rich tapestry of diverse musical expressions that resonated with audiences across linguistic and cultural divides.

    Despite the challenges, India’s music publishing industry has shown promising growth, reaching *Rs 850 crore plus in the fiscal year 2022-23. The support from the Government of India and the increasing compliance of music users with publishing requirements have contributed to this success.

    At the heart of this musical revolution was the influence of online music streaming platforms. These platforms not only facilitated the discovery of new genres but also played a crucial role in breaking the language barrier. With sophisticated algorithms curating personalized recommendations, listeners were introduced to a spectrum of music beyond their linguistic comfort zones. This democratisation of musical access paved the way for cross-cultural appreciation and marked a significant step towards fostering inclusivity within the industry.

    One of the standout features of 2023 was the substantial increase in artist revenues. With the advent of streaming platforms and the surge in digital music consumption, artists found new avenues to monetize their craft. Streaming services not only provided a wider audience reach but also contributed significantly to the overall revenue generated by the music industry.

    Also, a heartening development was the post-pandemic reemergence of live shows and public performances. This opened up long-clogged revenue-generating avenues for interested parties while rejuvenating the performers and music creators with a deluge of opportunities most of which had practically disappeared during the pandemic.

    The year 2023 witnessed the growth of independent artists and continued to flourish, breaking away from traditional industry constraints. With the democratisation of music production and distribution, these artists found platforms to showcase their talent and build dedicated fan bases. The growing trend of supporting independent artists marked a shift in the dynamics of the music industry, allowing for diverse voices to be heard.

    Independent musicians in the year have been bolstered by the ready acceptance of their tracks in adorning film soundtracks, thus thinning the line between mainstream and alternative music. With collaborations between Carnatic musicians and hip-hop, jazz, rap performers, gaining traction in unexplored turfs in far-flung locales, the distance music bridges is limited only in the mind. Going ahead, collaboration between musicians across the planet is sure to add a newly-harvested dimension to the global music ecosystem.

    In an era where opportunities and challenges coexist, the equitable compensation and fair-trade practices in music will undoubtedly shape the future of the industry. Every little increment in revenue generation earnings is a welcome addition to the continued growth of any industry. The music business, fortified by the amazing incremental growth curve ushered in by a level playing field, is at an inlection point where revenue opportunities for musicians are being generated at every level. The larger picture though, would be far more salubrious if the benefits accruing trickle down in fair proportion to all entities in the mix including the promoters and the creators. Complying austerely to these significant lead-ups over the year is the only way to see that the creators – the heart of the music industry- are benefited in the right proportion and fairly thus encouraging even better musical content and a vibrant music industry in the coming times.

    In the context of India’s thriving music industry, The Indian Performing Right Society (IPRS) emerged as a key player, actively contributing to the growth and sustainability of the sector. With over 13,500 authors as its members, IPRS has been instrumental in ensuring that music creators receive their due royalties. The manifold increase in revenue collection in the year creating a new benchmark of Rs 564 crores also made room for a much bigger purse for the creators as the IPRS went on to disburse frequent and better royalties to its members.

    A noteworthy development this year includes IPRS’s partnership with LyricFind, presenting fresh opportunities for monetizing lyrics and acknowledging the significance of this frequently overlooked element in music creation. Furthermore, the recent collaboration between IPRS and the Korea Music Copyright Association (KOMCA) underscores IPRS’s dedication to providing its members with novel avenues for creative expansion, nurturing innovation, and elevating Indian talent onto the global stage.

    Affirming its position as a prominent music copyright society in the Asia Pacific region, IPRS recently organized the dynamic International Musical Creators seminar in Mumbai, on behalf of CISAC and the Asia Pacific Music Creators Alliance (APMA). This gathering, attended by key figures in the creative, administrative, and music industry sectors on a global scale, also marked the release of a meticulously crafted report by EY titled “The Music Creator Economy: The Rise of Music Publishing in India.” This groundbreaking report aims to encapsulate the state of music publishing in India, offer perspectives on its relevance and market potential, and, notably, present the results of a survey featuring insights from 500 music creators—a first-of-its-kind initiative in India.

    In another milestone, IPRS hosted the CISAC Asia Pacific Committee Meeting 2003, further solidifying its commitment to represent India on a global forum.

    Commenting on the future, in 2024, Artificial Intelligence (AI) will emerge as a transformative force in the music industry, reshaping the creative landscape. Creators navigate an AI-driven world, exploring new dimensions of music creation through intelligent algorithms, while industry experts will provide insights, guiding creators in adapting to AI tools and technologies.

    The coming years, will witness the transformative influence of artificial intelligence, ready to influence the course of musical evolution by harmonizing technology and creativity. Situated at the crossroads of tradition and innovation, it will be critical for the Indian music industry to utilize AI to advance artists, nurture emerging talent, and extend its global presence, while ensuring robust regulatory frameworks upholding creators’ rights.

    Striking a harmonious balance between technological advancements and preserving the essence of cultural music forms will be pivotal. The industry stands at the cusp of navigating these challenges, presenting opportunities to shape a future where technology and tradition coalesce to create a musical panorama that resonates with the hearts of a global audience.

    This year has seen digital revenue surpassing other sources, and this trend is expected to persist in the coming years. Nevertheless, a key focal point will be compliance, necessitating a societal shift towards recognizing the value of paid music consumption. As I always say, ‘music isn’t free’. Music holds a special place in our hearts and is a beautiful outcome of the dedication and passion of creators who invest their lifetimes crafting songs that enrich our moments of joy and sorrow. And I believe it’s time we acknowledge and value it.

    *Source: The Music Creator Economy: The Rise of Music Publishing in India study by EY India

  • “AI is better than humans at many things but feels no emotions”: Silk Road Communications’ Achille Forler

    “AI is better than humans at many things but feels no emotions”: Silk Road Communications’ Achille Forler

    Mumbai: On 5 December 2023, the International Music Creators Seminar was organised by the Indian Performing Rights Society (IPRS) in collaboration with CISAC and the Asia Pacific Music Creators Alliance (APMA). The seminar comprised informative panel discussions, each focused on delving into various aspects of the music industry. Particularly, the inaugural panel centered on the transformative impact of artificial intelligence on the music industry.

    On the sidelines of the event, Indiantelevision.com caught up with music industry veteran and Silk Road Communications founder Achille Forler, to gain valuable insights on the topic…

    Edited Excerpts:

    On the use of AI causing a potential threat to the music industry and artists’ creative processes, with the rising use of AI tools to make dubbed versions of a song in different artists or people’s voices

    Any technology, be it atoms or bioengineering, can be applied for good or bad. Deepfaking, impersonation, and plagiarism are the negative aspects of AI. They pose a greater risk to music creators than piracy ever did.

    We are at the very beginning of the revolution, but now is the time to ensure its developments occur within the boundaries of the common good. Copyright protects an original expression of a self. AI-generated works can never qualify for copyright protection. It is a good time to ask ourselves, what is a human being? How can technology prove that a creation has a human, and not AI, origin? We must create tools that will fingerprint human creations and filter out AI productions. A working group has been set up on this topic by IPRS and some sister societies.

    On the steps that regulatory bodies like IPRS should take to shape the guidelines for the ethical and legal use of AI in music composition and production

    The good news is that creators have taken up the issue. The International Confederation of Authors and Composers Societies (CISAC), representing five million creators worldwide, and of which IPRS is a member, is very clear on AI and its potential to work for or against creativity. It has proposed guidelines to be followed. https://bit.ly/4a2VCsp WIPO also has a comprehensive page on AI and intellectual property in general: https://bit.ly/484ZXtf

    A significant portion of the Conference on Asia-Pacific Collective Management Organizations, which IPRS organised in Jaipur, was focused on this subject.

    On the positives of AI that you see

    Music is born of deep emotions. AI is better than humans at many things but feels no emotions. It can write poems about love but never pined for the beloved, felt the fire of love tingle through its bones, or suffered a heartbreak. On the other hand, we can already see how AI can help Copyright Societies increase compliance by users, improve their collection capacity through smarter licensing, collect royalties that are impossible to collect today, and speed up the distribution of these monies to music creators.

    I already use AI tools on my music licensing platform, SyncMama, to help clients find the right tracks for their videos within minutes simply by uploading a reference track or pasting a YouTube link. We released version two of this audio similarity search tool, Maya. The next version will enable search by prompts like.

    We experiment with the use of prompts, but they have a learning curve because they require more precision—and more attempts—before you find what you’re looking for.

    Our top priority today is video preview. You upload your video on SyncMama and add a track of your choice. Maya analyses the video and matches the audio track to the video by giving you up to three edit options. If the selected audio section is one or two seconds longer or shorter than the video, Maya will time-stretch the audio to fit exactly your video. Click download, and your video will be ready for broadcast.

    We believe that AI tools like these will greatly facilitate the work of promo producers, advertising agencies, and anyone who needs music for their videos.

    On the music industry better supporting and nurturing the growth of amateur talents who are just beginning their journey, ensuring they have opportunities to shine and develop their unique voices

    Budding talent needs a helping hand. The report on music publishing released last week by E&Y shows that the economic value of music to corporate users is at least 12,000 crores. What value would radio, television, films, or games have without music? If corporate users of music were to carry out their legal duty to pay the IPRS, that money would go a long way to nurture and support new talent.

    On ensuring that artists remain at the forefront of decision-making processes to safeguard their interests and maintain the spirit of artistic expression, in a world increasingly influenced by AI

    The answer is in this video:

    SyncMama Valentine

  • International Music Creators Seminar 2023 spurs collaborations, advocacy, and visionary discourse

    International Music Creators Seminar 2023 spurs collaborations, advocacy, and visionary discourse

    Mumbai: The Indian Performing Rights Society (IPRS) hosted the International Music Creators Seminar on behalf of CISAC and the Asia Pacific Music Creators Alliance (APMA) on 5 December 2023. The APMA International Music Creators Seminar 2023 featured insightful panel discussions, each dedicated to exploring different facets of the music industry.

    The first panel was about how artificial intelligence will revolutionise the music industry. Renowned artists and industry experts who attended the panel highlighted the positive potential AI tools have for creators, and the exciting AI revolution that is already happening cannot be stopped. Generative AI can extend the frontiers of human creation, enhance artistic expression, and deliver to creators new licensing opportunities and revenue streams. But AI also requires smart regulation. The industry needs to come together to prevent AI from undermining human creativity and threatening the livelihoods of creators.

    In the discussion Dr. G.R. Raghavendra – Senior Consultant IPR, DPIIT, former Joint Secretary, Govt of India, Achille Forler Founder Silk Road Communications, João Kruss Gomes Chairman MACA, Mayur Puri – lyricist & screenwriter alongside moderator Benjamin NG, Regional Director for Asia Pacific, CISAC shed light on leveraging AI while ensuring regulatory frameworks uphold creators’ rights. “The integration of AI in music creation presents boundless opportunities for artists globally. It’s imperative to develop robust regulations to safeguard creators’ rights in this evolving landscape,” mentioned lyricist, IPRS Board Member and APMA vice chairman Mayur Puri.

    Commenting on the same, Senior Consultant IPR, DPIIT, former Joint Secretary Govt. of India Dr. G.R. Raghavendra said, “In the vast landscape of AI, it’s important to dispel the notion that it’s inherently risky. Throughout the course of technological evolution, every leap forward has been met with the creation of rules and protections to ensure responsible usage. AI, such as ChatGPT, is essentially a machine that can’t replicate the depth of human abilities—it’s not that creative or original. When we talk about using someone’s work, whether in AI or any other field, seeking permission and offering fair compensation is not just a courtesy; it’s a fundamental aspect of ethical practice. In the grand scheme of technological advancements, maintaining fairness and ethical standards becomes the cornerstone of integrating AI responsibly into our lives. So, as we navigate this exciting era of innovation, let’s keep in mind the importance of consent, fair compensation, and ethical considerations in the realm of AI.”

    The second panel, fair value of music in the streaming economy delved into the streaming landscape, emphasizing the need for creators to receive equitable returns from this burgeoning market. Discussions led by leading creators, legal experts, and industry veterans Dhinraj Shetty – MD Sony Music Publishing (India), Swanand Kirkire – lyricist, singer & Actor, Irfan Aulia – Musician, Managing Director, Massive Music, Chairman of the Supervisory Board of Collective Management Organization Wahana Musik Indonesia, Notapol Srichomkwan – songwriter and chairman MCT, Tarsame Mittal – Music Entrepreneur, moderated by Satoshi Watanabe of CISAC, highlighted the necessity for adaptations and government interventions to ensure a fair music ecosystem.

    The third panel, the future of female representation & contribution in the Music Industry, featured discussions by lyricist and screenwriter Kausar Munir, music composer Sneha Khanwalkar, composer and music producer Merlyn D’Souza, music composer and producer Hiral Viradia, and Nanni Singh – chief executive showcase events, moderated by poet and lyricist Irshaad Kamil, on gender dynamics in the music industry. The panel passionately advocated for breaking down stereotypes, fostering inclusivity, and creating a diverse and inclusive musical landscape.

    “The industry must actively foster an environment that embraces diversity and empowers female creators. It’s time to dismantle barriers and create more opportunities for women in music”, stated eminent lyricist and screenwriter Kausar Munir.

    Javed Akhtar, legendary lyricist, screenwriter, poet, and chairman of IPRS, expressed his satisfaction with the event’s success, stating, “The International Music Creators Seminar 2023 underscores the power of collaborative innovation. The recently established collaboration with KOMCA ushers in a transformative period, encouraging a dynamic interchange of creation between India and Korea. Our commitment to creating an inclusive and equitable music industry where creator rights are safeguarded and creativity is nurtured was highlighted through stimulating panel discussions. Our narrative revolves around breaking down barriers, creating opportunities, and envisioning a world where creators and creativity flourish. We look forward to bringing such platforms to India and elevate our artists.”

    The International Music Creators Seminar provided a platform to underscore the importance of cross-border partnerships and smart regulation for a vibrant and equitable creative landscape.